• 한국디자인학회:학술대회논문집
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• 한국디자인학회 2002년도 봄 학술발표회 논문집
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• pp.126-127
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• 2002

• Architectural research
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• 제3권1호
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• pp.21-27
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• 2001

This study addressing the underlying strategies for Andong municipal museum complex development is in timely view that Andong has obtained a worldwide reputation as a treasury of traditional Korean Confucian culture. Thus far, there has been a tendency that various local museums are proposed to meet architectural aspirations architects and users commonly hold. Overall, though, the major role they play in making overall city image has not been considered in a systematic manner. Based on Lee's (2001) two previous studies, this study summarized the utility of cognitive distance and cognitive map concepts, which are proposed by Kevin Lunch (1976) to evaluate city image, in planning Andong municipal museum complex (AMMC). Sample is stratified into city residents and outsiders, and also into the general public and design-related professionals to see if there is any group difference in constructing their mental image. Three major findings are obtained. First, familiarity, so-called the degree of knowing, is the function of the length of stay in a designated area. That is, the longer people stay in Andong, the more likely they are familiar with its overall environmental aspects. Second, mental proximity of Andong municipal museum complex relative to existing cultural landmarks is closely related to the degree of how people value those landmarks in terms of their significance. Dosan Seowon and Hahoe folk village are most highly valued, which means higher proximity. Third, functional diversity turned out to be the most important design dimension, while display mechanism are least valued. Cognitive simulations of this sort are meaningful in that projected composite image might be a rough first approximation of true public image.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2004년도 춘계학술발표대회 논문집
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• pp.77-80
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• 2004

The Pinakothek der Moderne(Munich, 1996-2002, Stephan Braunfels) in planned to form the Museum Complex, with the 4th Pinakothek harmonized with Alte Pinakothek(Munich, 1826-36, L.von.Klenze) and The Neue Pinakothek(Munich, 1981, Alexander von Branca). The Purpose of this study is to find the design method of Pinakothek der Moderne for forming the Musuem Complex

• Journal of information and communication convergence engineering
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• 제20권2호
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• pp.131-136
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• 2022

The recommendation system applied in museums has been widely adopted owing to its advanced technology. However, it is unclear which recommendation is suitable for indoor museum guidance. This study evaluated a recommender system based on social-filtering and statistical methods applied to actual museum databases. We evaluated both methods using two different datasets. Statistical methods use collective data, whereas social methods use individual data. The results showed that both methods could provide significantly better results than random methods. However, we found that the trip time length and the dataset's sizes affect the performance of both methods. The social-filtering method provides better performance for long trip periods and includes more complex calculations, whereas the statistical method provides better performance for short trip periods. The critical points are defined to indicate the trip time for which the performances of both methods are equal.

• 한국실내디자인학회논문집
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• 제14호
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• pp.82-89
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• 1998

During the boom of museum building in the 1970s-80s two museum wee erected in Germany. They are James Stirling's Neue Stattsgalerie Stuttgart and hans Hollein's Stadtisches Museum Abteiberg Monchengladbach, These two museums share the folowing point of similarity : Stirling's Neue Stattsgalerie Stuttgart and Hollein's Staditisches Museum Abetiberg Monchenbladbach both manifest the conditions of the times in light of their respective cities' local characters and historical contexts without being bound to traditional formality. Stirling and Hollein attempted to grasp the meaning of the 기nuseum as a city in miniature." Taking into account the t two museums’s territorial characteristics of being situated on a slope, both Stirling and Hollein made the walker to pass t through their building complex and introduced the concept of a public square within them. As a result, the museums are not j just two large buildings but are architecture composed of a collage of various structures. S Stirling’s architecture employs the method of attaching additional elements on top of basic constituents, which is suggestive '||'&'||'#61551; of the historical fragment from Shinkel's Altes Museum. On the other hand, Hollein applies a collage-style method as if he w were doing urban planning, maintaining the distinctiveness of each of the various forms and materials of buildings. T The object style buildings of the two museums actively demonstrate the contrast of double meaning to represent the a ambiguous and multifarious characteristics of the modern times. Stirling explores the theme of opposition and coexistence in h his Neue Stattsgalerie Stuttgart by placing a series of opposing concepts, such as the past and present and histor${\gamma}$ and t technology, in one space. Thereby, the contradiction and its appeal are manifested. Hollein made use of the visual illusion and c contradiction in alluding to the irony of the modern reality induced by nature and culture and history and technology. F For the above reasons and methods, James Stirling ’ s Neue Stattsgalerie Stuttgart allowed the penetration of art into daily l life and became the general public’s favored museum for its free and unrestrained environment. Likewise, Hans Hollein’s S Stadtisches Museum Abteiberg Moncbengladbach contribute to the development of museum function as it an expression of art i in the form of a complex piece of scupture on its own.ts own.

• 박물관보존과학
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• 제26권
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• pp.143-160
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• 2021

한성백제박물관에서는 백제 한성기 대표적인 왕실과 중앙세력의 분묘군으로 알려진 사적 제243호 석촌동 고분군의 학술 발굴조사를 실시하고 있으며, 그 과정에서 출토된 금제이식의 과학적 분석 및 보존처리를 실시하였다. 분석은 실체현미경 관찰, SEM, X-선 촬영, CT, XRF 분석을 실시하였고, 이를 통해 유물 특성, 내부 구조와 성분 등을 확인하고 제작 기법을 알아보고자 하였다. 연구결과, 금동이식의 주환은 동심재에 수은 아말감 금도금하였고, 중간식의 육면체는 금 분말을 용융시켜 소환을 이어 붙였으며 수하식 구체는 반구체 두 개를 땜하여 붙인 것을 확인하였다. 세환이식 2건은 표면 성분이 서로 유사하지만 동심재에 금판을 감싸 제작한 것과 금봉을 구부려 제작한 것으로 제작기법에 차이가 있음을 밝혔다. 금 함량은 유물에 따라, 측정 위치에 따라 다르지만 약 19~21K로 비교적 높은 금 함량을 보이며 정교한 공예기술로 만들어진 이식이라는 점에서 피장자의 우월적 지위와 석촌동 고분군의 위상을 판단할 수 있는 자료가 될 것으로 보인다.

• 한국패류학회:학술대회논문집
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• 한국패류학회 1999년도 추계학술발표대회요약집(한국패류학회)
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• pp.1-1
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• 1999

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2004년도 춘계학술발표대회 논문집
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• pp.116-122
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• 2004

Since the 18th century the museums in Europe have accepted the social demand of the publicity and have played a role of social education and it lasted to the present. Recently, the society began to change it's direction. It is from the Universalism to the Pluralism. The Universalism is due to democratic society after 'the Civil Revolution' and standardized social system after 'the Industrial Revolution' The Pluralism that starts with the decrease of the modern society is about the diversity and the activation of identity which has been disregarded since the Modernism. This study is to analyze and to clarify how the museum's educational environment which had begun since the 18th century has been changed since 1990 and how these are related to the social alteration from the Universalism to the Pluralism. As a result of this study, it was confirmed that there had been a simple circulation system and a unified spatial experience in the museum of Europe since 18th century to 1980's(phl) while there had been a complex circulation system and a diverse spatial experience in the museum of Europe after 1990's(ph2). These mean that the museum of phl gave a unified social education to the visitors and they came to have a similar knowledge and emotion after their seeing the exhibition material while the museums of 'ph2' gave a diverse one and the visitor came to have a different knowledge and emotion to the same exhibition material. The museum which gives a unified social education is to produce a unified thoughts of people and it is because the social direction is the Universalism. In addition to this, the museum of diverse social education is to produce people of diversity and it is related to the Pluralism.

• 박물관보존과학
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• 제14권
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• pp.29-35
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• 2013

백자투각연당초문지통과 같이 기형 및 장식기법이 복잡한 도자기의 경우, 기존에 사용되고 있는 복원제는 경화시간이 짧아 정교한 성형이 어려워 틀을 이용하여 복원한다. 하지만 틀을 이용한 복원 또한 시간적, 재료적인 단점이 있기 때문에 직접 복원하는 방법을 연구하고자 하였다. 복원제의 경화시간과 물성은 작업성과 밀접한 관계가 있기 때문에 복잡한 형태의 복원부를 직접 성형할 때는 충분한 가사시간이 확보되는 복원제가 필요하다. 소성점토(Original Sculpey)와 에폭시퍼티(Repair it Quik)를 각기 다른 비율로 혼합하여 가사시간, 색도 변화, 작업성에 대한 실험을 하였다. 실험결과 OS8 : RQ2의 비율로 혼합하였을 경우 가사시간이 충분하고 성형성이 좋았으며 황변도가 낮고 채색성이 좋아 가장 효과적이라는 것을 알 수 있었다.

• 지역과문화
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• 제6권1호
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• pp.29-56
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• 2019

본 연구의 목적은 무섬마을을 무섬별리문학관으로 공간스토리텔링하는 것이다. 지역문학관의 중요성을 인식하고 무섬마을의 장소성 강화를 위해 닫힌 공간의 문학관이 아닌 열린 공간의 무섬별리문학관을 제시하였다. 이를 위해 무섬마을을 분석하고, 그 가치와 의미를 살폈다. 이론적 고찰과 연구 대상의 분석에 따라 무섬별리문학관의 공간을 구성하여, 조지훈과 관련된 이야기로 방문객이 장소감을 느끼고, 장소성으로 이야기를 완성해가는 주체가 되도록 하였다. 이를 위해 연인의 공간, 사유의 공간, 배려의 공간, 치유의 공간으로 구성하고, 사랑, 마을, 밥상, 유희로 공간을 스토리텔링하여 문학콘텐츠와 문학작품 배경인 마을의 공간을 극대화하였다. 이는 지역의 이미지 제고와 브랜드 가치를 높이기에 좋은 자연과 문화, 문학이 융합된 복합문화공간이 될 것이다.