• 건축역사연구
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• 제12권1호
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• pp.7-24
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• 2003

Considering on the crisis and dilemma of monumentality in Modern architecture, this study analyse the historic reason of decay and new possibility of monumentality within the context of contemporary socio-cultural context. Historically monumentality has been considered as a main substance of High architecture in e tradition of Western Architecture. Difference between building and architecture mainly lies in monumentality which brings about esthetic quality. Usually architects take it granted that the physical and formal characteristics automatically cause the monumentality, But since the modem period the decline of communicative and representative function of architecture made this belief questionable. As Monumentality itself faced the dilemma with the modernity, ironically architects has to response to the task to handle the increasing social demands of monumental building. This study firstly shows the dilemma of monumentality in depth in case of the holocaust museum. Then we analyse the concept of monumentality itself by means of theoretical view of A. Loos and A Riegl We also analyse the change of role which monumental building played in history. Cultural and social change of context, and fundamental change of architecture old way of building a monument impossible. In conclusion this study proposes the new concept and searches new horizon of monumentality with a finding of the otherness of monumentality. Conventional monumental building language has to give way to new approaches. With some examples we already can find a new possibility.

• Earthquakes and Structures
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• 제12권2호
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• pp.223-236
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• 2017

Seismic assessment and rehabilitation of Monumental Buildings constitute an important issue in many regions around the world to preserve cultural heritage. On the contrary, many recent earthquakes have demonstrated the high vulnerability of this type of structures. The high nonlinear masonry behaviour requires ad hoc refined finite element numerical models, whose complexity and computational costs are generally unsuitable for practical applications. For these reasons, several authors proposed simplified numerical strategies to be used in engineering practice. However, most of these alternative methods are oversimplified being based on the assumption of in-plane behaviour of masonry walls. Moreover, they cannot be used for modelling the monumental structures for which the interaction between plane and out-plane behaviour governs the structural response. Recently, an innovative discrete-modelling approach for the simulation of both in-plane and out of-plane response of masonry structures was proposed and applied to study several typologies of historic structures. In this paper the latter model is applied with reference to a real case study, and numerically compared with an advanced finite element modelling. The method is applied to the St.Venerio church in Reggiolo (Italy), damaged during the 2012 Emilia-Romagna earthquake and numerically investigated in the literature.

• 건축역사연구
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• 제21권1호
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• pp.135-154
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• 2012

The goal of this paper is to analyze the Freedom Center Apacle in Seoul designed by Kin Soo Geun who was a leading architect in Korean Modern architecture. Freedom Center was built in 1963, that was the largest monumental building to support military regime during cold war period in Korea. This paper deals with historical background of construction of Freedom Center and its characteristics compared to similar monumental buildings, especially Corbusier's Chandigar and Kenzo Tange's Hiroshima Peace Center. The Monumentality in Freedom Center came from the reference to these two buildings and its site plan. This paper tried to show how similar the layout of buildings between the Freedom Center and Peace Center. The origin of the sublime aura in Tange's linear layout of Peace Center is from Japanese Famous Shrine(Jinku). Kim translated it to serve the ideological purpose to protect from socialist regime in the name of freedom. Its over-scaled roof and weak contents showed Freedom center was a kind of theaterical setting belong to formalist building. But in spite of its symbolic and representational gesture its also had a architectonic physical quality to make it a monument. The change and duration in time testified the autonomous power of architecture in Freedom Center. Freedom Center was also important for using the exposed concrete and its superior finish. It was influenced not from western way of Benton Brut which was usually called New Brutalism but Japanese way of treating expose concrete. In spite of its limits Freedom center achieved new trend and sensibility in Korean Modern Architecture.

• 대한건축학회논문집:계획계
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• 제35권8호
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• pp.73-79
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• 2019

The purpose of this study is to analyze the stress variation according to Hitler's residence using EEG data. Hitler's residence, one of the most monumental buildings, is designed as a grand and overbearing space, giving the visitor a sense of psychological pressure when moving from a high space to low space. Based on the above background, this paper constructs Hitler's residence using virtual reality and measure the changes of the beta waves which are known to be related with stress when the floor level moves from high to low space in Hitler's residence built in virtual space. The results of the experiment are as follows; when moving from high to low space, the subjects' stress was high and at the same time brain waves variation was increased greatly due to changes in space.

• 한국실내디자인학회논문집
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• 제16호
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• pp.98-105
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• 1998

Today the worship of entertainment i.e television has created a situation of diminshing monumental environments with increasing leisure time. Let us examine retrospectively the characteristics of the Urban theater Architecture. Two aspects would stand out as Theater Architecture gets closer to the urban tradition or trends to make a part of a city come to life. One aspect is an introvert purity. The other is an extrovert organic structure on the edge of connecting urban scenary with anything hoping to find the renewable element which could be revived eternally in architecture.

• KIEAE Journal
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• 제4권1호
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• pp.27-32
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• 2004

in seaside was emphasized on mainly visual elements such as monumental sculptures, towers, landscape and so on. But a memorial space in seaside has peculiar and various sound environments comparing with other spaces. In that sense, there are many rooms to improve soundscape of the space by adding suitable sounds to or by subtracting unsuitable sounds from a memorial space.

• KIEAE Journal
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• 제8권2호
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• pp.47-52
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• 2008

A nations' cultural heritage embodies its intellectual and spiritual contributions to its civilization of mankind. Cultural properties, whether tangible or intangible, represent both the essence and the basis of national cultures. Both the Philippines and South Korea's cultural heritages have survived various unfortunate chapters of their long histories. This study's purpose is to explore and evaluate the phenomenon of the architecture of Hahoe village in Andong city, Korea and Vigan city of Ilocos Sur, Philippines and to understand and cherish the cultural heritage of both countries. The historic city of Vigan has a unique architecture that blend Ilocano, Filipino, Chinese and Spanish styles in a tropical Asian setting, with a typical Spanish colonial urban layout as specified by the Ley Delas Indias. Hahoe village also represents a masterpiece of human creation and exhibit an important interchange of human values in architecture, monumental arts, town planning and landscape design. Though diverse in milieu, Hahoe village and Vigan city share a common phenomenon which is architecture that is called cultural heritage.

• 한국실내디자인학회논문집
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• 제26권1호
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• pp.3-12
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• 2017

In today's society, Monolithic expresses itself as a single featured work with a consistent exterior in the urban environment. In particular, such characteristics of the monolithic work have become increasingly influential in the modern society with the emergence of the minimalism. Monolithic architecture in modern has common feature which is maintaining simple construction format (Mass) with complicated and abundance space (Volume) inside. This simple architecture exterior leads new stimulus which is different from previous format and evokes unique sensibility and thoughts with monumental expressing. Uniformed exterior revealed thru purity of material builds up strong presence by itself. In contract with simple exterior, diverse space is expressed by consistent concept and process. Through this, it shows creating metaphorical space and space-oriented feature. We can interpret modern monolithic architecture as a sensation and alternative against Gestalt architecture in consequence of chasing clarity, visual stimulus and uncertain tendency only. It provides architectural experience by spatial imaginary and unexpected space development to users through exclusivetendency against outside and stressing un-private, we can evaluate its value as a space-oriented construction which helped us to think about space meaning in modern society.

• 한국조경학회지
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• 제45권6호
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• pp.160-170
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• 2017

현관식 기념 건축물로 축조하는 패방은 정표와 장려의 기능을 가지고 있다. 시대의 발전에 따라 더 많은 역사 문화적인 내용 및 사회 기능이 부여된다. 본 연구는 타이산 명승지 중부에 위치한 홍문궁의 4기 패방을 대상으로 문헌연구와 현장조사 및 시각적 분석 방법을 통해 기본 속성, 공간 척도와 공간 느낌, 기능 등 3가지 측면을 연구하였다. 연구 구간 안에 있는 패방의 재료는 모두 석조이며, 건조 위치에 따라 명승지 및 사찰의 패방 등의 2종과 기능에 따라 표지, 기념, 문형 등 3종이 있다. 형태와 크기를 보면 '공자등림처방(孔子登臨處坊)'이라는 패방의 수준이 가장 높아 유교 문화의 지위를 중요시하였음을 알 수 있다. 패방의 입지 공간은 실체와 감성 등 2가지 측면으로 상호 작용을 통해 이해하면 전체 경관의 공간적 의미를 완전하게 파악할 수 있다. 공간 척도로 볼 때 패방은 다른 경관요소와 서로 조화를 이루고, 한정된 선형 공간 중 사물 간 또는 사물과 사람 간 상호 비교를 통해 패방의 시선 초점 기능을 강조하고, 관광객들이 패방 아래를 통과할 때의 느낌을 증진시킬 수 있다. 홍문궁 패방은 공간을 합치고 규정하는 기능을 가지고 있다. 배열방식이 시선을 더욱 뻗어 나갈 수 있게 한다. 패방 위에 있는 대련과 글씨는 등산 전의 기대감을 증가시키고, 공간의 안내 기능을 강화시킨다.

• 한국농촌건축학회논문집
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• 제25권2호
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• pp.17-24
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• 2023

Seokgojeon(石鼓殿) is a protective pavilion that protects stone drums made in 1902 during the Korean Empire in connection with Emperor Gojong's Mangyuksun (51'st birthday) and the commemoration of the 40th anniversary of his reign. During the Japanese colonial period, Seokgojeon was dismantled and transformed into the bell pavilion of Bakmunsa Temple, which was a memorial temple for Ito Hirobumi in 1935. In November 1945, just after liberation, Bakmunsa Temple was burned down, and the Seokgojeon Hall, which was transformed into Jonggak(鐘閣), was relocated to the Changgyeongwon(昌慶苑). Outdoor Stage in 1966, and was dismantled in 1984 due to the Changgyeonggung(昌慶宮) Palace restoration project, and only the members are currently stored. Therefore, this paper intends to use it as a basic research data to examine the style of monumental buildings during the Korean Empire through literature surveys, absence surveys, and case studies of similar buildings during the same period.