• Title/Summary/Keyword: Modern Times

Search Result 1,032, Processing Time 0.022 seconds

The Prescriptions of Enriching Blood and Nourishing Vital Essence (補陰血方劑) in "The Elimination & Supplement about The Famous Prescription Comments(刪補名醫方論)" of "The Golden Mirror of Medicine(醫宗金鑑)";focus on translation & comparative study with "The Famous Prescription Comments on Ancient and Modern Times (古今名醫方論)" ("의종금감(醫宗金鑑) . 산보명의방론(刪補名醫方論)"의 보음혈(補陰血) 처방에 대한 연구;번역 및 "고금명의방론(古今名醫方論)"과의 비교고찰을 중심으로)

  • Kim, Seung-Hwan;Lee, Yong-Bum
    • Journal of Korean Medical classics
    • /
    • v.20 no.3
    • /
    • pp.67-77
    • /
    • 2007
  • Through the translation and comparative study of the enriching blood and nourishing vital essence(補陰血方劑) in "The Elimination & Supplement about the Famous Prescription Comments(刪補名醫方論)" of "The Golden Mirror of Medicine(醫宗金鑑)" with "The Famous Prescription Comments on Ancient and Modern Times(古今名醫方論)", we confirmed that about 50% of the sentences from "The Elimination & Supplement about the Famous Prescription Comments(刪補名醫方論)" were quoted in "The Famous Prescription Comments on Ancient and Modern Times(古今名醫方論)", and that many of the text were not quoted unchanged, but were revised and supplemented. In organization, the prescription with the fewer number of component drugs is given first, followed by that with more component drugs, and that with similar component drugs is explained subsequently to facilitate understanding. In the prescription notes, it is emphasized that when enriching blood, the invigorative method(補氣法) is very important and that cold or pungent herb should be very carefully used.

  • PDF

A study on the Moaning of Appropriation Inherited in the Modern Costumes (현대 복식에 내재된 Appropriation의 의미 연구)

  • 이효진
    • Journal of the Korean Society of Costume
    • /
    • v.51 no.4
    • /
    • pp.141-163
    • /
    • 2001
  • This study was to analyse the meanings of the appropriation inherited in the modern costumes from the latter of the 20th century to the present. According to the dictionary, the meanings of a word. "appropriation" is to steal something, used in order to avoid saying this directly. The sorts of the appropriation represented in the works of Art was as follow : First. the reconstruction by the imitation of the works of a great master or partly induction of the works of a great master Second, the introduction by the history, modern art, the image of popular culture Third, the imitation by the works of photograph, etc The appropriation in the modern costumes could be distinguished as two facts : First, the appropriation of the image of popular culture, 1) the way by the induction of popular factors of the extremely routine, commonplace character 2) the way by the citation of critical sentence of society, complaint message of the situation of times. Second, the reinterpretation of the past works : 1) the way by the reinterpretation of a great artist′s works, or popular works. In accordance with its change of a standard of value of the beauty, the products of modern culture, called the artificial second image, that is, popular factor, ready made factor, a signboard, a trademark etc, was appropriated in modern costumes and was reinterpreted by the works of fashion designer′s empathy. We can say that the modern costumes is not only the products of creative, original action of fashion designers but also the mirror of times, having relationship with society.

  • PDF

The Characteristics of Korean Costume Colors and the Interpretation from the Perspective of Cultural Semiotics(1) (한국복식의 색채특성과 문화기호적 해석에 관한 연구[1])

  • Lee Jee-Hyun;Kim Young-In
    • Journal of the Korean Society of Costume
    • /
    • v.56 no.2 s.101
    • /
    • pp.56-69
    • /
    • 2006
  • The purpose of this study was to analyze the characteristics of Korean costume colors according to the diachronic stages of culture(Chosun dynasty, Modern times, Present age) and to interpretate the meanings of costume colors as a cultural code. To examine the color characteristics according to the cultural change, the quantitative analysis and the qualitative analysis were used. For the quantitative analysis 1535 color samples were collected and for the qualitative analysis on the sensitive aspect of Korean costume color, 340 color names were collected. The results of this study as follows; 1.'Red' and 'Blue' were preferred throughout the periods. In Chosun dynasty, the higher saturation of 'Red' and 'Blue', its symbolic meanings were more emphasized. 2. In the Modern times, 'Pink' was more distinctive than 'Red'. 'Pink' meant that the ecdysis of the traditional view of color. 3.'Yellow' of the low Saturation was used frequently in Chosun dynasty but in the Modern times, the use of 'Yellow' increased and the high saturation were used. In the Present age, the frequency of 'Yellow' was reduced relating to the increasing use of 'Brown'. 4.'Neutral Color' has changed according to the diachronic stages of the culture. 'Black' was increased and had a big meaning in the cultural aspect of the Modern times. In the Present age, 'Gray' and 'grayish colors' were increased related to Technology, Metals and High rise buildings.

Analysis of Mass Fashion on the basis of Movie Costume (영화의상을 중심으로 한 대중패션의 분석)

  • 유태순
    • Journal of the Korean Society of Costume
    • /
    • v.31
    • /
    • pp.189-202
    • /
    • 1997
  • Movie is one of the most popular culture ac-tivities in modern society and the composite rt of science and art born in the 20th century. Movie became the great source of setting the fashion. Especially movie costume brought into relief and was accepted by the mass. As a movie stimulates imitation psychology and identification of the general public in fashion. The purpose of this study is to analyze the effects of the movie costume to a modern mass fashion. The times was defined the movies from the early Silent era to the modern Hollywood movie from the late of 1910 to 1990. The way of study were to analyze on the changes and roles of movie costume through documentary records and the influence of set-ting the fashion to the mass fashion and classi-fied it five times-silent era classics neo-classics new look and modern times. The summary of result is as follows, 1, Movie costume affected the dress and the fashion of women is Silent era. That fashion was accelerated by actors' costumes in the mode of 1920. 2. Holloywood movies in the Classics show the essence of the fashion movie costume played a role of a fashion leader and commanded the trend of mass fashion. 3. Practical style was shown because of the war in the Neo-classics. Movie industry was prosperous after the war. But the consequences of the movie costume to the mass fashion were more and more weaken 4. Couture designer's costume had an effect on the mass fashion in the early of New look. But it was behind the fashion for the rise of young fashion. 5. The tastes of the fashion were diversified in Modern times. So the movie fashion was not imitated or popular. The costume of "Pret-a-porter" was used in the movies in the 1980. Spectators became to wear the same style of the actors. The times fashion and movie interacted each other. Movie costume is playing a role of a fashion leader guiding the mass fashion.s fashion.

  • PDF

Differential$\cdot$Integral Calculus and Natural Arts (미분적분학과 자연주의 미술)

  • Kye Young Hee
    • Journal for History of Mathematics
    • /
    • v.18 no.2
    • /
    • pp.31-42
    • /
    • 2005
  • Renaissance is revival of the ancient Greek and Roman cultures. So, in Renaissance period, the artists began to study Euclidean geometry and then their mind was a spirit of experience and observation. These spirits is namely modernism. In other words, Renaissance was a dawn of modern times. In this paper, we notice modern spirits and ones social backgrounds. Differential and integral calculus was created by these modern spirits. And in art field, 'painter of light', 'artist of moment' appeared. Because in the 17th and 18th centuries, the intelligentsia researched for motions, speeds and lights.

  • PDF

A Study on the spiritual Shaman(Gangsin-mu)'s Po -in Seoul-gut Shaman's Costume- (降神巫服의 袍에 관한 연구 - 서울굿 무복을 중심으로 -)

  • Kim, Eun-Jung
    • Journal of the Korean Home Economics Association
    • /
    • v.41 no.9
    • /
    • pp.43-54
    • /
    • 2003
  • The purpose of study is to survey the system of the Korean Gangsin-mu shaman costume and its formative character and to fine out the traditional follow patterns of government officials' attires and Po's meaning of it. The overall shape of variety 'Po's in modern times are similar to the traditional ones, but they differ greatly in size, detail color, and ornamental design. The sleeves have slits in the armholes, which can allow the hands to be drawn out easily. In addition, the knot buttons are used in the modern costumes. They are based on different formation skills from those of the traditional The original color of the shaman's costume is not their taste in color but symbolic, modern costumes color show the shaman's taste in color. This change mean a more accentuated visual effect than incantatory meaning. Another reason for color change is also the costume's material. A kind of constituent element uses synthetic fiber in modern times.

A Study on Asymmetry Design Represented in Modern Fashion (현대복식(現代服飾)에 나타난 비대칭(非對稱) 디자인 연구(硏究))

  • Choi, Kyung-Hee
    • Journal of Fashion Business
    • /
    • v.5 no.3
    • /
    • pp.129-143
    • /
    • 2001
  • The purpose of this study is to pigeonhole theoretical notions of asymmetry and historical flow of asymmetry designed dresses, understand the trend of asymmetry design in modern fashion and find out its plastic character. The result of this study is as follows. The asymmetry is un-harmony artistic structure that unbalanced left and right in designing. The asymmetry fashion were seen that drapery dress of Egypt, Greece, Rome in ancient times and design by strong color contrast in heraldry and hose, accessory in the middle ages. In modern times, it was seen as complicated and mixed appearance by the influence of post-modernism. The asymmetry designs in modern fashion are shown varied styles by asymmetry of silhouette, detail, fabric, wearing method. The characters of these are a sense of de-construction, formative sense, and exaggeration The asymmetry design must be made by cutting, sewing, and high degree of technique through the latest skill and study.

  • PDF

A study on the Urban Commercial Housing - Focused on the Modern Architecture in Daegu Buksungro - (도시형 상가주택의 활용에 관한 연구 -대구시 북성로 근대건축물을 중심으로-)

  • Do, Hyun-Hak
    • Journal of the Korean Institute of Rural Architecture
    • /
    • v.17 no.2
    • /
    • pp.35-42
    • /
    • 2015
  • This study is about Urban Commercial Housing among Modern Architectural assets in Buksungro (one of the 4 Roads of Rampart in Junggu, Daegu), the main stronghold of Urban Regeneration projects according to the recent Urban Regeneration strategy. The development of the Urban Commercial business and the quantitative increase of the Urban Housing that is accelerated after the Industrial Revolution certainly caused the Urban Commercial Housing, and in the downtown of Daegu, with the Urban Hanok and Commercial Hanok, Commercial Housing based on Machiya, Japan has appeared. The study about Commercial Hanok and Machiya, Japan already existed, but there were no Comparative Study about the Modern times' Commercial Housing remaining in Korea. Accordingly, the purpose of this study is to compare the Modern times' Commercial Housing in Buksungro, Daegu, with the Japans' Commercial Housing.

A Study on the Changes in Funeral Rituals Since the Modern Period (근대 이후 상례(喪禮)의 변화에 대한 연구)

  • Chul-Young Lee
    • Industry Promotion Research
    • /
    • v.9 no.2
    • /
    • pp.163-174
    • /
    • 2024
  • The purpose of this study is to analyze the relationship between social change and ritual change and to reveal the differences between Confucian funeral rites and modern rituals based on that relationship. In addition, we attempted to examine the process of change in rituals over time in connection with changes in institutions. The periodization of funeral rites was analyzed by dividing them into the pre-modern 'Confucian funeral rites', the 'modern funeral rites' during the Japanese colonial period, and the 'modern funeral rites' based on ritual capital with the implementation of the Healthy Family Rituals Standards in 1999. In addition, the understanding of the rites of the times must be understood through the process of moving from pre-modern to modern funeral rites and modern funeral rites, escaping the logical contradiction of succession of tradition through division of time. This study is meaningful in considering that Koreans' perception of death continues to reflect the times from the perspective of change and continuation of rituals.

Review of Traditional Concepts for Modernization of Tradition and Strategy of Modernization (전통의 현대화 원칙 및 전략 수립을 위한 전통 재조명)

  • Han, Sung Gu;Chi, Chun-Ho
    • The Journal of Korean Philosophical History
    • /
    • no.53
    • /
    • pp.131-163
    • /
    • 2017
  • We were already thrown into the modern by the Japanese before reflecting the relevance of modernization and acceptance, and the value of the modern was postponed. The late period of Chosun, people sank into a state of torpor and traditional culture and ideology has caused people to have a negative perception of modern times.Modern times, however, are defined in the relative concept of tradition and modernity in the history of modern times. In order to understand the modern era and its origin, it is necessary to look squarely at the face of modernity. Failure of modern times is a failure of traditional succession.So, if we analyze the causes of the failure of the traditional heritage, why can't we see some of the reasons why we perceive it as a failure? In this thesis, it seeks to understand the diverse views of the traditional elites of the journal and the newspaper, which are published in the traditional education of the journal, and are looking at a variety of views. Moreover, we should seek to explore the traditional elements of the new tradition by discussing the aspects of the educational problems caused by the cause of the accidental break and the educational problems caused by its results.