• 한국융합학회논문지
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• 제9권6호
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• pp.191-201
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• 2018

본 연구는 일본 건축가 단게 겐조(丹下健三)의 건축에서 1960년대를 기점으로 나타났던 중요한 변화에 대해 그 원인과 결과를 분석하는 것을 목표로 한다. 일본의 초기 현대건축을 성공적으로 이끌었던 단게는 1960년 무렵부터 일본의 새로운 시대, 새로운 건축을 위해 자신이 추구했던 기존의 기능주의적 경향에서 벗어나 구조주의적 방법을 제시했다. 따라서 본 논문에서는 단게가 1960년대 이후 지향했던 구조주의적 경향이 이전 시기의 기능주의적 경향으로부터 어떤 발전과 변화를 이루어 결과적으로 어떤 차이를 보이는지, 또한 구조주의적 경향으로의 변화에 영향을 미친 원인들은 무엇인지 등에 대해 연구한다. 결론적으로 단게의 이론은 기존 기능주의의 개념을 부정하는 대안의 제시라기보다는 기능주의와 구조주의 모두를 포괄하는 것으로서 기능요소와 그 구조화를 통해 오히려 기존의 기능주의가 가졌던 단점을 보완하면서 효율적인 기능의 재정비를 이루었다고 할 수 있다.

• 디자인학연구
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• 제15권2호
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• pp.243-252
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• 2002

산업디자인은 인간이 필요로 하는 것을 그 시대상황에 알맞게 순응하면서 새로운 도구를 만들어 왔다. 그러나 초기 미국산업디자인은 어렵게 정탁 되였다고 볼 수 있다. 세계대전과 경 제공황, 그리고 많은 이민자 등, 급변하는 사회환경 속에서 새로운 산업디자인을 세운다는 것은 쉬운 일이 아니었다. 디자인 형태의 흐름도 1920년대의 스텝모던 그리고 1930년대의 스트림라인으로 짧은 시간에 많은 변화가 있었음을 말해주고 있다. 그러므로 본 연구에서는 1920년대부터 1937년대까지 미국디자인에의 탄생된 다양한 디자인환경을 대상으로 하고 있다. 특히 그 당시 활발하게 활동했던 4명의 디자이너의 활동과 성장환경을 이해하므로 미국 산업디자인의 뿌리는 물론 지금의 환경을 이해하는데 도움이 될 수 있다. 우리나라의 일부디자인은 전쟁과 무역을 통해 미국의 영향이 있었다고 볼 수 있다. 지금 미국 산업디자인 초기 과정을 이해한다는 것은 지금의 세계 상황과 우리와 역학적 관계의 모든 면에서 매우 중요하다. 초기의 미국 문화는 청교도와 상업주의 등에 이루어 졌지만, 오늘날은 여러 가지 문화가 커다란 용광로를 통해 융합된 하나의 문화를 갖고 있다.

• 건축역사연구
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• 제19권5호
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• pp.65-80
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• 2010

The purpose of this paper is to investigate into the meaning of the New Brutalism sensed in the late church buildings of the Swedish architect Sigurd Lewerentz (1885-1975). St Mark's (1956-64) and St Peter's (1962-66) churches, his grand finale designs, have a unique architectural vocabulary of rough brickwork. The brick treatment is the basis on which Reyner Banham (1966) discussed him concerning the New Brutalism, and the point that this research focuses on. This paper explores the brutalist character of the buildings from two aspects - interpretational level of individual buildings and historical level of a broader view. First, the character of two churches could be interpreted with the phrase of 'play between brutality and sacredness'. The rough surface of brick and mortar in the buildings symbolises brutality and the vault of their chapels' ceiling sacredness. And the two characteristics meet and play on the rough vault surface. Second, in the historical point of view, this paper argues that the buildings made a giant leap for Swedish modern architecture, which had been at a deadlock owing to the compromising attitude of the New Empiricism since 1940s. And the Swedish New Empiricism (or the New Humanism), spread to Britain as "Welfare State architecture" after World War II, brought about reaction of the young British architects such as the Smithsons and became the background that made the new brutalist mood. However, considering that the term of the New Brutalism was first used in Sweden by Hans Asplund, Lewerentz's brutalist late churches - which seemingly had nothing to do with the British nor the Corbusian lineage - are also meaningful in that they confirmed the tendency in its homeland. In conclusion, this paper argues that St Mark's and St Peter's churches with the brutalist characteristics should be regarded as crucial buildings not only in Lewerentz's personal career but also in Swedish and international architectural history.

• 한국실내디자인학회논문집
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• 제18권4호
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• pp.31-42
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• 2009

Though Adolf Loos, an architect of 1920s said 'ornament is sin', feature of decoration has big gravity in modern architecture & its design trend. Embellishment as a new genre that combined new cultures, trends, and technologies is finally ascribing to skin design approach. For instance it is preference to rags, coarse fabric, external shape of fragments. Expressing surface as a ceremony in architecture or indoor design is also belong to the same category. In this respect, as a new approach on skin, the study focuses on visual and spatial changes that stimulate user's sensibilities consequently since skin design is based on human senses and sensibilities. As skin design expands the scope of human experiences comprehensively, and classify boundaries between internal parts and external parts or make them ambiguous, aesthetic embodiment on new trends is getting done. Through skins on buildings, a message is transmitted to a whole city, an opportunity for the city to be expanded into a new space is created, and human senses are stimulated through refusing a traditional sides by rediscovering decorations in space design and adapting the sides made in limitlessly-expressed styles. Thus, as a new approach on the skins that transmit a message through human senses, the study is to contemplate skin design, and to interpret them as works to eliminate boundaries among architecture, fashion, interior/exterior space design(especially exhibition and international fair)following their suits. Through interpreting this subject, the study is to understand and analyze comtemporary expansion situation on interactions among fashion and architecture, and interior design.

• 한국실내디자인학회논문집
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• 제14권3호
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• pp.114-121
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• 2005

Louis 1. Kahn was a wise architect who learned from history. He developed his own unique architecture by combining his creative sense with design principles and vocabularies that can be found in historical architecture. When restricting a space, he surrounded the space with thick walls as it had been done in historical buildings. The interior space encompassed by this method became a center-oriented and stable space. The objective of this study is to find the characteristics of Kahn's interior spaces by analyzing his projects in terms of space, form, daylight and materials. For this purpose, five works that are considered to have significance from the aspect of interior design were selected and analyzed. The characteristics realized through this study are as follows. A) Spatial features: 1) Generally speaking, each required space has been arranged symmetrically. 2) Being clearly defined as the main space, the subsidiary space, or the service space, each space also was placed very functionally. 3) The space encompassed by thick walls became a center-oriented, stable space. And in most case, it was characterized as a dark space. B) Formative features: 4) The space was defined as a basic solid such as a cylinder, a hexahedron, and an octagonal box, and was developed into a complex shape by the recessed windows. 5) Historical vocabularies such as an arch, a vault, and a dome were reinterpreted in new ways by kahn's own eyes. 6) Haying diverse shapes, the skylights enrich the space in terms of form. C) Daylight feature: 7) The vertical light entering through the skylights creates a solemn and mysterious atmosphere. 8) Given the shadows from the windows that change according to time, the interior space becomes a very vivid space. D) Material feature: 9) Harmonized with cold and smooth materials such as exposed concrete, metal, and glass, the interior space provides a modern atmosphere. 10) Warm appearing wood was used for furniture and part of walls or floors. The effective use of wood takes on a role that is quite complementary to the cold ambience of the smooth and cold materials. 11) With flexibility In building shapes, the concrete becomes the form-endowing materials.

• 한국실내디자인학회논문집
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• 제8호
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• pp.3-15
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• 1996

Friedensreich Hundertwasser , born in Vienna 1928, is a painter, an architect and an environmentalist. His architecture is radically different from the traditional , straight -lined, functional architecture practised, for example, by the Bauhaus Masters. From the very beginning , he has tried by various means to show that radical change in thinking are necessary , possible and realized. Hundertwasser's goal in this architecture is to make and give human dwelling in harmony with nature. his architecture is characterized by avoidance of straight lines, " Window Right", irregular arrangement of windows, onion dom, a wealth of colours and such environmentally -friendly consideration as planting of roofs and realizing of "tree-tenants". hundertwasser sees houses as evolving creations which are to be shaped by their inhabitants. He hates Uniformity. The irregularity is always the guiding principle in his architecture. The Hundertwasser's architeucture express his fundamental belief that we may not simply rob nature of her resources, but that we must also return territory to nature which we habe stolen from her. Roofs, terraces and courtyards planted with vegetation and " tree-tenants" build bridges between man and nature. They influse the architecture with vitality and romanticism and are a statement of a quality rather than a standard of living. It is quite possible to value the architecture of Hundertwasser as an important inspiration, as a sort of turning point in the thoughts and actions of city planners. It's success could be healing shock for the international architectural community, which is hypnotized by technology and abused by the shortsighted interests of ren.tability . Under this pressure, today's architects trend to reduce people to a mere part of the " Dwelling machine", without acknowledging that in the long run such machines eat away at people's souls.uch machines eat away at people's souls.

• 디지털융복합연구
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• 제17권10호
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• pp.427-432
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• 2019

본 연구의 목적은 환경 문제에 대한 시대적 배경과에 맞추어 일본의 대표적인 친환경 건축가인 후지모리 테루노부 작품에 나타나는 공간표현 특성을 알아보고자한다. 연구 방법으로는 1990년대부터 현재까지의 작품 중 그를 대표하는 다실 공간 5곳을 선정하여 문헌연구를 통하여 공간의 표현 특성을 알아보고자 한다. 분석결과로는 반드시 자연소재를 사용하여 공간을 마감 하고 건축물에 식물을 도입하는 전략을 적극적으로 사용하고 있었다. 일본의 전통방식을 차용하는 전략은 공상성과 일탈성을 나타내는 공간표현 방식으로 사용하고 있었다. 이 시대에 새로움을 추구하는 현대인들의 요구와 실현 가능한 대안의 친환경 건축 계획 시 또 다른 공간디자인 방법론으로 제시할 수 있다고 기대해 본다.

• 건축역사연구
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• 제31권1호
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• pp.77-88
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• 2022

Architecture had played a significant role model in philosophy because the construction of building represented doing philosophy. 'Architecture as metaphor' made it possible that doing philosophy was a kind of construction of thinking and western philosopher considered himself as an architect of idea. As a system of system, architectural analogy gave philosophy a chance to insist himself as a theory of theory. So architecture had always been a privileged model of discourse system and also a fundamental metaphor in philosophy. Because of its original meaning, Architecture as techne could be considered as poiesis, that was the special building(making) in western culture. The archi(arche) - structure(techne) was a ideal model and mechanism of philosophy because with this analogy doing philosophy became a kind of building act to make a logical system of idea. This kind of tradition in philosophy, especially metaphysics, made the characteristics of western philosophy 'architectonic' that implied the meaning of the rational, stable, hierarchical and holistic. But this kind of tradition exposed the problem of philosophy that focused on Identity and excluded the others. The logocentrism of western philosophy was also the limitation of architectonic thinking and its reductionism became a grand monologue which only allowed systematic, rational discourse. Its ideological position Inevitably caused the anti-architectural thinking in modern age as a diverse form of new trend of thinking as like postmodernism or deconstruction. Even Deconstructivism, or 'informe', non-representation in architecture depends upon anti-architectural thinking. Relationship between architecture as metaphor and the building of philosophy is problematique issue.

• 한국실내디자인학회논문집
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• 제23권6호
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• pp.87-94
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• 2014

Today, the growing number of international architects enters the open market of South Korean architecture and interior from exhibition spaces such as art galleries to buildings of major companies. Establishing new local landmarks, their works have a considerable influence on the development of architecture. Among many, French architect Jean-Michel Wilmotte has worked consistently in South Korea. The purpose of this study is to analyze and put together the expression characteristic of the interior design in his exhibition spaces including Gana Art Gallery. Jean-Michel Wilmotte has designed based on the history, culture, society, and arts in France and other European countries, and is influenced by architects like Charles Rennie Mackintosh, Josef Hoffmann, and Carlo Scarpa. Such an influence is shown in the form of contrast between verticality and horizontality as well as the fortification in his modern classical characteristic, which is one of his expression characters. In his work of improving the ancient architecture, Wilmotte is good at creating a modern space through contextual expression, and the textural contrast between materials of the past and the present. Thus I performed an analysis of the expression characteristic of the interior design in National Museum of Contemporary Art of Chiado in Lisbon, Cognac Hennessy Museum in France, Gana Art Gallery in Korea, Mus$\acute{e}$e du Pr$\acute{e}$sident Jacques Chirac in Sarran, France, Ullens Center for Contemporary Art (UCCA) in Beijing, and lastly Mus$\acute{e}$e d'Orsay in Paris. The results show that he maintains the spatial context by applying contemporary design to the preserved existing structure, continues the flow of exhibition through the lightings in the corridors and on the ceiling, and seeks for a balance by adding vertical or horizontal elements to the elevation. In the interior, the staircase and exhibition structure are turned into objects, and the contrasting texture of the wall vitalizes the space. Wilmotte redesigns the space of the past and the present by using indirect joint that allows an organic connection of the old and new structures, and by minimizing the conflict between the two elements through prefabrication. The expression character of his interior design will be potential resources for architects and interior designers to develop their own design languages.

• 문화기술의 융합
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• 제7권1호
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• pp.92-98
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• 2021

합리성과 효율성을 끊임없이 요구받고 있는 현대사회의 시대적 흐름은 사회 전체의 패러다임이 되었다. 이 패러다임은 건축설계와 건설업계에도 큰 영향을 미치고 있다. 디지털 도구의 발전과 인터넷을 통한 정보기술(Information Technology)로 대변되는 현대 기술은 건축설계와 건설업계에서 파라메트릭 디자인(Parametric Design)과 BIM(Building information Modeling)이라는 두 개의 큰 흐름을 생성하고 발전하고 있다. 비록 각기 다른 이유로 탄생했으나 효율성과 합리성이라는 공통의 목적으로 서로의 경계를 넘나들면서 건축설계와 건설업계에 큰 영향력을 보이고 있다. 이러한 맥락에서 본 연구는 BIM 설계에 적용을 초기 기획설계단계에서의 파라메트릭 디자인이 어떻게 이루어져야 하는지에 대한 내용을 예시를 통해 구현해 보고자 했다. 해체주의(Deconstructivism) 건축가 "프랭크 게리"(Frank O. Ghery)의 작품인 월트디즈니 홀(Walt Diseny Consert Hall) 설계의 프로세스에 대한 고찰과 체코프라하의 네덜란덴 빌딩(National Nederlanden Building)의 형태를 파라메트릭 설계 툴(Tool)을 사용하여 기획설계단계에서의 형태를 구현하고자 했다. 향후 이 연구는 기획설계단계에서의 파라메트릭 디자인의 범위를 넘어서 궁극적인 BIM의 적용 즉 계획 및 실시설계 그리고 시공에 이르는 건설산업 전반에 적용 가능한 기초 자료로서의 목적에 사용되고자 한다. 향후 파라메트릭 디자인 알고리즘을 활용한 계획 및 실시설계단계에서의 BIM의 적용을 진행하고자 한다.