• 한국생활과학회지
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• 제17권6호
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• pp.1237-1248
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• 2008

This is to study the effects of the program of group art therapeuties for the low-income bracket children's melancholy and uneasiness. The experimental group is 19 children at their option of all 38 children in P child center at J city, Jeonbuk. The program has been going on after-school hours program at the facilities at 16times from May. 4 to August. 17, 2007. I have made the before-medium-after examination the COD, RCMAS and K-MFF through Repeated Measures ANOVA. The result is as follows, The melancholy of experimental group in comparison with that of control group is reduced by control group 0.42 and experimental group 2.67. And in lower rank group, the melancholy of experimental group for control group is dropped in the same way. In uneasiness, by the decrease of control group 0.10, experimental group 0.33, the uneasiness of experimental group for that of control group is decreased. In all drive, the drive of experimental group for that of control group is decreased by control group 0.12 and experimental group 0.33. And similarly, in all lower field, the drive of experimental group is reduced for that of control group. It is through our help to learn the proper way that they express their experience before the group members, listen to another person's story with attention, recognize their own and other's emotion, and are aware of feeling and action.

• 영미문화
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• 제17권1호
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• pp.163-189
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• 2017

The mourning and grief practice richly registered in Shakespeare's Hamlet is one of the abiding themes that critics have been fascinated with. This paper attempts to take a fresh look at the issue by building its arguments on Benjamin's insight that the modern art (mechanically) reproducing the exhibition value brings about the destruction of the ritual value and favors the conditions of melancholy. Instead of taking for granted that Hamlet's performance of grief is fundamentally different from those of other characters such as Gertrude, Ophelia, and Laertes, this paper argues that Hamlet's performance comes to be recognized masculine and different from others, only because he presents himself to be so through his theatrical performance as well as his princely power that the subjects (others in the story) ought to ascribe to. To prove this point, this paper closely analyzes Hamlet's rhetorics and the ways he constructs his mourning self, which is emblematic of the shift in art history that Benjamin has characterized with the terms of "ritual value" and "exhibition value." In conclusion, this paper suggests that Shakespeare's Hamlet marks the change of the historical horizon, a permanent removal from the past in which the ritual value had been once protected, pushing us to a new age to live with melancholy and the disconnection from things and their muted language.

• 대한한의진단학회지
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• 제15권1호
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• pp.67-76
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• 2011

Objectives: The purpose of this study was to examine the effect of cooking and art activities on cognitive function and depression of dementia patients. Methods: The study was carried out on 34 dementia patients (experimental group: 17 persons, control group: 17 persons) at 65 years old or more who correspond to a total MMSE-M, MMSE-K point between 15 and 23 points instituted in a specialized nursing facility in Busan from November 30, 2007 to February 20, 2008. The study used a nonequivalent pretest-posttest design. In previous survey, the study measured points of general characteristics, cognitive function and melancholy. To the experimental group, cooking art activities were carried out for 90 minutes every time and once every week for 12 weeks. Results: Analysis on data was performed using SPSS/WIN 14.0. In addition $x^2$-test, Fisher's exact test and t-test were used for testing of homogeneity and ANOVA was performed for testing of hypothesis. The results of this study are as follows. 1. Hypothesis 1 that 'The experimental group with cooking art activities will show a higher point of cognitive function than the control group without cooking art activities' was supported (F=65.497, p<0.001). 2. Hypothesis 2 that 'The experimental group with cooking art activities will show a lower point of melancholy than the control group without cooking art activities' was supported. (F=27.463, p<0.001) Conclusions: From the above results, cooking art activities showed a significant difference in the increase in cognitive function and reduction in melancholy of dementia patients.

• 한국의류산업학회지
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• 제16권3호
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• pp.354-365
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• 2014

This study investigates the positioning of emotional language imagesin popular music genres for developing textile print design ideas. Auditory and synaesthetic imagery were employed to deduct emotional language imageries from popular music genres and analyze differences in emotional language imageries according to popular music genres. Six genres of popular music were selected as stimulus and a survey was conducted to analyze emotional language imagery differences and similarities depending on popular music genres. The results of this study were: The results of the factor analysis and the reliability test on emotional language imagery showed factorial structures that include Lyrical-Feminine, Intense-Masculine, Euphoric-Active, Gloomy-Melancholy, Abstruse-Sophisticated, and Addictive-Continuous. The results of the mean scores of emotional language imagery of each popular music genre showed that respondents tended to perceive that ballad and new age music are similar and hip-hop & rap, dance, and metal-rock are similar. Based on the multidimensional scaling analysis, new age positioned Lyrical-Feminine, metal-rock positioned Intense-Masculine, dance music positioned Euphoric-Active, and ballad positioned Gloomy-Melancholy. This study provides elementary resources to inspire innovative textile prints designed through different characteristics of emotional language imagery according to each popular music genre.

• 영어영문학
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• 제54권4호
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• pp.579-597
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• 2008

This article discusses David Henry Hwang's M. Butterfly as a suggestive text for examining Western masculinity in crisis in the post-imperialist age, in which territorial imperialism is no longer valid. Previous scholarship on M. Butterfly has centered around the interlocking dynamics of imperialism, racism and sexism. Such critical attentions focus on how Hwang deconstructs racialized significations of the East and the West. In these discussions, the issue of gender is often addressed merely as a trope to represent the power relations between the East and the West. As such, gender as well as sexuality is highlighted as the very source of subversion of the power relations. My discussion departs from a critique of the gendered trope of the East and the West, highlighting a postmodern agent, the allegedly feminized character Song Lining: a Chinese actor who passes for a woman for political purposes in postcolonial China. Remaining an "inappropriate/d other" in the gendered imperialist discourse, Song becomes an emergent subject, who is capable of playing gender ambiguity for reclaiming a devalued identity, that of homosexual Asian man. Discussing how the central character Rene Gallimard's masculine identity is constructed in a cross-cultural space and how it evolves, I also argue that Gallimard's melancholic death signifies a historical unsustainability of imperialist masculinity in the postmodern/postcolonial age since World War II.

• 한국조경학회지
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• 제45권3호
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• pp.129-140
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• 2017

본 연구는 포스트 인더스트리얼 공원이나 메모리얼 등 기존 모습을 유지한 채 근대적 기억을 담은 장소와 경관을 만드는 최근 조경 설계 경향에 대한 미학적 해석이다. 논의의 주요 대상은 방문자들이 공유할 수 있는 집단 기억을 간직한 대형 공원과 오픈스페이스다. 기억의 장소와 경관에서 일어나는 방문자의 미적 경험은 숭고, 노스탤지어, 멜랑콜리 등의 개념으로 설명될 수 있다. 이러한 미학적 개념이 강도 높은 트라우마 기억과 연관될 경우 방문자는 병적 상태에 다다를 위험이 있다. 그러나 '방문'을 통해 미적 경험이 이루어진다는 장소와 경관의 매체적 특성에 의해 방문자는 기억의 장소와의 거리를 자율적으로 조정할 수 있으며, 따라서 기억의 장소에서 온전한 미적 경험을 할 수 있게 된다. 숭고, 노스탤지어, 멜랑콜리를 통한 미적 경험은 시간성의 발현과 비가역성을 통해 이루어지는데, 시간성이란 장소와 경관이 가진 기억과 시간의 특성을 의미하며, 기억의 장소와 경관에서 발현되는 시간성은 되돌릴 수 없는 시간의 비가역성에 기초한다. 이 때 방문자가 가진 기억과 배경지식은 장소 기억과 더불어 장소와 경관에서 미적 경험을 구축해 나가는 주요 요소이다. 본 연구는 기억의 장소와 경관을 설계하는 과정에서 장소 기억과 방문자의 기억을 이해하고 활용할 수 있는 이론적 틀을 제시한다는 점에서 의의를 갖는다. 방문자의 기억에 소홀했던 물성 중심적 설계에 대한 비판적 시각 또한 본 연구의 또 다른 의의일 것이다.

• 복식문화연구
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• 제2권1호
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• pp.39-53
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• 1994

This paper analyzes clothing symbolism of mood and emotion described in master pieces of Charles dickens(2812∼1870), who is a well-known writer of England, and thus tries to clarify symbolic characteristics of clothing woven into all human lives.. The result show that clothing symbolizes in various ways such mood and emotion as bless, wrath, friendliness, respect, surprise, excitement, embarrassment, uneasiness, sadness, melancholy, anxiety, hostility, unpleasantness, deliveration, shyness, blessing, gratitude, despair, shame, sympathy, boasting, etc.

• 디지털융복합연구
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• 제17권12호
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• pp.367-374
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• 2019

본 연구는 한국 여성의 알코올사용장애 영향요인을 파악하여 한국 여성의 알코올사용장애 중재를 위한 기초자료를 제시하고자 수행되었다. 본 연구는 제6기 국민건강영양조사 자료를 활용하였으며 만 19세 이상 여성을 대상으로 인구사회학적 특성, 건강관련 특성 및 알코올사용장애 여부를 파악하였다. 자료분석은 IBM SPSS 25.0 프로그램을 이용하여 복합표본설계를 적용하였다. 연구 결과 한국 여성의 알코올사용장애 유병률은 14.7%였으며 알코올사용장애군과 정상군은 연령, 결혼 여부, 교육수준, 경제활동 여부, 흡연 여부, 스트레스 인지 정도, 우울증상 여부에 따라 유의한 차이가 있었다. 알코올사용장애 영향요인을 분석한 결과 알코올사용장애 유병 위험은 연령이 낮을 경우 4.0배, 미혼일 경우 1.6배, 경제활동을 하는 경우 1.6배, 흡연을 하는 경우 4.3배, 우울증상이 있는 경우 1.9배 높은 것으로 나타났다. 본 연구의 결과에 따라 경제활동을 하는 미혼 여성의 음주와 흡연 여부, 우울증상을 파악하고 함께 접근하는 것이 필요하며, 추후 다양한 변수를 포함한 경제활동을 하는 미혼 여성의 알코올사용장애 위험요인에 대한 연구를 제언한다.

• 영어영문학
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• 제56권2호
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• pp.187-217
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• 2010

By reading the main character, Rene Gallimard, in M. Butterfly as a spatial metaphor of America, this article examines how homogeneous American national identity of heterosexuality and white masculinity has been reinforced since the cold war and has constituted a crisis of hegemony with the decline of imperialism and how its pathological symptom is shown through the melancholic suicide of Gallimard. This article also argues how the feminine attributes implied in race, gender and sexuality in M. Butterfly are designated and allegorized as an impure, contaminated and ahistorical marker of national integrity in pthe social and material status of the heterosexual American white male. To develop my argument, I read M. Butterfly from a psychoanalytic point of view. Therefore I depend on Freud, Lacan, and Bhabha's psychoanalysis as the theoretical basis. In this paper, I also argue that the homogenized and fixed national identity is splitted and collapsed from within as shown in the Gallimard's melancholy and in the process of splitting the "Third Space" of hybrid subjects for the marginal and the emergent like Song Liling, a homosexual Asian man, can be built "from a space in-between." Therefore Hwang calls into questions conventions of fixed, essentialist identities through the shifting gender identities between Song and Gallimard in M. Butterfly and how identities in the plural are constructed variously in throughly historicized, politicized situations, and these constructions can be complicated by relations of power.

• 셀메드
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• 제9권4호
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• pp.1.1-1.4
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• 2019

In spite of the fact that a variety of unfailing guidelines are existing for the management of hypertension, the problem of inadequate managing of this condition still continues. Several classes of existing antihypertensive drugs are associated with various side-effects. Since ancient times before the advent of anti-hypertensive drugs, this disease has been treated by the prominent classical scholars. Various herbal drugs are being used since ages for the treatment of hypertension and some of them are validated too. Evolvulus alsinoides is also one such herb used in classical literature since ages for various disorders like insanity, anxiety, nervous debility, epilepsy, melancholy, palpitation and many others. This review is to highlight the antihypertensive potential of Evolvulus alsinoides.