• 과학교육연구지
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• 제45권2호
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• pp.156-171
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• 2021

본 연구는 미래 교육에 관련된 선행 연구를 분석하여 그 시기별 변화의 특징을 파악하고, 최근 나타나는 뉴스 기사를 비교하여 미래 교육에 대한 예측과 전망이 얼마나 일치하는지 비교 분석함으로써 교육을 위한 예측 모형 수립을 위한 시사점을 제공하고자 하였다. 이에 Web of Science를 통해 미래교육을 키워드로 포함한 국제전문학술지의 1,222건의 학술논문의 상세 서지정보를 수집하였고, 이를 2000년대부터 5년 단위로 4개의 시기로 구분하여 각 시기별 키워드를 추출하였다. 또한 최근 1년간 발간된 뉴스를 토대로 키워드를 추출하고 두 결과를 비교하여 얼마나 예측한 결과가 일치하는지 살펴보았다. 연구 결과, 문헌 조사 결과를 통한 키워드는 교사 교육을 제외하면 공통적으로 나타나는 주제나 경향성을 발견하기 어려웠으며 교육과정, 학습자 특성, 협동학습, 컴퓨터 기반 학습 등 교육과정과 내용, 방법, 환경 등 전반을 제시하고 있었다. 이에 반해 뉴스를 통해 도출된 키워드는 혁신학교나 미래교육센터 등 정부의 주요 추진 정책이나 코로나19와 관련된 키워드들이 부각되어 나타났다. 또한 온라인 플랫폼이나 콘텐츠 개발, 클라우드, 빅데이터, 개별학습 등 교육환경과 방법에 초점이 맞춰지고 있음을 파악할 수 있다. 뉴스를 통해 나타나는 키워드를 살펴보면 장기적인 예측을 통해 나타난 키워드는 거의 없었고, 최근 5년 내에 제시되었던 단기적인 내용들이나 최근 5년에서도 언급되지 않는 새로운 주제들을 다루고 있었다. 이는 미래 교육에 대한 예측과 망에 대한 모형이 실제 중장기적 예측에서는 여러 요인의 불확실성으로 인해 정확성을 기대하기 어렵다는 점을 의미한다. 이에 본 연구에서는 미래 교육 예측을 위해 필요한 과제와 방향에 대해 시사점으로 제시하였다.

• 디지털융복합연구
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• 제12권9호
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• pp.101-109
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• 2014

본 연구는 중앙일간지 편집기자의 역할인식을 사회안정 및 개혁 견제로, 역할지향을 취재원지향, 사시지향, 독자지향으로 구분하고 역할인식과 사실적 보도태도 사이에서 역할지향의 매개효과를 분석하였다. 분석결과 취재원지향은 사회적 안정 역할 인식의 영향을 받는 것으로 나타났는데 사실적 보도 역할 인식을 감소시키는 요인으로 나타났다. 사시지향은 사회적 안정 역할의 영향을 받을 뿐 사실적 보도태도에는 영향을 미치지 않는 것으로 나타났으며, 독자지향성은 편집기자의 역할인식이 사실적 보도역할인식을 강화하는 부분매개효과가 있는 것으로 나타났다. 이러한 연구결과는 취재원의 기대에 영향을 받을 경우 사실적 보도태도는 감소하며, 독자의 기대에 영향을 받을 경우 사실적 보도태도는 증가하는바 편집권이 외부요인에 의해 영향을 받을 수 있다는 것을 실증적으로 입증하고 있다.

• 한국언론정보학보
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• 제41권
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• pp.268-302
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• 2008

일본의 공명방송 NHK가 위기에 직면해있다. NHK의 위기는 제도적 규범과 실태 간의 모순에 기인한다. 시청자의 신뢰를 회복하기 위해 NHK에서는 '개혁재생사업'을 추진하고 있다. 그러나 이러한 개혁사업은 감사, 기업통치, 법령 준수 등 관리체제의 강화에 초점이 맞춰져 있으며, 결과적으로 제작진의 내부적 자유, 전문주의, 저널리즘을 위축시키고 있다. 또한 시청자 시민에 대한 설명책임에도 해결해야 할 과제가 많은 것으로 나타났다. 공영방송이 설명책임을 실천하기 위해서는 기업통치의 변용, 구체적으로 독립규제기관의 설립, 경영위원회의 강화 등 제도적 개혁이 선행되어야 한다. 이와 함께 제작진에게 내부적 자유를 보장해야 하며, 공영방송은 시민에게 보다 많은 책임을 짊어져야 한다는 인식이 필요하다. 이를 바탕으로 시청자에게 공영방송의 운영, 사업계획, 업무성과, 편성, 프로그램 내용 등의 차원에서 공익적 역할을 성실하게 수행하고 있는가를 스스로 측정 평가하여 그 내용을 공개하고 설명해야 하며, 시청자의 의견과 요구에 성실하게 답변하고 해명하려는 노력이 필요하다. 시청자는 적극적인 참여를 통해 공영방송을 지탱하는 제도적 부담을 분담해야 한다.

• 한국언론정보학보
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• 제35권
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• pp.87-113
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• 2006

이 연구의 목적은 시장 개방이 미디어와 문화 콘텐츠의 수용자의 복지를 증진시킬 것이라는 주장의 타당성을 이론적으로 검토하는 것이다. 이를 위해서 이 연구는 먼저 우리 사회의 문화 시장 개방에 관한 입장들의 스펙트럼을 수용자 복지를 중심으로 분류하였다. 다음으로 시장 개방이 소비자로서의 수용자에게 실질적으로 경제적 이익을 가져다 줄 것인가를 미디어 공공재 개념을 중심으로 검토하였다. 마지막으로 시장 개방이 시민으로서의 수용자에게 가져다 줄 민주적 가치 차원의 손익을 살펴보았다. 연구 결과, 적극적 시장 개방론이 주장하고 있는 문화산업의 경제적 효율성 증대 및 경쟁력 강화, 소비자의 선택권 확대, 문화적 가치의 보호 등은 그 이론적 정당성이 미흡하며 논리적인 모순이 적지 않다는 점이 드러났다. 따라서 적어도 이론적으로는 시장 개방이 수용자 복지를 증진시킬 수 없다는 결론을 얻었다. 그러나 시장 개방 반대의 논리가 문화의 교류와 유통 자체를 금기시하는 왜곡된 민족문화의 보호주의로 이어져서는 곤란하며, 오히려 시장 개방이란 조건은 우리 내부의 문화적 다양성을 돌아보고 개혁하는 계기로 작동해야 한다는 점을 덧붙여서 제안했다.

• 한국문헌정보학회지
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• 제16권
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• pp.71-110
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• 1989

The purpose of this study is to investigate the influential factors creating the modern library thought in the latter part of Yi Dynasty. After Korea was forced to make a treaty opening up the country in 1876, Western civilization was introduced and reforms were carried out eventually. Various influential factors could be taken into consideration as follows. (1) The envoys to Japan after 1876 (2) Tourists party to Japan organized by Gentlemen in 1982 (3) The persons who studied abroad (4) Establishment of modern schools and development of publications: on the new learning. (5) News media and others Above all, the persons who studied abroad, such as Yu Gil Jun, Yun Chi Ho, etc., in early stage has contributed most to the extension of public recognition for modern library in Korea. Therefore it can be said that the formation of modern library thought in Korea was based on the theory of the Western library as was the Japan in the period of Meiji Restoration. Patriotic intelectualls in these days believed that reform of the educational system and the diffusion of knowledge was very much meeded in order to preserve an independent Korea and to build up national strength, and then nation-wide campaign for enlightenment was earried on. For that reason the movement of the national library establishment in 1906 also should be regarded from the same point of view, that is, as a part of the enlightenment campaign. Therefore it should not go unheeded that strong patriotism was always streamed under the ground of the library campaign as well as the new learning and new education campaign. Unfortunately every plan of Korean library movement had broken down and missed the chance for having experience of self-development because of the Japanese invasion.

• 영어영문학
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• 제55권6호
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• pp.1163-1191
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• 2009

As many critics do, this article starts from the premise that Charles Waddell Chesnutt wrote The Conjure Woman with a distinct socio-ethical view to ameliorating white readers' racism. For this purpose of social activism, first, the author uses a racially submissive genre and narrator- antebellum plantation-dialect fiction and an old ex-slave Julius-in order to win the attention of white racists, who constituted the majority of the reading public of postbellum America. Chesnutt then allows this seemingly submissive ex-slave consecutively to wage narrative battles against a Northern white capitalist, John. This fiction's structure is thus based on interracial narrative conflict. Granted, the result of these narrative battles is Julius's defeat. Even though he sometimes has narrative success through his manipulation of either his white female auditor's sentimentalism or the white capitalist's racial prejudice, it does not lead to any fundamental change in the white audience members' awareness: John still regards Julius's tacitly reformoriented tales merely as nonsensical ghost stories invented by the absurd imagination of a subservient, entertaining, and exploitable black coachman. Admitting his defeat, Julius relinquishes his original goal of deterring John's capitalist exploitation of both racial Others and the natural environment of the South and finally decides to serve the economic power of white capitalism. This self-defeating conclusion, however, should not be identified with Chesnutt's failure as an author. Rather, it should be understood as an interim result of the black author's earnest experiment with literary media best suited to his reform project. In fact, this narrative failure reveals Chesnutt's accurate diagnosis of the postbellum literary world: a black voice is still feebly heard and even easily buried by the whites' capitalist ambition and consequently intensifying racism. Conclusively, Julius's narrative failure should be positively evaluated as Chesnutt's one step further in his gradual and lifelong progress to a narrative goopher effectively to engage whites' imagination and sympathy for a vision of equal interracial coexistence.

• International Journal of Computer Science & Network Security
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• 제22권9호
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• pp.353-357
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• 2022

This article identifies the problems and substantiates the directions for the development of distance learning technologies in the training of personnel. An example of using digital media to create a remote access laboratory is given. The article is devoted to the definition of the main aspects of the organization of distance education. Rapid digitization, economic, political and social changes taking place in Ukraine necessitate the reform of the education system. First of all, it concerns meeting the educational needs of citizens throughout their lives, providing access to educational and professional training for all who have the necessary abilities and adequate training. The most effective solution to the above-mentioned problems is facilitated by distance learning. The article analyzes the essence and methods of distance learning organization, reveals the features of the use of electronic platforms for the organization of this form of education in different countries of the world. The positive characteristics of distance learning are identified, namely: extraterritoriality; savings on transport costs; the interest of modern youth in the use of information tools in everyday life; increase in the number of students; simplicity and accessibility of training; convenient consultation system; democratic relations between the student and the teacher; convenience for organizations in training their employees without interrupting their regular work; low level of payment for distance education compared to traditional education; individual learning pace; new teacher status. Among the negative features of online education, the author refers to the following problems: authentication of users during knowledge verification, calculation of the teacher's methodological load and copyright of educational materials; the high labor intensity of developing high-quality educational content and the high cost of distance learning equipment; the need to provide users with a personal computer and access to the Internet; the need to find and use effective motivation mechanisms for education seekers.

• The International Journal of Costume Culture
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• 제4권1호
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• pp.25-33
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• 2001

This study is to analyze Korean-Chinese women's Costume in Yabian with factors such as reform opening-up, economic growth, change of social values, development of technology, more education opportunities and influence of mass media. It divides the 1990's into two halves. Photos, interview, observation and relevant literature were used for this study. Even though economy grew rapidly, they needed to purchase daily goods other than clothes. In a way that they preferred practicality, it showed somewhat it was still developing. The trend in the first half of the 1990's was characterized : first, Synthetic or artificial fibers and ready-made suits were popular ; second, there still remained the men's style ; third, they wore Tanrikoo(彈力袴), Tisingkoo(體型袴), Jiaotakoo(脚袴) because of its properties of activeness and comfort ; fourth, shoulders looked ore prominent with pads as they were used in Chungsanfoo(中山服) ; fifth, clothes in grey and dark blue was in fashion ; sixth, they wore hand-made knit vests and sweaters and often mountain-climbing gears for its light and warm quality ; seventh, along with opening-up, various materials and colorful clothes were in style, which satisfied women's desire for beauty. They decorated Hanbok(韓服), using sleeves with colors, golden ornaments, flower patterns embroidery, materials of different color in collar and tie and dyes of sleeves and skirts. In the first half of the 1990's when the opening-up was beginning, there were diverse styles and colors in fashion, yet not close to good quality. As the economy grew, the second half of the 1990's was characterized by good palate, individuality, favouritism on foreign goods, rapid change of fashion. For instance, fur coat and woolen fabric were favored. Economic growth led to abundance of cloth, dyes and decorative materials. In addition, people possessed more clothing and it was possible for them to wear both Hanbok and wedding dress in wedding ceremony. People placed their standards on competency and financial ability rather than ideology. Worship disappeared and individuality arose. Therefore, apparel functioned not only as protection but as suits with aesthetic purpose. This resulted in introduction of bold style, imitation of western countries and extension of use of Hanbok. With the help of mass media, transportation, telecommunication, contact with Korean company and civilians, Korean and western cultures, through Korea, were accepted. Change in structure of economic status caused excessive spending and more educational opportunities that enabled people to accept foreign culture quickly. Values moved onto new, beautiful and better characteristics. it was possible to have suits ready-made due to improvement of mass production and cotten, wool, linen, silk became popular owing to technology. New technology, the bases of mass consumption, increased possession of clothing and accelerated change of fashion. In summary, women's Costume in Yanbian were affected by the factors in economy, politics, culture contact as well as change of society and technology.

• 디지털융복합연구
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• 제19권5호
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• pp.375-381
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• 2021

본 연구는 농촌을 배경으로 한 영화 <빈관>에 묘사된 마을 공동체의 질서와 개개인의 욕망의 발현의 문제에 주목하여 경제개혁 이후 급격히 도시화되고 있는 중국의 농촌 사회가 겪고 있는 딜레마를 고찰해보고자 했다. 이를 위해 텍스트의 이야기 구조와 표현방법을 탐구하는 서사분석을 진행하여 공동체적 질서와 윤리, 가부장제와 부권, 개인주체들의 욕망의 발현에 대해 살펴봤다. 영화 <빈관>에는 공동체적 관습, 향토적 문화, 예치주의에 훈육된 마을 사람들과 폐쇄적 공간이 묘사된다. 영화는 마을 공동체 일원의 죽음을 다루는 범죄 미스터리물이라는 외피를 두르고 있지만, 인물들의 시점들에 따른 퍼즐식 서사방식을 통해 공동체적 질서와 윤리라는 상징계적 규율에 대항하는 개인 주체들의 상상계적 욕망의 발현을 이야기하고 있다. 결론적으로 영화에 대한 서사분석을 통해 중국의 급격한 도시화 과정에 따라 약화된 시골의 공동체적 규율과 부권, 주체들의 정신적 무기력증과 신경증이 서사에 함의되어 있음을 고찰할 수 있었다.

• 미술이론과 현장
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• 제5호
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• pp.43-80
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• 2007

PASKYULA was formed in September, 1923 through the union of artists involved in two art groups: Kim Ki-Jin, Kim Bok-Jin, Yeon Hak-Nyeon who had previously participated in the ToWolHoi, and Park Young-Hi, Lee Sang-Hwa, An Seok-Ju, former members of the BaeckJo. After its founding, the PASKYULA artists had been searching for the social function of art to reform the harsh reality of Minjung and the nation with criticism toward society as well as art world. Their art theory for MinJung could grow relatively ease in relation to changing social and political conditions in the early 1920s. In August, 1925, PASKYULA organized the Korea Artista Proletaria Federatio with the YeomGunSa, and laid the groundwork for Proletariat art movement which was regularized in the late 1920s. From PASKYULA up to the early state of KAPF, the theory of art advocated by Kim Bok-Jin and An Seok-Ju could be summarized as "art for MinJung". At that time, widely ranging discourses on MinJung, however, was spawned in art theory, because many intellectuals-including artists and writers-begun to pay more attention to MinJung, who emerged as one of the social forces after the Samil Independent Movement. Sometimes, MinJung was construed as the target of enlightenment from a negative viewpoint. On the other hand, several intellectuals under the influence of individualism asserted that the discussion itself on MinJung exerted an evil influence on art. In contrast of these cases, the PASKYULA artists including Kim Bok-Jin, An Seok-Ju perceived that MinJung had the potential to change society, and regarded them as "a creator of genuine civilization and art". In the PASKYULA artist's writings, the concept of MinJung was often overlapped with the meaning of the Choson nation suffering under colony. Although their concept of MinJung was transformed gradually into the proletariat as they were under the strong influence of socialism, it did not change that they grasped the realities of the whole Choson Peninsula through the proletarian consciousness. In the early state of PASKYULA, the methodology for social function of art was presented in a twofold manner. First of all, Kim Bok-Jin emphasized on the necessity of education to improve MinJung's way of life through art, and it was embodied by the organization of ToWol Art Workshop and public lecture. Also, he championed "the popularization of art", which was one of methods to distribute art to MinJung. According to the PASKYULA artists, art should be not art for art' sake but art for MinJung. That was why they advocated the convergence of art and MinJung's life. Especially Kim Bok-Jin affirmed a link between art and industry because he considered industry the field inextricably linked with MinJung's life. In this context, his idea could be read as the generalization and equalization within the framework of possession. Kim Bok-Jin thought that the social ramifications of capitalism deprived MinJung of their right to enjoy art, and emphasized the artist' social role to return the right to them. That is, the even distribution of art was mainly discussed than the contents of art in the half of 1920s. By 1925, the contents of art itself became an issue in the PASKYULA art theory, and it was based in realism. Kim Bok-Jin and An Seok-Ju insisted that art should be reflection of real life. At that time, realism acquired the representation of MinJung and the nation's realities not realistic style. In fact, the various Western art styles including Futurism, Constructivism, Cubism etc. were exploited in the PASKYULA's visual images. Western art, target of criticism on theory, was selectively adopted in the works which were produced by Kim Bok-Jin and An Seok-Ju. Kim Bok-Jin's MoonYeUnDong cover design was conceived of as the example in which Western art was adopted with it's ideology under the influence of MAVO, while Western art shown in An Seok-Ju's illustrations served as a decorative function in many cases. Especially, An Seok-Ju attempted the various styles of Western art simultaneously, which may be seen as representing that PASKYULA did not have a firm ideology for their style. Also, it can be read as showing his hasty zeal to overcome Western art rapidly. The wish to establish "art for MinJung" as soon as possible was accompanied with the will to jump over the all steps of Western art though it was superficial. This aspiration of PASKYULA was expressed through the mass media, which had the potential for communicating to MinJung. At this point, there was a significant disparity between PASKYULA and another art groups in the first half of 1920s. However, the PASKYULA's method on the basis of the mass media could not but have a certain limitation because of the medium's properties. Nevertheless, PASKYULA' attempts may be considered to be valuable in sense that they expended the boundaries of Korean modern art into the commercial art questioning the matter of the distribution for art.