• Title/Summary/Keyword: Meaning Aspect

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Two Theoretical Paradigms for Semantic Analysis of the Pictorial Representation, Centered on Wittgenstein's Picture Theory and Langer's Symbol Theory (회화적 표상의 의미분석을 위한 두 가지 이론적 패러다임 : Wittgenstein의 그림이론과 Langer의 상징론을 중심으로)

  • Kim Bok-Yung
    • Journal of Science of Art and Design
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    • v.1
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    • pp.11-62
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    • 1999
  • The paper aims to survey some features in the 20th century's semantic analyses of the pictorial representation as a paradigm concept. Here the most typical pattern of paradigms to approach it were thought that one is Referential Semantics which begins with Wittgenstein's Picture Theory, the other, Ontological Semantics concerned with .Langer's Symbol Theory. In the light of paradigm theory, some results acquired are as follows. First, the two paradigms are recognized as those of a mutually different philosophical background. So as far as the researcher is concerned, their arguments are contradictory each other. Second, it must be emphasized that each of them all have a possible aspect of necessary and sufficient requirements. to interpret and analyze the meaning of artistic representation. In result, the Referential and Ontological Semantics can work with a complementary partnership. In short, the referential meaning constructs a infrastructure of the picture, whereas the ontological meaning does it's infrastructure.

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A Study on the Educational Meaning of Medical Records written in Shanghanjiushilun (『상한구십론(傷寒九十論)』에 기재된 의안(醫案)의 교육적 의의 고찰)

  • Ahn, Jin-hee
    • Journal of Korean Medical classics
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    • v.31 no.1
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    • pp.113-125
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    • 2018
  • Objectives : The purpose of this paper is to investigate the educational meaning of Shanghanjiushilun in Shanghanlun education. Methods : The formal characteristics in medical records were compared between Shanghanjiushilun and the other 5 kinds of medical record books and the educational meaning was drawn by analysing medical records of Shanghanjiushilun a little more deeply. Resultss & Conclusions : 1. In a formal aspect, although Shanghanjiushilun is inferior to Liuduzhou's Clinical Medical Records Selection, it has merits in that it explains through quoting medical literature. 2. Xushuwei explained treatment based on syndrome differentiation in the new point of view in Shanghanjiushilun. 3. Through Shanghanjiushilun medical records Xushuwei's work to explain treatment based on syndrome differentiation in Shanghanlun in the new perspective is an effort to read medical classics to keep up with the times and has sufficient educational significance.

The development of conditioning monitor system for bearing (Bearing의 이상진단을 위한 모니터링 시스템 개발)

  • 오재응;전의식;김인수
    • 제어로봇시스템학회:학술대회논문집
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    • 1989.10a
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    • pp.445-450
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    • 1989
  • In this study, a variety of method to diagnose a fault of rotatory machine is suggested. Apprehending the physical meaning of each techniques, computer simulation is performed. The result from this computer simulation and the signal of the faulted ball bearing is studied from all its aspect. It is found that this conditioning monitor system is effective.

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The Meaning of Pain in Labor (분만 동통의 의미)

  • 이미라;조정호
    • Journal of Korean Academy of Nursing
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    • v.21 no.1
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    • pp.41-49
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    • 1991
  • From of old, labor has been accompanied by pain and much effort has been mode to eliminate or diminish the amounts of pain during labor. Little concern has yet been given to the subjective meaning of pain in labor. Recently, rates of cesarean section in Korea and in some other nations have increased rapidly and some investigators are reporting negative reactions such as anger, disappointment and feeling of loss due to lack of control over labor and its pain. These findings are thought to suggest that control of labor and its pain gives some meaning to the laboring woman. Thus the investigators sought to discover the meaning of pain during labor for Korean women. Specific objectives of this study were to explore the meaning of pain in labor to the mothers, their reactions to the experience of labor add their preference for delivery method. The subjects of this study were 95 mothers who delivered their babies in hospital from September 989 to May 1990 : 45 gave birth by vaginal delivery, and 50 by cesarean section. Data were gathered through direct interviews by the investigators, and questions were focused on five areas i.e. mothers' feelings about delivery and their babies, their feelings about of having more children, the most difficult aspect about this labor and delivery, and what they thought the differences were between vaginal delivery and cesarean section. After interview, mothers' answers were summarized, and classified according to the degree of positive or negative attitude. To ascertain the difference in meaning of labor pains and reaction to delivery experience between mothers delivered vaginally and by cesarean section a Median test was done using an SAS. Results were as follows. 1. More mothers who had delivered vaginally realized that they “have became a mother” than those who had a cesarean section(X$^2$=8.409, df=3, p=0.038). 2. Immediate reaction to their delivery experience was more positive for mothers who had a cesarean section. 3. These Korean mothers expressed preference for vaginal delivery. Suggestions for further research on the meaning for mothers of their experience of labor, and on the meaning of pain for mothers who have a cesarean section were made.

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Truth, Reality, and Pynchon's V: From Aestheticism to Dissemination

  • Che, Gum-Hee
    • English Language & Literature Teaching
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    • v.13 no.3
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    • pp.99-116
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    • 2007
  • Indeterminacy, along with the traces of the unknown identity V, plays a crucial role in building a new possibility in the narrative V. While the characters search for the single identity of V, Pynchon never lets readers and critics reach any final destination or goal in analyzing the novel. Exploring the multiple possibilities and meanings of life, the characters merely keep traveling and searching, without ever reaching any final conclusion or destination. The journey without ever reaching a final destination equals going beyond the boundary and embracing the margins of various possibilities. It concerns the Others and breaks off the hierarchy of Western metaphysics, which is quite similar to what the theorists of deconstruction seek to do. The search without ever reaching a final destination not only designates the multifarious aspect of truth, but it also suggests the possibility of the multiple meanings of words that the characters create. Just as their stories are abundant, the meaning that they produce with their stories can be open-ended. The notion of indeterminacy and broadness in this text, which can be well explained by Derrida, makes it possible for one to search for something other than the fixed meanings or truth claims. The text becomes multifarious in meaning as well as in structure, thus rejecting any kind of singular signifying act.

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Bibliography and the Cenventional Chinese Catalogue - Emphasis on the period prior to the Opium War- ('Bibliography'의 어휘와 '중국재래의 목록학' -특히 아편전쟁이전을 중심으로-)

  • Shim Woo-choon
    • Journal of the Korean Society for Library and Information Science
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    • v.4
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    • pp.27-42
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    • 1975
  • Usage and scope of the word Bibliography in comparison with in conventional Chinese Catalogue (中國 在來 目錄學) (1) Usage of the word in connection with the study of books in the West has been changed from 'writing of books' (17th century) to the meaning of 'study of a book as an object'(l8th century), and this meaning of the 18th century has been transmitted up to the present. (2) In its scope, 14 branches(eight in physical aspect, six in content of books) were set up independently for the study of a book as an object. On the other hand, the term Textual Bibliography(校수學) was in use in China before the Opium War, however the word Catalogue (目錄學) has been a current word for the subject study as in the case of Bibliography in the West. And in the scope of study of a book as an object, although some of its aspect is somewhat similar to the Occidental Bibliorgraphy, the main stream of learning is regregarded as the root and the physical aspects as branches and lea leaves, thus the latter has been treated with less importance.

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A Study on the Educational Meaning of Medical Records written in Shanghanjiushilun Focusing on Purgation Therapy (하법(下法)을 위주로 살펴본 『상한구십론(傷寒九十論)』 의안(醫案)의 교육적 의의 고찰)

  • Ahn, Jin-hee
    • Journal of Korean Medical classics
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    • v.31 no.2
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    • pp.105-126
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    • 2018
  • Objectives : This paper aims to study the educational meaning of Shanghanjiushilun in Shanghanlun education focusing on purgation therapy. Methods : Clinical medical records in Shanghanjiushilun associated with purgation therapy were chosen, analyzed and its educational meaning was studied. Results & Conclusions : 1. Xushuwei's clinical medical records are significant as it helps the readers think of various disease mechanisms by not omitting mistreatment of the other doctors. 2. Xushuwei's clinical medical records are significant as it helps the readers become aware of the importance of a differential diagnosis through questions and answers. 3. Xushuwei's clinical medical records are significant as it helps the readers avoid looking at one side of things through taking a comprehensive look at disease syndrome in various fields. 4. Xushuwei's clinical medical records are significant as it helps the readers escape unreasonableness by suggesting practical aspect managing the patient. 5. Xushuwei's clinical medical records are significant as it enable the readers to draw a new disease mechanism interpretation by making up for explanations of the pathogenesis quoting medical classics. 6. Consequently, in learning and teaching Shanghanlun, Xushuwei's clinical medical records have enough educational meaning as mentioned above.

A Study on the Synesthesia according to place and materials - Focused on the Peter Zumthor's works - (장소성과 물성에 의한 공감각 연구 - 피터 줌터의 작품을 중심으로 -)

  • Koo, Man-Jae;Lee, Jung-Wook
    • Korean Institute of Interior Design Journal
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    • v.22 no.5
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    • pp.11-21
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    • 2013
  • The development of modern industry and the production of new materials of architecture have recognized as an important aspect. This study intended to discuss about the meaning of main elements of the architecture materials, its implications for properties, and, highlighted meaning of the properties of modern interior design. The purpose of this study is to analyze the case studies of Place and Physical materials of synaesthesia of modern architecture as well as modern architecture is not only concentrated in the visual aspect but also the larger ramifications of sensory. Synesthesia in architectural space can be called experiential existence that built in the space of human perception and based on the human emotion that targeted by physical architectural space. Accordingly, these case studies are to consider about how the materials being passed by any effect in a modern interior space presented, In order to find the essential meaning in modern interior space, this studies focused on Swiss architect Peter Zumthor's cases. Following analyze of Peter Zumthor's place of architectural space and materials, this study structured by the six kinds of synesthesia characters. First, time and remember to infer changes, Second, traditional and regional ingredients involve the substitution of one empirical space, Third, non-materiality through the neutralization, Fourth, auditory memory through the embodiment of everydayness, Fifth, trail through the sense of smell for the presence, Sixth, the relationship of natural and industrial products. Peter Zumthor's characteristics of these works are result of factors on the synesthetic relationship with the human response to architecture, the five senses, memories, experiences, and temperature. Also it is a synesthetic result of all human emotion to clarify of the architecture materials and non-material mediums by which light by a compound.

A Study on the Characteristics in Image Expression of Interior Space (실내공간의 이미지 표현 특성에 관한 연구 -상업공간의 디자인을 중심으로-)

  • 홍승대
    • Archives of design research
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    • v.12 no.4
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    • pp.243-250
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    • 1999
  • Interior design is depend on combination way of between invisible meaning and visible form, then it has a several meaning by that. The meaning of interior space is a invisible concept which is shown by a form and it is mainly recognized by a image. The purpose of this study is to explore that characters of image in communication process, typical aspect and structural aspect have been shown in interior design. On this study, I try to study space analysis about commercial space to explore character of spatial image through theoretical approach. In a result, the image of interior space is made by deep representation as a designer's basic concept and is delivered by conversion of various codes. Therefore, the image of interior space is not a additional concept which is made by natural factor of space, it is a design concept which must be dealt with space planning.

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Narrative Structure and Signification of the Mobile Whole Aspect Movie -Focused on and - (모바일 전용 영화의 내러티브 구조와 의미구성 - 모바일 전용 영화 와 <건달과 달걀>을 중심으로)

  • Kang, Seung-Mook
    • The Journal of the Korea Contents Association
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    • v.8 no.11
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    • pp.94-102
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    • 2008
  • The development of digital technology constructs meaning through the narrative by digitalized story. Including mobile whole aspect movie, visual contents have the narrative structure and signification based on the digital technology. This study planned to explore the possibility that mobile movie can expand the classical narrative structure and bring up the method of signification. For this purpose, this paper proved the process to cohere narrative through redundancy and a double across of space-time structure according to the principle of causality in mobile movies such as and . According to the findings, mobile movies appeared to construct a consolidated structure through cohesion of meaning and to move the space-time doubly across at a subjective point of view of the characters for continuity of story. Such a result means the narrative structure and the method of signification of mobile movie are modifying or expanding the unique formation of classical films in accordance with mobile devices as digital media.