• 문화기술의 융합
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• 제9권4호
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• pp.431-436
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• 2023

영화 <애프터썬> (2022)은 스코틀랜드 출신감독 샬롯 웰즈의 장편 데뷔작으로 그해 국제적인 예술영화 씬에서 가장 큰 주목을 받은 영화 중의 하나이다. 영화의 전체구조는 이제는 성인이 된 소피가 11살 때 엄마와 이혼한 뒤 떨어져 지내던 30살의 '젊은 아빠' 캘럼(Calum)과 튀르키에로 떠났던 어떤 여름휴가를 돌아보는 것이다. 그것은 사실 기억의 재구성이라 할 만한 것으로서, <애프터썬>은 기억된 내용의 서술뿐만 아니라, 기억의 재구성 과정의 드러냄을 통해서 영화를 사후작용의 기억작업의 과정으로 만든다. <애프터썬>은 이 과정에서 영화는 인덱스적 예술이라는 레프 마노비치의 말을 증명한다. 홈 비디오와 영화적 디제시스를 오가며 <애프터썬>은 홈 비디오에 새겨진 인덱스적 기호로서의 흔적과 현재적인 시간들을, 그리고 두 시간의 대화를 통하여 새로운 상상의 시간성을 풀어놓는다. 영화는 혼란스러운 시간 속에 있던 무의지적 기억을 현재로 재촉하면서, 미디어와 미디어, 과거와 현재 사이의 대화 속에서 흔적과 강렬한 몸짓의 기호를 통해 의미화작용을 한다. 우리는 이야기가 정지되는 시간, 몸짓이 함축하는 것을 통해 의미를 사유하게 된다.

• 사상체질의학회지
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• 제18권1호
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• pp.1-10
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• 2006

1. Objectives The purpose of study is to find Lee Je-Ma's thoughts about Great Absolute-Mind in his writings. 2. Methods the concept of Lee Je-Ma's Great Absolute-Mind versus preexisted Great Absolute-Mind is compared and analysed in this study. 3. Results and Conclusions (1) Lee Je-Ma composed his Great Absolute-Mind based on its concept of the science of divination, Confucianism and medicine. However his Great Absolute-Mind is rooted in preexisted meaning, it was disputed desides the controversy between the science of divination, Confucianism and medicine. For this reason, Lee Je-Ma's Great Absolute-Mind is such an originative concept unable to be explained with a simple substitution this concept for the preexisted one of the science of divination, Confucianism and medicine. (2) Lee Je-Ma's Great Absolute-Mind is the human being itself and it can include the humanity from human being itself. (3) There are not only physical meaning of heart but also abstract metaphysical concept of heart included in Lee Je-Ma's Great Absolute-Mind. (4) The talent for comprehending principles is organically connected with the ability to attain their will. And the talent and ability is devided into Two Modes(兩儀) like Mind & Body(心身), Perception & Action(知行) and Nature & Emotion(性情). (5) The supervision of Lee Je-Ma’s Great Absolute-Mind affects physical part of body as well as spiritual part and is not devided into two but one. (6) The source of the supervision is rooted on Lungs Spleen liver Kidney(肺脾肝腎), Sasang(四象), even though it exists in the Great Absolute-Mind. So Sasang(四象), which is Lungs Spleen Liver Kidney(肺脾肝腎), is organically related to the Great Absolute-Mind in its effect and origin.

• 한국실내디자인학회논문집
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• 제14권6호
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• pp.75-85
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• 2005

The 1990s' characteristics of Ecological architectural design would be choosing the traditional materials of the region's, the creative usage of construction methods, the expressive properties of materiality in spatial forms and so on. The overall organic relationships between human and men-made environments have been sublimated by the expression of poetic qualities of perception in ecological man-made environment. Hannover Expo 2000 did set up an opportunity to exposure the fact that Ecological Architecture will be the major trend in 21st Century's Architecture and its exploration in possible ways will be the most important matter. Japanese Architect Shigeru Ban's Japan Pavilion in this Exposition has shown the meaning of this turning point in Ecological Architectural thinking, which would be recognized as the convincing possibilities for the future architectural practice to the public. Thus this research has the purpose to study the meaning of the constructing action in Shigeru Ban's recent architectural space-making practice with the Paper Tube structural system. The creative foundation of Shigeru Ban's own method to apply paper tube -that is impossible material to pre-estimate- and other materials in the creation of architectural spaces would be searched in this paper. The period to this research will be between 1990s and 2000s, and the subject will be the experimental architecture of Shigeru Ban. The range of this research Is including the process of development in the paper tube architectural structure and joint system. This study would contribute to understand the intrinsic value of Shigeru Ban's Ecological architecture of the paper tube system, in which the relationship between the regional environment and human regaining the ecological abiogenesis.

• 한국실내디자인학회논문집
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• 제20권5호
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• pp.217-225
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• 2011

The meaning and role of public space has existed based on the periodical situation like history. The more the time has passed, the faster the meaning of it has changed. We can see the differences of it from the one which used to be. This study is about Platoon Kunsthalle which is so-called the complex cultural space. The purpose of this study is to show how the user is related to the program for the planning of the public space. It is based on the procedure of the research with absorbing the place. The people who are using the space are absorbed for knowing the user's action. And then, the specific actions are written and the status of the using space is photographed. The research is based on asking and answering about that. The result of this study is as follows : The first is that young people between 20's and 30's are using a hall comparing with other age through daily using of space and features of users. Also, Using between 7p.m. and 9p.m., a dinnertime, takes the first place and using of meals and beverages is major at lunch due to restaurant and bar. User behavior of "sitting" is the biggest part and the hall is used for the public purpose connected with "talking". The second is that the daily hall space is classified with the spacial area indirectly based on the condition. Also, it depends on the time and the using. The third is that the unusual hall space is depended on the program which is the role of leading the extention of using the space. That is why the program is important because it is effected directly to the way of using the space and the place of the furniture. I am looking forward that this study is the basic data for the planning of the public space in the complicated culture.

• 한국문헌정보학회지
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• 제48권4호
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• pp.297-322
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• 2014

본 연구의 목적은 KCI의 인문학, 사회과학, 예술체육 분야 저자키워드를 대상으로 의미적, 형태적 분석을 통해 기존에 연구된 개념범주 텍사노미의 적합성을 확인하고 실용적인 개선 방안을 제시하는 것이다. 연구를 통해 '실체, 추상, 일반/공통, 개체'의 네 개 최상위수준의 개념범주를 보다 구체적이고 핵심 개념이 반영된 일곱 개의 범주 '개체, 활동/기능, 특성, 이론/방법, 형식/틀, 일반/공통, 인스턴스'로 변경하였다. 중위범주와 하위범주의 경우 신설, 세분화, 통합, 삭제, 이동 등의 방법으로 개념범주의 계층 구조를 단순화시키고 범주 간 용어분포의 불균형을 개선하였다. 구조적학술용어사전(STNet)을 테스트베드로 삼아 수정된 개념범주 텍사노미를 적용한 결과 용어의 분포가 균형적으로 이루어지고, 용어의 속성 표현이 상세화되는 효과를 보이는 것으로 나타났다.

• 한국가정과교육학회지
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• 제12권3호
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• pp.19-38
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• 2000

This study is about open and secondary level Home Economics Education which is applicable to field and which includes the characteristics, purpose and problems of each open education, secondary education and home economics education. Based on the ideology of open education this study will identify the meaning of openness in terms of Home Economics Education reconstructing meaning purpose, characteristics, curriculum paradigm and curriculum. The instructional model and module which use web, will be presented as the results o the reconstruction works. The open instructional module in Home Economics Education which will be operated on the web is consisted of 1) setting the orientation of curriculum development 2) instructional model development 3) rebuilding the Home Economics Education curriculum 4)development of instructional modules and web-based materials and 5)construction of the web-site. Six instructional module begin with critical/emancipatory curriculum paradigm in open Home Economics Education use module as a unit of class management instead of 1 class, facilitates nest-type integration which is applied from open education keeping the nature of Home Economics Education and focus on practical problem and problem solving through reconceptualization with dialectical perspective on individual, family and society. The practical problem solving model has four steps: Identifying practical problems. Understanding the contexts of problem, Searching for solutions and examining its consequences, Action and evaluation. The web-site has to be developed based on the six instructional module includes those issues : self-identification for reinforcing autonomy and self-esteem, living with family living with friends, autonomous living healthy living and understanding sexuality.

• 한국엔터테인먼트산업학회논문지
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• 제15권8호
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• pp.75-89
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• 2021

본고에서 코미디언 김희갑, 구봉서, 서영춘을 중심으로 1960년대 후반기 코미디영화에 나타나는 웃음의 의미작용을 분석한 결과는 다음과 같다. 첫째, 코미디언의 내러티브적 웃음은 기성세대/청년세대의 세대 갈등, 하층계급/상층계급의 계층 갈등, 남성/여성의 젠더 갈등과 현실의 좌절을 나타낸다. 둘째, 코미디언의 웃음 창출 기제는 보수적인 기성세대에 대한 조롱, 부도덕한 상층계급에 대한 폭로, 좌절하는 하층계급에 대한 희화화를 보여준다. 셋째, 코미디언 웃음의 실천적 양상은 전통/근대의 균열, 경제적 불평등의 간극, 금지된 욕망의 표출을 드러낸다. 그래서 코미디언 김희갑, 구봉서, 서영춘은 비공식문화의 폐쇄적 개방, 캐릭터/퍼포머의 충돌을 통해 내부/외부의 경계자와 낙관적 세계관이라는 웃음의 의미작용을 보여준다.

• Journal of Information Technology Applications and Management
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• 제27권1호
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• pp.187-198
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• 2020

With the development of technology and the creation of an entertainment environment for leisure, various marketing strategies are being used in the film industry. Among them, the use of the credit cookie of ending credits was very effective in producing the series. The ending credit is the time it takes to show the names of the people who made the movie, which is meaningless to the audience. There is a cost to produce a ending credit but It wasn't made because no revenue was generated. The credit cookie was inserted into this ending credit area, which brought new pleasure to the audience. Most of them were epilogue images showing the story behind the movie, NG images showing the NG situation during film production, and In videos mentioned in the movie but not shown in the movie itself. As various ideas about credit cookie were connected with marketing, a series movie and a spin-off foretelling the derivative works after the screening work were produced and have a new meaning. As a result, the time of ending credits, which had no commercial value, became the methodology of the most powerful promotional strategy. Looking at the difference between live-action film and animation in producing such credit cookie, unlike live-action films that edit the remaining parts after shooting, the NG video of the animation has a lot of time and money to produce. So, it hasn't try very well, and it seems to have been actively produced when moving from 2D animation to 3D animation. This is because 3D animation, which has already been modeled, can create new NG scenes by simply adding animating based on the layout of the created scene. Since it is possible to produce an episode movie at a low cost and time, and to use the scenes of the movie after the production, it will be necessary to strategically produce credit cookie for promotion in animation.

• 한국콘텐츠학회논문지
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• 제7권4호
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• pp.178-183
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• 2007

위험방지를 위한 경찰권 행사는 손해발생의 방지를 최우선 목적으로 한다. 그러나 어디까지를 경찰법상 위험방지영역상의 예방의 대상으로 할 것인가 즉, 그 경계설정의 논의가 최근까지 경찰법상 위험방지영역상의 위험개념을 둘러싼 학설상의 주된 다툼이 되고 있다. 이는 경찰에 의한 공공의 안녕과 질서유지 임무 수행은 주로 개개의 위험방지조치를 통하여 이루어 질 수밖에 없으며 예방적 경찰작용은 경찰상의 보호이익에 대한 위험의 방지를 그 내용으로 하는 것으로서 적법한 예방적 경찰작용의 수행을 위해서는 위험에 대한 정확한 이해가 전제되어야 하기 때문이다. 따라서 본 논문에서는 경찰법상 위험에 포섭되기 위하여 최소한도의 위험의 공통된 구성요소를 손해, 충분한 개연성, 시간적 접근성으로 구분하여 각각의 구성요소에서 말하고 있는 법적 의미에 대하여 살펴보고 불확정개념으로서 위험의 해석에 관한 문제를 검토하였다.

• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2006년도 춘계 종합학술대회 논문집
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• pp.327-331
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• 2006

위험방지를 위한 경찰권 행사는 손해발생의 방지를 최우선 목적으로 한다. 그러나 어디까지를 경찰법상 위험방지영역상의 예방의 대상으로 할 것인가 즉, 그 경계설정의 논의가 최근까지 경찰법상 위험방지영역상의 위험개념을 둘러싼 학설상의 주된 다툼이 되고 있다. 이는 경찰에 의한 공공의 안녕과 질서유지 임무수행은 주로 개개의 위험방지조치를 통하여 이루어 질 수밖에 없으며 예방적 경찰작용은 경찰상의 보호이익에 대한 위험의 방지를 그 내용으로 하는 것으로서 적법한 예방적 경찰작용의 수행을 위해서는 위험에 대한 정확한 이해가 전제되어야 하기 때문이다. 따라서 본 논문에서는 경찰법상 위험에 포섭되기 위하여 최소한도의 위험의 공통된 구성요소를 손해, 충분한 개연성, 시간적 접근성으로 구분하여 각각의 구성요소에서 말하고 있는 법적 의미에 대하여 살펴보고 불확정개념으로서 위험의 해석에 관한 문제를 검토하였다.