• 국제초고층학회논문집
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• 제11권1호
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• pp.1-14
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• 2022

Debates on what is the first skyscraper have been ongoing from time to time since the construction of the Home Insurance Building in Chicago in 1885, which is generally recognized as the first built skyscraper. This paper attempts to verify this assertion through a detailed investigation after identifying the criteria that characterize a skyscraper. By considering and examining several competing buildings for the title of "first skyscraper" in terms of their levels of satisfying these criteria, the paper reconfirms that the Home Insurance Building in Chicago indeed qualifies as the first skyscraper and is the harbinger of future skyscrapers. By introducing technological and associated architectural innovations in this pioneering building, its designer William Le Baron Jenney paved the way for the construction of future skyscrapers. In traditional construction, heavy masonry walls especially at lower levels did not allow large window openings in exterior walls that would permit ample daylight. For the Home Insurance Building, originally built with 10 stories, Jenney created a metal-framed skeletal structure that carried the building's loads, making the building lighter and allowed for large windows permitting ample natural light to the building's interior. The exterior iron columns were encased in relatively small masonry piers mainly for fireproofing, weather-protection and façade aesthetics. Relying on the structural framing on the building's perimeter, the exterior masonry thus turned into a rudimentary "curtain wall" system, heralding the use of curtain wall construction in future skyscrapers. This building's innovative structural system led to what is known as the "Chicago Skeleton," and eventually produced remarkable skyscrapers all over the world.

• 국제초고층학회논문집
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• 제9권1호
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• pp.53-60
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• 2020

"A practical architect might not unnaturally conceive the idea of erecting a vast edifice whose frame should be entirely of iron, and clothing the frame--preserving it--by means of a casing of stone…that shell must be regarded only as an envelope, having no function other than supporting itself..." --Viollet-le-Duc, 1868. Viollet-le-Duc's recipe for an encased iron frame foresaw the separation of structural and enclosing functions into discrete systems. This separation is an essential characteristic of skyscrapers today, but at the time of his writing cast iron's brittle nature meant that iron frames could not, on their own, resist lateral forces in tall structures. Instead, tall buildings had to be braced with masonry shear walls, which often also served as environmental enclosure. The commercial availability of steel after the 1880s allowed for self-braced metal frames while parallel advances in glass and terra cotta allowed exterior walls to achieve vanishingly thin proportions. Two Chicago buildings by D.H. Burnham & Co. were the first to match a frame "entirely of iron" with an "envelope" supporting only itself. The Reliance Building (1895) was the first of these, but the Fisher Building (1896) more fully exploited this new constructive typology, eschewing brick entirely, to become the first "building without walls," a break with millennia of tall construction reliant upon masonry

• 국제초고층학회논문집
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• 제9권1호
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• pp.17-41
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• 2020

In Part One, I documented the evolution of the use of the elevator and the iron frame to build ever-taller buildings that would eventually be called "skyscrapers," to offset the ever-increasing cost of Manhattan real estate. By the start of the Great Depression of the 1870s in 1873, New York architects had erected two ten-storied skyscrapers. In Part Two I document the major events, designers, and buildings in New York, Chicago, and other American cities that eventually culminated in the ability to erect 20 story skyscrapers by 1890.

• 국제초고층학회논문집
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• 제9권1호
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• pp.1-15
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• 2020

The evolution in the use of the elevator and the iron frame to build ever-taller buildings that would eventually be called "skyscrapers" is still somewhat shrouded in the mist of history. This two-part paper is an attempt to document the significant persons and events in that evolution, showing that these had a greater continuity than that previously recorded. In this first part, I discuss how the exploitation of the elevator in the design of buildings allowed "skyscrapers" to be built taller than the five-six story limit imposed by stairways, so that their owners could include more and more rental square footage needed to offset the increasing cost of Manhattan real estate. The use of iron framing for the interior framing in these taller buildings would reduce the amount of square footage lost to construction, thereby also increasing the rental return from the building. By the start of the Great Depression of the 1870s in 1873, New York architects had erected two ten-storied skyscrapers.