• 제목/요약/키워드: MINIMALISM

검색결과 143건 처리시간 0.024초

한국 sports fashion image에 대한 연구 (A Study of Sports Fashion Image in Korea)

  • 이은영
    • 한국의상디자인학회지
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    • 제2권1호
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    • pp.37-49
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    • 2000
  • Korean sports fashion began after 1990. after 1960, using vinyl, leather, plastic & metal material, Yve st. Laurent, Pierre Cardin, Andre Courrges, they lead sportive look. Head of 20th century, fashion was lead by haute­couture, after 60s. It was changed to pret­a poter. Now it can be called of american casual & sports fashion. This study would be a view of modem fashion trend and process of visualization in the future. I studied in reproduction of view & age of hyper media with visual circumstance & artistic background and mordern fashion trend & sports fashion image in korea. In conclusion, sports fashion image as visualizing aesthetic concept of modern fashion be defined as technology for man, for instance comfort, function, flexibility, simplicity and minimalism. Specically, Sports fashion was began satisfied for function after 90s, we can see variety of easy wear, hip-hop casual, entertainment sports wear, new street sports wear, luxury sports wear.

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영화의상 "매트릭스 2 - 리로디드"에 나타난 포스트모던 패션 이미지 연구 (A Study on Post-modern Fashion Image Expressed in the "Matrix2-Reloaded" Costume)

  • 김현숙
    • 복식
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    • 제53권7호
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    • pp.125-137
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    • 2003
  • This study is to explore the Post-modern fashion image appeared in the costumes of the movie $\ulcorner$Matrix2-Reloaded$\lrcorner$, which is believed to adapt successfully the Postmodernism ideas on screen. From this study, we can find that the movie costumes express certain formative characteristics considerably affected by the contemporary fashion trends such as Minimalism, Formalism, Futurism, Ethno-eclecticism, Asexualism. These are mostly common tendencies aroused in the complex and pluralistic circumstances of Postmodernism where many diverse values are equally regarded. Finally, the 5 trends lead to represent the following symbolic meanings with entanglement in multiplex ways, that is Virtual Reality, Mechanic Artificiality, Human Dignity, Mysticism, Multi-Culturism, and Nonsexuality to create a strong unified imagery and style in that Post-modern movie.

스마트폰 앱(APP) 아이콘 디자인에서의 미니멀리즘 운용에 관한 연구 -중국 생활 서비스 APP을 중심으로- (A study on APP icon design of smart phone in use of minimalism -Focused on life service APP of China-)

  • 이만;맹상위;조성환
    • 한국콘텐츠학회:학술대회논문집
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    • 한국콘텐츠학회 2017년도 춘계 종합학술대회 논문집
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    • pp.159-160
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    • 2017
  • 현재 스마트폰은 보편화가 되며 APP 산업도 신속하게 발전하고 있다. APP 아이콘의 디자인도 미니멀리즘이 점점 업계에서 주류가 되고 있다. 미니멀리즘 APP아이콘은 간결함, 세련된 종합적인 디자인을 이용하여 풍부한 내용 및 본질적 특성을 전달하고 있다. 본 논문은 실제 생활서비스로 APP아이콘으로 연구 대상으로 삼고 사례를 분석하며 미니멀리즘 스마트폰 APP아이콘을 표현 방법 및 주의상황을 요약하였다.

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1990년대 이후 국내 남성복의 여성화경향 (The Representation of Feminization in Men's Fashion in Korea Since the 1990's)

  • 박옥련;이현지
    • 한국의류학회지
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    • 제28권2호
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    • pp.364-375
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    • 2004
  • The purpose of this study is to analyze how the men's fashion with the representation of Feminization which has appeared on our specialized fashion magazine from 1990 though 2003. Firstly, the factor which exposed the representation of Feminization in men's fashion were the change of conventional sex role, the change of ideal beauty, the variety of information, the pursuit of personality and the polycentrism of thought. Secondly, the formative characteristics of Feminization in men's fashion represented fitted silhouettes which distinctively show the body line, elastic fabric and see-through fabric of androgynous image, accessory and wave hair which expressed in gentle image. In colors, it represented vivid tone, pastel tone, red colors and yellow colors. Fitted silhouttes and elastic fabric has a effect of minimalism of the last 1990's fashion, and wave hair of gentle image has a effect of change of ideal beauty since 2000. Therefore, elements of representation of Feminization in men's fashion were silhoutte, fabric, color, accessory, hairstyle and the representation of feminity in men's fashion has referance to fashion.

온라인 리뷰와 미니멀리즘 (Online Review and Minimalism)

  • 김진화;변현수;이승훈
    • 한국데이타베이스학회:학술대회논문집
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    • 한국데이타베이스학회 2008년도 연합학회학술대회
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    • pp.235-252
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    • 2008
  • 전통적인 상거래 영역에 정보기술을 접목한 전자상거래는 그 규모와 성장면에서 계속적으로 증가하고 있다. 특히 기업과 소비자간 전자상거래를 의미하는 B2C는 그 종류와 규모면에서 계속 성장하고 있다. 본 연구에서는 기업과 소비간의 거래에 있어서 제품 구매에 중요한 영향을 미치는 온라인 리뷰의 정보제공능력에 대해 연구하고자 한다. 온라인리뷰가 제공하는 정보의 양이 증가할수록 이는 처리해야 하는 판매자와 구매자에게는 부담이 된다. 기존의 온라인 리뷰에 대한 연구는 사용자의 구매 경험을 전달하는 방법에 주력하여 온라인 리뷰의 형태와 전달효과 등에 대한 연구가 부족하였다. 따라서 본 연구에서는 효과적으로 정보를 전달하기 위해 필요한 온라인 리뷰의 형태와 정보 전달 등에 대해 연구하고자 한다.

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허사와 EPP (Expletives and EPP)

  • 최숙희
    • 영어어문교육
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    • 제7권1호
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    • pp.161-178
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    • 2001
  • The purpose of this paper is to investigate the expletives and EPP in Chomsky's(1998, 1999) Minimalism. Generalized EPP is suggested in Chomsky(1998): every functional head may have an uninterpretable selectional feature for its specifier position to be filled by a proper element. After briefly examining the properties of EPP and ${\Phi}$- features in Chomsky (1998, 1999), there-constructions are examined in terms of Agree. EPP features are satisfied by there-Merge or Move of an associate NP. Case feature is regarded as a reflex of ${\Phi}$-feature. Hence, it is suggested that there is a pure expletive with a [person] feature. It has shown that the uninterpretable [person] feature of there is not erased by the nonfinite T($T_{def}$) in terms of Agree in the Raising and ECM constructions. Again the uninterpretable [person] feature of there Agrees with finite T and moves to SPEC-T to satisfy the EPP feature, and finally the uninterpretable [person] feature of there is erased. PRT(=-en) is also regarded as a defective probe with a [number] feature and a [gender] feature.

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대상관계이론에 의한 제임스 터렐의 하늘공간 속 건축적 특성 비교분석연구 (A Comparative and Analytical Study on the Architectural Characteristics of James Turrell's Skyspace based on the Object Relations Theory)

  • 이재인
    • 대한건축학회논문집:계획계
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    • 제35권2호
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    • pp.83-92
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    • 2019
  • This study set out to analyze James Turrell's Skyspace works by applying the object relations theory, compare them with several modern architectural works with a sky window based on the analysis results, and check common and differentiating features between them. The findings were as follows: first, Turrell's Skyspace works shed new light on the images of the sky by projecting inner light to the outside; second, sky windows in architecture make the self-representation of inner space clear through the introjection of light; third, 'Hill of the Buddha' reflects the most general aspect of the object relations theory as the nature of projection found in Turrell's Skyspace is added to it; and finally, Turrell installed event-like spaces and steps in 'Roden Crater' to apply the introjection of others that was deficient in Skyspace.

세종특별자치시 반응형 아이덴티티 디자인 적용: 미니멀리즘을 중심으로 (Application of Responsive Identity Design in Sejong City: Focusing on Minimalism)

  • 차현지
    • 한국콘텐츠학회논문지
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    • 제20권11호
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    • pp.656-668
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    • 2020
  • 세종특별자치시는 2012년 7월 출범하였으며, 형성되던 초기에는 중앙행정기관 이전에 초점을 두었으나 지난 2019년부터 스마트도시 및 2020년 한국 뉴딜정책 추진으로 행정도시에서 4차 산업 도시로 변화하고 있다. 이에 맞게 아이덴티티 디자인을 재평가할 필요가 있다. 특히 다양한 웨어러블, 사물인터넷(IoT) 등 정보기술의 급격한 변화로 웹(web) 환경 역시 최적화된 아이덴티티 디자인을 요구하고 있다. 이처럼 정보통신기술의 발달과 최적화된 화면을 볼 수 있는 반응형 웹이 늘어나면서 사용자들에게 아이덴티티를 직관적으로 전달하고, 다른 도시와 차별적이고 공감할 수 있도록 디자인을 적용하여 연구하였다. 연구에 앞서 웹 환경의 시대적 변화와 반응형 웹에 관하여 선행연구를 살펴보았으며, 반응형 웹의 아이덴티티 디자인 분석과 미니멀리즘 특성을 단계적 적용하여 살펴보았다. 이를 토대로 반응형 아이덴티티의 미니멀리즘 특성(단순성, 반복성, 공간성)을 적용하여 제안한 설문조사를 전문가 및 비전문가를 대상으로 조사한 결과 모바일 같은 작은 웹(web) 환경에서 쉽고 직관적으로 인식할 수 있었다. 따라서 세종시 아이덴티티가 시대의 변화에 맞는 정체성이 구축되도록 다각적인 연구와 효율적인 관리 방안에 관한 연구도 계속되길 기대해 본다.

현대 패션에 표현된 맥시멀리즘에 관한 연구 - 2000년대를 중심으로 - (A Study on Maximalism in the Modern Fashion - Focused on the 2000s -)

  • 박은경
    • 복식
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    • 제58권3호
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    • pp.1-18
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    • 2008
  • The tendency of exuberant multi-everything, enormous volumes and decoration has been showed in fashion since the 21st century. This tendency is very interesting in contrast to the tendency of restraint, simplicity and removing decoration which has been showed in the modern fashion throughout the 20th Century and especially minimalism fashion in the 1960s and the 1990s with the expectation of New Millenium. Maximalism is this kind of exuberant expression emerged since 2000. However, studies about maximalism in fashion have not been performed enough. Thus this study tried to analyze the aesthetic characteristics of maximalism in the modern fashion according to the previous studies of maximalism in design and architecture with social cultural background. The scope of this study was from 2000 to 2006, and this study was performed through literature survey with demonstrative analyzation of fashion collection photographs. The results are as follows; Maximalism has the meaning of 'maximum oriented-ism' and has aesthetic view of 'more/bigger is more beautiful.' The formativeness of maximalism in modern fashion was analyzed as fusion, enlargement, decoration, and fantasy. The internal meaning was analyzed as recovery of human being through pursuing of sensibility, fun and newness.

주어-조동사 도치에 관한 소고 (On Subject auxiliary inversion in English)

  • 서진희
    • 영어어문교육
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    • 제6호
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    • pp.143-157
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    • 2000
  • It has been one of the puzzles in the English syntax that so called the rule of subject-auxiliary inversion (SAI) is not allowed in subject wh-movement while it is not obligatory in non-subject wh-movement in a root sentence. This asymmetry has been a puzzle since SAI itself was thought to be a part of question construction as we can observe from yes/no questions. The asymmetry gets more complicated in terms of sentence embedding, i.e no SAI is permitted in the embedded context in question. The goal of this paper is to suggest an unified analysis for this unsolved grammatical phenomena on the basis of Rizzi (1997)'s recent work. The main idea is that SAI is not a I-to-C movement but one of I-to-Focus where Focus is a functional category and its phrase is located between CP and IP. The other proposal is that Wh-movement is no more homogeneous in terms of landing site between a root and an embedded sentence: the target for a wh-phrase in the former is the Spec of FocP (Focus Phrase) but the one in the latter is the Spec of CP as the standard theory assumes. Pesetsky (l999)'s analysis is discussed and its theoretical and empirical shortages are pointed out. Its rather radical proposals such as the one that the nominative case is just an uninterpretable tense feature of DP and the other that 'that' is no longer a complementizer but an element of I(nflection) make it less acceptable in spite of the possibility that it can get rid of Case theory entirely, which would be ideal in the spirit of minimalism.

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