• Journal of the Korean Institute of Landscape Architecture
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• v.46 no.2
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• pp.1-13
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• 2018

This work discusses the major roles of digital technologies in the history of landscape architectural drawing, and offers a critique of the dominant trend towards realism in recent digital landscape representations. During the period of transition from conventional drawing tools, computer technologies generally functioned as mechanical tools to imitate prior manual techniques. Specifically, the GIS was served as a mechanical tool to efficiently process the manual layer cake; CAD software generally functioned to translate physical models to two-dimensional construction documents while graphic software generally functioned as a tool to perform processes similar to those of manual collage and montage techniques. Recent digital landscape drawings tend to adopt a realistic depiction like the painting of landscape appearance. In the representations, discernible traces of cutting and assembling are removed via graphic software; thus, the complete representations are perceived as if they were a copy of an actual landscape. The realistic images are an easy way to communicate with the public. However, it is difficult to achieve a full embodiment of all of the multisensory characteristics of a landscape through these visuals. They often deceive viewers by visualizing idealized conditions of not-yet-actualized landscapes and production of the final images takes up a large portion of the overall design process. Alternatively, 3D digital modeling of landscape performance and creative uses of digital technologies during the overall design process, as well as hybridized techniques with different drawing techniques and technologies, provide the opportunity to explore various aspects of a landscape.

• Journal of the Korean Society of Surveying, Geodesy, Photogrammetry and Cartography
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• v.17 no.3
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• pp.245-256
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• 1999

Watershed delineation is the process of tracing surface water flow across a landscape to identify hydrologic basins. Manual and automated techniques have been developed to trace surface waters and locate watersheds on a variety of landscape. Low topographic relief landscapes, however, are particulary problematic for automated watershed delineation techniques. Therefore, this study aims at focusing the watershed delineation algorithm of low topographic relief landscape. By using topogrid, which manages enforcement drainage algorithms and incorporates topographic data into stream data, this study delineates watershed boundary in low relief landscape. Based on this research, in a low topographic relief landscape, enforcement drainage algorithms using topogrid generate better source grid to delineate watershed boundary than using only TIN. Also, comparing automated watershed delineation which incorporates contours and elevations into stream data with manual watershed delineation, we can know that the incorporation of both elevation and stream data generate more effective results.

• Journal of the Korean Institute of Landscape Architecture
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• v.44 no.5
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• pp.12-25
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• 2016

In this study, in order to facilitate analysis in a continuous sequence, including the concept of the landscape experience time, countless frames of a continuous landscape were extracted. The amount of visual elements in each frame was data-converted numerically to take advantage of the quantitative data necessary for landscape planning and design was calculated in the rhythm of the sequence. In Order to shoot video with the flow of the line of sight of experience in landscape districts and landscape control points along the landscape corridor which is a continuous path, each of the corresponding computer motion techniques. This study developed a CRVP Koo computer program to effectively calculate the continuous visual number of specific landscape components by extracting uncounted frames at regular intervals, and after verifying, attempting to apply this to the target site. Through the applied result, it was possible to extract the digitized quantitative rhythm for each component of each landscape, the margin of error is very small when compared with the results of manual in photoshop, it was able to overcome the drawbacks of the manual. Using the rhythm of the derived sequence, and those close to the experience of the landscape, it was possible to achieve quantitative analysis derived from a variety of perspectives as well as was possible to be used as quantitative basis data and analysis technique for landscape planning and design.

• Advances in concrete construction
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• v.18 no.2
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• pp.105-113
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• 2024

Traditional methods for landscape design using recycled waste materials, which rely primarily on manual selection and placement for integration and optimization, frequently encounter sustainability issues, which reduce the overall efficiency. To address these constraints, this study proposes a hybrid machine-learning technique that leverages AI-enhanced algorithms to improve the usage of recycled materials in landscape design. Based on total adaptive learning models, this strategy incorporates adaptive correction of material variations, followed by improvement utilizing AI-informed selection algorithms. AI technologies, particularly AI sensing techniques, are used to improve adaptive material integration, allowing for more incredible sustainable growth of landscape projects. The AI-enhanced technique allows for more precise utilization and analysis of recycled materials at the design level, considerably improving the sustainability of landscape projects. The experimental results show a significant increase in the effectiveness of landscape projects processed with these AI-enhanced techniques. The findings support the suggested method's efficacy, demonstrating its robust enhancing capabilities, efficiency, and practical applicability in sustainable landscape design. This advancement contributes significantly to improving the quality of landscape projects, particularly in sustainable development applications where precision and resource optimization are critical.

• Journal of the Korean Institute of Landscape Architecture
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• v.23 no.2
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• pp.223-241
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• 1995

Ji Cheng's great work on garden design, the 'Yuanye'(Craft of garden), written in 1631 and originally published in 1634 is the first surviving manual on landscape gardening in the Chinese tradition. This study aims at investigating not only Ji Cheng's life, achievements companionship and design activities, but also the xylographic copies, literary style, and framework of Yuanye in their historical context in order to provide the bases for further study, Ji Cheng was exellent in poetry and painting. And he constructed Dongdiyuan in Changzhou around 1623, Wuyuan in Yiaheng in 1631, and Yingyuan in Yangzhou around 1634 But no poems, paintings, and gardens designed by hi shill exist Therefore his design phi philosophy is able to be interpreted only by his work, Yuanye. After publishing, Yuanye fell into obscurity for several centuries in Chlna. It was redescovered and reprinted for the first time in 1931. Yuanye is composed of prefaces and main text The main text is divided into 'the Theory of Construction' and 'on Gardens', and the latter also into 10 sections. In this text Ji Cheng explains the aesthetic principles underlying garden design and the appropriate emotional response to various efftcts Especially, he emphasizes the importance of basin the garden design on the taxi ting nature and features of landscape and making use of natural scenery. The literary style of the book is highly mannered, and there are so many poetic descriptions and Ji Cheng's native Jiangsu dialects. So the translation of the original text is very difficult After this, the major design concepts of Ji Cheng's landscape gardening theory and whole network of these concepts have to be studied.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.32 no.1
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• pp.22-30
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• 2014

"ImwonGyeongjeji" is recognized the value which is unparalleled encyclopedia in the world, but that is only evaluate about variously handled with subject area and massive content and also most scholarly research was focusing agriculture which is the domestic situation of published period and "ImwonGyeongjeji" judged as a simple agriculture book. Therefore, this research focus to theory and technique of traditional landscape architecture from science of landscape architecture perspective and it is from "ImwonGyeongjeji" which is known as encyclopedia written by Seo Yu-gu in 19th century Joseon period. For such a contents, "ImwonGyeongjeji" can find a importance that it have value and status for represent of Korea 'landscape architecture statement' which compared with other East Asia in those aspects; 'professional about landscape architecture', 'superiority of composition system', indigenousness suitable for Korea' and 'enhance to superiority value of environmental factor for writing'.

• Journal of Forest and Environmental Science
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• v.40 no.2
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• pp.151-165
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• 2024

Recently, as the number of landscaping plant nurseries have increased, environmental problems such as topographical damage due to indiscriminate changes in land use, increased non-point pollution, and increased impervious areas are also occurring. In this study, we propose eco-friendly facilities and a detailed maintenance manual that can enhance the eco-friendliness and scenic beauty of landscaping plant nurseries that are increasingly located near cities. By exploring previous reports on eco-friendly facilities and related laws, we cataloged the types of eco-friendly facilities, and by referring to examples of eco-friendly facilities introduced in overseas cases and the environmental functions of agriculture, we cataloged the types of eco-friendly facilities suitable for introduction in plant nurseries. The selected facilities are rain gardens, tree boxes, vegetated filter beds, bio-retention, infiltration trench, infiltration tanks, permeable pavements, and sand filtration systems. The maintenance tasks of eco-friendly facilities were categorized and management plans were proposed, which is expected to be utilized as a basic data to prepare eco-friendly space planning and operation management plans when creating a landscape plant nurseries in the future.

• Proceedings of the KSRS Conference
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• 2003.11a
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• pp.1281-1283
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• 2003

By use of RS and GIS, the QuickBird image and geographic map were used for the survey of the foreshore resources of Shanghai. The image was processed and interpreted. The distribution maps of sea dike, foreshore, vegetation, soil, hydraulic structures, landscape, topography, and so on were extracted in manual classification. These data have been integrated into the information management system for the shoreline and foreshore. It plays an important role in the evolvement analysis of the shoreline and foreshore.

• Journal of the Korean Institute of Landscape Architecture
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• v.45 no.5
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• pp.71-86
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• 2017

This work explores the historical transformation of manual landscape architectural drawings in terms of hybridization to uncover their inherent creative aspect. Landscape architectural drawing has duel functions; namely, scientific instrumentality and artistic imagination, which are relative, interchangeable, and transformable. These characteristics have been embodied in the forms of particular types of drawing, projections, perspective views, and diagrams, which are not so much clearly distinguishable as rather mutually complementary and hybridized. In particular, the pictorial views of plants in the forms of a perspective view or elevation were frequently hybridized to projection drawings of grounds and architectural structures, which is called planometrics. Particular drawing types have often emerged as suitable and thereby dominant forms, depending on the particular historical styles of landscape design. Sixteenth-century Italian Renaissance gardens and seventeenth-century French formal gardens were generally visualized in the form of projections. Eighteenth-century and early nineteenth-century English landscape gardens were frequently represented in a pictorial perspective view. In nineteenth-century America, different drawing techniques such as competition drawing, photography, and map overlay were specialized depending on their respective functions. Twentieth-century American modernists began to explore the diagram to deploy design strategies. In such transformation, however, the planometric, which considers both the ground plane and plant's frontal identities simultaneously and thereby is suitable to landscape design, was frequently used as a hybridization technique. In the mid-nineteenth century, a top view of plants replaced the planometric, and then, in the twentieth century, plants were no longer represented artistically, instead reduced to the forms of standardized flat symbols. The use of instrumental visualizations thereby gradually increased rather than the use of an imaginative representation for landscape architectural drawings.