• 대한한의학원전학회지
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• 제10권2호
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• pp.93-113
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• 1997

Through the study of "Kwangje-bikeup"("廣濟秘笈"), the writer obtained results as follows 1. The Historical Background of "Kwangje-bikeup"("廣濟秘笈") "Kwangje-bikeup"("廣濟秘笈") is a medical book written by Lee-Kyunghwa(李景華), a medical doctor in Sungcheun(成川), Pyungan-do(平安道). It was done through the good offices of Lee-Byungmo(李秉模), who was a governor of Hamgyung-do(咸鏡道), in 1790-the 14th year of Jungjo dynasty(正祖). 2. The Author of "Kwangje-bikeup"("廣濟秘笈") The author of "Kwangje-bikeup"("廣濟秘笈") is Lee-Kyunghwa. Some contemporary historians mistake him for Lee-Kyunghwa who joined the school of Song-siyul. Yet, they are two different people with the same name. Lee-Kyunghwa, the writer of "Kwangje-bikeup"("廣濟秘笈") was born in Sungcheun, Pyungan-do, in the year of 1720. At first he studied Confucianism in order to enter government services. Later he passed the Jinsa exam which was the first exam to become a qualified government offical. However, after he was disillusioned in the discrimination against northwestern people, he chose to study medicine and put his effort and time on medicine. Gradually he won a great reputation as a medical doctor and came to write "Kwangje-bikeup"("廣濟秘笈") at the request of Lee-Byungmo in 1790. 3. Medical books affecting "Kwangje-bikeup"("廣濟秘笈") This book is influenced by "Dongeui-bogam"("東醫寶鑑"), "Suse-bowen"("壽世保元"), "Boncho-gangmok"("本草綱目"), etc. 4. Domestic Herbs in "Kwangje-bikeup"("廣濟秘笈") Lee-Kyunghwa seperately recorded clinical cases with domestic herbs in the last volume, which was associated with the effort to have been made for domestic herbs, since the middle era of Koryo.

• 건축역사연구
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• 제12권2호
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• pp.7-20
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• 2003

The main buildings of the important Buddhist temples - the pagoda, the Buddhist sanctum, the lecture hall - was surrounded by the cloister until Koryo Dynasty. And the Buddhist sanctum was located the center. It meant that the Buddhist sanctum was important building. It is very important thing that we understand the usage of the interior space because the architectural space consists of the unified space by the organic function of the interior space and the exterior space. But there is not so much the study on the interior space of the Buddhist sanctum. So, the purpose of this study is to understand of the interior space of the Buddhist sanctum in Ancient and Medieval Times. Till now, it was impossible that the Buddhist monk or the General public entered the Buddhist sanctum in Ancient and Medieval Times because they regarded the Buddhist sanctum as the place of sacrosanctity and the floor was finished by bricks. But, we saw that they could enter the Buddhist sanctum. Of course the floor of the Buddhist sanctum was finished by bricks, but they spread mats on the floor, took off his shoes in the interior space and used the furniture for sitting on. The plan of the Buddhist sanctum was designed by the process of the ceremony and the way of the enshrinement of the Buddhist statues because it is the place to enshrine the Buddhist statues. They performed the ceremony like as pray, worship, offer food to Buddha, HaengDo - an act to turn round an object of worship - and so on in the interior space of the Buddhist sanctum.

• 복식
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• 제51권6호
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• pp.101-115
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• 2001

This study is to examine the characteristics of fabrics in Koryo dynasty by reviewing the fabrics for enshrining oblations inside a buddhist statue in MoonSoo temple, which are currently possessed in SooDuk temple. The research results follows : The fabrics are 33 pieces in total : 28 Pieces of normal fabrics, 5 pieces of fabrics that is used for covering the five grains, and others like variegated silk threads. Out of 33 pieces of fabrics are there 31 pieces of silk and 2 pieces of ramie. The tabby fabrics, which have the most pieces among the fabrics, are 11 pieces in total. There are 1 piece of designed tabby fabri. whose patterns are expressed by dyeing. as well as non-designed tabby fabric. The twill fabrics are 8 pieces in total. Its patterns are mainly the type that small patterns are consecutively reiterated. And they have various patterns including plant patterns, such as lotus pattern, flower pattern. etc., animal patterns such as dragon pattern. etc., geometric patterns. such as turtoise-shell pattern. swastika, etc. The leno and gauze fabrics are 1 piece of 4-end complex designed-gauze and 1 piece of gill gauze. The compound woven fabrics are 2 pieces of brocaded gauze and 3 pieces of brocaded twill. Brocaded gauze is a kind of brocaded fabrics and is made by adding a gold thread between wefts of already weaved gauze. The figured fabrics are 1 piece of tabby fabric, 6 pieces of twill fabrics, 4 pieces of leno and gauze fabrics, and 5 pieces of compound woven fabrics. All of them are 16 pieces out of all 33 pieces and amount to almost 50%. Single-patterned fabrics, that is one pattern is expressed individually, are much more than any others. Plant patterns are the ones that are used the most.

• 한국조경학회지
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• 제33권3호
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• pp.65-77
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• 2005

Deokjin Park in Jeonju City was the site of a pond during the Koryo Period. Although Jeonju City has developed rapidly in modem times, Deokjin Pond was preserved and was developed into a park It can be theorized that Deokjin Pond's latent character has made it possible for it to adapt to the changes it has undergone throgh the years. In this study, the placeness of Deokjin Park is determined by examining its role in the adaptation process. Placeness can be determined by examining the objective character of a certain environment and the subjective experience related to it. For this paper, documents about the history of Deokjin Park were examined so that the facts related to it could be established. In addition, a number of Jeonju citizens were asked about their memories of Deokjin Park since memories reveal people's subjective experiences. The results of this study can be summarized as follows. Deokjin Pond is an ideal space for Feng Shui. It is a holy place because the tomb of the founder of the Chosun Dynasty is close to it. In addition, it has scenic value as it is part of the Jeonju Palkyoung (eight sceneries). To this day, we can see people washing their hair in the pond, proof that Deokjin Pond is still the subject of folk beliefs. When Korea was under Japanese rule, Deokjin Pond became Deokjin Park because of its ideal location, scenic value, and grand possibilities as an amusement center. Over the years, though its scenic value decreased after the death of its pine trees. Jeonju City, however, was able to revive the park's charm though a series of renovation projects and through the addition of several facilities. Deokjin Park is now surrounded by many cultural buildings. The significance of Deokjin Park can be expected to evolve with these changes. This study helps to predict the future of Deokjin Park and to elucidate the importance of landscape architecture from the point of view of an "evolving place."

• 보존과학회지
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• 제30권1호
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• pp.81-93
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• 2014

철원 도피안사 철조비로자나불좌상, 동해 삼화사 철조노사나불좌상, 평택 만기사 철조여래좌상은 통일신라에서 고려시대에 조성된 철불로서 균열, 탈락, 박리박락, 각종 오염물 등이 발생하였다. 방사선 투과촬영을 활용한 철불의 손상도 평가 결과, 철불 내부에서는 균열, 이격, 탈락, 주물공, 보수물질 등이 확인되었다. 그러나 철의 강도로 보아 외부로부터 큰 충격이 가해지지 않는 이상 현재의 상태를 유지할 수 있을 것으로 보인다. 철불의 제작에는 내형과 외형을 철심과 못을 사용하여 고정하였으며, 표면의 이음선과 양각된 명문, 따로 주조되어 결합된 손으로 보아 초중자주조법으로 조성되었을 것으로 판단된다.

• 대한지리학회지
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• 제38권4호
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• pp.535-561
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• 2003

인천시 강화군의 교동은 역사시대이래 계속된 간척활동을 통해 크고 작은 섬이 하나로 연결되어 현재와 같은 면적 47.1$\textrm{km}^2$의 단일 도서로 발전하였다. 구릉성 산지 사이에 퇴적된 교동도의 간석지는 한강ㆍ임진강ㆍ예성강에서 유출되거나 연해에서 운반된 미립물질로 구성되며 일찍부터 해안평야로 개발되었다. 개발 과정은 현지 농민의 개간과 더불어 변방방어와 왕도수호의 차원에서 방조제를 축조하고 둔전을 조성한 고려이전의 초기간척시대, 통어영의 유치로 경지개간이 체계화되는 한편 유이민에 의한 사전개발이 활발했던 조선시대, 식민자본에 의해 농장이 개설ㆍ운영된 일제시대, 다양한 토목장비가 동원되어 간석지개간이 종합적으로 추진된 최근세 이후의 4시기로 나뉜다. 고립된 도서로서 수원이 충분하지 못했던 교동에서는 간척지를 조성하고 안정적으로 이용하기 위해 동답, 제언, 물광, 담수로, 관정, 대규모 저수지 등 독창적인 수리방안을 모색하였다.

• 복식
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• 제56권9호
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• pp.37-49
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• 2006

The purpose of this study is to figure out the types and characteristics of the twill damask fabrics through literatures review of both domestic and Chinese documents and records. In addition, the study aims to review the characteristics of the twill damask fabrics found at Sukga Pagoda. The twill damask fabrics can be categorized in terms of the weaving method into Float Pattern on a Tabby Ground, Twill Pattern on a Tabby Ground, Float Pattern on a Twill Ground, Twill Pattern on a Twill Ground, and Without Pattern on a Twill Ground. The fabrics ran also be divided in terms of their name into Ki, Neung, and Munju. Four items of twill damask fabrics were found inside the Sukga Pagoda. All of them are Twill Pattern on a Twill Ground. At the primitive level of weaving skill, twill damask fabric was made by adding patterns with twill damask or BuJik on the background of plain weave. At more advanced level, the fabrics are weaved by making patterns with twill damask or BuJik on the background of twill damask. Compared to the relics of Koryo and Chosun Dynasty, these twill damask fabrics were loosely weaved with relatively thick thread.

• 한국문화재보존과학회:학술대회논문집
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• 한국문화재보존과학회 2004년도 제20회 발표논문집
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• pp.137-153
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• 2004

We have analyzed the ingredients of 17 pieces of Bronze Age bronze ware, and an additional 22 pieces of Koryo and Chosun dynasty bronze ware. We have also conducted analysis of the extraction sites where these bronze ware items were found. For analyzing the main ingredient the bronze ware items have been divided into 3 groups - Cu-Sn(70?75:20), Cu-Pb-Sn(70:10:10), Cu-Pb-Sn(60:10:20) type respectively. In tile cases of the Cu-Pb-Sn groups the division comes down to differences in the Cu content as the main component, and elements such as Ni, Fe, Co contribute as a micro ingredient. The geographical and periodic characteristics of ancient bronze ware items show that theircompositional element changes from Cu:Sn to Cu:Pb:Sn and the Cu content decreases with the period,while the Pb content increases with the period. Bronze ware items from Suchon Ri, Gongju (that were used in 3 B.C.) form very different categories from 3rd ${\~}$ 2nd B.C.. They additionally formed very different categories from those bronze ware items analyzed in this research. These bronze ware itemsare shown to be geographically close and periodically overlapped, but made of a new elemental composition. This shows an inflow of a production technical culture present in the new bronze wares. The main component content of Cu is lower, and the Co and Fe contents (as microelements) are much higher than that of other bronze ware items. Such facts showthat those bronze ware items used completely different materials from bronze ware items in other cultural areas, or that there were differences in smelting techniques In the places where ancient bronze ware items have been extracted, it is presumed that the materials originated from the southern parts of Korea andnorthern parts and southern parts of China. .As more bronze ware scientific research is compiled one can conclude that that there will be enough scientific evidence to study the Bronze Age culture of Koreasystematically.

• 가족자원경영과 정책
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• 제8권2호
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• pp.61-84
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• 2004

This thesis attempted to generate ideal tea culture space that connects environment and culture. Therefore, this examines: First, history of tea and the characteristics of tea culture space from Gochosun to modern times was reviewed Second, psychological factors (spirit of tea) of Korea tea culture space were reviewed. Third, the connection between the concept of tea culture space and Human Ecosystem Model by was analyzed. Also, this thesis examined how the culture of ecosystem and why tea culture space is needed. because tea includes varieties of ingredients for protecting environmental pollution. Finally, tea culture spaces were reviewed each region during Chosun dynasty, and tea culture space of recent tea users. In order to study tea culture space, complex residential area and single residential areas were compared. The useful of tea culture space as a ecological space was also examined. To achieve the purpose of this study, related literatures were reviewed, and investigations of museums and a survey on modern living space were also conducted. The results show that the space of our tea culture were affected by nature worshipping of Gochosun, Buddhism of Koryo, and Confusianism of Chosun with 'Pungryu', the idea that enjoys nature, thereby applying environment-friendly ecological beauty to their living space and life. The cultyral space in Korea is composed of natural environment such as mountain, sea, rock, or trees and artificial environment such as pond or pavilion. In the future, oriental culture with metaphysical value will lead the world culture, and especially, tea culture would play an important role regardless of nationality, race, religion, and ideology. Therefore, establishing a tea culture space in a living space would be the fundamental methods that would be able to settle down such tea life into our daily life. Our attempts to create ecological tea culture space as a integrated cultural space of natural, artificial, and human behavioral environment will contribute to enhance our quality of life.

• 천문학회보
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• 제27권1호
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• pp.36-36
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• 2002

별똥에는 가랑 별똥(sporadic meteors)과 별똥비 (meteor shower)에 속하는 별똥이 있다. 우리는 고려사 천문지에 적혀 있는 별똥 기록을 조사하여 10세기에서 15세기까지 지구 공전 궤도 상의 별똥 알갱이의 분포에 대해서 연구하였다. 우리는 일년중 특정한 날짜에 별똥이 많이 떨어지는 시기가 몇 개 있음을 발견하였다. 우리는 이러한 별똥들이 별똥비에 해당할 것으로 가정하고 한국, 일본, 중국의 천문 기록 가운데 별똥 소나기 기록을 끄집어 내어 고려사의 별똥 기록에서 구한 별똥비 기록과 비교하였다. 그 결과 7월 27일 경에 강한 별똥비가 있었고, 몇 년 주기로 별똥 소나기가 떨어졌음을 알아 냈다. 우리는 고려 시대의 별똥 기록을 두개로 나누어 별똥비의 세기가 어떤 진화를 하는지는 연구하였다. 7월 27일에 나타난 별똥비는 그 세기가 줄어든 것을 알 수 있었다.