• 한국통신학회:학술대회논문집
• /
• 한국통신학회 1983년도 춘계학술발표회논문집
• /
• pp.18-28
• /
• 1983

This paper describes the result of a series of fundamental researches on a word processing system, named WORD80. Given the text consisting of Ilanguel characters, Chinese characters, English alphabets and other special characters, it can provide-ㄴo-see printout, after having processed according to the commands used to control the output format of the text. Since each Hanguel character in input text is made up of and is represented as some compoents, it uses the deterministic finite automata for the formation of Hanguel from its components. When developed at first, the WORD80 can perform Hanguel to Chinese transition character by character by character. But it was thought to be more practical to do this word by word.

• 한국통신학회논문지
• /
• 제18권9호
• /
• pp.1269-1282
• /
• 1993

본 논문에서는 종래의 결정론적 방법과 신경망을 이용하여, 인쇄체 한자를 인식하는 방법을 제안하였다. 먼저 한자를 구성하는 획성분의 4방항백터를 추출하였다. 다음에 구해진 방향벡터에 무게중심의 메쉬를 만든 다음, 각 메쉬내의 흑화소 길이로 8$\times$8의 특징 매트릭스를 구성하였다. 정규화한 특징 매트릭스 값은 14의 문자형식으로 1차 분류하기위해 신경망에 입력으로 하였고, 이 분류된 문자는 부수를 인식하는 부수인식 신경망에서 다시 2차분류하였다. 마지막으로 2차분류된 문자는 입력한사와 표준한자와의 유사도를 적용하여 최종인식을 행하였다. 본 알고리즘이 한자의 인치에 유효함을 보였다.

• KSII Transactions on Internet and Information Systems (TIIS)
• /
• 제10권11호
• /
• pp.5583-5604
• /
• 2016

In this paper, we present a novel image operator to extract textual information in natural scene images. First, a powerful refiner called the Stroke Color Extension, which extends the widely used Stroke Width Transform by incorporating color information of strokes, is proposed to achieve significantly enhanced performance on intra-character connection and non-character removal. Second, a character classifier is trained by using gradient features. The classifier not only eliminates non-character components but also remains a large number of characters. Third, an effective extractor called the Character Color Transform combines color information of characters and geometry features. It is used to extract potential characters which are not correctly extracted in previous steps. Fourth, a Convolutional Neural Network model is used to verify text candidates, improving the performance of text detection. The proposed technique is tested on two public datasets, i.e., ICDAR2011 dataset and ICDAR2013 dataset. The experimental results show that our approach achieves state-of-the-art performance.

• 만화애니메이션 연구
• /
• 통권48호
• /
• pp.333-358
• /
• 2017

중국은 사회적으로나 정치적으로 특수한 상황이므로 만화캐릭터의 실질적인 연구가 부족한 실정이다. 연구자는 이에 대하여 흥미를 갖고 중국에서 현실성이 있으며 중국인들이 선호하는 캐릭터를 발견하였다. II장에서 연구대상인 "삼모 시리즈(삼모계열(三毛系列))" 16개 중에서 가장 인기를 끌었던 <삼모 유랑기(三毛流浪記)> 의 탄생배경과 발전과정을 살펴보고 삼모 캐릭터의 삶의 과정을 통하여 폐쇄된 구 중국의 현실을 반영하였으며 III장에서 외국 <옐로 키드> 캐릭터와 삼모 캐릭터 및 한국, 일본, 중국의 신문만화를 비교분석과 삼모 캐릭터의 이미지 구성요소를 분석하여 <삼모 유랑기>는 상대적으로 사실적인 그림체, 느린 스토리 전개, 섬세한 감정묘사, 말풍선과 지시문이 없는 특징을 가지고 있다는 것을 알 수 있다. 중국의 근대 만화는 외세에 의한 정세 불안과 전쟁 등으로 풍자만화가 유행하였는데, 그중 대표적인 만화는 삼모 시리즈이다. <삼모유랑기>는 삼모의 탄생과 삶의 과정을 통하여 폐쇄된 구 중국의 현실과 그 시대 사람들의 슬픔과 혐오의 감정을 상징적으로 표현하였다. 작가는 상해의 잔혹한 사회현실 속에 내버려진 고아들의 삶을 만화 <삼모유랑기>를 통하여 폭로와 비판을 하였다. 그 시대 빈번한 전쟁으로 90%의 문맹률 속에 많은 사람들에게 알리기 위하여 말풍선과 지시문이 없는 것도 하나의 특징이다. 머리카락이 세 가닥인 아이, 삼모 캐릭터는 중국인들의 가슴 속에 단순한 만화 속의 주인공이 아닌 하나의 민족적 형상으로 자리하고 있다. 연구자가 작가 "장락평(張樂平, 1910.11.10.~1992.9.27)"의 삼모 시리즈작품을 선택하게 된 이유는 하나의 좋은 만화, 좋은 애니메이션 심지어 좋은 영화는 우리 주변에 대한 느낌에서 오는 감정을 자극하기 때문이다. 중국에서 창조된 삼모 캐릭터는 개성 있고 특이한 반면, 생활에서는 우리에게 친근감을 느끼게 하며 캐릭터이미지와 장면에서 익살스럽게 웃음거리를 만들며 중국의 근대 만화의 대표적인 상징물로 다가온다.

• 정보교육학회논문지
• /
• 제2권2호
• /
• pp.162-173
• /
• 1998

CAI 프로그램 작성시 자료 공유를 위한 한자 공통코드 정의를 위하여 주요 한자문화권 국가의 한자 코드에 대한 고찰 결과, 한자코드 정의시 발음순과 부수순을 혼용 및 동일 한자에 대한 간체자(중국 GB)와 이체자(일본 Shift JIS)의 개발, 사용이 많아 정체자(KSC 한국)간의 자료 호환시 적절한 변환 장치가 요한다. 발음순 원칙은 동차 이음어가 다른 코드로 인식되어 코드 영역의 낭비가 있고, 부수순 원칙은 자국의 두음법칙에 맞지 않으나 중복 코드를 방지할 수 있어 자료의 복원시 유리하다. KSC 제1수준과 제2수준 한자 영역은 학계 및 업계의 요구를 수용할 수준으로 확대시킬 필요가 있다. 유니코드는 시스템의 호환, 확장에 유리하고, 다양한 문자 표현이 가능하여 교육목적 코드의 일시적인 대안이 될 수 있다.

• 한국문헌정보학회지
• /
• 제22권
• /
• pp.219-257
• /
• 1992

Among the Chinese Characters originated in Japan, some of them are very ancient in their origin and others come to exist as different forms by being used widely in forged books in Chinese. These Characters can be divided into three groups. First, the Chinese Characters whose forms are different. Most of these are 'hoiui' (회의)character, being made by imitating the forms of the original Chinese Letters. These characters do have meaning but not pronunciation. This is one distinct feature of Chinese Characters originated in Japan. Second, the Chinese Characters whose meaning has been assigned by the Japanese people. These letters can be grouped into two. One is the letters whose meanings are entirely different from original Chinese Characters, and the other is the letters whose meanings are not known although their pronunciations are known. It can be explained that the letters with different forms are made because of the ignorance of letter's existence. Or, the letters were made on purpose in ordoer to be used in different meanings. Third, the Characters with a partial modification of original Chinese Characters. Among the Characters in three groups above, pure Japanese-made Chinese Characters are those in group one and three since those in group two are Chinese Letters whose meanings (or pronunciation) only are Japanese. As a results of detailed investigation of pure Japanese-made Chinese Character in JIS X 0208-1990, the followings are discovered: 1. Pure Japanese-made Chinese Characters are 147 in numbers. 2. The Characters which were originally Chinese but now considered to be Japanese-made are 5 in numbers. Among these letters, 39 Characters are not listed in TaeHanHwaSaJon(Whose fame is well known as the authoritative dictionary of Chinese Characters), 47 Characters are not found in the dictionaries of Chinese Characters compiled in Korea. 3. 14 Characters seem to be Japanese-made Chinese Characters although it cannot be said so with accuracy because of various meanings found in several dictionaries of Chinese Characrters.

• 한국한의학연구원논문집
• /
• 제18권3호
• /
• pp.133-139
• /
• 2012

Objective : UMLS is 'Ontology' which establishes the database for medical terminology by gathering various medical vocabularies representing same fundamental concepts. Method : Although Chinese character are represented in the Chinese part of Korean Unicode system in a computer, writing of Chinese characters is vary depending on Chinese input systems and Chinese writers' levels of knowledge. As the result of this, representation of Chinese writing in a computer will be considerably different from an old Chinese document. Therefore, a meaningful relationship between digital Chinese terminology and translated Korean is necessary in order to build Ontology for Chinese medical terms from Oriental medical prescription in a computer system. Result : This research will present 1:1 mapping information among the Chinese characters used in the Oriental medical prescription with analysis of 'same character different sound' and 'same meaning different shape' in Chinese part of Unicode systems. Conclusions : Furthermore, the research will provide top-down menu of relationship between Chinese term and Korean term in medical prescription with assumption of that the Oriental medical prescription has its own unique meaning.

• 복식
• /
• 제38권
• /
• pp.83-100
• /
• 1998

The purpose of this study is to figure out how stage costume of Peking Opera communicates what the character wants to inform to spectator. The stage costume means the clothing, shoes, headdress, accessory that the cast is worn for communicating personality of character. Stage costume not only reveals the character of new spirit who the director and the work is like to create, but also makes the style of play harmonizing with the atmosphere of the work. So, the stage costume in the play is a sort of symbol system that forms the depth of play. The stage costume of Peking Opera was formed on the basis of the Chinese traditional stage costume in the Qing period, however the style of stage costume was beautified the costume of Ming period and here contained the factors of successive costumes. But the stage costume of Peking Opera don't have the same rank system with real history costume and don't have demarcation according to period and history. Only it is that transformed and created the real history costume with Chinese fine view and made how they wear Chinese fine view and made how they wear the costume according to position, age, personality of character in the play. In the stage costume of Peking Opera, the color is cultural language that director can communicate to spectators and can inform spectator of sex, age, personality, position of the character. The color of the stage costume of Peking Opera reflects the principles of Yin and Yang and the five elements of the Chinese cosmogony. The pattern of decoration also makes the personality and characteristic of the character. The dragon pattern symbols the authority and majesty, so only the character of high position can use it. The pattern of tiger and leopard symbols bravery, so the military officer can use it. Civil officer decorates with the pattern of Japanese apricot, orchid, chrysanthmum, bamboo that symbols integrity and honor. The stage costume of Peking Opera communicates the identity of character with the special form of costume. Kanjien is a costume of the young priestess, Houyi is the Sunwukong'costume. Chayi is a costume of boatman. Lingzi, Sweixiu, Kaoqi is the props for the foramtive effect of stage costume, also they play an important part in expressing the emotion situation. In the result of study, we could know that the form, color, pattern of the stage costume and props of Peking Opera play important parts in communicating informations that let spectator can understand the play. So, the stage costume of Peking Opera is an‘picturizing costume’that the form, color, pattern of the stage costume is a sort of symbol system. It makes spectator feels actually the viewing Peking Opera.

• 비교문화연구
• /
• 제25권
• /
• pp.743-773
• /
• 2011

In this research, the writer has done a comparative analysis of 4,791 trisyllabic modern Chinese vocabularies from "a dictionary for trisyllabic modern Chinese word" and the corresponding Korean words written in Chinese characters out of 170,000 vocabularies hereupon that are collected in "new age new Korean dictionar y". Aa a result, we have the total 407 pairs of corresponding group with the following 3 types: 1) Chinese : Korean 3(2) : 3 syllable Chinese characters with completely same form-morpheme and same meaning, use, class (376pairs, 92.38% of 407), 2) Chinese : Korean 3 : 3 syllable Chinese characters with completely same form-morpheme and partly same meaning, use, class (18pairs, 4.42% of 407), 3)Chinese : Korean 3 : 3 syllable Chinese characters with completely same form-morpheme and different meaning, use, class (13pairs, 3.19% of 407).

• 전자공학회논문지B
• /
• 제29B권2호
• /
• pp.50-59
• /
• 1992

In the most studies of Korean character recognition so far, they first classify the characters to 6 types according to their structures and then recognize the characters by identifying their basic components named $'$jaso.$'$ In the study, we propose a method which recognizes the characters without using structure types and is applied to reading documents containing both Korean and Chinese characters. We first classify Korean and Chinese characters by using a modified SOFM model. Then we recognize the characters in each class by using an APC neural network which has the advantage of fast leaning speed and the capablity of additive learning. An experimental result demonstrated the usefulness of the approach with the recognition rate of $\%.$\%.