• Journal of the Korean Institute of Rural Architecture
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• v.22 no.4
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• pp.17-25
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• 2020

This preliminary study examines historical background of construction, establishment process, and destroy process for the Goryeo-sa-haeng-guan in Myeong-Ju during the Song Dynasty. The research was conducted based on local journals at that time. The Myeong-Ju is one of the famous port cities for marine trade. The Myeong-Ju had a good relationship with the Goryeo. Especially, the Song Dynasty built the Goryo-sa-haeng-guan for Goryeo envoys and traders to maintained a good partnership with Goryeo. A comprehensive review on records and historical issues of the Goryeo-sa-haeng-guan helps us to understand foreign policy and inter-relationship between Korean and China.

• Lingua Humanitatis
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• v.5
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• pp.193-217
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• 2003

This paper aims to infer conversational implicatures from Chief Priest Sung-chul′s Nirvanic song in light of the Buddhist view of language and its communicative functions. Zen-dialogs in which nirvanic songs are classified are defined as rational dialogs, which in fact observe the rules of conversation such as the ones proposed by Paul Grice (1975) even though they apparently ignore the rules. This paper also addresses the formal characteristics of the Priest′s nirvanic song and argues that the song exploits the rules of conversation using the whole song as an implicature trigger. Taking it for granted that Chief Priest Sung-chul holds the view on language and its communicative functions just as specified in the Doctrine of Mere Consciousness, which is one of the major tenets of Korean Buddhism, especially of the Chogye order, this paper tries to explicitly show and systematize the language-to-world relationship, which is only alluded to in the Doctrine of Mere Consciousness. This paper also refines the assertion of the doctrine as to the nature of language, which maintains that language is not associated with either the mind or outer objects (that is, an unassociated dharma), and is "a shared thing among shared things." This shows that language continuously interacts with the mind in a different way from the ones in which associated mental activities (caittas) interact with the mind and that accordingly, language is "an unshared thing among shared things."

• International Journal of Fuzzy Logic and Intelligent Systems
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• v.10 no.1
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• pp.19-24
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• 2010

The rise of music resources has led to a parallel rise in the need to manage thousands of songs on user devices. So users have a tendency to build playlist for manage songs. However the manual selection of songs for creating playlist is a troublesome work. This paper proposes an auto playlist generation system considering user context of use and preferences. This system has two separated systems; 1) the mood and emotion classification system and 2) the music recommendation system. Firstly, users need to choose just one seed song for reflecting their context of use. Then system recommends candidate song list before the current song ends in order to fill up user playlist. User also can remove unsatisfied songs from the recommended song list to adapt the user preference model on the system for the next song list. The generated playlists show well defined mood and emotion of music and provide songs that the preference of the current user is reflected.

• Journal of Astronomy and Space Sciences
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• v.26 no.4
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• pp.589-602
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• 2009

We investigated 'Song of the Sky Pacers, Adopted to the New Methods'(新法步天歌), the latest version of Joseon's 'Song of the Sky Pacers'(步天歌). Due to the influence of new knowledge on Chinese asterisms imported from the Ching dynasty, 'Song of the Sky Pacers with New Star-Charts' was written in the eighteenth century. However, the disagreement between song and star-charts was causing confusion in practical applications such as Joseon's national examination for selecting astronomers. In order to improve this situation, Royal Observatory of the Joseon dynasty (觀象監) published 'Song of the Sky Pacers, Adopted to the New Methods' based upon star-charts and song in the Sequel of I-Hsiang-K'ao-ch'eng (欽定儀象考成續編). The New Song was edited by a middle-class professional astronomer Yi Jun-yang (李俊養), and corrected by a nobleman Nam Byeong-gil (南秉吉). We establish a brief biography of Yi Jun-yang. The New Song preserves the genuine characteristics of previous Joseon's Song including the format of title of each lunar mansion and description on the location of the Milky Way in the asterisms. The description of the Milky Way was newly written based on the data in volume 31 and 32 of the Sequel of I-Hsiang-K'ao-ch'eng.

• Korean Journal of Child Studies
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• v.29 no.3
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• pp.93-113
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• 2008

This study examined musical concepts of early childhood teachers with the 'Sing-a-New-Song' activity and problems teachers face in the application of musical concepts. Participants were 10 kindergarten teachers; data were collected through lesson plans, videos of classes, and interviews with teachers. Results showed that (1) selection of songs focused on words of a song rather than musical concepts; ignoring development of the musical level of the children. (2) Goal-setting ignored musical concepts. (3) Class management confused musical concepts with other concepts. (4) No evaluation of musical concepts was undertaken. Problems included teachers' lack of knowledge of musical development in young children, insufficient understanding and limited application of musical concepts, and low expectations regarding music as a subject of instruction.

• Proceedings of the Korean Society for Noise and Vibration Engineering Conference
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• 2002.05a
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• pp.1161-1168
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• 2002

Vibration and sound characteristics of King Song-Dok Bell are measured and the modal property is investigated. The effect of striking position and modal property on the beat characteristics is examined. It is first found that the beat characteristics are quite different according to the position on the bell surface and clear beat is periodically generated on the circumference. It turns out that in King Song-Dok Bell, striking Dangjwa(the present striking position) makes a beat in the first vibration mode, as well as it produces very clear beat in the second vibration mode.

• Magazine of the Korean Society of Agricultural Engineers
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• v.23 no.4
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• pp.53-59
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• 1981

This experiment was carried out to find out the effectiveness of soil cement stabilization about the Song-I in Cheju province. The results are summarized as follows; 1.The increasing ratio of unconfined compressive strength according to the increment of cement content was markedly low compared with the weathered granite soil, so the effect of stabilization was low. 2.The moisture content of the sample of Song-I indicates the maximum unconfined compressive strength showed at the 5% or so of dry side than the optimum moisture content and the change of the unconfined compressive strength according to the change of moisture content was not sensitive compared with the weathered granite soil. 3.Generally the primary strength of curing age within 7 days of the sulfate resisting cement was low compared with the normal portland cement and the strength of 28 curing days showed a similar tendency, especially in case of Song-I, and it seemed that the sulfate resisting cement was a little more effective than the normal portland cement. 4.As the unconfined compressive strength of grain size controlled Song-I was low compared with the weathered granite soil, so the rate of weight loss by the durability test was great, therefore it was thought that the durability was weak.

• Journal of architectural history
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• v.31 no.6
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• pp.81-90
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• 2022

It is difficult to conduct an on-site investigation of Kaesung since it's located in North Korea. After the devastating Korean civil war we have lost a lot of authentic structures. At present, the statement of those who have seen the Kaesung during the time would be of great help in bringing out the significance of this study. According to Ma Hae-song, who was a local in Kaesung. He vividly remembered how his neighborhood looks like and he even mentioned the every single detail of his house in his essay. Moreover he also compared the traditional Han-ok in the former time from the household of other countries. There was an extraordinary interest and insight in Han-ok. This study estimated Ma hae-song's Gaesuong house based on Ma hae-song's personal and supplementary records. the contents by exchanging e-mails with his eldest son, poet Ma Jong-ki. Through the above process, it was confirmed that the writer Mahae Song's Gaeseong House was a typical wealthy merchant's house located in Donghaerang, a luxury residential area, and was engaged in commerce.

• CELLMED
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• v.12 no.4
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• pp.15.1-15.3
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• 2022

The purpose of this study is to examine the joy, anger, sorrow, and pleasure of Koreans in Arirang songs. Arirang is a representative song that strengthens the collective identity and social bond of Koreans. For Koreans who mainly eat rice, Arirang represents rice, life, and reason for its existence. Koreans have been singing Arirang together for a long time, overcoming pain, sadness, and hardships and consoling their minds and bodies. Arirang is a national music that is loved more and sung more often than the national anthem. The hill on the mountain is not a place to stay. The pass is a passing place. This gives us a lot of thought. We have various difficulties living in the world. The word Arirang means that Arirang is not one state. The end of joy, anger, sorrow, and pleasure is surely a joy. Arirang Pass (Arirang Gogae) is not a staying pass, but a crossing pass. Arirang, which contains joy, anger, sorrow, and pleasure, is a soul song and a consolation medicine for mental and physical health. We suggest that Arirang song compared to standard care may have beneficial effects on anxiety, hope, pain, and depression in patients.

• Magazine of RCR
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• v.12 no.1
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• pp.8-15
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• 2017