• 한국실내디자인학회논문집
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• 제24권5호
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• pp.21-30
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• 2015

The visual expression system of space realized in Baroque aesthetics is basically grounded on the philosophical view to the world of the time, that is to say the changes of the thinking system in the Renaissance and ontology based on it. Structural aesthetics in Baroque freed from Plato's system of harmony but grounded on Leibniz's process philosophy formed a crucial background to highlight the formal nature of the whole and build a structure based on the inclusive principle of formativity. Also, to solve problems to realize the order and consistency of forms from the whole, Baroque adopted the nonlinear and nonphysical formative system as the principle of building space in works of art. Combining the order system of nature in the Renaissance with manneristic dynamicity as well as formative principle taking shape geometrically, it did establish a variety of aesthetic concepts based on the results of infiniteness and exaggeration expressed from the two forces, the Renaissance and mannerism. This study has found that such Baroque aesthetics did overcome classical planeness and draw continuous mobility from the structures and forms based on that with the transborder concepts of structures, the components of space, as an ultimate system of formative expression. Moreover, this author has drawn and analyzed with the cases of the 17th-century art and architecture the transborder elements manifesting the nature of diverse formative visual elements produced in artistic expressions with that principle of aesthetics, that is the intangible concept of Baroque. Based on that, this researcher intends to come up with technical solutions to solve a lot of environmental and architectural problems we are severely facing nowadays in terms of environmental, physical, and emotional aspects with the theoretical clues and results acceptable to this contemporary era.

• 한국실내디자인학회논문집
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• 제21권5호
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• pp.171-180
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• 2012

The purposes of this study were to compare Louis I. Kahn and Rem Koolhaas, both of whom established their architectural theories and granted rationality to them by applying the theory of psychoanalysis, and examine common and different characteristics in the inner space composition of a building between them. The study also set out to confirm a basic premise based on which to develop a metaphysical design concept by applying the theory of psychoanalysis in the inner space composition of contemporary architecture in future from the more developed and integrated perspective of modern psychoanalysis. As a result, Kahn sought after a metaphysical design concept through the combinations of inner unit spaces including servant and served space, which are comparable to the confrontation between consciousness and unconsciousness from the perspective of psychoanalysis. Unlike him, Koolhaas applied the concept of folding to his architectural plans based on the theory of post-structuralism and created a metaphysical design concept by more focusing on connections between unit spaces rather than their combinations. While Kahn worked on his designs with much interest in the combinations of inner unit spaces in horizontal circulation by separating it from vertical circulation, Koolhaas created a new design concept beyond the limitations of Kahn, who had a confronting, dichotomous view of the world between the phenomenal world and the metaphysical world, by making use of inclined slabs to connect upper slabs with lower ones. The findings show that there can be various metaphysical design concepts depending on how to connect and combine two confronting concepts when applying the theory of psychoanalysis to architectural design.

• 한국조경학회지
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• 제36권4호
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• pp.36-47
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• 2008

본 연구는 국내 현대조경을 대표하는 공원들을 대상으로 실제 이용자들이 느끼는 만족도, 선호도, 이미지 등을 분석하여 개별 공원의 기능적, 경관적인 차이점과 공통점을 실증적으로 규명하는 것을 목적으로 하였다. 공원시설 유형으로는 관리상태, 공원활동시설, 편의시설, 동선 및 밀도, 조경 및 휴게시설 등으로 구분되었다. 공원이용행태 만족도에 대해서는 대화, 휴식, 한가로움 등에 대해서는 긍정적으로 평가하였고 학습, 체험, 경험 등에 대해서는 부정적으로 평가하였으며, 공원 이용행태의 유형으로는 공원활동, 정서 및 체험, 자연활동 등으로 구분되었다. 공원의 이미지 분석 결과 조사대상 공원은 주로 안정적이고 편안하며 자연적인 느낌의 공간으로 인식하고 있는 것으로 분석되었으며, 자연/조화성 요인, 개방감 요인, 독특성 요인 등의 요인으로 요약되었다. 선호도 조사 결과 전반적으로 양호한 선호를 보이는 것으로 나타났다. 시설만족도, 이용행태, 경관이미지, 선호도 등을 기준으로 공원을 유형화한 결과 다목적공원(일산호수공원, 여의도공원, 하늘공원, 양재천, 올림픽공원), 자연적 요소를 가진 종합공원(선유도공원, 평화의 공원), 개방된 도시공간(서울광장, 청계천), 상대적 개선필요 공원(파리공원, 서울숲), 생태공원(길동자연생태공원) 등의 5개의 유형으로 구분되었으며, 각 유형별 특징에 대한 분석이 진행되었다. 본 연구결과는 수도권에 위치한 공원을 대상으로 한 계절 동안 설문조사의 결과로 일반적인 도시공원의 유형화를 위한 기초연구라고 할 수 있다. 향후 이러한 한계점을 극복하기 위한 보다 다양한 도시공원에 대한 일반적이고 폭넓은 연구가 필요하겠다.

• 한국전통조경학회지
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• 제34권3호
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• pp.18-27
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• 2016

건물의 벽이나 담에 여러 가지 문양을 넣은 담장을 '꽃담' 또는 '화초장(花草墻), 화문장(花紋牆)'이라고 한다. 꽃담을 통해서 외적으로는 소유자의 권위, 가치관 등을 짐작할 수 있고, 내적으로는 집안의 안녕과 평화를 기원하는 상징적 의미를 추적할 수 있기도 하다. 그동안 꽃담 관련 연구의 경우 궁궐은 건축, 원예, 미술 디자인 분야 등에서 다양하게 진행된 반면 지역성과 관련한 전통민가와 사찰 관련 연구는 조경분야에서 전무한 상태이다. 이러한 관점에 착안하여 본 연구는 국가 및 도지정 문화재인 전라북도 소재 전통민가와 사찰의 꽃담 사례를 조경적 관점에서 조사, 분석하였다. 전수 조사한 결과 꽃담이 도입된 전통민가 9개소와 사찰 7개소를 중심으로 연구분석하였다. 즉, 전라북도에 산재하는 문화재 16개소를 중심으로 전통민가와 사찰에 나타나는 꽃담의 형태와 기능, 재료, 문양의 상징적 의미를 추적하여 연구결과를 도출하였다. 꽃담은 위치와 형태에 따라 공간기능과 성격이 차별화 되며, 문양의 경우 담장은 물론 합각, 고막이, 굴뚝 등에 다양하게 나타난다. 민가에서는 식물은 물론 문자문양까지 다양한 반면 사찰에서는 불교의 교리와 신앙 등의 의미를 지닌 신앙관련 문양이 주로 나타난다. 상징적으로 민가의 경우 가문과 자손 번영, 벽사, 장수, 길수(吉數) 등이 나타나며, 사찰에서는 불성(佛性)과 극락왕생(極樂往生)을 기원하고 연꽃의 속성을 강조하는 등 의미적 차별성이 표출된다. 결과적으로 본 연구를 통해 향토 조경문화의 올바른 조명, 현대 공간에 꽃담을 모티브로 한 한국적 정취의 표출 가능성, 그리고 꽃담에 대한 인식 제고와 계승 방안 모색을 위한 기초자료 제공 등과 같은 연구 성과를 도출할 수 있었다.

• 미술이론과 현장
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• 제9호
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• pp.195-215
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• 2010

Alberti's De re aedificatoria is the earliest case in the history of Italian Renaissance architectural treatises dealing with recovery of antiquity through textual and archaeological pursuits. The key source of the Renaissance theoreticians was Vitruvius' De architectura. However, Alberti was keenly aware of inaccuracy and Hellenization of Latinity in this classical text, and tried to compensate them in his own treatise. Furthermore he claimed a reformed discipline of the architects as well as the patrons, and prescribed how future buildings and cities should be built, based on the proper authority of ancient architecture in proper and intelligible Latin. Such an adaptation of classical usage in order to reestablish a modern norm preceded in his earlier work Momus, a satire on the contemporary Italian society of his own by following the model of Lucian. Alberti's suggestion of proper government in Momus's phrase was expanded in De re aedificatoria, for he consider the buildings are subject to the rules of morality and public interests. He proclaimed that the nature of beauty is the reasoned harmony of every part within a body, and architectural beauty also lies on the harmonized arrangement of all the elements within an individual building and of all individual buildings and facilities within a city. For the architects to execute this task, he formulated the concept of lineanenta, the form derived from the mind in order to prescribe the proper place, numbers, scale, and orders for whole building structure. It is the future oriented city-plans and building designs to serve the public interest and the good of all the individual citizens who make up the City-State that Alberti pursued in his treatise.

• KIEAE Journal
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• 제8권3호
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• pp.61-68
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• 2008

The development of urbanization in the twentieth century according to the rampant growth of industrialization not only brought about the improvement of life-quality but also induced us to reconsider the contemporary issues such as crisis of echo system which made us aware of the values and significance of the system and sustainable environments. As sustainability has been recognized as the holistic concept, it has been highlighted as one of the core concepts in the studies with the present ecological perspective. Particularly, as the plan of urbanization in Korea which had been based on the deconstruction has been converted into the regeneration, economic and cultural regeneration is also demanded for the future plan besides material regeneration. This study aims to scrutinize various attributes of socially sustainable designs in Yerba Buena Garden of San Francisco, USA which has been globally well known as a successful example of urban regeneration. By way of visit-and-observation of the place, the research for the study was conducted during the month of December, 2007. Three researchers visited Yerba Buena Garden to observe and take photographs and to obtain relevant data and public documents in local public library. Socially sustainable design was measured on the basis of such principles; social facilitation, permeability and accessibility, safely and emotional stability, softness and feminism, and child care convenience. Relevant data were systematically organized to support and prove the above principles. The result of the study is expected to effectively be utilized for Korean environment plan and design as a benchmarking guidelines against the crisis of degeneration and the aging society with the lowest birthrates in the world.

• 건축역사연구
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• 제20권2호
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• pp.23-38
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• 2011

France is known to be making particular efforts to maintain its traditional urban architectural culture by diverse measures including the implementation of urban policies. However, France is facing up to the need to pursue modern urbanization in keeping with the requirements of the current times. Thus, this paper examines with what priority France is attempting to reflect in its current urban policies its determination to retain its urban architectural tradition and to recreate its capital city of Paris as a future European hub city. To that end, the paper first seeks to analyze Paris' policies for urban architecture from diachronic perspectives in a bid to determine Paris' urban architectural culture. Second, the study attempts to examine within the purview of the paradigm of contemporary urban architectural designs how Paris is pursuing the two conflicting purposes of the preservation of tradition and modern urbanization through the Paris Local Urbanization Plan (or Plan Local d'Urbanisme [PLU]). First, the findings indicate that Paris is applying the principle of a sustainable development plan in all fields of environment, economy and society. In terms of environmental sustainability, Paris is trying to improve the life quality of its citizens through the establishment of efficient mass transportation systems and the expansion of its green belt areas. In terms of social sustainability, Paris is implementing policies to ensure social diversity through housing policies. Also, in terms of economic sustainability, Paris is trying to expand employment and bolster its urban functions by conserving commercial activities and developing peripheral urban areas. Second, the findings indicate that Paris' policy of recovering its traditions takes priority over that of creating a sustainable city.

• 건축역사연구
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• 제16권6호
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• pp.7-26
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• 2007

This article is about restoring the wooden pagoda which located in Silsangsa Temple after historical research. The process of this study, first of all, the theoretical study was considered about similar examples of wooden pagoda and gilt-bronze pagoda in Gorye period and wooden pagoda in contemporary period. After that, the study was established by the present condition of Silsangsa wooden pagoda site, the characteristic of Silsangsa wooden pagoda, the form of arrangement, the scale and height. Finally, considering those studies, the wooden pagoda designed in detail. This restoring design tried to follow the inference in that time. Moreover, the design tried to involve the elements of characteristic of region and Silsangsa wooden pagoda. Therefore, the research establish period of Silsangsa wooden pagoda in Gorye period. Locally, it considered both elements of Silla and Baeckje. The arrange form of restoring wooden pagoda was freestyle arrangement that had two main building of a temple and one middle pagoda. The idea of structure was to establish of double Core system. This system inferred from the system of building structure in ancient wooden pagoda and middle and modern age of multistory wooden construction. According to measurement of foundation stone, the scale of restoring wooden pagoda followed the skill of Tang-scale. The connection structure of each floor followed laminated structure which was the general form of log frame in that time. After study of foundation's condition, the present writer deseeded to have restoring the wooden pagoda 9 stories tall. The final aim was to depend on the structural intuition of the present writer, the writer tried to restore beautiful wooden pagoda according to in those days which is solution for contradiction of unclear point. So, it could be make out a plane of restoring wooden pagoda.

• 한국건축시공학회지
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• 제23권5호
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• pp.571-581
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• 2023

최근 국내 건설산업은 건설업체의 경영난과 물량 감소로 인해 위축되고 있다. 국내 건설사들은 건설시장에서의 경쟁 우위 확보를 위해 모든 공종에 대해 원가절감 및 품질향상을 위한 노력을 기울이고 있다. 가치공학(VE) 기법은 건축공사에서 원가절감뿐만 아니라 공기 단축과 품질향상을 위한 도구로 활용되는데, 골조 공사 분야에 적용되는 성과가 상대적으로 미미한 실정이다. 공장 건설에서 골조 공사는 전체 공정에 큰 영향을 미치는 주요 공정이므로 골조 공사 계획단계에서 VE 기법을 도입해 설계도서와 현장 여건을 분석하여 품질과 안전을 확보하면서 공사 기간 단축, 원가절감, 작업성을 높일 수 있는 대안을 개발할 필요가 있다. 본 연구는 공기 단축, 원가절감, 시공 안전성 확보를 위한 기초연구가 될 것으로 기대된다.

• 한국조경학회지
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• 제33권1호
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• pp.93-108
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• 2005

Fresh Kills is the largest landfill in the world located in the west side of Staten Island, New York. The landfill served as a storage area for New York City's trash for more than 50 years. After years of civilian and political pressure, state and local legislation decided its closure of landfill operation in Fresh Kills in March 2001. Soon after, Department of City Planning announced a Fresh Kills international design com-petition: 'Landfill to Landscape'. The winning entry was promised to be outline for the redevelopment of the 2,200 acre site which the size of three times Central Park. Forty-eight teams representing more than 200 offices from around world submitted proposals, from which six finalists that mostly led by landscape architects were selected. In December 2001, a jury of architects, landscape architects and city officials unanimously selected Field Operations as the winner. The plan, named Lifescape, visualizes the gradual 20-year transformation of the whole Staten Island into a 'natural lifestyle island' recognizing that Staten Island is home to coastal wetlands that shelter one of the most diverse ecosystems in the New York metropolitan area. It suggested that an ecologically reconstituted Fresh Kills could become the center of integrated parks and greenways system on the island otherwise fragmented. The project will be one of the largest and most ambitious undertakings in the metropolis in years developing a complex web of habitats and parklands on top of mountain of trash. This study tries to achieve two goals: One is to provide general explanations on the project, Lifescape, breaking down to its background, geographical context, design concepts and phased development plan. Another is to introduce the unique and innovative design approaches by Field Operations that are different from a conventional landscape architectural attitude. Since this project was well published through many magazines and newspapers, main focus will be upon aspects that differentiate this project from usual landscape projects. Conceptually Lifescape brought provocative notions on nature/culture relationship and the role of urban park as an active agency rather than just a green rest area. Also this project introduced pioneering graphics like plan collage, diagrammatic plan, phasing diagram and photo montage as vehicles conveying information, imagination and provocation. Witnessing the influence of the project gradually in the field of academic and practice in the States, this study is intended to become a constructive reference to similar landscape projects dealing with large and complex urban context in conjunction with restructure of contemporary city.