• 비교문화연구
• /
• 제25권
• /
• pp.87-106
• /
• 2011

This article studies that Korean literature has been renewed to World literature-oriented in the history of Modern Korean literary criticism from early modern period to present for reflecting the slogan, "globalization of Korean Literature" as well as contextualizing the necessity, "new relationship between Korean literature and World literature". Some writers, such as Lee Gwangsoo a pioneer of Modern Korean literature and the group for foreign literature[haioei-munhak-pa] introducing World literature to Korea and Lim hwa a prominent critic of proletarian literary theory under Japanese Colonial period, have understood European literature as World literature Korean literature had to reach. Inevitably the hierarchical relation between Korean literature and European literature as World literature had been interiorized to them. Meanwhile Jo Dong-il and Paik Nak-chung who have been representative researchers of Korean literature had tried to broken down the hierarchical relation between Korean literature and European literature interiorized to Korean writers until the 1980s, with Korean literature could be accomplished to World literature meaning. Since the late 1990s Park Sung-chang and Park Sang-jin who are leading researchers of comparative literature in Korea these days, have emphasized the methodology of new comparative literature for 'universality of literature' between Korean literature and World literature, which have been the renewal way of Korean literature in today's age of globalization.

• 비교문화연구
• /
• 제48권
• /
• pp.1-30
• /
• 2017

본 연구는 일본에서 저술된 한국고전문학사를 중심으로 일본문학사와 남북한 문학사와의 문화횡단적 양상을 살핌으로써 한국문학사에 대한 인식과 서술양상을 규명하고자 했다. 그 분석대상은 일본인과 재일조선인을 대상으로 일본어판 "조선문학사"를 저술한 김동욱과 변재수이다. 일본문학과의 비교문학적 관점인 김동욱의 "조선문학사"(1974)와 재일조총련계로서 사회주의적 관점에서 저술한 변재수의 "조선문학사"(1985)는 자국문학사의 가치를 평가하는 기준과 인식이 서로 달랐다. 이것은 무엇보다 분단체제로 인한 남북한의 문학사가 이질적으로 전개되는 현실에서 그들의 "조선문학사"는 남북문학사의 균열상을 담아내고 있다. 하지만 그 한편으로 한문문학의 가치와 향가, 한글창제, 그리고 판소리의 독자성을 높이 평가하고 있으며, 한국문학으로서 한글문학과 한문문학이 서로 상호작용 했다는 것을 증명하고 있다는 점은 공통적이다. 뿐만 아니라 그들의 일본어판 "조선문학사"의 저술의의는 민족주의적 시각하에 일반적으로 한국문학을 중국문학의 아류라는 인식에서 벗어나 한국문학의 가치를 재정립시키고, 일본인에게는 한국문학의 우수성을 재일동포에게는 민족적 자긍심을 고취시키기 위한 노력이었다는 것을 확인할 수 있었다.

• 복식
• /
• 제54권2호
• /
• pp.39-52
• /
• 2004

The purpose of this comparative study what is the way to express difference fashion design between Japanese fashion designers and Western fashion designers in the 1990s. The design data were 422 pictures of contemporary fashion designs which represented the Japanism style design from fashion collections and analyzed by literature study and classification categories. The results were as follows : 1) Early general Japanism expression was directly borrowed from traditional fashion design elements and has changed indirectly with fashion trend. 2) Japanese fashion designers have used color, fabric, and pattern than shape to express Japanese traditional images. 3) Western fashion designers have directly borrowed aesthetic elements of Kimono design, that is, layering. bending, neck-line, sleeve, and traditional Japanese men's wear to express Japanism.

• 한국환경복원기술학회지
• /
• 제11권6호
• /
• pp.143-152
• /
• 2008

A comparative analysis of rooftop greening in Korea and Japan was carried out to understand current status of rooftop greening creation and technology and to give directions to frame a policy or plan on rooftop greening in Korea. Besides literature studies, questionnaire survey to Korean and Japanese experts on rooftop greening were done. As results, the annual creation areas, the types and the scales of rooftop greening in Seoul and Tokyo until 2007 were analysed and the satisfaction on the creation areas and technologies, the preference types, the present levels of and the most important parts among policies (support systems), technologies (creation methods), materials, maintenances and user programs for the development or expansion of rooftop greening in Korea and Japan were compared. The creation areas of rooftop greening in Seoul until 2007 was around 15% in Tokyo but the increasing rate of those in Seoul was faster than in Tokyo. Korean needs for the improvement on the rooftop greening systems and technologies were higher than Japanese, but both desired the expansion of rooftop greening areas in both countries. Korean preferred semi-intensive rooftop greening system but Japanese preferred intensive system. Korean and Japanese rooftop greening experts preferred policies (support systems) and technologies (creation methods) for the most important part for the development or expansion of rooftop greening in both countries.

• 비교문화연구
• /
• 제48권
• /
• pp.31-66
• /
• 2017

본고는 일본에서 저술된 한국문학사 중에서 임전혜의 "일본에서의 조선인문학의 역사-1945년까지"와 시라카와 유타카의 "조선근대문학의 발자취", 그리고 사에구사 도시카쓰의 "한국문학을 맛본다"를 중심으로 각 문학사에 나타난 한국근현대문학의 인식방법 및 서술양상을 '문화횡단'이라는 관점 아래 고찰하고 있다. 먼저 임전혜는 일본유학생들의 문학 활동과 프롤레타리아 문학운동을 중심으로 일본에서 산출된 조선인 문학을 시기별로 고찰하면서 한 일간의 능동적인 문화교섭과 상호이해, 정치적 연대의 지점들을 짚어낸다. 시라카와 유타카는 근대문학 형성과정에서의 한중일 삼국의 동시성과 연관성에 주목하고 일본어 문학과 친일문학 등을 비중 있게 다루면서 한국과 일본의 경계에서 충돌하는 매개적 연구자로서의 중층적 위치성을 보여준다. 사에구사 도시카쓰는 동아시아를 아우르는 비교문학적 고찰, 전통과 현대를 잇는 문학적 형식과 주제의 구현, '친일문학'을 바라보는 탈경계적 시선 등을 통해 한국문학의 내적논리와 외연을 두루 살피는 흥미로운 문화횡단적 계기들을 제공한다. 이들 문학사에서 살펴볼 수 있는 문화횡단적 실천 양상은 첫째, '민족문학사'를 근간으로 한 기존의 한국근현대문학사를 '식민지 경험'과 '국가민족주의'라는 자장에서 이화(異化)시켜 다면적으로 고찰하고 있다는 점, 둘째, 기존 한국문학사의 서술양상을 보완하는 입체적이고 미시적인 문학사 서술의 가능성을 제공한다는 점, 셋째, 동아시아를 아우르는 비교문학적 관점의 수용을 통해 확장되고 열린 문학사 서술의 계기를 마련한다는 점, 넷째, 재일조선인문학, 일본어 문학의 발견을 통해 한국근현대문학사의 외연을 넓히고 토대를 풍부하게 하는 데 기여한다는 점이다.

• 한국연극학
• /
• 제52호
• /
• pp.189-228
• /
• 2014

The purpose of this research was to summarize Korea and China's researches on Noh and to examine main domain in this field, by investigating the academic books and articles published in two countries. In 1960s, since Nohgaku has been introduced to China, academic articles on Zeami's theories and aesthetics have emphasized on aesthetic characteristics of Chinese plays and Japanese Nohgaku through the similarities of oriental plays. The number of researches on Kabuki is almost twice as that of researches on Noh in China. While most researches on Kabuki were compared with the styles and music of Pecking Opera and the theatrical theories of liyu[李漁], those on Noh has been highlighted the comparative studies on $Y{\bar{o}}kyoku$[謠曲], Chinese Noh plays. The main difference among the researches on $Y{\bar{o}}kyoku$ in Korea and China was the material regarding characters of Noh. Because song yuanzaju[宋 元雜劇]and Nohgaku in Chinese-Japanese plays were the mature form of the classic plays and those were representative of traditional nation plays, this researches tried to ascertain the cultural origins of two countries regarding the aesthetic characteristics by referencing lyrical and narrative features[曲詞] of yuanzaju[元雜劇]and the classic waka of Nohgaku. While the comparative studies on Noh and song yuanzaju and kunqu[昆劇] in China were prevalent, national researches have emphasized on the inner world of the main character and dramaturgy through the verbal description of Noh. Especially, this research tried to investigate the inner world of the main character and the intention of the writers through the verbal description of Noh authorized in the history of the works. Also, the researches on Buddhism in the Middle Ages and religious background were examined significantly. In addition, the $Y{\bar{o}}kyoku$ has influenced on European modern playwrights and the comparative studies between the materials of $Y{\bar{o}}kyoku$ and Western modern plays were concerned. In Korea, the comparative studies on Noh between Korea abd Japan has been most focused on the origin theory of Noh. The fact that appearance theory of Noh had originated from Sangaku was common opinion among Korean, Chinese, and Japanese scholars. However, they are agree with the opinion that according to the formation of the different genres, Noh's mainstream was different among three countries despite of the same origin. Yuan drama and Noh play have the same origin, but different branch. In relation to the Noh's origin theory, there are literature comparative studies in religious background, the studies presumed the origin of instrumental music related to those in mask plays, and the comparative studies between Korean mask plays and $ky{\bar{o}}gen$ of Nohgaku. Kyogen is the Comedy inserted among the stories in Nohgaku performed in just one day. Therefore, $ky{\bar{o}}gen$ must be discussed separately from the relations of 'shite[任手]'s inner action veiled with masks. This research figured out that the lacking points of the two countries' researches were the acting methods of Noh. Academic articles written by foreign scholars studying Korean and Chinese theatres should be included when this issue will be dealt with. In Korea and China, translation studies and writings regarding Nohgaku have studied by those who are major in Japanese literature or oriental literature. This case is the same in Korea in that scholars whose speciality is not theatre, but Japanese literature has studied. Therefore, this present study can give a good grasp of whole tendency on Nohgaku's research in theatre fields.

• 대한가정학회지
• /
• 제49권5호
• /
• pp.11-22
• /
• 2011

This study aimed to suggest more appropriate and accurate festival costumes based on a comparative analysis on various reproduced costumes and a period review of traditional festival costumes. In particular, the comparative analysis examined festival costumes which appeared in Korean and Japanese festival parades during the Baekje Period. The Baekje Cultural and Sacheonwangsawasso Festivals were examined. A literature review as well as field research and digital restorative techniques were used in the study. The reproduction patterns of Baekje costumes from both festivals were compared with original Baekje costumes, demonstrating several differences in the configuration, material, color, and shape of the costumes in addition to the way they were worn. Based on the comparative analysis, Baekje costumes used in Festivals were grouped into three categories: King's Costume, Queen's Costume, and Government Official's Costume. Dress sketches and 3D illustrations also have been presented.

• 식품과학과 산업
• /
• 제50권2호
• /
• pp.74-85
• /
• 2017

This paper aims to compare the language of food related to rice and wheat in Korean, Chinese and Japanese. These three countries in East Asia are very close in terms of geography, history, and culture. As of language, Korean and Japanese are classified as a same language family, while Chinese, to another. However, since three countries have been sharing Chinese character and words composed of it, there are many alike things in their languages. It is natural that food and the language of food are shared in neighboring areas. Among many food, I will explain the names of rice and wheat and the details of the names of various food made of them. In particular, rather than a simple comparison, the language of food is analyzed in the viewpoint of migration. And I will look into the names of food not only in relation to language, but also in culture, society and history.

• 한국건축시공학회지
• /
• 제10권6호
• /
• pp.27-38
• /
• 2010

건설 관련 행위의 기준이 되는 주요 법 제도나 건설 환경 변화 양상의 한 일간 유사성을 고려할 때, 일본 건설산업에 대한 지속적인 관심과 연구는 국내 건설산업의 전략 수립에 있어 불가피한 측면이 있다. 건설현장 공사관리 기술에 대한 양국간 비교 분석을 위해, 본 연구에서는 문헌 분석, 전문가설문, 현지조사 등의 방법을 활용하였다. 양국 건설현장에 대한 경험이 있는 전문가들에 따르면, 국내의 현장관리수준은 과거에 비해 일본의 수준에 상당히 근접한 것으로 나타났다. 그러나, 일본 건설산업은 제도적 지원과 협업적이고 자율적 문화에 기초한 총괄개념의 공정 계획, 완성도 높은 설계도서, 효과적 품질 안전 환경관리체계 등에서 나오는 높은 경쟁력을 보유하고 있다. 향후 본 연구의 결과에 따라 일본 건설산업의 강점에 대한 본격적인 벤치마킹이 일본 건설산업에 대한 이해를 바탕으로 이루어진다면, 녹색건설 활성화, 안전환경의 조성, 발주자와 시공자 등 참여자의 역량 강화에 기여할 수 있을 것이다.

• 유통과학연구
• /
• 제16권7호
• /
• pp.25-33
• /
• 2018

Purpose - This research is to examine how different Korean retailers are from Japanese ones, in terms of taking a social responsibility for product scandals. Through a comparative analysis, the authors will provide some implications for retailers in Korea. Research design, data, and methodology - Based on the existing literature studied how retailers as well as manufacturers responded to food poisoning and product scandals, the authors compared Korea with Japan, in terms of taking a social responsibility. Results - As soon as food safety scandals occurred in Japan, a local government quickly ordered Snow Brand to recall and stop producing problematic milk products. In addition, retailers have stopped displaying them on their store shelves to minimize the number of victims. By stopping selling them, Japanese retailers took a social responsibility for product scandals. Conclusions - The authors found that retailers play a very important role in protecting customer rights. Moreover, customers have become more and more aware of the roles of retailers taking a social responsibility for social issues. The research proposes that a government has to develop the laws to protect customers from food poisoning and product safety issues effectively and that boycott campaigns should be legally protected by a government and promoted by customers.