• Journal of the Korean Wood Science and Technology
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• v.48 no.3
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• pp.283-290
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• 2020

For visual inspection-based wood identification, optical microscopy techniques typically require a relatively large sample size, and a scanning electron microscope requires a clean surface. These novel techniques experience limitations for objects with highly limited sampling capabilities such as important and registered wooden cultural properties. Synchrotron X-ray microtomography (SR-µCT) has been suggested as an effective alternative to avoid such limitations and various other imaging issues. In this study, four pieces of wood fragments from wooden members used in the Manseru pavilion of Bongjeongsa temple in Andong, Korea, wereused for identification. Three-dimensional microstructural images were reconstructed from these small wood samples using SR-µCT at SPring-8. From the analysis of the reconstructed images, the samples were identified as Zelkova serrata, Quercus sect. Cerris, and Pinus koraiensis. The images displayed sufficient spatial resolution to clearly observe the anatomical features of each species. In addition, the three-dimensional imaging allowed unlimited image processing.

• Journal of architectural history
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• v.26 no.1
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• pp.93-104
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• 2017

This study is about the Changdeokgung Palace and detached palaces of architect Park Jacheong who was a representative supervisor having framed the palace architecture of the Joseon Dynasty. The results are as follows. First, Park Jacheong had been in charge of Changdeokgung Palace for 15 years since its founding. The palace was continued to run for the longest time and was the palace on the frame made by him for the years, so Changdeokgung Palace's status has become as good as Gyeongbokgung Palace's. Second, he built a lot of palaces besides Changdeokgung. They were completed about the same time in accordance with the political intentions of King Taejong. Park Jacheong was a former military officer and was well skilled in mobilization of manpower and materials by making good use of the military power. Third, the detached palaces constructed by him were located in the places where military training and testing of new weapons were possible. They were also used as sleeping, dining and office spaces. This can be regarded as a result of the tradition of the storied-pavilion that had been since the Goryeo Dynasty, with the method of approaching to the main hall of the palace.

• Journal of architectural history
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• v.21 no.3
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• pp.45-54
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• 2012

This research work is to analyze architectural characteristics of Sungnyemun especially in King Yeongjo's reign in Joseon dynasty. The result of this research is summarized as following: 1. The architectural characteristics of Sungnyemun in King Yeongjo's reign are closely related with Confucian ceremonies such as Jeon-jwa and Heon-goek-rye. To perform these ceremonies, some lower walls of Sungnyemun's wooden pavilion were removed and used as ceremonial space. And after ceremony it was restored. 2. The floor type of center bay of the 1st story of wooden pavilion should have a type of floor using long and narrow fine tree plate, which is same type before the repair work of 1960's dismantlement. 3. The width of east stairway which is reached to east small gate, was changed just before Japanese's rule(1910~1945), should be broaden than present width, which is proven through the recent excavation. 4. The reason of asymmetric characteristic of locations of both east and west narrow-gate, and widths of east and west stairway, are related with order of King's ceremony. * Jeonjwa : a ceremony to see national affairs or receive royalty from officials in main hall or main gate of palace in Joseon dynasty (some times open to public) * Heon-goek-rye : a ceremony after win a war and offering to king enemy's ear or head in Joseon dynasty.

• KOMUNHWA
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• no.57
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• pp.145-155
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• 2001

The Volume 64 of Dongmunsun (東文選) compiled at the beginning of Yi Dynasty carries the document of the octagonal lantern shaped pavilion compiled by Chi-won Choi, a great scholar in the late Silla Kingdom. In this paper, I showed the entire document of the

• MISULJARYO - National Museum of Korea Art Journal
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• v.99
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• pp.30-49
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• 2021

Scholar Byeoksu in a Pavilion by An Jung-sik (1861-1919; sobriquet: Simjeon) was first shown to the public in the exhibition Art of the Korean Empire: The Emergence of Modern Art at the National Museum of Modern and Contemporary Art, Deoksugung. This painting bears poems and inscriptions composed by Kim Taek-yeong (1850-1927; sobriquet: Changgang) and written by Kwon Dong-su (1842-?; sobriquet: Seokun). A rare example of an actual-view landscape painting by An Jung-sik, this painting is significant in that it depicts upper-class houses in Seoul in the early twentieth century. More importantly, it demonstrates an association among intellectuals of the time. Yun Deok-yeong (1873-1940; sobriquet: Byeoksu), who asked An Jung-sik to create this painting, was an uncle of Empress Sunjeonghyo (1894-1966), the consort of Emperor Sunjong. He was one of the most prominent collaborators who promoted the Japanese colonization of Korea. When Emperor Sunjong bestowed Yun Deok-yeong with a hanging board with an inscription reading "Scholar Byeoksu in a Pavilion," Yun requested the production of this painting to mark the event. Kim Taek-yeong, a master of Chinese literature during the late Korean Empire period, sought asylum in Nantong, Jiangsu Province in China with his family a month before the Protectorate Treaty was signed between Korea and Japan in 1905. In 1909, he returned to Korea. His decision to return was greatly influenced by Yun Deok-yeong and Yi Jae-wan (1855-1922). Upon his return, Kim Taek-yeong intended to gather materials for publishing a history book. Also, Kim continuously met his old acquaintances, made new friends, and socialized with them. He built relationships with people from various backgrounds, including those living in regions like Gurye, and even in other countries like Japan. This indicates that intellectuals of the time were still forming networks through poems and prose regardless of their political inclination, social rank, or nationality. Scholar Byeoksu in a Pavilion is of great value in that it shows an aspect of the intellectual exchanges among the learned people of the late nineteenth and early twentieth centuries.

• Journal of Korean Association for Spatial Structures
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• v.6 no.2 s.20
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• pp.7-12
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• 2006

최근 환경문제에 대한 해결책으로 목조건물의 해체 및 목재의 재사용에 대한 관심이 높아지고 있다. 목조건물을 접합철물에 의해서 접합할 경우에는 건물의 해체시에 철재를 사용하지 않아 목부재의 절단이 매우 용이하고 목재의 재사용이 용이하도록 하는 장점을 가지고 있다. 대나무의 높은 인성은 목재 접합부의 강도와 안정성 확보를 가능하게 해주고 있다. 대나무 접합물은 2005년 일본 Aichi 세계박람회에서 Japan pavilion Nagakute 전시관 건물이 대나무 접합부를 사용한 목조건물이다.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.32 no.3
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• pp.21-31
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• 2014

This study aims to comparison of spatial composition that Okhojeong garden and Seokpajeong garden. Construct background and space structure in both of Okhojeong garden and Seokpajeong garden is analyzed. The results were as follows. First, Okhojeong garden and Seokpajeong garden of the nobles gardens in late Joseon dynasty. They had the advanced techniques of contemporary based on their political power and wealth, and therefore could built garden and enjoy the garden culture of the upper layer. Furthermore, composition of the Okhojeong garden can be assumed that it is related to construction of the Seokpajeong garden through analysis of the relationship between builders. Secondly, Space structure of Okhojeong garden and Seokpajeong garden is divided into pavilion unit of small gardens with living space as the center. Construction pavilion in each garden space imbues certain landscape theme. In addition, authorization of characteristics of a place in each area is attempted through boundary establishment and selective garden culture of varied seasonal landscape. Thirdly, In Seokpajeong garden, most of construction characteristics of Okhojeong garden are appeared. This indicates that Seokpajeong garden was affected by space-configuration-technique of Okhojeong garden such as acceptation or modification recreation. Fourth, In many cases, fanciers regarding floriculture are expanded to enthusiasts in late Joseon dynasty. In Okhojeong garden and Seokpajeong garden, herbaceous ornamental is considered to be precious and garden materials such as water tray, stone couch, oddly shaped stone, potted plant, artificial hill, wisteria trellis are diversified at the time.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.32 no.3
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• pp.10-20
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• 2014

The purpose of this study is to define criteria for landscape restoration of palace gardens. The case study on Gyeongbokgung and Changdeokgung was used not only to evaluate effectiveness of the criteria, but also to propose solutions to issues of current restoration process of both palace gardens. Following three pairs of different concepts were chosen as criteria to determine on the original form: Diachrony vs. Synchrony, Originality vs. Contemporary Characteristics, and Invariance vs. Deformability. Gyeongbokgung has been restored based on its contemporary characteristics of Year 1888 and the main focus is on its architectural features rather than both architecture and landscape. However, in-depth complementary work on landscape restoration is necessary to restore its originality in Year 1395 such as analyzing photos of Gyeongbokgung taken in modern era. In case of Changdeokgung, we analyzed separately by region or landmark such as Jondeok-Pavilion(尊德亭), Yeonkyung-Hall(演慶堂), and Okryu-Stream(玉流川). Original form of Jondeok-Pavilion Area was changed in 1884. Since diachronic invariance that lasted for 240 years is more important criterion than its contemporary characteristics, it should be restored as how it was painted in Donggwoldo(東闕圖). In Yeonkyung-Hall Area, both original characteristics at the time of Hyomyung Crown Prince and contemporary characteristics of Emperor Kojong Era appear. Therefore, different solution is required for such area to be restored appropriately. Starting from era of King Injo(1636), diachrony and invariance of Okryu-Stream Area were continued throughout the era of King Sukjong and King Jeongjo(1800). It is more than 250 years before Okryu-Stream Area was altered under the rule of Emperor Kojong in 1884. In fact, alterations made to Okryu-Stream Area after 1884 doesn't hold much significance. Therefore, water landscape of Okryu-Stream Area, which was altered in the era of Emperor Kojong, needs to be restored based on Donggwoldo.

• 한국문화재보존과학회:학술대회논문집
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• 2006.11a
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• pp.35-39
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• 2006

• 한국전산유체공학회:학술대회논문집
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• 1996.05a
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• pp.4-26
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• 1996

극동아시아 지역국가에서 곡수지연은 역사적으로 크게 번성했다. 이들 고대국가의 지배층은 유상곡수 둘레에 앉아서 시를 지었으며 술을 채운 술잔이 앉은 자리에 도달할 때까지 시를 짓지 못하면 벌주를 내리는 유희(遊戱)를 즐겼다. 본 논문에서는 한국, 중국, 일본에 존재하는 곡수의 역사를 간결히 고찰한다. 또한 곡수지연을 통하여 고대인물들이 즐겼을 유상곡수를 지금은 완전히 기능이 정지된 포석정에 대하여 현대적인 전산기법의 도움을 받아 약간의 근사를 써서 시뮬레이션하였다. 또한, 술잔의 흥미로운 유로(流路)를 예측하여 보았다. 본 연구를 통하여 우리의 선조들이 즐겼던 우아했던 삶의 방식하나를 자세히 들여다 보는 것이 가능해졌다.