• Title/Summary/Keyword: KOREAN MONOGRAM

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A Study on Korean Monogram as The Information Communication Function of Symbol (심볼디자인의 정보전달기능에 따른 한국적 MONOGRAM의 연구)

  • 장은석
    • Archives of design research
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    • no.18
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    • pp.63-73
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    • 1996
  • In the confusion of communication, the monogram is the very important symbol of information communication as the visual language for the identity, which have became gradually the important role as the most excellent competence of the visual message. By study the nature, function and symbolism of a monogram in formative element of symbol design, we have the aims in this study to help the design study groups in this country to develop the korean monogram with a correct understanding of mooogram in the present state of korean monogram.

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Study on Earthquakes of Korea based on the Local Data of 1926~1943 (1926~1943년(年)의 국지자료(局地資料)에 의한 한국 지진(地震)의 연구(硏究))

  • Kim, Sang Jo
    • Economic and Environmental Geology
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    • v.13 no.1
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    • pp.1-19
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    • 1980
  • The local earthquake data, observed by Wiechert seismograph in Korea during Feb. 1926-May 1943, was provided and investigated. Using S-P monogram of JMA, mainly Tsuboi's formula and additional intensity data, the earthquake parameters are obtained as much as possible within a reasonable discrepancy. The seismic characteristics as to the epicenter distribution was discussed under the viewpoint of its relation to the adjacent geologic structure. Some statistical results are analyzed comparing with Kyushu region which provide a reasonable interpretation on the seismicity of Korea. By superposing the available information of the individual events, the general trend of stress field was found to be east-west compression, which mostly agree with that of the southwestern Japan.

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Effect of Bundle Junction Face and Misalignment on the Pressure Drops Across a Randomly Loaded and Aligned 12 Bundles in Candu Fuel Channel

  • H. C. Suk;K. S. Sim;C. H. Chung;Lee, Y. O.
    • Nuclear Engineering and Technology
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    • v.28 no.3
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    • pp.280-289
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    • 1996
  • The pressure drop of twelve fuel bundle string in the CANDU-6 fuel channel is equal to the sum of the eleven junction pressure losses, the bundle string entrance and exit pressure losses, the skin friction pressure loss, and other appendage pressure losses, where the junction loss is dependent on the bundle end faces and angular alignments of the junctions. The results of the single junction pressure drop tests in a short rig show that the most probable pressure drop of the eleven junctions was analytically equal to the eleven times of average pressure drop of all the possible single junction pressure drops, and also that the largest and smallest junction pressure drops across the eleven junctions probably occurred only with BA and BB type junctions, respectively, where A and B denote the bundle end sides with an end-plates on which a company monogram is stamped and unstamped, respectively.

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The Relationship of Overdensity to Overexposure Each Film/screen Systems in Chest Radiography (흉부 X선사진 농도로부터 표면선량을 산출하는 방법)

  • Kim, Jung-Min;Joon, Huo;Hayashi, Taro;Ishida, Yuji;Sakurai, Tatsuya
    • Journal of radiological science and technology
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    • v.22 no.1
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    • pp.13-20
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    • 1999
  • This study is to calculate the exposed radiation dose using Bit method, NDD calculation method and monogram method without dosimeter. In addition, we can calculate the radiation dose from x-ray film density as a film badge. The authors examined the entrance skin dose from $2{\sim}3$ intercostal chest x-ray film density. We also studied the relationship between film density and equivalent dose in the each screen film system under the different radiation quality and the poor geometry condition of grid ratio. As results, we established the deductive method to define the entrance skindose from chest x-ray film density. The error range was found in the range $-13%{\sim}+l7%$ for between deductive entrance skindose and the $2{\sim}3$ intercostal chest x-ray film density to actual detective radiation dose with dosimeter.

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A Study on the Characteristics of the Manufacturing Method of Handbags by Brand

  • Youshin Park
    • Journal of Fashion Business
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    • v.27 no.6
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    • pp.66-84
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    • 2023
  • Handbags are a part of fashion and while their significance and value are increasing, research on this topic is lacking. This study defines handbags and categorizes the materials used for making handbags, sewing methods, expression techniques, and terminologies related to accessories. A total of 1,743 handbags that were released from the Spring 2020 to Fall 2023, Ready-to-Wear collections by 8 selected brands (Hermes, Dior, Fendi, Chanel, Louis Vuitton, Prada, Gucci, and Alexander McQueen), were analyzed. Out of these, 732 unique designs, excluding those with only color variations, were studied. The most common sewing methods were 'Cut, sewing, and edge painting', 'Cylinder arm sewing', 'Cut, edge painting, and sewing', and 'Inverted seam', in that order. Slim strap designs primarily used the 'Cut, sewing, and edge painting' method, whereas the body, especially with narrow and hard leather, was best suited for the 'Cylinder arm sewing machine'. For expression techniques, the most frequently used methods were 'Quilting', 'Metal Eyelet', 'Embossing', 'Printing', 'Punching', and 'Weaving', respectively. The characteristics of each brand's production methods, expression techniques, and accessories were as follows: First, the exposure of logos and monograms is prominent. Unlike clothing, handbags often prominently feature the brand's logo or monogram. Second, signature quilting is a prominent feature. Quilting effectively conveys the brand's signature style, providing cushioning, volume, and pattern effects. Third, sustainable development is a growing trend. Brands are increasingly applying eco-friendly and socially responsible designs.

A Study on the Types and Strategies of Customizable Fashion Brands on Web Media (웹 미디어에 나타난 커스터마이저블 패션 브랜드의 유형 및 전략 연구)

  • Lee, Misuk;Chung, Kyunghee
    • Journal of Fashion Business
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    • v.21 no.1
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    • pp.134-147
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    • 2017
  • The purpose of this study is to analyze fashion brands' contents and characteristics of the participation platform of users, to assess the types and strategies of mass customization(MC). Most fashion brands sell one professional content: Shoes brands were the most common, followed by bags, unisex wear, and menswear. In consumer's design selection elements, changes in color and materials were the most common. For the personalization service elements, monogram service was the most common. The results of MC types analysis were as follows, Customized Standardization was the most common, followed by Tailored Customization, Pure Customization, and Segmented Standardization. For the types according to changes in products and expression methods, Cosmetic was the most common. And the classification according to modulation, Modularizers were the most common. For Creativity, brands in the making stage were the most common. For Flexibility, although brands different methods, high flexibility by modularizing design elements of products and accomplishing various design through participation. The Ease of use for various expression was generally high, parallel to Flexibility. For Durability, because consumers could receive end products only when they participated in the assembly stage in the on-line purchase, their continuous participation was not possible, so they participated only once. The typical types and strategy of MC were analyzed. The Customized Standardization type was the most common in shoes, bag, and womenswear brands. It was the Cosmetic type which could change colors and materials, the Modularizers, and had high Flexibility and Ease of use and low Durability.