• International Journal of Contents
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• v.15 no.2
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• pp.13-19
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• 2019

This research demonstrates a clear visual outline of character influence-relations in creating Jungian character archetypes in films using R computational technology. It contributes to the integration of Jungian analytical psychology into film studies by revealing character network relations in film. This paper handles character archetypes and their influence on developing other character archetypes in films in regards to network analysis drawn from Lynn Schmidt's analysis of 45 master characters in films. Additionally, this paper conducts a character network analysis visualization experiment using R open-source software to create an easily reproducible tutorial for scholars in humanities. This research is a pioneering work that could trigger the academic communities in humanities to actively adopt data science in their research and education.

• Journal of Advanced Technology Convergence
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• v.3 no.3
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• pp.71-76
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• 2024

This study is a theoretically based study that understands the midlife crisis from the perspective of Jung's Archetypes and the Collective Unconscious, explores psychological changes, and suggests methods that can be applied to social welfare practice. The midlife crisis is not simply a period of confusion, but is viewed as an important journey toward individualization and self-actualization. We seek to understand how Jung's archetypes appear in middle age and what meaning they have for the psychological changes that occur during adulthood. In addition, it explains the impact of the collective unconscious on an individual's experience and behavior during a midlife crisis, and provides theoretical basic research to social welfare practitioners and researchers studying midlife to help clients overcome the midlife crisis more positively. I want to do it. The purpose is to suggest that the integrated approach of Jungian psychology in social welfare practice and education can play a role as meaningful theoretical basic research in effectively supporting the midlife crisis

• Journal of Oriental Neuropsychiatry
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• v.11 no.1
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• pp.103-113
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• 2000

The aim of this study is to review the concepts of Jing(精) Qi(氣) Shen(神) Hun(魂) Po(魄) in the light of the Jungian psychology. According to the explanations of the Jungian psychology human beings have archetypes-a priori conditioning factors-in the collective unconscious. These archetyps are concerned with common concepts conceived by mankind about the fundamental elements which constitute the universe and the existence. The archetype is perceived in a symbol, hence Jing(精) Qi(氣) Shen(神) Hun(魂) Po(魄) also are these symbolic representations which had common background of mankind. The meaning of Jing(精) is emphasized as psychic and physical elements, and concerned with instinct. Qi(氣) corresponds to Jung's definition of libido as life energy. The concept of Shen(神) has the value of the self archetype as whole psyche's president principle. Hun(魂) and Po(魄) are intuitive notions of the Orient compared with Animus and Anima which are characteristic representations. However from a standpoint of autonomous energy as archetype the difference would be diminished. Considering each purpose of Hun(魂) and Po(魄) Hun(魂) has a intention of integrating the unconscious flux into consciousness while Po(魄) has a tendency toward instinct to secure a body. It is precious to recognize deeply that these concepts of jing(精) Qi(氣) Shen(神) Hun(魂) Po(魄) play an important part which mediate between the unconscious and consciousness, psyche and body as symbols.