• 한국의사학회지
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• 제19권2호
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• pp.119-143
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• 2006

Man-Byeong-Hoi-Chun(萬病回春) is a representative writing of Gong Zhongxian. It was generally used by Koreans in Joseon(朝鮮) era and issued many times in the latter period of Joseon dynasty. We investigated the Jeung-Bo-Man-Byeong-Hoi-Chun (增補萬病回春, An enlarged edition of the Man-Byeong-Hoi-Chun), which is published in the 17th century, coming to a conclusion like the followings. 1. In Joseon(朝鮮), there was the J eung-Bo-Man-Byeong-Hoi-Chun which was made through revision and enlargement of the Man-Byeong-Hoi-Chun written by Gong Zhongxian of China. 2. There are two versions of the Jeung-Bo-Man-Byeong-Hoi-Chun pressed in Joseon, which are written by Kim Yuk(金堉) in 1656 and by Kim Seok-ju(金錫胄) in 1679. 3. The representative medical books of Joseon such as Eui-Rim-Chual-Yo-Sok-J ip (醫林撮要續集), Dong-Eui-Bo-Gam (東醫寶鑑), J e-Jung-Sin-Pyeon(濟衆新編) contained quotations from the J eung-Bo-Man-Byeong-Hoi-Chun(增補萬病回春), not from the Man-Byeong-Hoi-Chun (萬病回春). 4. The Jeung-Bo-Man-Byeong-Hoi-Chun(增補萬病回春) contained not only the essence of the Chinese medicine but also new medical systems reflecting actual circumstances of Joseon at that time. So, it can be recognized as the foundation of the Joseon medicine in the latter period of the dynasty.

• 복식
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• 제63권2호
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• pp.29-44
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• 2013

This study is about the periodic characteristics of Wonsam in the Joseon Dynasty. Wonsam include the Danryeong-shaped Wonsam in the beginning, the compound Wonsam in a period of transition and the stereotyped Wonsam in the late Joseon Dynasty. The formative characteristics of Wonsam are divided into four stages. The first stage of the Wonsam is from the 15th to 16th century. The shape of Wonsam began to form and it was similar to one of Danryeong during this time. The formative characteristics of the first Wonsam included collars that looked like one of Danryeong, side pleats(called Moo) with multiple inner folds, straight cylinder-shaped sleeves, and a belt tied with the Wonsam. There were various fabrics that were used for the Wonsam from this stage. Second stage of the Wonsam is from the early 17th to mid 17th century. This period marked the beginning of the transition of the Wonsam and it served as a stepping-stone to the development stage in the Joseon Dynasty. The characteristics of the transitional Wonsam were a complex combination of the Danryeong and Wonsam. During this period, the Wonsam went through many changes and forms in a short period of time. Third stage of the Wonsam is from the mid 17th to early 19th century. The Wonsam was developed at this stage. The developed Wonsam went through a period of transition equipped with a stable form. The formative characteristics of Wonsam during this period included collars that faced each other, big and wide sleeves with multicolored stripes, Hansam, curve-edged side seam and the side pleats(Moo) with multiple inner folds had disappeared. It was a turning point from the single-layered clothes to double layered clothes and from dark blue to green color appeared at this time. The fabric patterns of this stage tended to consist of more simplified silk pattern. The fourth stage of the Wonsam is from the late 19th to 20th century. The Wonsam was expanded at this stage. The formative characteristics and fabrics were typically used for the standard Wonsam and were divided into two types; as a ceremonial robe used in courts and a wedding ceremonial robe for the common people. Phenomena such as sewing of double-layered clothes as one and straight-edged side seam during the late Joseon period developed into simpler and more practical fashion culture.

• 한국조경학회:학술대회논문집
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• 한국조경학회 2007년도 Journal of Landscape Architecture in Asia Vol.3
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• pp.118-126
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• 2007

Seoul has been the former capital from Joseon founded in 1932 by this time for 600 years. Seoul populated by some 10,290,000 people is the largest city in Korea. There are lots of cultural inheritance such as the castle town and 5 palaces including Gyeongbokgung in Seoul. Especially neungs(royal tombs) from 27 generations of king and queen in the Joseon dynasty during 518 years are very important cultural inheritance. The royal tombs were built from the castle town to the radius outside 4km within 40km pivoting on Seoul. Joseon royal tombs might have significant cultural value, which are representative Korean people's spirits for ancestor worship. After the 1945 Liberation of Korea those are having been managed by Office of Cultural Properties after Ministry of Education. This paper tried to find the changing process of the conservation and maintenance, the location of royal tomb area, the changing process of royal tomb, the area changing clue of modernization process, and in the historical city, Seoul. The royal tombs in the Joseon dynasty of the radius outside 4km within 40km pivoting on Seoul have been contributed to providing the metropolitan, Seoul population with the cultural and green spaces for 600 years. In the Joseon dynasty the royal tombs had been taken charge of thoroughly by the Royal Household with Neungchamboing system from Confucian background for ancestor worship. There after they had been damaged somewhat by the Japanese Imperialism period, the Korean War, and the pressure of urbanization. But the original state has been preserved well by state management. The royal tombs in the Joseon dynasty has been kept the culture of royal tomb's and memorial services with stone sculptures for 518 years. Also there are lots of documentary records of royal tombs. The memorial services of the tombs are held by Jongyakwon of Jeonju Lee family every year. The royal tombs somewhat damaged are needed to the original state of the transferred right of managing agency by the related national bodies.

• 한국철학논집
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• 제36호
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• pp.101-133
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• 2013

이 글은 조선 후기에 편찬된 대표적 병서와 지식인들의 논의를 중심으로 병학사상을 살펴본 것이다. 조선은 개국 이래 200여년의 태평성대를 구가하다가 양대 전란(戰亂)을 거치면서 지식인들을 중심으로 조선 병학의 한계를 각성하였다. 유성룡(柳成龍)의 "징비록(懲毖錄)"에 반영된 왜적(倭賊)에 대한 대비책과 전란의 경험은 후기 병학 사상의 토대가 되었다고 평할 수 있을 것이다. 그러나 안타깝게도 선초의 병서에는 이에 대한 대비책이 별도로 제시된 일이 없었다. 한편 선초의 진법(陣法) 논쟁과 마찬가지로 후기 병학의 정립과정은 순탄하지 못하였다. 임란 직후 명(明)나라 군대를 통해서 척계광의 "기효신서(紀效新書)"와 "연병실기(練兵實紀)"가 유입되었는데, 처음에는 원본 내지는 초록본의 형태로 군사훈련에 활용되다가 후에 "병학지남(兵學指南")"과 "연병지남(練兵指南)"으로서 출간되었다. 이 책들은 중국에서와 마찬가지로 우리나라에서도 왜구와 북방 오랑캐를 대응하는 데 있어서 상당한 효과를 거두었다. 그러나 선초 이래의 오위진법과 상충되기도 하고 중국과 우리나라의 지형이 차이가 있으므로 획일적으로 적용할 수 없다는 지적이 제기되었다. 영조(英朝) 정조(正祖) 때에는 "속병장도설(續兵將圖說)", "병학통(兵學通)", "병학지남연의(兵學指南演義)", "무예도보통지(武藝圖譜通志)" 등 조선 후기의 대표적 병서를 출간함으로써 군사훈련의 통일성을 기하고자 하였다. 정조는 당시 논쟁에 대해 적극적으로 참여하여 해명하였으며, 이로써 선조 때부터 200여년 지속된 논쟁은 종료되었다. 조선 전기와 후기의 병학적 특징을 개괄하자면, 선초에는 "무경칠서(武經七書)"를 바탕으로 문신(文臣)의 주도하에 병학의 윤리화(倫理化)가 진행되었다면, 후기에는 "기효신서"가 계기가 되고 상대적으로 다수의 武臣이 논쟁에 참여하면서 병학의 실학화(實學化)가 진행되었다고 할 수 있다. 한편 조선 병학의 정립 과정에서 주도적 역할을 한 것은 세조(世祖)와 정조(正祖)인데, 양자는 모두 왕위계승 과정이 순조롭지 못했다는 공통점을 지니고 있다. 이것은 클라우제비츠의 "전쟁은 정치 행위의 연속이다"라는 명제가 생각나는 대목이다.

• 한국의사학회지
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• 제25권2호
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• pp.1-10
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• 2012

The late Goryeo and Early Joseon period marks the development of Hyang-yak medicine in medical history in Korea. There have been not a few outcomes in organizing Hyang-yak medicine through the hitherto research works, but there has hardly any attempt to view the medicine in the late Goryeo and Early Joseon period from a different standpoint besides Hyang-yak. This writer, in the middle of doing research on 'Book for Alimentotherapy' named "Sikuisikgam", came to know that not a few parts of this book were quoted in a large volume of "Biebaekyobang" in the late Goryeo, "Hyangyakjipseongbang" which compiled the early Joseon Hyangyak medicine, "Uibangyuchi" which wrapped up the medical knowledge in East Asia before the early Ming Dynasty, and "Sikryochangyo" which was a representative book for alimentotherapy in the early period of Joseon Dynasty. The reason that the representative medical books written in the period of Late Goryeo and Early Joseon thought much of the knowledge contained in "Sikuisikgam" is that they showed a great concern for prevention and treatment of diseases through alimentotherapy. When we say that Hyangyak medicine, which has provided the Late Goryeo and Early Joseon medicine, bases its standard on 'Regionality' and 'Properties of Medicinal ingredients', then alimentotherapy puts its focus on a 'Remedial method' itself. As for food, they might have given priority to the food that was easy to get nearby, so there is no way for alimentotherapy but to have the realm which is overlapped with Hyangyak medicine in some measure, That's the very reason why alimentotherapy has remained inseparate from Hyangyak medicine. Through 'Alimentotherapy' and Late Goryeo and Early Joseon medical books, this writer thinks that it might be possible for us to take a view of the Late Goryeo and Early Joseon not only from the perspective of Hyangyak medicine but also from a new perspective of so-called alimentotherapy.

• 한국의류학회지
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• 제32권10호
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• pp.1595-1607
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• 2008

The purpose of this study is to find the reason why the National Mourning Dress System of the Joseon Dynasty had been established although the General Mourning Dress System had exist through research of three things; differences of each social class, changes of the National Mourning Dress System by the age and differences between the National one and the General one. The methodology which is adopted for this study is comparative analysis by social class, period and age from the Annals of the Joseon Dynasty and the Orye-e. And this study is focus on the women's dress. The results of this study is as follows; Firstly, some mourning dress items had been different or not used by class. Secondly, although there had not been a great change, some dress items had been disappeared or used irregularly. And Naemyoungbu Naekwan's mourning dress had been changed by the age. Thirdly, The National one was more extensive in wearing and applied differently by class compare to the General one. Also it had an additional rule according to the period, duty and place to Naemyoungbu-Naekwan and Naemyoungbu-Goongkwan. The National one had been established by ruling class of The Joseon Dynasty who had tried to keep the Confucian standard and perfect social status system. And it is supposed that the National Mourning Dress System had not been a great change because the ruling class' will had not been changed.

• 한국문헌정보학회지
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• 제49권1호
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• pp.223-246
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• 2015

이 연구는 조선시대 금속활자로 간인한 불교서적에 대해서 서지학적 측면에서 그 특징을 고찰한 것이다. 조선시대 금속활자로 간행한 불교서적은 모두 36종이 현전한 것으로 조사되었다. 이를 간행에 사용한 활자별로 분석해 보면, 갑인자본이 9종, 을해자본이 13종, 정축자본이 2종, 을유자본이 3종, 그리고 전사자본이 9종으로 밝혀졌다. 그 가운데 을해자로 간인된 불서가 13종으로 가장 많은 수량을 보이고 있어 전체 36%를 차지하고 있는 것으로 파악되었다. 또한 이를 간행시기로 분석한 결과, 조선전기에는 모두 27종이, 조선후기에는 모두 9종의 불교서적이 간행된 것으로 파악되었다. 이 중 세조대에 간행된 금속활자본은 19종으로 조사되어 전체 70%를 차지하고 있다. 이러한 현상은 세조의 비정상적 즉위와 더불어 호불적 성향과 깊은 영향관계가 있었던 것으로 보인다.

• 한국가구학회지
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• 제26권3호
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• pp.267-273
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• 2015

This study is a review on the relationship between furniture purchasers and producers in the Joseon period. Understanding the relationships in our traditional spirit and the Joseon furniture that reflects a aesthetic sense is a meaningful work. Joseon was to build an ideal country which put emphasis on the order and harmony through Theory of 'Yeak' as the confucianism nation. Human aesthetics, which emphasis on the spiritual value by confirmity to nature and forcus on the relaxed, deficient personality rather than completeness was established as the central formative consciousness of the Joseon Dynasty. The nature of things in the confucian scholar prior to the representations of things is expressed in the form of master craftsman's skill and soul. Formative consciousness of the confucian scholar is to realize ideals by communciation and interchange with master craftsman's soul in the form of the Joseon furniture. The beauty of restraint and brevity in the Joseon Dynasty furniture includes meanings and procedures of art work. It implies an orderer's purpose of production and a producer's products. Understanding the spirit of times in the production becomes the cornerstone capable of getting closer to the furniture ultimate proper function. These problems have a very close relationship with the problems of modern people's commnuication. We expect an even higher growth of the furniture by achieving more improved communication based on the consumer's great insight and the producer's passion.

• 복식
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• 제58권7호
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• pp.133-150
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• 2008

The study aimed to classify and analyze about the winter cap in the literature of the Joseon Period, as the period of using, synonyms, user, shape and materials. The following are the result of the study. 1. The winter caps can be classified into two kinds of group by times. The first ones have been used continuously during the whole Joseon Dynasty, for example, Nanmo(煖帽, 暖帽), Ieom(耳掩) and Pigyeon(披肩). These names are winter caps for the bureaucracy. The second ones have been used a part of the Joseon Period. Some of the names used in the first half of the Joseon Period, for example, Mogwan(毛冠), Chopigwan(貂皮冠), Chogwan(貂冠) and Seobokpigwan(鼠腹皮冠). The other names used in the latter half of the Joseon Period, for example, Noepo(腦包), Nanja(暖子), Jeomgyeon, Chageompi(遮?皮), Pimaho(皮馬虎), Wibo, Chipo, pungryeong(風領), Nani(煖耳), Hohang(護項), Hwihang(揮項), Manseonduri, Pungcha(風遮), Samsangeon(三山巾), Iwi(耳衣), Aekeom(額掩), Yangjeongeon(凉轉巾), Bolkki, Ayam and Guile. 2. Synonyms with connoting relationship in which one name perfectly connotes meaning of another name are Nanmo, Nani and Pigyen, Nanmo connotes Ieom, Chomo, Homo, Iwi and Hwihang. Nani connotes Hwihang, Hoieom and Pungcha. Pigyen connotes Hwihang and Ieom. In these cases, the range of the meaning of clothing terms can be confirmed since names with broad meaning connote names with narrow meaning. 3. Some names related with the other names, as the user, shape and materials, for example, Ieom, Hwihang and Pungcha.

• 한국의상디자인학회지
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• 제9권3호
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• pp.1-17
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• 2007

This study is a review of Ipsik, the decorative ornaments found on traditional Korean horsehair hats, known as Ipja, which were worn by men in the late Joseon Dynasty. In a broad sense, Ipsik are regarded as men's accessories. Therefore, although this study is limited to Ipja, it is significant in the sense that it delves into one facet of men's accessories in detail. Because the appearance of the horsehair hats was rather mundane, Ipsik and Ibyeong were added as ornaments. During the Joseon period, various types of hat ornaments existed, named Maeksu, Hosu, Gongjagu, Sangmo, Jingdori, Ijeon, Guyeongja and Ibyeong. A person's social ranking and class could be discerned by the materials used in the Ipsik he wore. Jeongja, a decorative accessory used to attach to an official's hat, was institutionalized in the sixteenth year of King Gongmin's reign(1367), during the Goryeo Dynasty, prior to the founding of China's Ming Dynasty in 1368, which indicates that Jeongja were influenced by the Yuan Dynasty. A record in Lao Chi'ta (a textbook of spoken Chinese estimated circa 1346) confirms this fact. Based on a review of literature, we learn that just as with Ongno, Jeongja were imported for use on Jeonrip, a soldier's hat. During the Ching Dynasty, Jeongja were further subdivided and more exquisitely designed. On the other hand, in the Joseon Dynasty, a rule was handed down mandating that a royal prince use gold for his jeongja, officials at third rank or above use silver, and governors, commanders in chief, and officials with the Office of Inspector General and Office of Censor General use jade. Inspectors were permitted to use crystal. Jeongja made of jade were used until the late Joseon Dynasty.