• 제목/요약/키워드: Jewish identity

검색결과 13건 처리시간 0.017초

미국 극에 나타난 에이즈 정치학 (AIDS Politics in American Drama)

  • 백승진
    • 영어영문학
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    • 제55권2호
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    • pp.259-292
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    • 2009
  • When AIDS evolved into a narrative, there were lots of mythologies on AIDS. Among them, the one that AIDS is a gay plague was accepted without any special rejection. Now AIDS is no longer a gay-related disease. At the beginning of the epidemic, however, AIDS was said to be a gay plague and gays were blamed for their life styles. Although AIDS was new, it had been in the mind of people. That is, the truths about AIDS were distorted and misunderstood. The social aspects of AIDS were based not on real scientific facts but on the prejudice and the practices which heterosexual society had invented for homosexuals. Here the AIDS crisis is said to be politicized. The socio-political responses to AIDS were effected by the dominance of Reaganism. So this paper investigates the effects of AIDS on the gay community and the reactions of the Reagan administration through analyzing ten American AIDS plays. Four issues are discussed to develop the paper's main idea: the meaning of AIDS, the past to be remembered, the new family system, and the indifference of President Reagan and the silence of media. AIDS means death; the relation between homosexuality and AIDS cannot be separated. Under these social circumstances AIDS becomes a symbol for moral corruption and the person with AIDS is thought to be punished. But a gay person can overcome the fear of death through regaining promiscuous sex and confirming his identity as a gay. Also to survive in the heterosexual society a gay has to make a new family system. Finally the indifference of the Reagan administration and the virtual silence of the media make the crisis more serious. In the conclusion homosexuals are compared to the Jewish people and the responsibility of gay community is also discussed. The important thing is that facing the AIDS crisis, the gay community has spiritually grown up.

성서에 언급된 채소류에 관한 연구 (A Study on the Vegetables Mentioned in the Bible)

  • 우자원
    • 한국식생활문화학회지
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    • 제22권1호
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    • pp.1-9
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    • 2007
  • This paper is intended to study what kinds of the vegetables are mentioned in the Bible and how they were used in those days. While one hundred and twenty-eight different plants are mentioned in the Bible, there are today 2,384 plant species in modem Israel, most of which have been introduced in recent centuries. These plants obviously did not exist there in biblical times and were only recently introduced from Australia and South America, respectively. This article will study only the vegetables mentioned in the Bible and known to have existed in the old and new testament times. Since the first book devoted exclusively to biblical botany was that of Levinus Lemmens in 1566, the modem systematic study of biblical plants, began with F. Hasselquist, a student of Linnaeus, the founder of modem botany. In 1928, Immanuel Loew approached the subject differently, reviewing all known data pertaining to biblical plants. His work not only discussed biblical plants, but also plants in later Jewish literature, particularly the Talmud. The British scholar G. E. Post provided a broad field study of modem plants in Palestine, Syria, Lebanon, and Jordan. More recent major treatments of the subject include those of A. and H. Moldenke (1952), M. Zohary (1982), N. Hareuveni (1984), and Y. J. Choi(1996). Today, articles on specific biblical plants listed in the Bible can be found in any number of encyclopedias. This study attempts to provide a synthesis of the work of a number of scholars who studied the vegetables and plants mentioned in the Bible. As a preliminary study on the culture of food in the biblical period, this study has focused on the identity and features of the vegetables of the Bible. In only a limited number of instances, because of the paucity of the informations and the broad and generic descriptions of the plants, we can't be certain about the identification of the vegetables named in the Bible. In many instances the traditions established by the Greek, Aramaic, and English translations are helpful, although sometimes they are misleading. This paper subdivides the vegetables into broad areas, the general vegetables and the flavoring herbs. Vegetables formed very important part of the diet in the biblical times. Two main types were used: those whose nutritious seeds could be easily stored and those which were eaten freshly gathered from gardens. Pulse seeds provided a useful source of vegetable protein, while fresh green vegetables were vitamin rich. Pulses could be eaten boiled, or their dried seeds could be ground up into flour and then made into nutritious soups. Fresh vegetables were eaten either raw or lightly cooked, usually by boiling in water. The general vegetables in the Bible are herbs(garden rocket), cucumber(snake cucumber), watermelon, leeks, chicory, and onions. Also the flavoring herbs in the Bible are rue, dill, cummin, black cummin, frankincense, cinnamon, cassia, myrrh, black mustard, coriander, mint, saffron, ginger grass, syrian hyssop, aloes(eagle wood), manna which have the flavor, aroma, and medical values.

영화 <이다>에 나타난 의미적 맥락의 시각화 (A The Visualization of Semantic Context in the Film )

  • 김태규;김규남
    • 한국엔터테인먼트산업학회논문지
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    • 제15권8호
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    • pp.145-159
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    • 2021
  • 영화 <이다>(Ida, 2013)는 서사와 인물의 심리적 동기를 모호하게 하고, 선형적 시간성을 파괴하며, 다양한 기법을 통해 디지털 이미지의 조작 가능성을 상기시키는 현대의 실험적 영화라 볼 수 있다. 인간의 주체와 자아인식 변화 과정이 사회적 트라우마와 연결된다는 점에서 다른 국가나 사회의 역사적 맥락을 대비시켜 추론할 수 있다. 영화 <이다>는 화면 밖의 공간, 부재하는 공간, 여백과 프레임 안에 내포된 의미를 중심으로, 보이는 공간의 정보와 화면 밖 공간과의 정보를 나눔으로써 관객으로 하여금 제시되지 않은 정보에 대해서 추론하게 하는 능동적 인지과정을 불러일으키고 있다. 시대적 배경을 자세히 기술하지 않으면서도 역사적 의미를 시각화했고, 초월적 존재인 신과 한계적 존재인 인간 사이의 갈등과 고민의 문제를 인간과 인간의 갈등 구조 안에서 표현하고자 했다. 아울러 상실과 부재의 슬픔을 공간적 미학으로 풀어내고자 시도했으며 인물의 대비와 대조, 빛과 어둠의 대비를 통해 상황의 전개를 나타냈다. 본고에서는 영화 <이다>가 함축하고 있는 개인(인물)의 이야기와 사회, 역사적 배경과 종교적 영역을 아우르는 해석을 시도하고, 의미적 맥락의 시각화를 다루고자 한다. 또한 정체성과 역사적 사건의 재구성, 종교적 가치를 다룬 영화 <이다>의 시퀀스 장면 분석을 통해 그 의미와 특징을 살펴보고, 영화가 추구한 총체적 의미를 구체적으로 분석할 것이다. 이는 영화 <이다>가 내포하고 있는 트라우마의 재현과 해석 차원으로 개인과 지역, 국가적 트라우마를 안고 있는 문제를 다루었다는 측면에서 한국적 상황에 주는 함의를 고려해 볼 수 있다. 나아가 과하게 표현하지 않으면서도 인간과 사회적 성장, 고민을 잔잔하게 다루는 모습을 통해 새로운 영상기술과 독창적 시각화 기법의 영화를 창조하려는 흐름에 또 다른 영감을 주는 연구가 될 것이다.