• Korean Institute of Interior Design Journal
• /
• no.38
• /
• pp.108-115
• /
• 2003

Between 1890-1914, the fundamental changes of the housing in United Sates of America were provoked to attempt the housing developments to adapt modern social system. The worthy of notice is that F L. Wright's Prairie House had been tested and built during the period as 'the first and second era' Despite the transition period in America, this represents that Wright's Prairie House series were developed. There are possibilities that some of the reformers assertion for Housing Development, on behalf of Arts & Crafts Movement, led to Wright's early house inner space design. For this reason, this study is to examine Ideologies that Wright has been accepted between the turning point of America's Arts & Crafts Movement and Hull House Circle. In terms of the ideologies acceptance, the study is also to examine how to be represented his inner space design characteristics. As the result, between'Simplification'housing development and the traditional housing In America, F L. Wright sublimated his own architectural aesthetic as accepting all functional elements to consider inevitability in this period, such as the association between economical and rational space, the plan to led on free plane, the spatial side and the stability of family life and the community, through the unification space having the consecutiveness.

• Journal of the Architectural Institute of Korea Planning & Design
• /
• v.34 no.9
• /
• pp.9-20
• /
• 2018

There are many large and small spaces in the interior of the building, and these spaces are arranged and connected to form a systematic spatial structure. A structure is a collection of several parts to form a whole. In other words, the spatial structure in architecture can be seen as a whole organized and organized as individual unit spaces are gathered together. Therefore, in order to understand the spatial structure, we first need to define the unit spaces that form part, how they are interconnected and arranged, and then understand how and how these unit spaces are organized to form a whole. The main purpose of this study is to study the structural system of space based on the shape information of space on architectural plane. This means interpreting the process and method of how the unit spaces defined as a certain shape on the architectural plane are organized step by step, integrated into a higher level, and eventually integrated into one whole. In this paper, the shape and layout of the unit space are identified in the architectural plan, the connection relation is defined, and expressed in the network form. And suggests a new methodology for interpreting the organizational process in which the following spaces are integrated as a whole. This new methodology is based on human perceptual characteristics. When people recognize an object, they recognize the object partly and completely. We want to explain the relationship between parts of space and the whole according to their characteristics.

• Proceedings of the Korean Institute of Interior Design Conference
• /
• 2003.05a
• /
• pp.127-130
• /
• 2003

In the Korean construction market the housing exceeds more than 60％ among the entire objects for remodelling. And among the 50％ of the common residence that needs remodelling, half of them are common houses with hallways. In respect of remodelling the common houses with hallways to those with stairways, This investigation aims at not only increasing the area by simply enlarging it, but also elevating the residential value by improving the environment based on the study of the existing plane with stairways. In order to do so, the satisfaction rate after living in common residence either with stairways or with hallways according to size (10, 20, 30 pyong), public space and interior environment is investigated through questionnaire. Therefore, this study tries to discover and analyze the positive and negative aspects of common residence with hallways.

• Proceeding of Spring/Autumn Annual Conference of KHA
• /
• 2009.04a
• /
• pp.253-257
• /
• 2009

Along with emergence of recent issues such as 'minimization of energy consumption' and 'natural environment and human health' amid the flow of requirements for nature-friendly architecture, attempts for boundary, which has a variety of possibilities as the intermediate territory between interior and exterior space of the architecture, have been pursued actively. On the ground of close relationships between urban area and architecture in a modern society, the boundary between interior and exterior is being exhibited in a wide variety of way of expressions, not as a single plane any longer. In line with this, researcher analyzed interior and exterior boundary according to its type targeting modern housing complex in Europe, and also investigated characteristics thereof. And, having provided the results as basic materials in order to seek amenity of local apartment houses and diversification of housing plan as well, the researcher intends to be of a help to bring physical changes in both building and exterior design, and also to give a new meaning in an environment-friendly aspect.

• Proceedings of the Korean Institute of Interior Design Conference
• /
• 2005.10a
• /
• pp.85-89
• /
• 2005

Within a short period of time of evangelical activities in Korea, the Korean Christianity has been explosively grown since 1884. Now Korea became one of the top countries exporting many missionaries to other countries. We call the 1970s and after as the time of diversity in Korean churches and those buildings. In this period, Korean churches have grown larger and bigger, so called mega-churches. Including Yoido Full Gospel Church, Seoul with 10,000 seats, there are 22 mega-churches in Korea out of the world top 50 mega-churches. Having the necessity of knowing the composition of worship space of mega- or super-mega-churches, we analyzed and classified the information of mega-churches which were built after 1970s. We collected resources through blueprints, visitations of buildings, and interviews by phone, For this study and research, we selected total 66 churches. Based upon the existing theories, we categorized the plane of worship space, its axis, the arrangement of attendant seats, the location of the choir, and the pattern of a cross section of buildings. We also brought the conclusion of specific characteristics given through the analysis according to the time period, the style, and the denomination of megachurches.

• Proceedings of the Korean Institute of Interior Design Conference
• /
• 2004.05a
• /
• pp.123-126
• /
• 2004

This study aims to identify the change of bathroom design characteristics through the investigation of bathroom space in apartment model houses. The bathroom space of each private exclusive area was analyzed from the plane characteristics perspective such as quantity, location, size and shape. For this study, site survey and observation was performed to analyze the characteristics of plane and design based on twenty seven model houses of seven large-sized construction firms with Seoul area focused on. Research object was restricted to from ten Pyeong's apartment to sixty Pyeong's in order to understand various characteristics of twenty seven model houses. Since analysis variables were not diverse, the main three factors - frequency, percentage and an average - were represented in Microsoft Excel worksheet, focusing on the quantity of each case, design characteristics and pattern. 1) The quantity of bathrooms: It was turned out that the quantity of bathroom was one in ten Pyeong's apartment while it was two in thirty, forty, and fifty Pyeong's apartment. There were mostly two bathrooms available in twenty Pyeong's apartment even if only one was planned in few cases. All powder rooms and dress rooms in twenty and fifty Pyeong's apartment were designed to be separated and be accessible through bedroom. 2) The size of bathrooms: As private exclusive area increased, the size of bathroom for both family and couple increased. Couple bathrooms had the tendency to be equipped with shower booth and bathtub at the same place or have more tubs than family bathrooms because couple bathrooms were bigger than family bathrooms. 3) The location of bathrooms: Couple bathrooms were usually located beyond dress rooms or powder rooms while family bathrooms were mostly located at the entrance side. 4) The shape of bathrooms: Shower booth was assumed to be in general vogue because family bathrooms, for the most part, were comprised of a flush toilet, a washstand and a shower booth. In the case of couple bathrooms, a flush toilet, a washstand, a shower booth and a tub were generally equipped in more than twenty Pyeong's apartments while a tub was not installed in twenty Pyeong's apartments.

• Journal of the Korean housing association
• /
• v.26 no.6
• /
• pp.139-146
• /
• 2015

In this study, the plane type of main building relics of unified Silla period house site which excavated in Gyeongju city after 1990s was classified and the architectural characteristic of them was investigated. The chronology of building relics in Silla capital city site was mostly known as 8-9th century, and by standard of column arrangement, the plane types of them could be classified as grid type, front veranda-grid type, outer column type. The outstanding characteristic of plane is wide span and open front veranda. In most relics the span were over 4 meters, and inner foundations for small post and strip foundation were found between columns. The front veranda added type buildings were composited of enclosed main room and open front veranda, and column arrangement of them dose not fall into line in most case. Thus it thought that the structures of enclosed main room and open front veranda were independent. The interior space of enclosed main room were divided two rooms by partition wall in some case. In this case, one room is enclosed by wall, and the other room has open front side. This plane is considered for the pleasant life in cold winter and hot summer.

• Korean Institute of Interior Design Journal
• /
• v.22 no.5
• /
• pp.135-142
• /
• 2013

This research regards that experiencing certain space according to looking through sensations of body will finally make visual perceptional experience to happen. Our bodies incorporate sensible experience along with interactions with surrounding environment while making movements. The analysis of Seongyojang in Gangleung through top and bottom, depth, movement and experience space which are Merleau Ponty's phenomenological space elements has led to the following conclusions. First, the up and down directivity inherent in Seongyojang has different directions in movements by the axis of plane. Second, the depth by the correlation between things and bodies shows the interactions with things and the depth of space rendered by the servants' quarters of '一字形' and the overlapping effect from the movement between buildings can be seen and felt. Third, mobility is focused on the surroundings for the movements of body and thing. Fourth, the experienced space remains as what it is and is experienced through the experience of traditional cultures. The temporality where the past and the present subsist is given with the application of the modern living pattern in the traditional space. That is, the space from the point of phenomenological view makes the visual-perceptual experience possible through the senses of body, with which the space is experienced and sensed. In other words, the space from the phenomenological viewpoint makes visual-perceptual experience possible through the senses of body so that the space may be experienced and perceived. Through this study, a new viewpoint toward Korean traditional space is expected to be discovered.

• Korean Institute of Interior Design Journal
• /
• v.16 no.2 s.61
• /
• pp.32-39
• /
• 2007

The Program from modern architecture is an indispensable condition which must put in all buildings today and it is a relationship setting of a various functions. According to changing society consequently, a complicated form and program in modem appear again. Through this background from, we intend to observe the meaning which the program is having in the construction in this manuscript. Sejima is the architecture who try to use variously special formation of the program. Specially, we are planning to research the quality which his program is haying form Sejima's architecture and how it is reflected ill this construction. Resultantly, each program which appears from Sejima's architecture makes a gap space and irregular arrangement. The characters of the space which is put each through the gap don't have a deceptive plan each other and they are compounded. Also, each character to have their territories is intersected and putting out of the various features in the program coat. First, form of the maze plane, Intersecting each territory. Second, forming the territory as fitting their act oneself in the space where can be existing. Third, having more interest in the event that happens inside than existence problem of thing.

• Proceedings of the Korean Institute of Interior Design Conference
• /
• 2007.05a
• /
• pp.176-180
• /
• 2007

The stage space in theatre for the performance of a play requires two aspects of the physical space for a play and the image as the background or the theme of a play. This research focuses on the scene design that creates the background or the theme of a play and communicates it to the audience. The scene design is composed of various design elements of space and objects as the properties of a play. Design elements and the objects are the design languages in various form; plane, three-dimensional, multi-dimensional form. These design language have the significant meaning as a sign like human language. The scene design is completed with rhetorical expression for communication in theatre. This research defines the category of meaning that design elements of scene design can create and the rhetorical expression of the scene design language. King Lear directed by Robert G. Anderson was analyzed with the category of design elements as a sign and the pattern of the rhetorical expression. The scene design for a play is completed effectively by the rhetorical expression of design elements as the design language for communication with the audience in theatre.