• 건축역사연구
• /
• 제13권4호
• /
• pp.55-74
• /
• 2004

This study researched the art-educational thoughts as a modern idea influenced with the social and philosophical transitions in the 19th century. Moreover, this study focused on Frank Lloyd Wright's educational thoughts, because those educational revolutions had appeared as one of the results that Western society's character was rapidly changed by those revolutions, so called, Industrial Revolution, American and French Revolution, and Cultural Revolution of Romanticism, from late 18th century, and eventually because that revolutionary educational ideas had closely and basically many relations with Wright's thought. As a result, even though Wright's education such an apprenticeship was a traditional shape, which was not the old-fashioned educational method discipling to the skillful man, but against the existing education through the self-learning from experiences in nature. That is similar to transcendentalists such as Emerson who searched for having an inspiration in Nature. Namely, Wright himself had struggled against the existing dualistic educational concepts through Wright's monistic thoughts on art-education including architecture based on not naturalism but the philosophy of nature by romantic idealistic philosophers such as Shelling, Fickle, Kant, Hegel including with his Master, Sullivan, and by revolutionary educators such as Freobel, Ruskin, Dewey, and above all by his Unitarian doctrine. However, Wright's thoughts was at that time so radical, and as Wright himself acknowledged that, 'because the philosophy back of it, of course, as you know, is midway I guess between East and West', such all philosophical objects to influence on Wright were so abstruse idea which is usually called 'Romantic' or 'Mystic' that is mingled with East's and West's essence. That is, because Wright himself catched that the theories and methods of the art-educational thoughts would not be easily perceived, and he judged that in a word as a character which could not be taught. After all, Wright's romantic progressivist art-educational thoughts have not been perceived, disseminated in general and widely.

• 한국세라믹학회지
• /
• 제48권3호
• /
• pp.236-240
• /
• 2011

In order to deposit a homogeneous and uniform ${\beta}$-SiC films by chemical vapor deposition, we demonstrated the phase stability of ${\beta}$-SiC over graphite and silicon via computational thermodynamic calculation considering pressure, temperature and gas composition as variables. The ${\beta}$-SiC predominant region over other solid phases like carbon and silicon was changed gradually and consistently with temperature and pressure. Practically these maps provide necessary conditions for homogeneous ${\beta}$-SiC deposition of single phase. With the thermodynamic analyses, the CVD apparatus for uniform coating was modeled and simulated with computational fluid dynamics to obtain temperature and flow distribution in the CVD chamber. It gave an inspiration for the uniform temperature distribution and low local flow velocity over the deposition chamber. These calculation and model simulation could provide milestones for improving the thickness uniformity and phase homogeneity.

• 경영과정보연구
• /
• 제32권3호
• /
• pp.61-81
• /
• 2013

스마트폰은 사용자 수의 급증으로 학계와 업계에서 주목을 받고 있다. 본 연구에서는 실증분석을 통해 사용자들이 가장 중요하다고 생각하는 기능적 속성이 무엇이고, 각 기능적 속성의 상대적 중요도가 어떠한지를 명확하게 찾아내고자 한다. 이를 통해 실무적인 측면에서 스마트폰 제조업체의 제품 개발에 유용한 정보를 제공하고자 한다. 스마트폰의 기능적 속성의 상대적 중요도를 구하기 위해 본 연구에서는 AHP 기법을 활용하였다. 먼저 문헌연구를 통해 추출된 스마트폰의 기능적 속성요인을 기반으로 계층구조를 설정하고, 계층구조에 의해 설문문항을 개발하여 설문조사를 실시하였다. 다음으로 Expert Choice 프로그램을 이용하여 스마트폰 각 기능적 속성의 중요도를 구하였다. 추가적으로 소비자들이 현재 사용하고 있는 스마트폰의 기능적 속성에 대한 만족도를 분석하였다. 마지막으로 연구결과를 바탕으로 실무적 시사점 및 연구의 한계점을 제시하였다.

• 복식
• /
• 제60권9호
• /
• pp.120-135
• /
• 2010

Since emotion, creativity, and imagination has become the source of creating added value, the purpose of this study is to grasp the concept of high concept which has appeared as a major key word of modern culture and analyze the types of emotional expression found in modern fashion. Study methods were focused on literature review and case study. The literature review was conducted by news stories at home and abroad. The examples of case study were collected in fashion collection journals and related Internet web sites with their focus on from 2000 S/S to 2009 F/W to analyze emotional expression found in high concept-reflected fashion. The concept of 'high concept' suggested by Pink, Daniel H. lays on stress on ability to creative emotional value or cultural artistic value hidden behind the functional value, to make stories, and to combine ideas which do not seem to be connected with existing things. As a result of study, The forms of emotional expression found in high concept-reflected fashion included: art collaboration and art inspiration which were expressed through cross-category of culture and art; multi-culture design which expresses a mixture between western fashion and oriental costumes; funology design which expresses efficient value by high technology and fun value through humorous elements; and emotional digital design which can be transformed in function, shape and the use of materials representing light which is effectively used for fashion to represent fantasy or illusion connected with digital technology.

• 복식
• /
• 제67권2호
• /
• pp.68-87
• /
• 2017

The New Look, which Christian Dior presented in 1947, has been a source of inspiration for contemporary fashion designers, as well as designers for the House of Dior, and has a great influence on them. The purpose of this study is to compare and analyze the aesthetic characteristics of Christian Dior's New Look and the New Look that Christian Dior House designers reinterpreted. The subject and the scope of this study were limited to Christian Dior and the New Look designed by Gianfranco $Ferr\acute{e}$, John Galliano, and Raf Simons who are regarded as worthy successors. The research method was a literature review on previous studies on Christian Dior and related literatures to examine the history of the House of Dior and the aesthetic characteristics of the New Look presented by Christian Dior. Then, an empirical study was conducted through the analysis of collection photographs from 1989 to 2016 that were gathered from the Mode et Mode and Hi Fashion, and websites (British Vogue, Firstview). The results of the study were as follows. First, the aesthetic characteristics of Christian Dior's New Look in 1947 used femininity to express an elegant and beautiful woman, structural property to render the contours of a woman's body, and innovation that changed the formal and gloomy social atmosphere in the post-war years. Second, the aesthetic characteristics of the New Look by Christian Dior were compared with those of the New Look made by designers for the House of Dior. The elegant femininity of Dior can be seen as gorgeous femininity, and sensual femininity, minimalistic femininity, structurality is represented by the spatial structurality of Dior and $Ferr\acute{e}$, the organic structure of Galliano, and the orthodox structure of Simons. Moreover, Dior's retro innovativeness appeared to be $Ferr\acute{e}^{\prime}s$ androgyny innovation, Galliano's deconstructive innovation, and Simons' romantic futuristic innovation.

• 대한기계학회논문집A
• /
• 제39권11호
• /
• pp.1099-1103
• /
• 2015

자연계에 존재하는 다양한 생명체 중 몇몇은 벽이나 천장을 자유자재로 걸어다닌다. 이러한 생명체 중 대표적으로 Gecko는 발가락 표피에 수십억개의 주걱모양의 나노헤어를 가지고 있으며, 이러한 구조로 인하여 높은 접착력을 가진다. 본 연구에서는, 도마뱀 발바닥 섬모와 같은 미세 마이크로 구조물에 금속코팅을 하여 접착특성을 향상시키는 것을 제안한다. 도마뱀 모방 인공섬모 구조물을 DRIE공법으로 준비된 몰드를 이용하여 PDMS로 제조하였다. 그리고, 인공섬모의 금속 코팅은 플라즈마 스퍼터링을 사용하여 수행하였다. 접착력과 내구성은 실험을 유리에 반복 접착 실험으로 평가 하였다. 접착성 및 내구성 실험을 통하여 인공섬모 구조물에 금속코팅이 미치는 영향에 대해 관찰하였다.

• 한국융합학회논문지
• /
• 제8권6호
• /
• pp.153-162
• /
• 2017

이 논문은 중국과 일본의 상이한 미적, 철학적 차이의 이해와 융합을 기반으로 그래픽 디자인 분야에서 여백을 통한 새로운 표현 창출을 위한 방법에 대해 논했다. 그래픽 디자인에서 동양의 특징적인 여백을 표현하는 것은 디자인의 예술적 표현과 문화적 의미를 풍부하게 하고 디자인의 창작의 가능성을 높을 수 있다. 이 연구에서는 먼저, 중국과 일본의 미술 및 디자인에서의 여백에 대한 인식과정과 표현과정을 중국의 전통회화의 철학과 일본의 현대 그래픽 디자인의 방법이 적용된 포스터 디자인을 통해 비교∙분석한다. 이를 기반으로 포스터 디자인에서 여백을 통해 중국 현대 그래픽 디자인의 새로운 접근방법으로써 융합의 개념을 적용해 그래픽 작업에서의 표현의 가능성을 확장한다. 또한, 여백에 대한 융합적 개념에 의한 표현 창출은 자신의 작품에 새로운 가능성을 제공한다.

• 디자인학연구
• /
• 제17권4호
• /
• pp.51-60
• /
• 2004

대표적인 고부가가치 산업의 하나인 의료기기 산업은 선진국과의 기술격차를 최소화하여 해외수출시장의 진입이 매우 용이한 분야임에도 불구하고 그동안 일반인에게는 생소한 분야로 인식되어 각종 제도와 정책적인 지원 등에서 소외받아왔다. 특히 효율적인 진료와 환자의 심리적 안정을 위해 의료기기의 제품디자인은 매우 중요한 요소임에도 불구하고 디자인에 대한 무관심과 인식부족으로 투자와 지원이 부족했었던 대표적인 분야이다. 따라서 본 연구는 국내 의료기기 산업의 현황과 국내외 시장환경에 대한 일반적인 고찰과 함께 현 단계에서의 디자인문제점을 제시하고 이를 해결할 하나의 대안으로 대표적 고부가가치 장비인 이동형 영상진단장비에 대한 디자인개발 프로세스를 진행하여 결과물을 도출하였으며 이를 통한 디자인경쟁력의 중요성을 부각시키고 의료기기산업의 후발 디자인추진업체에 하나의 기초자료와 모델을 제시하고 지속적인 디자인투자의욕을 고취시키는 역할을 하고자 한다.

• 한국실내디자인학회논문집
• /
• 제8호
• /
• pp.3-15
• /
• 1996

Friedensreich Hundertwasser , born in Vienna 1928, is a painter, an architect and an environmentalist. His architecture is radically different from the traditional , straight -lined, functional architecture practised, for example, by the Bauhaus Masters. From the very beginning , he has tried by various means to show that radical change in thinking are necessary , possible and realized. Hundertwasser's goal in this architecture is to make and give human dwelling in harmony with nature. his architecture is characterized by avoidance of straight lines, " Window Right", irregular arrangement of windows, onion dom, a wealth of colours and such environmentally -friendly consideration as planting of roofs and realizing of "tree-tenants". hundertwasser sees houses as evolving creations which are to be shaped by their inhabitants. He hates Uniformity. The irregularity is always the guiding principle in his architecture. The Hundertwasser's architeucture express his fundamental belief that we may not simply rob nature of her resources, but that we must also return territory to nature which we habe stolen from her. Roofs, terraces and courtyards planted with vegetation and " tree-tenants" build bridges between man and nature. They influse the architecture with vitality and romanticism and are a statement of a quality rather than a standard of living. It is quite possible to value the architecture of Hundertwasser as an important inspiration, as a sort of turning point in the thoughts and actions of city planners. It's success could be healing shock for the international architectural community, which is hypnotized by technology and abused by the shortsighted interests of ren.tability . Under this pressure, today's architects trend to reduce people to a mere part of the " Dwelling machine", without acknowledging that in the long run such machines eat away at people's souls.uch machines eat away at people's souls.

• 한국화재조사학회지
• /
• 제10권1호
• /
• pp.59-75
• /
• 2007

산업화 이전의 화재사망자의 사망원인은 대부분 화염접촉에 의한 열화상이었다. 그러나 1990년대 이후 획기적으로 경제가 발전함에 따라 주거주공간이 대형화, 복잡화되고 내장재가 고급화되고 있다. 그러므로 최근의 화재에서는 열화상에 의한 사망보다 유독가스 흡입에 따른 질식 사망자가 대부분을 차지하고 있다. 또한 보험범죄가 증가하면서 보험금 등 경제적 이익을 사취하기 위한 방화로 인한 사망자가 크게 증가하고 있다. 소방방재청 발표에 의하면 2006년 전국적으로 31,778건의 화재가 발생하여 총 2,180명의 사상자가 발생하였고 이중 446명의 귀중한 인명이 사망하였다. 특히, 화재사망자가 발생한 화재는 민 형사상의 분쟁요인으로 작용할 수 있으므로 정확한 화재원인 및 사망원인 조사의 중요성이 강조되고 있다. 그러므로 본 연구에서는 최근 전국화재 통계를 중심으로 화재원인별, 발생장소별, 연령별 사망자를 분석하고 화재사의 감식 방법 및 화재 시 인간행동 특성, 화상사, 질식사 및 화재사 등의 원인을 중점으로 고찰하고 한다.