• 복식문화연구
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• 제6권1호
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• pp.84-93
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• 1998

The main focus of this paper is to provide clear understanding about the concept of make-up as total fashion by defining the essential meaning of it. First, we would like to go over the concept of make-up and total fashion, then analyze the make-up image, the changes of colors and images of make-up overtime and fashion that have influenced over those changes. In this paper, we analyze the trend of fashion and make-up in 1990s and their relevancy. Through this paper we hope that make-up can be accepted as a part of total fashion in its relationship with other elements such as shoes, clothes and accessory and that it can be considered as a independent art that has direct influence on people. The trend of Spring/Summer between 1990 and 92is the image of natural beauty and comfortable and modernistic image that can be experienced through nature. In 1992, there was a revival look of 1960s and 1970s. Make-up also followed this trend. The overall color tone was to give natural and stable images with pastel tone to soften the images. This tone brought back the ecology of 1960s. The theme of restoration in humanity and nostalgia was reflected in clothing, and these trend changed the ecology of make-up to peace, love and romantic ecology which was expressed in coral, blue, and green tone to create intelligent image of woman. Year 1996 could be called as color revolution period that emphasized the unique and individual expression of each person. In 1997, black, pastel and brown colors were the result of reinterpreting the classic and sexy images of 1960s to natural and modernistic image of 1997. Purple color started to be introduced to us. The beginning of 1990s Fall/Winter season was based on ecology concept that emphasized the natural image. Until 1995 it appeared that spring/summer and fall/winter trend had no big differences. But from 1995 seasonal differences in trend are appeared and there were various make-up designs. In 1995, 1996, brown color lines make-up comes to mix with romantic image and developed into wine, orange, neon colors. These color were the symbol of property and sentiment and gold make-up emphasizing the eye area was the tendency of that period. In 1997, the fear of coming end of century was expressed as decadent image and at that time ethnic image, romantic image appeared with vivid color lines, gold, red and violet.

• 조형예술학연구
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• 제9권
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• pp.49-87
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• 2006

Narrative has broad domains. So it is related to the everything man faces in his daily life and also performed in various modes. Narrative is revealed through all media including a character, which is also applied to plastic art. And narrative objects formed beyond the differences in media aid forms of expression are commonly based on a language. The study on such objects which created a new conceit of narratology can be said to be a spiritual trend by which to understand the world and man from the viewpoint of a 'story'. Plastic art took high interest in narrative in the same period as the rise of postmodernist art in the latter half of the 20th century, which was also applied to sculpture. The researcher, therefore, investigated through the history of sculpture in the 20th century the process in which narrative was denied under the value system of modernism and reappeared with the quickening of postmodernism. And as a result this period could be briefly characterized by 'return to figure' and 'reappearance of narrative'. The is, such flow means that late sculpture converted its center of interest from simple geometric abstract forms to irregular, figurative images. The researcher chose as the subject of his study the work of Louise Bourgeois, who was judged to have performed narrative positively and successfully among a great number of performed narrative positively and successfully among a great number of postmodernist sculptors who adopted it as their own strategy of expression. As the central artist of postmodrnist sculpture, She expressed human desire and condition as sexuality through the introspection of her own personal experience in contrast to the character of pop art sensitive to external world. The researcher borrowed narrative semiotics as a method of analyzing more elaborately the problem about the generation of narrative shown in her works. For it, he selected as the sample work for analysis Bourgeois's , which were judged to contain narrative most abundantly and as the metaphor of a gaze and recollection presented a new woman self that sublimed love, hatred, and loneliness. The narrative in her works are characterized by introspection questioning one's own trauma. It has independent domain and characteristics and clearly reveals narrative and content-centered characteristics, which are commonly discovered in postmodernist sculpture. The researcher could more concretely and definitely understand the characteristics of narrative through figurative images by analyzing the sample work. The researcher wanted to call your attention to the fact that the sculpture in the late 20th century contained narrative commonly and uniformly despite being characterized by various expressions and modes. And the focused on highlighting the fact that the narrative was more effectively revealed through figurative images of human body and simultaneously analyzing the formalizing process and structure for narrative. Besides he wanted to argue that the position of narrative defining the characteristics of sculpture should be valued more justly. Also, such acceptance of narrative, which is discovered in the sculpture, will have to be understood as the characteristics of the period reflecting the cultural aspect of the present time.

• Journal of Preventive Medicine and Public Health
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• 제37권4호
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• pp.381-389
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• 2004

Objective : To compare the efficacy between SKI306X and Diclofenac by using generalized estimating equations (GEE) methodology in the analysis of correlated bivariate binary outcome data in Osteoarthritis (OA) diseases. Methods : A randomized, double-blind, active comparator-controlled, non-inferiority clinical trial was conducted at 5 institutions in Korea with the random assignment of 248 patients aged 35 to 75 years old with OA of the knee and clinical evidence of OA. Patients were enrolled in this study if they had at least moderate pain in the affected knee joint and a score larger than 35mm as assessed by VAS (Visual Analog Scale). The main exposure variable was treatment (SKI 306X vs. Diclofenac) and other covariates were age, sex, BMI, baseline VAS, center, operation history (Yes/No), NSAIDS (Y/N), acupuncture (Y/N), herbal medicine (Y/N), past history of musculoskeletal disease (Y/N), and previous therapy related with OA (Y/N). The main study outcome was the change of VAS pain scores from baseline to the 2nd and 4th weeks after treatment. Pain scores were obtained as baseline, 2nd and 4th weeks after treatment. We applied GEE approach with empirical covariance matrix and independent(or exchangeable) working correlation matrix to evaluate the relation of several risk factors to the change of VAS pain scores with correlated binary bivariate outcomes. Results : While baseline VAS, age, and acupuncture variables had protective effects for reducing the OA pain, its treatment (Joins/Diclofenac) was not statistically significant through GEE methodology (ITT:aOR=1.37, 95% CI=(0.8200, 2.26), PP:aOR=1.47, 95% CI=(0.73, 2.95)). The goodness-of-fit statistic for GEE (6.55, p=0.68) was computed to assess the adequacy of the fitted final model. Conclusions : Both ANCOVA and GEE methods yielded non statistical significance in the evaluation of non-inferiority of the efficacy between SKI306X and Diclofenac. While VAS outcome for each visit was applied in GEE, only VAS outcome for the fourth visit was applied in ANCOVA. So the GEE methodology is more accurate for the analysis of correlated outcomes.

• 대한가정학회지
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• 제30권2호
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• pp.1-20
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• 1992

The purpose of this study was to investigate(Ⅰ) the effect of a masculine-feminine image in women's suit on the perception of the wearer's occupational characteristics and suitability of the clothing for certain occupations, and (2) the effect of perceiver's sex, sex-role attitudes, and occupation on the perception formed by the function of clothing cues. The research design of the study consisted of 2(pink and navy blue colors) × 4(masculine and feminine forms) factorial design of a suit. The experimental materials developed for this study were a set of stiuli and 2 response scales. The stimuli consisted of 8 drawings of woman's clothing made by systematic manipulations of 2 independent variables(color and form) in drawings of suit. The dependent variables were the perceptions of the wearer's occupational characteristics and suitability of the masculine or feminine clothing for certain occupations. Occupational characteristics were measured with a 7-point semantic differential scale composed of 21 bipolar adjectives. Perception of ccupational suitability was assessed with 12 items of 5-point Likert type questions. In addition, the Bem Sex-role Inventory was used to assess perceiver's sex-role attitudes. The subjects consisted of 393 men and 389 women, whose occupations were classified as professionals, secondary school teachers, and white-collar workers. They were randomly assigned to one of 8 suit. The data were analyzed by factor analysis, MANOVA, ANOVA, Mean and S.D. Three factors emerged to account for the perception of occupational characteristics. These factors were given the titles of (1) activity, (2) potency, and (3) evaluation factors. The activity factor was the largest, including 9 adjectives. Differences in the form of the suit had effects on potency and evaluation for both sexes, while it also had some effect on activity for women. The color of the suit had some effect on evaluation for both sexes. Strong effects of color and form on the suit were seen in perception of occupational suitability for the occupations of attorney(masculine) and secretary(feminine). On suitability for secondary school teaching occupation, the effects of color and form of suit differed by sex of the subjects. Perceiver's sex-role attitudes and occupation paritally influenced the perception of the wearer's occupational characteristics and suitability of the clothing for certain occupations. In summary, a masculine-feminine image of clothing had a significant effect on the perception of occupational characteristics as well as on suitability of the clothing for certain occupations. Thus, the results of the study support the implicit personality theory on person perception and also the stereotypes of sex-roles on the perception of occupational suitability.

• 대한가정학회지
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• 제30권2호
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• pp.21-34
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• 1992

The purpose of this study was to investigate (1) the effect of a masculine-feminine image in women's blouse·skirt on the perception of the wearer's occupational characteristics and suitability of the clothing for certain occupations, and (2) the effect of perceiver's sex, sex-role attitudes, and occupation on the perception formed by the function of clothing cues. The research design of the study consisted of 2(skirt color) × 2(blose color) × 3(masculine-feminine blouse forms) factorial desing of a blouse·skirt set. The experimental materials developed for this study were a set of stimuli and 2 response scales. The stimuli consisted of 12 drawings of woman's clothing made by systematic manipulations of 2 independent variabels (color and form) in drawings of blouse-skirt. The dependent variables were the perceptions of the wearer's occupational characteristics and suitability of the masculine or feminine clothing for certain occupations. Occupational characteristics were measured with a 7-point semantic differential scale composed of 21 bipolar adjectives. Perception of occupational suitability was assessed with 12 items of 5-point Likert type questions. In addition, the Bem Sex-role Inventory was used to assess perceiver's sex-role attitudes. The subjects consisted of 393 men and 389 women, whose occupations were classified as professionals, secondary school teachers, and white-collar workers. The data were analyzed by factor analysis, MANOVA, ANOVA, Mean and S.D. Three factors emerged to account for the perception of occupational characteristics. These factors were given the titles of (1) activity, (2) potency, and (3) evaluation factors. The activity factor was the largest, including 9 adjectives and accounting for 33.3% of the variance in blouse-skirt. On the blouse-skirt set, the form of the blouse had an effect on activity and evaluation for both sexes, while the color of the skirt had an effect on evaluation for both sexes as well as on potency for men. Strong effect of color and form on blouse·skirt were seen in perception of occupational suitability for the occupations of attorney(masculine) and secretary(feminine). On suitability for secondary school teaching occupations, the effects of color and form of blouse·skirt differed by sex of the subjects. Male subjects determined suitability by the color of the blouse, while female subjects determinied suitability on the basis of the form of the blouse. Perceiver's sex-role attitude and occupation partially influenced the perception of the wearer's occupational characteristics and suitability of the clothing for certain occupations.

• Journal of Preventive Medicine and Public Health
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• 제34권4호
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• pp.399-407
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• 2001

Objectives : To investigate the current status of hospital-based health promotion programs in Korea and to elucidate the factors which affect to the process of implementation. Methods : We conducted a mail survey of all 875 hospitals in Korea from March to May 2001. In reference to 12 specific kinds of health promotion programs, hospital CEOs were asked whether their hospital have such programs, whether they are fully staffed and whether the program is paid for by the patients. Contextual factors(location, hospital type, number of beds, length of operation, public/private status, economic level of the community, the level of competition) and organizational factors (the extent of market, compatibility with vision, formalization), strategic types of the CEOs (defender/analyser/prospector) were also surveyed. The relationships between each variable and the implementation of health promotion services, activation of services, and the target groups(patient/community resident) were analyzed by univariate analysis and the independent effects of these variables were examined with multiple logistic regression. Results : 100 of 125 hospitals responding (84.8%) had mere than one health promotion program. However, they showed fluctuations in the adoption rate of each programs, meaning that comprehensive health promotion services were not provided. Many programs were not fully staffed and few hospitals had paid programs. In factors affecting health promotion service implementation, private hospitals showed a higher rate in implementation than public hospitals. In contrast, when the competition among nearby hospitals was intense, the level of implementation of service lowered. In the strategic type of the CEOs, the prospectors were shown to have instituted more health promotion programs in their hospitals and the analysers had a greater tendency to have programs for community residents than the defenders. Conclusion . Considering the above results, contextual factors may contribute greatly to the introduction of health promotion services in Korean hospital, although the CEO's personal preference and organizational factors play a larger role in the activation of services. Additionally, the CEO's personal preference may be the major influencing factor in the introduction of programs for community residents.

• 대한예방한의학회지
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• 제2권1호
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• pp.87-111
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• 1998

For the newly approach of policy with the old aged era at hand, the result which examines the 1,200 students attending professional colleges and upward in three small-to-medium sized cities, for two months, from October 1, 1996 to November 30, in order to know the change of consciousness of the growing modern young intellectual age group is as follows. 1. The objects of survey consist of 72.1% of women, 40.4% of 20 to 21 age, 49.1% of atheists, and people from big cities and fishing and agrarian village occupy equally 40.2%. Concerning the long-termed residents, 49% of them dwell in big cities. In case of the parents' age is more than 55, 31.5% in fathers, and 10.9% in mothers. 2. The types of housing in which they desire to reside in their getting older are : 72.8% of them hope to live in individual houses, 16.6% in apartments or villas, and 3.4% in social welfare facilities. Out of respondents, compared with other groups, man rather than woman, those who are 20 to 21 age group and from fishing and agrarian villages and have over 7 family members and live with their parents have a higher preference for independent houses. 3. The districts in which they hope to live when they are old are : 41.6% of them, with the highest percent, hope to live in farming villages, the older they are, the more they hope to live in agricultural district, and women of 21 years and upward hope to live in big cities. On the other hand, the preferable degree for social welfare facilities is higher each in people who are 24 years and upward, buddhists, self-boarding students, and the more poorly they are off, the higher the percent is. 4. The types of preferable welfare facilities for the elderly are : 58.2% of them think silver towns desirable, 28.4% think the charged (or free) elderly welfare facilities. Compared with other groups, the percentage which prefer silver towns is higher in women, people from big cities, residents of main family, long-termed city residents, people with higher income, people having grandparents alive, and people who had experience of taking lectures on hygienics or social welfare. 5. 50.3% of the respondents insist that provision of living expenses against old age should be insured by social security system, and 42.8% by the elderly themselves. The percentage of the former shows higher in people of 21 years and upward, women, residents of fishing and agrarian villages, christians, people in more needy circumstances and people who have experience of using a medical institution. 6. Compared with other nations, 54.5% of the respondents have an opinion that elderly welfare and welfare work in Korea stays in insufficient level and most of them are women, people from farming village, residents of head family, people having younger parents and people being worse health condition, and they have a more positive attitude about the elderly welfare work. 7. 92.3% of the respondents answered that a national budget for the elderly welfare is scarce, and the percentage is higher in people who are older, residents of big cities, people in lower living condition and people in worse health condition. 8. 35.2% of the respondents answered that the proper cost of their old age must be over 220mi11ion. The more a family's total income is, the higher the percentage is. 9. The factors which have an effect on the preference of silver towns are sex(p<0.01, the type of the present residence(p<0.05), and a family's total income(p<0.05). 10. From the survey result of the above, we comes to the conclusion that, for the sake of welfare of the increasing elderly population, government authorities and parties concerned must exert their utmost for the elderly welfare by increasing a budget of it and establishing a number of facilities of the elderly welfare and silver towns located in fresh and comfortable villages. In addition, they have to set up a course of hygienics in all the colleges and instruct the contexts on hygienic welfare as well.

• 정신신체의학
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• 제17권2호
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• pp.52-61
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• 2009

연구목적 : 본 연구의 목적은 생식 노화 연령 연구(stages of reproductive aging workshop : STRAW)의 분류에 따른 초기와 후기 폐경후기에서의 폐경기 증상의 특징을 살펴보고 폐경기 증상의 심각도에 영향을 미치는 위험 요인들을 살펴보고자 하였다. 연구대상 및 방법 : 서울, 경기지역에 거주하는 비임상 표본인 41~59세의 497명의 자연폐경이 된 폐경후기 여성을 대상으로 초기 폐경후기 군과 후기 폐경후기 군으로 구분하였다. 삶의 질의 평가를 위해 폐경평가척도(menopause rating scale : MRS)가 사용되었다. MRS 점수, 인구사회학적 특징, 흡연, 음주 여부, 폐경 연령과 폐경에 대한 태도, 우울감, 월경 전 불쾌장애 병력 여부 등의 위험 요인을 초기와 후기 폐경후기간에 비교 조사하였다. 각 군에서 각각의 변인들을 독립변수로 하여 MRS에 대한 다중 회귀분석을 시행하였다. 결과 : 초기 폐경후기군에서 후기 폐경후기군에 비해 유의하게 더 심한 폐경기 증상, 폐경에 대한 부정적인 태도, 심한 우울감을 보였다. 안면홍조증상이 중등도 이상인 군은 경도 이하인 군보다 폐경기 증상의 호소와 우울감이 유의하게 높았고 폐경에 대한 태도는 부정적이었다. 폐경에 대한 태도와 우울감이 초기 폐경후기군과 후기 폐경후기군에서 모두 폐경기 증상의 심한 정도에 주요한 기여를 하였다. 초기 폐경후기군에서 연령, 폐경연령, 월경 전 불쾌장애 병력 여부가 폐경기 증상의 심각도에 유의하게 기여한 반면 후기 폐경후기군에서는 결혼상태, 직업여부가 폐경기 증상의 심각도에 기여하였다. 결론 : 폐경후기 여성의 삶의 질은 후기보다 초기에서 유의하게 낮은 것으로 나타났다. 삶의 질에 영향을 미치는 위험요인들 중 폐경에 대한 태도와 우울감은 초기와 후기 폐경후기의 삶의 질에 공통으로 유의한 영향을 미쳤으며 그 밖의 위험 요인들은 초기와 후기에 따라 다르게 나타나는 것으로 보인다. 향후에는 폐경기 증상 호소로 병원을 찾는 폐경후기 여성 환자들의 임상표본(clinical sample)을 대상으로 삶의 질과 위험 요인을 확립할 수 있는 연구가 필요할 것으로 사료된다.

• 한국콘텐츠학회논문지
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• 제16권10호
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• pp.573-587
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• 2016

본 연구는 학문적 연구 대상에서 소외돼 온 텔레비전 드라마 작가에 관해 최초 시도되는 통합적이고 체계적인 지속적 연구 작업의 일환으로, 김수현 작가의 차별성, 작품성, 작가의식 연구를 목적으로 한다. 선행 연구들 다섯 편에 뒤이은 본고는 김수현 작가의 대사를 연구함으로써 통합적 연구 작업을 계속하는 한편 언어 창조에서 드러나는 작가의 차별성과 의식 저변 탐구를 목적으로 한다. 이를 위해 본 연구는 기존의 화법 연구 틀에서 벗어나 작가의 보다 근원적인 미학적, 인식론적 차별성의 탐구가 가능한 바흐찐의 대화주의 이론을 연구방법으로 적용한다. 이는 바흐찐이 예술언어를 다양한 사회 이념적 언어들 간 대화의 공존, 즉 다성성을 극대화하는 장으로 정의한 때문이다. 바흐찐은, 다성성의 구체적 지향점을 등장인물들과 작가의 관계에서 제시하여 '외재성'과 '경계이월성' '바라보기의 잉여성'을 작가에게 요구하며 이를 통하여 등장인물이 '총체' 형성에 이르도록 이끄는 역할자가 작가라고 말한다. 이는 작가와 등장인물간의 주체적인 상호간의 동등한 관계를 의미하는 것으로 '존재한다는 것은 소통한다는 것'이라는 바흐찐의 유명한 명제처럼 '총체 형성'을 위한 비종결적인 대화의 특성이 뒤따른다. 본고는 김수현 작가의 초기작 <말희>와 멜로드라마 <내 남자의 여자>, 홈드라마 <엄마가 뿔났다>의 대사 연구를 통해 이 같은 바흐찐의 대화주의 이론의 구현 여부를 탐구하고 있다. 본고의 연구 결과 김수현 작가는 초기부터 일관되게 주인공은 물론이고 등장인물들 모두와 상호 주체적인 동등한 관계를 맺음으로써, 등장인물들의 다양한 목소리, 다성성을 대사 구현에서 실현하고 있으며, 이는 등장인물들 간 대사는 물론이고 등장인물 내부 목소리 등의 다양한 형태로 나타남도 분석하고 있다. 또한 대화의 비종결성 역시 김수현 대사의 주된 특징으로 자리하고 있어 대사 자체 뿐만 아니라 오픈엔드의 극 마무리로까지 이어짐도 분석하고 있다. 연구 결과 김수현 작가에게 대사는 드라마를 이끌어 가기 위한 작가의 도구가 아니라 등장인물들 각각의 치열한 인식의 과정이고, 언어 자체 존재이며, 이는 초기부터 일관된 특성으로 작가의 차별성을 구축하고 있음을 보여준다. 본고는 김수현 작가론에서 차지하는 대사 연구의 중요성과 바흐찐 대화주의 이론의 방대함으로 바흐찐 대화주의 이론의 카니발적 요소를 다시 김수현 작가 대사 연구에 적용하는 후속 연구를 진행할 예정이다.

• 공연문화연구
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• 제33호
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• pp.59-95
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• 2016

본 논문은 국내 뿐 아니라 해외에서도 <마담 옹(Madame Ong)>이라는 제목으로 그 작품성을 인정받은 국립창극단의 창극 <변강쇠 점 찍고 옹녀>를 통해 실전판소리가 어떻게 새롭게 재탄생되었는지, 그 과정에 주목하여 이 작품의 텍스트와 음악적 특징을 분석해보았다. 창극 <변강쇠 점 찍고 옹녀>는 현재에는 실전된 판소리 <변강쇠가>를 각색하여 창극으로 만든 작품이다. 이 과정에서 변강쇠의 치상부분인 후반부의 내용을 삭제하고, 옹녀가 변강쇠를 되찾아오기 위해 장승들과 전쟁을 벌이는 내용을 새롭게 삽입하여 텍스트의 변화를 주었다. 또한 <변강쇠 점찍고 옹녀>라는 제목에서도 드러나듯, 원작과는 다른 관점으로 변강쇠가 아닌 옹녀를 주인공으로 삼아 그동안 음녀로만 여겨졌던 옹녀를 자신의 운명에 맞서 싸우는 주체적이고 독립적인 여인으로 변모시켰다. 창극 <변강쇠 점 찍고 옹녀>는 모든 소리가 작창으로 만들어졌는데, 극과 가장 부합되는 소리, 즉 이면에 맞는 소리를 표현하기 위해 창자간의 화음을 넣는 등, 여러 가지 시도가 이루어졌다. 또한 소리를 하는 인물 혹은 등장인물의 심경 변화에 따라 그 소리의 조와 성음이 달리 사용되었음을 알 수 있다. 창극 <변강쇠 점 찍고 옹녀>는 특히 반주음악에서 다양한 시도가 이루어졌는데, 소리북을 여러 개 사용하거나 대중가요에서 왈츠, 클래식, 각도민요에 이르기까지 다양한 장르의 음악을 사용하는 등 도전적인 시도를 했다. 이러한 시도들은 극을 더욱 풍성하게 만들었고 사실감 있는 극적표현을 도와주었다. 이렇듯, 창극 <변강쇠 점 찍고 옹녀>는 내용적인 측면에서는 고전서사를 차용했지만, 음악적인 측면에서는 기존의 창극에서 벗어난 다양한 변화와 시도들을 통해, 온고지신의 면모를 갖춘 새로운 창극의 모습을 보여주었고, 현대 사회에서 창극이 나아가야 할 방향과 가능성을 제시해 준 작품이다.