• 복식
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• 제28권
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• pp.65-84
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• 1996

The purpose of this study is to analyze the relation between the beauty of human body and the fashion illustration in each period And I attained my object through the investigation of features and changes of illustration which is given a vivid description of the features and development of ideal humam body beauty. By various methods I studied this subject. Frist I refered to sundry records Secondly I investiated the fashion illustrations which are included in Vogue. On the basis of this data I grasped the ideal types of human body beauty which is founded during the social change in each 10 years. And I analyzed the relation be-tween the ideal type and fashion illustration which show the change of fashion. The summary of result is as follows. 1. In the early part of the 20th century the beauty of human body is represented with the figure of large-sized beauty which emphasize shoulder and bust. And fashion ikllustration show 9 life-size broad shoulder full bust lim waist and hourglass silhouette. 2, In the 1910s the swell of strength vanishes gradually and shoulder and sleeve are straight type. And fashion illustration show 7 life-size high waist line. And that is tublar sil-houette of high waist and streamline shape in which bust and hip are not emphasized. 3. In the 1920s the ideal type of human body beauty is straight type which shows flat bust and unexaggerate hip. And fashion illus-tration is about 8 life-size tublar silhouette of low waist and lunger and slimmer and young style in which bust and hip are not emph-asized. 4. In the 1930s the ideal is womamly slim and long style. Fashion illustration is about 8 life-size and slim & long silhouette in which waist line is emphasized and bust and hip line come out. 5. In the 1940s the ideal type is womamly style which has narrow shoulder rich bast and slim waist. And fashion illustration is about 7 life-size and hourglass silhouette which has unartificial shoulder slim waist and empha-sized bust. 6. In the 1950s the ideal type is that of ro-bust health which emphasize build and muscu-lar system. And fashion illustration is 8.5 life-size and show full bust and made waist slimmer. That is sheath silhouette. 7. In the child who has full face with large eyeball slender and long leg: narrow and immatured body comparatively big head. And fashion illus-tration is 7 life-size and show slim and long neck flat bust long and slim limbs and big head. That is H type silhouette. 8. In the 1970s the ideal type is high stat-ure flat breast small hip and wide shoulders. And fashion illustration is wide shoulders and slim waist as 11 life-size and straight sil-houete. 9. In the 1980s the ideal type is extremely emphasized breadth of shoulder because healthy body and muscle are recognized as the symbol of ideal attractiveness. And fashion il-lustration is about 8.5 life-size and show mus-cular slim type that is slim silhouette. 10 At the present time the ideal type is slim and tall type which is empasized healthy beauty. And fashion illustration is 12 life-size which has healthy body and skin So that is slim and long type.

• 항공우주정책ㆍ법학회지
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• 제1권
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• pp.163-191
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• 1989

The accident of the midair collision, passengers' falling or goods' dropping occurs or supersonic aircraft make a sonic boom during their conveying passengers or goods to the destination. The accident in transmit damages the their parties on the surface or their properties. In these cases, the third parties who were harmed to their lives or properties have the right to claim damages against the air carrier who caused them. These matters have become one of the important things since aircraft conveyed passengers and goods. Therefore, it is a great concern to settle these matters by law. But the Safety of the present aircraft has been much increased and the aircraft have become larger in size. Its flight altitude became higher than before. So the relationship of the aircraft to the third parties is much different from that of the earlier aircraft. The air transport is now indispensable to our life. It is not so easy to control these matters. In the early part of 20th century, when the third parties suffered the damage, many European countries made laws on the basis of the principle of liability without fault. But each country had a variety of its own law, and different kinds of difficulties have been brought about. Accordingly, the Rome Convention on Surface Damage (1933, 1952, 1978) has been made and revised. In spite of being revised, it contains many problems, and is not carried into effect world-wide. On the other hand, there are no regulations about the compensation of the third parties damaged in Korean existing laws. In case the damage is brought about to them, it is obviously true that the settlement of the liability of compensation for damage should be made by the general principle on the tort in domestic laws. At this point, it is urgent that we make a special law though the domestic legislation as a preliminary measure before we sign the international convention to save third damaged. It is desirable that we should, for the responsibility of the air carriage for the demage of the third parties on the surface, bring in the theory of the absolute liability in view of the legislation of many conutries. As the aircraft fly in the sky, their flight always contains some danger. It is very difficult to prove the fault, and the operator should suffer the principle of liability without fault or the similiar one. In case the liability without fault will be imposed upon the operator for the damage of the third parties, it is necessary to bring in the liability protection system for the protection and up upbringing of the air carriage. The Burden of danger of the air carriage will be reduced by introducing the system. A domestic legislation measure should be necessarily taken as soon as possible as a legal security measure on these matters.

• 건축역사연구
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• 제20권2호
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• pp.7-22
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• 2011

This study primarily aims to illuminate the characteristics of $Meoreum$ in Korean traditional fitting system according to the respective types and its periodical changes. Using the research findings as a chronological indicator by which to estimate the construction date of the building is the secondary purpose. In this study 42 of $Byeoldang$ and pavilion architecture remaining in $Yeongnam$ district were examined through the field surveys and methods of documentary research. The research results are as follows. First, $Meoreum$, which is located below the windows or doors, provides protection against the outer wind and has the function to prevent some warm air of the room from flowing outside. Second, $Meoreum$ was recorded as $Yoeum$(了音), $Woneum$(遠音), and $Maleum$(末音) in $Yeong-geon-ui-gwe$(營建儀軌) of Joseon period. While $Yoeum$(了音) was used in $Yeong-geon-ui-gwe$(營建儀軌) of 1776 and 1856, $Woneum$(遠音) had been also used continuously since the year of 1800. The word, $Maleum$(末音) can be seen in $Lim-won-gyeong-je-ji$(林園經濟志), published in 1827. $Woneum$(遠音) and $Maleum$(末音) seem to be the $Yi-du$(吏讀) types of expression of $Meoreum$ which is being extensively used now. Third, the kinds of $Meoreum$ can be classified as $TohMeoreum$, $TongMeoreum$, $TongpanMeoreum$, and $JjaneunMeoreum$. $TongMeoreum$ and $TohMeoreum$ were mostly used at the front part of $Ondol-rooms$, the backside of main floor called $Daechung$(大廳), and at the space between $Daechung$ and rooms in the Pavilions and $Byeoldangs$(Annexes) that had been built in the early Joseon dynasty. $TohMeoreum$ was usually used at the bottom parts of windows between $Daechung$ and $Ondol-rooms$. $TongpanMeoreum$ was mainly used in the mid-Joseon period and relatively high height was the distinctive feature of $Meoreum$ at that time. $Jjaneun$ $Meoreum$, used mainly in the late Joseon dynasty, has become lower and lower gradually in height since 19th century, so people could enter the room through the windows(fittings). Such changes in $Meoreums$ types has brought about the flow of human traffic directly from $Toenmaru$, narrow wooden porch running along the outside of a room to $Ondol-rooms$.

• 환경생물
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• 제37권2호
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• pp.196-203
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• 2019

과거 한국에는 반달가슴곰이 많은 개체수가 서식하였다. 하지만 일제강점기와 한국전쟁을 거치면서 반달가슴곰의 개체수가 급격하게 감소하였으며, 산업화, 서식지 파괴, 밀렵으로 인해 절멸 상태에 이르렀다. 2000년대 초반 지리산국립공원에서 극소수의 개체가 활동하는 것이 확인되었고, 이에 환경부에서는 절멸 위험에 처해 있는 생물종에 대한 복원과 생태계 건강성 회복을 위해 지리산 반달가슴곰 복원프로젝트를 추진하였다. 외부로부터 한반도에 서식하는 반달가슴곰과 동일한 아종을 도입 방사한지 14년이 흐른 2017년에 지리산에서 약 80 km 떨어진 수도산에서 반달가슴곰이 발견되었다. 유전자 분석결과 과거 지리산에서 방사했었던 3년생 반달가슴곰으로 분석되었으며 이는 지리산에서 반달가슴곰 복원사업을 추진한 이후 가장 멀리서 이동한 사례이다. 이후 지리산에서 2회 재방사를 하여 다시 수도산으로 이동하려는 움직임을 보였으며, 일반적으로 지리산에서 활동하는 반달가슴곰에 비해 많은 이동거리와 행동권을 나타냈다. 수도산에서 3번째 방사 이후 안정적인 이동 패턴과 서식영역을 띠고 있는 것으로 보이며, 이러한 사례 연구를 통해 지리산 반달가슴곰 집단의 서식지 확산과 이에 따른 광역적 관리 방안 마련에 필요한 자료를 제공하고자 하였다.

• 미술이론과 현장
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• 제1호
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• pp.49-70
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• 2003

What is an exhibition? Is it of the system which is designed to serve Art Works in their representation, or is it a place where the artistic presentation could be considered as art work itself? After modernist era, the role of exhibitional space might have been shifted from those two principle raison d'$\^{e}$tre of exhibitional space into another, a new one. What Deleuze would call it as he borrowed the term from Spinozian philosophy : the Affectional Space. This new type of exhibitional space has been announced since 1969 when a Harald Szeeman, young independent curator and art critic from Swiss, has organized his brilliant exhibition "When Attitudes become Form" in Bern. For sure, these intensities in curatorial practices have been existing before like some early 20th century exhibitional efforts by Marcel Duchamp, El Lissitzky, Yve Klein, etc. It has influenced much on many of, otherwise most of contemporary art exhibiting practices. And now it seems to be necessary to give it a conceptual idea which could enlighten better the new paradigm of exhibitional practices that we try to clarify. I would propose the idea of that new exhibitional space as "space of non-organic becoming". This idea is inspired by Deleuze's ever famous philosophical work Thousand Plateaus, which, with Folds by the same author, has contributed to many contemporary and aesthetical debating issues. What is "affect"? Explaining about Spinoza's principle concepts, Deleuze defines it as a kind of durations or variations which are constituted by different levels of perfection. One perfection is precedented or followed by certain perfection bigger or lesser through lived transitions or passages. So each time it actualizes and reflects the state of All as a cut of Reality while each state of affections, images or ideas can not be separated from the duration which binds it to the precedent state and extends it to following one. Affect is also a term of changes. One affects at the same time it is affected. Exhibitional space as affect (or affectional space) is distinguished from representational and presentational space in the way it attributes movement, produces arrangements and generates new factors of artistic creation including those which are outside of ever accepted artistic elements. The concepts of affectional space are used especially to enlighten contemporary situation of artistic and curatorial processes. Art is no more limited to be seen as mere objects of aesthetical admiration, nor as art vis-$\`{a}$-vis art relationship apart from the whole. It includes possibilities and virtuality that appear in the imperceptible and undescribable manners if delimited in given language. As once noticed by Kuhn, we might be living in a paradigmatically shifting world, not only in Art but also in Life. And we need to express it more with Art as moving and affectional nods than as just a clean window or a distinct manual book.

• 한국철학논집
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• 제37호
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• pp.97-134
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• 2013

향리인 제천에서 태어난 김이만은 18세기 초 중반을 활동기로 삼은 남인계 관인 유자였다. 선대의 세거지가 경북 예천이었던 김이만은 이 지역 망족의 후손답게 어릴 적부터 주위의 기대를 받으면서 성장하였다. 8살 때부터 시를 지었던 김이만은 중년 이후로 주력한 문학 활동으로, 무려 만여 편에 달하는 작품을 남긴 시인이기도 했다. 부친 김해일 사후에 모친으로부터 직접 글공부를 겸한 훈도를 받았던 김이만은 차후로 장형인 김형만의 지도로 학업을 전수받으면서 본격적인 수학기로 접어든다. 특히 "논어" 공부에 전념했던 장형의 학적 지향은 김이만의 학문세계에 큰 영향력을 파급하게 된다. 이후 김이만은 주로 남인계 인사들과 교유하면서 문학 활동과 과거공부를 병행했다. 고향과 서울을 오가면서 공부에 전념했던 김이만은 더러 인근한 사찰에서 독서를 하기도 하였다. 22세 때에 김이만은 오상렴과 함께 송파 이서우의 문하에 접어들었는데, 송파는 사승관계를 확인시켜 준 유일한 인물이다. 고학 지향적인 학문을 추구했던 이서우와의 만남은 김이만의 학문세계가 형성되는 과정에서 중요한 변인으로 작용하게 된다. 20세 무렵에 경서의 대의에 통달했던 김이만은 31세에 사마시에 합격하였고, 또한 익월에 대과에 급제하여 긴 사환기로 접어들게 되었다. 주로 한직과 외직을 전전했던 김이만의 환력은, 당시 정치적 주도권을 상실한 남인의 곤폐한 처지를 반영해 주기도 한다. 그러나 김이만은 신하된 자의 의리에 철저하려 하였고, 특히 그는 현감 군수 등과 같은 외직을 수행하면서 투철한 위민의식을 발휘하였다. 이는 김이만의 학문세계가 제도적 실천의 장으로까지 연장된 장면으로 평가된다. 실제 김이만은 "소학"을 매우 중시하는 가운데, 명문(銘文) 잠언(箴言) 등과 같은 실천 지침을 강구하는 방식을 통해서 도덕적 프락시스의 문제를 진지하게 고심하였던 인물이다. 한편 김이만이 추구했던 학문세계의 기저에는 퇴계학이 굳건하게 정위하고 있었던바, 권두경이 편집한 "퇴도선생언행유편"의 자문에 임했던 학고의 진지한 자세는 이를 잘 대변해 준다. 또한 뒤늦게 착수한 주자학에 대한 연찬은 김이만으로 하여금 천리(天理)[공(公)]에 대한 자각을 더욱 심화시켰고, 또한 공부론의 묘미를 보다 확장시키는 계기로도 작용하였다.

• 기술혁신학회지
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• 제14권2호
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• pp.343-372
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• 2011

한국 영화는 개화기에 도입된 이후 현재 세계적으로 호평 받는 수준으로 발전하였으며 산업적으로도 큰 성장을 이루었다. 그러나 최근 디지털시네마 및 입체영화의 등장 등 급진적 기술이 등장함에 따라 해외 기술의 도입 위주로 진행되던 기술 전략 정책에 변화가 요구되고 있다. 이에 본 논문은 영화산업의 기술혁신에 초점을 두고 한국 영화산업의 기술혁신체제를 분석한다. 영화산업 관련 기존 문헌 분석과 전문가 인터뷰를 통해 한국 영화산업의 기술 및 지식, 제도, 혁신주체와 네트워크를 조망해 보며, 이를 통해 한국 영화산업 기술학신체제의 특정과 문제점을 규명하는 것이 본 논문의 목적이다. 연구결과 영화산업 기술혁신의 한국적 특정을 규명하였으며, 지식 축적 과정의 단절, 영화산업 특수적 연구개발 활동의 부재, 혁신주체의 전문성 결여 등과 같은 문제점도 도출할 수 있었다. 이를 바탕으로 본 논문에서는 영화산업 기술혁신을 위한 정책적 함의를 제공한다. 또한 본 논문은 기술혁신연구 분야에 영화산업을 소개함으로써 새로운 연구 기회를 제공한다는 의의도 갖는다.

• 한국환경복원기술학회지
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• 제15권5호
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• pp.85-102
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• 2012

Industrialization and modernization of the $20^{th}$ century have brought convenience to human life. However, such development produced unintentional global environmental issues such as destruction of natural ecosystem through excessive use of the natural environment beyond its capacity. The United National (UN) recognized such global environment issues and coordinated with worldwide experts to conduct a comprehensive assessment of the global ecosystem, "Millennium Ecosystem Assessment (MA)", to resolve the issues. The UN conducted the MA primarily to comprehend the correlation between the ecosystem and human welfare. The results demonstrated that the ecosystem provides various direct and indirect benefits to human. This new concept was introduced as the "ecosystem services". Introduction of the ecosystem services highlighted the significance of the ecosystem and led to increased research and active discussions among experts from various discipline over the recent 10 years. It has been considered that the ecosystem service concept could be incorporated in policymaking process, as primary criteria to assess and weigh the benefits of using natural resources against the effects on value of the ecosystem. The current policymaking process is affected by the contradicting logics of modernization and preservation of ecosystem. The ecosystem services concept could be the answer to forming a rational policymaking process, allowing for nature preservation while wisely using the available natural resources. The general consensus has been formed on the need of incorporating the ecosystem services concept in the policies and globally various researches on the ecosystem services have been actively conducted. However, introduction of the ecosystem services concept is still at a very early stage and research on real application of the ecosystem services is yet almost nonexistent. Also there are no clear and agreed definition, classification scheme and value appraisal methodology regarding the ecosystem services. Therefore, this research explains the basic concept of the ecosystem services and highlights specific issues for further researches, as further researches on real application of the ecosystem services would find ways for the ecosystem services approach to be valuable in the policymaking process.

• 한국진공학회:학술대회논문집
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• 한국진공학회 2015년도 제49회 하계 정기학술대회 초록집
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• pp.64-64
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• 2015

Control of plasma processing methodologies can only occur by obtaining a thorough understanding of the physical and chemical properties of plasmas. However, all plasma processes are currently used in the industry with an incomplete understanding of the coupled chemical and physical properties of the plasma involved. Thus, they are often 'non-predictive' and hence it is not possible to alter the manufacturing process without the risk of considerable product loss. Only a more comprehensive understanding of such processes will allow models of such plasmas to be constructed that in turn can be used to design the next generation of plasma reactors. Developing such models and gaining a detailed understanding of the physical and chemical mechanisms within plasma systems is intricately linked to our knowledge of the key interactions within the plasma and thus the status of the database for characterizing electron, ion and photon interactions with those atomic and molecular species within the plasma and knowledge of both the cross-sections and reaction rates for such collisions, both in the gaseous phase and on the surfaces of the plasma reactor. The compilation of databases required for understanding most plasmas remains inadequate. The spectroscopic database required for monitoring both technological and fusion plasmas and thence deriving fundamental quantities such as chemical composition, neutral, electron and ion temperatures is incomplete with several gaps in our knowledge of many molecular spectra, particularly for radicals and excited (vibrational and electronic) species. However, the compilation of fundamental atomic and molecular data required for such plasma databases is rarely a coherent, planned research program, instead it is a parasitic process. The plasma community is a rapacious user of atomic and molecular data but is increasingly faced with a deficit of data necessary to both interpret observations and build models that can be used to develop the next-generation plasma tools that will continue the scientific and technological progress of the late 20th and early 21st century. It is therefore necessary to both compile and curate the A&M data we do have and thence identify missing data needed by the plasma community (and other user communities). Such data may then be acquired using a mixture of benchmarking experiments and theoretical formalisms. However, equally important is the need for the scientific/technological community to recognize the need to support the value of such databases and the underlying fundamental A&M that populates them. This must be conveyed to funders who are currently attracted to more apparent high-profile projects.

• 산업진흥연구
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• 제5권2호
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• pp.83-91
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• 2020

이 논문은 프랑스 포슈 장군의 군사사상을 분석·규명하여 현실전의 최선방책을 제시하기 위한 것이다. 1. 포슈의 생애: 보불전쟁 패전으로 프랑스 명예회복을 인생목표로 삼아 군문에 들어선 후 육군대학 교수로서 실전의 지휘관으로서 1차대전의 연합군총사령관으로서 필승의 정신전력을 강조하며 대전을 승리로 종결짓는데 공헌하였다. 2. 포슈 활동기의 시대적 배경: 나폴레옹 실각이후 야기된 일련의 혁명은 유럽에 파급되어 근대국민국가 탄생을 위한 독립 및 통일전쟁의 격화와 해외식민지쟁탈전 심화를 초래하여 포슈 활동기의 유럽은 전 분야가 총체적인 위기일발의 상황이었다. 3. 포슈의 군사사상: 클라우제비츠의 전쟁론 심층연구를 통하여 기술존중과 전승을 위한 공격적 전투수행의지가 담긴 정신전력의 절대 중요성을 강조한다. 4. 포슈 사상의 현대적 함의 : 전투정신이 실추된 군대에게 필승의 정신전력의 중요성을 각인시키는 것은 전장에서 대단히 중요한 일이고 높이 평가되어야 한다. 5. 결론 : 정신전력 등 무형전력의 중요성을 강조하는 포슈의 군사사상은 높이 평가하여 현대전은 필승의 정신전력과 최신의 정예무기활용의 균형적 조합이 최선의 결과를 초래한다는 교훈이 간과되어서는 안 된다.