• Title/Summary/Keyword: Hwang Sung-Ha

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Artworks of the Hwang Brothers, Writers and Painters (서화가 황씨 사형제의 작품세계)

  • Song, Hee-Kyeong
    • (The)Study of the Eastern Classic
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    • no.33
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    • pp.437-470
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    • 2008

  • Woo-Suk Hwang Jong-Ha(友石, 黃宗河 1887-1952), Woo-Chung Hwang Sung-Ha (又淸, 黃成河, 1891-1965), Gook-In Hwang Kyung-Ha (菊人, 黃敬河, 1895-?) and Mi-San Hwang Yong-Ha(美山 黃庸河, 1899-?) were not only renowned writers and painters but also brothers spaced four years apart The Hwang brothers were not specially trained by educational institutions, but studied on their own, relying on picture books from China and the artpieces of masters. Even though brothers each born only four years from the next, they preferred different techniques, and the subjects they were proficient at drawing were all different to some extent: Tiger Painting by Hwang Jong-Ha, Finger Painting by Hwang Sung-Ha, Ginseng Painting by Hwang Kyung-Ha and Painting of Four Gracious Plants (plum, orchid, chrysanthemum, bamboo) by Hwang Yong-Ha are an example of this. They also showed differences in their manner of holding various exhibitions. They did, however, forge strong familial ties by holding the Exhibition by Four Brothers or by producing joint paintings. In particular, they established an art school called the Song-Do Society for the Research of Writings and Paintings in Gaesung, North Korea as a means to nurture young artists and to offer opportunities to introduce their own artwork. They were both friends and artists, as they spent their childhood together and share their thoughts and hobbies as well as their own individual and unique works of art. Moreover, they went the through ups and downs of Korean history from the end of the Joseon Dynasty through the Japanese occupation however, they strove to keep the tradition of Korean paintings alive, and even persevered in writing and drawing countless artwork with paper, brush and Chinese ink until the day they each died.

Hwang Jahu(黃子厚)'s Critique of "HyangYakJibSungBang(鄕藥集成方)" and Its Implication (황자후(黃子厚)의 "향약집성방(鄕藥集成方)" 비판(批判)과 그 함의(含意) - 선초(鮮初)의 향약(鄕藥) 개발(開發) 및 대민의료정책(對民醫療政策)과 관련하여 -)

  • Lee, Min-Ho;Ha, Jeong-Yong;Park, Sang-Young;Ahn, Sang-Young;Ahn, Sang-Woo
    • Korean Journal of Oriental Medicine
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    • v.14 no.2
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    • pp.11-19
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    • 2008

  • In order to unravel the implication on the Hwang Jahu's, a well-known medical doctor, critique of "HyangYakJibSungBang(鄕藥集成方)"(Compendium of Prescriptions from the Countryside)'s publication, this essay calls for an investigation of socio-economical situations and systematic support for the development of native herbal drugs of that time. In the period of King SeJong various systematic aspects supporting the development and utilization of native herbal drugs were created. In this ambient, Hwang Jahu also dedicated his life in the application of native herbal drugs. Though Hwang strongly recommended the use of native herbal herbs while importing insufficient resources from China. He gave a critique of "HyangYakJibSungBang(鄕藥集成方)"'s publication. Hwang's critique didn't lie on the book itself but on the practicality of this large volume from the public. He insisted more on the necessities of practical and easy accessible books for emergency situations. Throughout the emphasis on wide distribution of compact medical books and the utilization of acupuncture and moxibustion, in part reveals his pragmatic stand.

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Back Light Unit using a Micro-lens Fabricated by the Modified LIGA Process (LIGA 방식을 적용시킨 Microlens 적용 Back Light Unit 개발)

  • Park, Jung-Ho;Sung, Ki-Sung;Yun, Suk-Joo;Ha, Soo-Yong;Lee, Kyu-Hyun;Hwang, Chul-Jin;Jeon, Suk-Hee
    • Proceedings of the Optical Society of Korea Conference
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    • 2004.07a
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    • pp.70-71
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    • 2004

  • Back light unit(BLU) using a microlens fabricated by the modified LIGA process for the liquid crystal display(LCD) is proposed, and some experimental results are presented. To realize the back light unit using microlens pattern, LIGA and reflow process are used.

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