• Journal of Preventive Medicine and Public Health
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• 제29권2호
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• pp.265-278
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• 1996

This paper concerns professional socialization of medical students. Professional socialization, in the context of this paper, means the process through which a layperson becomes a doctor equipped with professional identity and values. While medical education does not include such process in the curriculum, medical students obtain certain values and identity informally. The dependent variables were professional values and professionalism. The former means the desirable attributes required to conducting professional works such as humane attitudes, science-oriented mind, capability for organizational management. The latter means socio-political reasoning with which doctors can rationalize their privileges such as autonomy. A specially designed questionnaire was developed. The data were collected from five medical schools for 1,318 students in 1994. A total of 1,070 cases were finally included in the statistical analysis. The students emphasized the human factor in the professional values. Their attitude did not change with the grade. Other independent variables such as motives for entering a medical school, socioeconomic status, satisfaction with medical education, etc. also did not influence professinal values. It implies that professional values were not consolidated among the students. However, the factors of professionalism change significantly with the grade. It implies that the students paid more attention to socio-political issues related to doctor's interests as the grade went up. And the factor scores for professionalism were higher for those students who had more positive attitude towards doing medical practice for profit, expected higher income, and were more conservative about social reform. Other independent variables did not influence professionalism. It seems that the students also give emphasis on professionalism, like current medical doctors, mainly because of their concern with recent unfavorable changes in economic conditions of medical care providers.

• 한국ITS학회 논문지
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• 제15권4호
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• pp.26-32
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• 2016

자율주행자동차는 운전자의 조작 없이 목표지점까지 스스로 주행환경을 인식하여 운행하는 최첨단 자동차를 말하며 위성항법장치, 센서 등으로 위치를 측정하고 주행환경을 인식, 연산장치로 가감속 차선변경 등 자율주행을 제어한다. 최근, 자동차 산업은 기존 기계공학과 정보통신, 센서, 위성항법 등 첨단기술이 총 집약된 자율주행 자동차로 빠르게 진화중이다. 교통안전 정책과제 분석은 Issue-Tree를 활용하여 분석하였다. Issue-Tree 방법론은 복잡한 문제를 세분화하여 구체화하고, 체계적으로 접근하는 문제해결 도구로 자율주행자동차 도입에 따른 교통안전 관련 Issue의 해결을 위한 정책과제를 도출하기 위해 사용된다. 교통안전 정책과제를 분석하기 위해는 우선 미래 사회 및 교통여건 변화로부터 Key Word를 도출하고, 이와 연계되는 국내외 도로교통 정책/계획을 확인하여 국내외 도로 교통 정책목표 Key Word를 도출하였다. 도출된 정책목표 Key Word로부터 핵심적인 Issue를 도출하였는데, 이때 Issue-Tree 방법을 통해 체계화하였다.

• 한국실내디자인학회논문집
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• 제13권5호
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• pp.82-89
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• 2004

Today, people are bombarded with information, high-technology and multimedia. With that in mind, museum can no longer attract visitor with traditional concept, so it must find some solution or stimulation to attract their attention back. New museum is becoming a experimental space for new culture, new education, and most of all a place to fulfill one's satisfaction of life. Over the past centuries, Guggenheim Foundation has done a great job in providing place for art and place to get emotional stimulation. Out of all of their museums, Frank L. Wright's Solomon R. Guggenheim in New York and frank O. Gehry's Guggenheim Museum in Bilbao had most unique character yet share similar feature to be recognized as the architectural landmark of the 20th & 21st century Although there are close to 50 years of gap between two museums, their unique, attractive, site-specific, emotional value comes from the two most innovative architect of the past and present century. For Wright the Guggenheim was his last project but it had one of the greatest impact on his career and for Gehry the museum gave him confidence that anything is possible. This study will focus on the spatial organization as well as the architectural formation of both museum to compare and analyze. The goal of the research is to give fundamental data which will reveal emotional elements as well as concepts from each work. The content of this research will mainly focused on their architectural philosophy and it will reveal their concept on human emotion as well as the characteristics of the spatial organization. The result of the study will be a valuable reference for people designing art & cultural facilities in the future.

• 성인간호학회지
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• 제20권6호
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• pp.852-865
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• 2008

Purpose: This study was designed to explore what experiences nurses had while caring and providing emotional support for patients. Methods: Participants were eight nurses working at hospitals for more than one year. Data were collected from June, 2006 to January, 2007 through in-depth interview by using tape-recordings. Data were analysed with the phenomenological method proposed by Colazzi(1978). Results: From significant statements, 4 clustered themes, 7 themes and 23 sub-themes were extracted from the essential meaning of the emotional experience of hospital nurses. The 4 clustered themes were 'movement of mind', 'affection and service for patients', 'worthwhile and conflict' and 'control oneself'. The 7 themes were 'special feeling', 'rapport formation', 'consideration', 'human interaction', 'value discovery', 'loss of volition', and 'keep to balance'. Conclusion: Although nurses had tough experiences for providing care for patients' emotional support, they had also experienced spiritual maturity from its experience. The result of this study would contribute for nurses not only to care for patients who need emotional support but also to develop knowledge in nursing.

• Asian Pacific Journal of Cancer Prevention
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• 제16권3호
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• pp.1181-1184
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• 2015

Background: Accurate measurement of breast mass size is fundamental for treatment planning. We evaluated performance of BreastLight apparatus in detection breast of masses with this in mind. Materials and Methods: From July 2011 to September 2013, a total of 500 women referred to mammography unit in Yazd, Iran for screening were recruited to this study. Performance of BreastLight in detection breast masses regard their sizeing, measured with clinical breast examination (CBE), mammography and sonography, was assessed. Sonographic and mammography examinations were performed according to breast density among women in two groups of women younger (n=105) and older (n=395) than 30 years. Size correlations were performed using Spearman rho analysis. Differences between mass size as assessed with the different methods (mammography, sonography, and clinical examination) and the BreastLight detection were analyzed using $X^2$-trend test. Results: Performance of the BreastLight in detection of lesions smaller than or equal to 1 cm assessed by CBE, mammography and sonography was 4.4%,7.7% and 12.5% and for masses larger than 4 cm was 65%, 100% and 57.1%, respectively. The performance of BreastLight in detection was significantly increased with larger masses (p<0.001). Conclusions: We conclude that clinical measurement of breast cancer size is as accurate as that from mammography or ultrasound. Accuracy can be improved by the use of a simple formula of both clinical and mammographic measurements.

• 미술이론과 현장
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• 제14호
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• pp.159-186
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• 2012

Julio Romano decorated the facade of his house in Mantua with a statue of Mercury to give expressions to his ideas on painting. Hereby the painter from Rome could show his home to the world as that of a painter. To be concrete, Mercury was the planet god to which visual artists belonged, and so was basically related to visual arts. In his role to deliver diverse features of art works Mercury could also convey concepts and emotions expressed in a picture to the viewer. The power of a painting to arouse certain emotions or move the mind of the viewer was further connected to the role of Mercury as the guide of the human soul. This function again related the Roman god to the characteristic of a portrait to present absent persons to the viewer. Above the statue of Mercury, a Lucian head of the god is seen, so that they together form the central axis of the facade. This seems to emphasize that the theme of the facade decoration was the powerful persuasive forces of eloquence. The two masks on the left could then refer to sources of eloquence, I.e. various beautiful expressions of a language and its generative process. On the other hand, the masks on the right could represent consequences of eloquence, for instance, prudence, evil effects which come about to imprudent listeners, and other influences on listeners. Finally, it would be useful to remind us of a line from On Architecture by Leon Battista Alberti. According to the humanist architect parts of a building which are seen from the outside, like a facade, should be appropriately designed, since the decoration of a house could play a significant role to enhance the fame and honor of the family and its fatherland. This theory of Alberti could have provided the foundation to the facade decoration of the Casa Pippi which proudly presented the profession of painting to the public in visual form.

• 한국실내디자인학회논문집
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• 제18권4호
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• pp.61-70
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• 2009

Rapid social changes and scientific advances of the $21^{th}c$ have brought on a major paradigm shift towards consilience, making boundaries more or less irrelevant. In the field of architecture, this is manifested in the emergence of colors that can be described as 'being aleatory', 'non-formal', 'non-deterministic' and 'perpetually evolving'. Contemporary architectural colors are not definitively fixed. They are rather liquid and metaphorical. Whereas the more traditional architectural colors have delivered clearly and precisely the intended symbolic meaning and visual information, those of today are less definitive and embody a more liquid and conceptual value system. This paper discusses the denoted signification and the meaning effect of the metaphorical color system found in contemporary architecture. This paper analyzes works of architecture from the late 20th century, when dramatic change sin architectural color system surfaced, to the more contemporary creations. Here, three categories of color are suggested, namely material color, spatial color and liquid color. Each categories considered in connection with deconstruction, holistic interactivity and the multiplicity of meanings that may result as information from the external world is perceived as stimulus to the inner mind. Contemporary architectural color scheme is characterized by its unpredictable vagueness of meaning, synesthetic engagement of imagination and chance, and expansion of the inner and outer world, all of which contribute to a metaphorical effect. The metaphorical color system of contemporary architecture can be classified into three dimensions, and it connects with human consciousness and amplifies itself through flexible and fluid communication. In this process non-physical colors materially serve as formal logic and room for varied interpretation of architectural space and our conceptual framework.

• 한국산학기술학회논문지
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• 제18권12호
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• pp.685-696
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• 2017

성당의 공간이미지를 조성함에 있어, 시각을 통해 심성을 변화시키는 가장 중요한 요인은 빛이라고 할 수 있다. 그리고 공간의 깊이는 빛에 의한 음영에 의해 만들어진다. 미사와 같은 종교적 행사가 행해지는 장소에 있어서 음영에 의한 깊이의 변화와 위계설정은 집중도와 신비로움 또는 성스러움의 분위기를 확보하는 데에 중요한 계획조건이 된다고 할 수 있다. 따라서 빛이 가진 종교적 의미와 인간 감성에 미치는 영향은 매우 크다고 할 수 있으며, 이에 본 연구에서는 성당의 예배공간 조명계획에 대한 요소 중 '조도'를 그 중요요소로 보았다. 조도는 시각적 환경조성에서 미묘한 공간구성상의 차이를 통해 대상과 공간의 형태, 명료함을 부여함으로써 표현된다. 조명을 통해 공간분위기를 적정한 수준에서 관리하게 되고, 공간의 존재를 확인함에 조도의 역할은 필수적이라고 할 수 있을 것이다. 이에 따라, 관련 기준을 종합 분석하여 조도의 기준과 범위를 설정하고, 현대적인 디자인 적용이 시작되었다고 할 수 있는 80년대 이후 서울 강남지역에 건립된 성당들을 대상으로 조도와 관련된 요소들을 분석하고 각 성당의 전례공간과 회중석의 조도를 측정하여 이를 비교분석함으로써 적정수준의 적용여부를 검토확인하고 이를 추후 계획지침으로 활용하도록 제안하고자 하였다.

• 인지과학
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• 제21권4호
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• pp.669-696
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• 2010

본 논문은 한 문서의 전체 의미는 각 부분의미의 합성이라는 관점에서 미리 반자동으로 구축된 감정어휘 평가사전을 기반으로 한 시스템을 제안한다. 인간의 의사 결정 과정과 유사한 방식으로 의사 결정 과정을 모델링하려는 노력으로써 본 ARSSA 시스템은 개별 리뷰의 의미값 연산과 자료 분류를 통해 감정 표현이 나타난 영화평 리뷰의 자동 등급화에 대한 연구를 수행한다. 이는 {'평점' : '리뷰'} 이항구조로 이루어진 현재의 평점 부여 형식에서 발생하는 두 변항의 불연속성 문제를 해결해보려는 목적을 가진다. 이는 어휘 의미 합성 과정에서 반영된 추상적 의미들의 합성 함수를 통해 실현될 수 있다. 시스템의 성능 실험에서 네이버 무비에서 확보한 1000개의 리뷰에 대한 10-fold 교차 검증 실험이 수행되었다. 이 실험은 기존에 부여된 평점과 비교하여 감정어휘 평가사전을 이용하였을 때 85%의 F1 Score를 보였다.

• 패션비즈니스
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• 제5권2호
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• pp.149-166
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• 2001

The purpose of this study was illumination of the stage costume by applying the study of a subject of human expression, which establishes identity of dramatic characters. This study was conducted by referring a variety of theses, an extensive national and international literature. The color symbolism that is depicted in Shakespeare‘s work manifests the transition period of old days, which was influenced by the Renaissance and the Religious Reformation. And color preferences and the meanings I attach to them in his play, definitely reveal the Middle Ages Christian way of thinking which was obsessively dominated their mind. I also determine that the color preferences and use in Elizabeth Era also distinctively separate the social status, which were also influenced by its social conditions. Besides this, colors that were depicted in Shakespeare's work also shown many similarities from Italian Commedia dell‘arte, which were in vogue all over the Europe. Customary color symbolisms which from natural color experiences were also applied in "The Tempest". "The Tempest" was presented on the first day of November in 1611 for the first time. Following this, many plays and films have been produced in foreign countries and Korea. With an analysis of "The Tempest", costume designs for Miranda and Ferdinanad were illustrated at the end. The costumes for Miranda and Ferdinand were mainly considered to express pure love and vigorous youth of two lovers, symbolizing the image of the theme love, forgiveness, and reconciliation.