• Industry Promotion Research
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• v.9 no.4
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• pp.443-453
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• 2024

In recent years, outdoor camping has garnered increasing attention in China, especially in the later stages of the COVID-19 pandemic and with the rise of the "glamping" concept, making camping a popular sector in China's tourism industry. As the camping industry has rapidly developed, issues with camping products in the Chinese market have also become apparent. Most of the existing camping products are from foreign brands, and even the products from domestic camping brands often resemble their foreign counterparts, lacking creativity and cultural distinctiveness. Camping products embody different lifestyles and states of being and also serve as a means of cultural inheritance from various regions. They represent a temporary "home" for campers in the outdoors. Currently, there are few camping products on the market that incorporate cultural elements into their design. To allow campers to experience and spread regional culture while camping, this paper will study Hui-style architectural culture, understand its essence, and, based on an analysis of the current market camping chairs' design, color, and materials, as well as consumer survey results, extract elements of Hui-style architecture. These cultural elements will then be integrated into camping chairs through design, enabling camping products to become carriers of regional cultural characteristics.

• Journal of architectural history
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• v.28 no.1
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• pp.25-34
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• 2019

"Stupa of Buddhist Monk, YeomGeo"(844) is known as the earliest Seon-stupa relic remains in Korean peninsula, from which, during late Silla and ealy Goryeo period, there were more than 30 of stupa was built on such canon. and became the well-known material culture in Seon Buddhism in late Silla period. In $9^{th}$ century, with the JeonDeong(delivering the light of Seon)from Tang to Silla, the culture of "GeonTapIpBi(building the pagoda and erecting stele)" was also moved in. And it was right after the style of monk's stupa had been methodically changed in china, from having the room in stupa for the corpse, named as "QuanShenSheLi", to the lessened stupa that contain the cremated. Analyzing the "Master ChengGuang's stupa"（807）and its stele, it can be found the correspondences of octagonal plan and the subjects of ornamentation to that of Stupas built in Silla, reveals they were made by the same canon. By the document in the stele, surmising the historical cause of alteration in Chan stupa, there was the most famous zen master ShenHui at the time, who has the most important role of making the NanZongChan to get the authenticity in Chan Buddhism. His reliqury was the first ${\acute{s}}ar{\bar{i}}ra$ casket discovered among Chan monks' relics, consequentially it was to influence to Chan cuture and size the monks 'stupa for his ${\acute{s}}ar{\bar{i}}ra$. The stupa of master ChengGuang, by its shape and geological location, is the lost piece in the Puzzle of Chan stupa culture between Silla and Tang.