• 한국의류학회지
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• 제34권12호
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• pp.2006-2021
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• 2010

An authentic national spirit in media (particularly films), traditional images, and color preferences is expressed through movies that are melted in local traditions. This study suggests a direction regarding the characteristics for historical costumes by examining traditional color images and cultural preference in the Chinese film (1987), a representative film that deals with Chinese history and traditions. This movie can illustrate the correlation between the temporal backgrounds and the costumes in the movie with the criteria of Eastern color systems. The results of this research are summarized as follows. First, the image of Chinese traditional colors represented in many parts of and the cultural preferences that underlies their works through the expression of traditional colors. The scenes of traditional costumes and colors express the visual embodiments of the costumes that reflect a specific status, ceremony, or ritual. Second, the traditional colors used in the movie are based on the Yin-Yang theory. Particularly, Red, Yellow, Black is mostly used for ordinary clothing. Third, there are some differences in the use of color arrangements, that change regarding the use of traditional colors according to images and situations that follow the intention of the director. Planning the color arrangements is considered an engaging connectivity between traditions and images in the movie and it is extended or reduced based on cultural preferences. Fourth, the increase and decrease of color arrangements is distinctively represented as the story of the movie proceeds.

• 한국의류학회지
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• 제29권2호
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• pp.242-253
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• 2005

The objective of this research is to identify and examine the punk hair styles which, with their various, rather vague names, help to describe the twentieth century subordinate culture or subculture and also their place today as one of the mainstream male hair trends. The scope of this research will stretch to include also: North-east and around that areas native Americans'hair styles which, are thought to have strong links with the Punk hair tend. The focus of this research will remain with the so-called Mohican or Mohawk hair styles(collectively referred to as Punk styles), which have originated mainly from native American warrions residing in North-east and South-east region of the United States. This study clarified a few questions in doubt concerning the origin of cockcomb hairstyle. Firstly, the cockcomb hairstyle known to represent punk hairstyle was influenced the American Indian's Roach style. Secondly, since Roach style is referred as Mohawk tribe's hairstyle in some refernces, the view of seeing cockcomb hairstyle as a Mohawk style is considered more persuasive. Thirdly, although Roach style was a usual hairstyle through North-east and South-east region of the United States, the people in South-east region did Roach hair style because of the North-east's influences. Lastly alike the Punkers had several kinds of cockcomb hairstyle. American Indians'Roach style also differed in shape concerning of their regions and their kindred. In addition, the reason why the most common term to refer punk hairstyle became Mohican is considered as that the film 'Last Mohican' has influenced on it. That film can appeal their history and play a good role of mediator to let the public know better about themselves, 'Mohican' naturally became the name of the specific hair style.

• 디지털융복합연구
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• 제17권7호
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• pp.299-309
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• 2019

본 연구의 목적은 조슈아 오펜하이머(Joshua Oppenheimer)의 액트 오브 킬링 에 나타난 가해자와 피해자의 관계에 대해서 살펴보고자 했다. 이를 위해서 가해자의 입장에서 사용한 이론적 도구는 르네 지라르($Ren{\acute{e}}$ Girard)의 '모방 폭력(mimetic desire)', 한나 아렌트(Hannah Arendt)의 '악의 평범성(banality of evil)'을 연구하고, 피해자의 입장에서 발생하는 문제는 르네 지라르의 <희생양> 이론을 살펴보았다. 이 연구의 의미는 영화의 재현적 서사를 활용하여 지나간 과거의 대량학살의 재현 불가능성에 도전하고, 진실을 보여주기 위한 방법으로 다큐멘터리와 픽션의 결합을 추구했다. 또한, 가해자와 피해자의 화해는 '중립적인 측면의 공정성'을 확보했다는데 의미가 있다. 지금까지 영화에서 가해자와 피해자의 관계에 대한 연구는 간헐적으로 등장했지만 아직까지 부족한 실정이며, 향후 후속연구에서 좀 더 심도 있는 연구가 진행되어야 할 것이다.

• 보존과학회지
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• 제38권2호
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• pp.133-143
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• 2022

본 연구에서는 대구근대역사관 소장 인력거의 재질별 분석을 통해 다양한 재질이 복합적으로 사용되는 근·현대문화재의 재료를 확인하고, 보존 및 관리의 기초 자료를 구축하고자 하였다. 금속, 목재, 섬유, 도료를 대상으로 P-XRF, 수종분석, 섬유동정, 도막층 분석(층상 구조, SEM-EDS, FTIR)을 실시한 결과, 금속은 구리(Cu), 아연(Zn), 황동(Brass)과 철(Fe)로 확인되었다. 목재는 상수리나무류, 삼나무, 대나무아과, 비자나무속이 식별되었으며, 이 중 삼나무는 일본 자생종으로 인력거 제작 당시 일본에서 목재를 수입하여 제작하고, 근대 일본 인력거의 제작 양식에 영향을 받은 것으로 추정되었다. 섬유는 면(Cotton)을 주로 사용하였으며, 일부는 가죽(Leather)도 확인되었다, 도막층은 캐슈(Cashew)를 사용하여 1회 이상 도포한 것으로 관찰되었으며, 특히 인력거 몸체부는 섬유층, 토회층, 도료층, 채색층이 중복되어 관찰되고, 성분이 다른 적색 안료(산화철 및 진사)층이 관찰된 점을 보아, 과거 일부 보수 및 보존처리가 진행된 것으로 판단된다.

• Journal of Chest Surgery
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• 제9권2호
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• pp.139-142
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• 1976

A 33 year old male patient was admitted with 20 years history of recurrent hemoptysis. On clinical examination, mild left chest discomfortness and foul odored sputum with occasional rusty hemoptysis were principal complaints noted. Chest X-ray film revealed moderately advanced active tuberculosis lesion on both upper lung fields, and hen-egg sized mass surrounded with linear crescent of air shadow in a cavity on his left upper lung field. On left thoracotomy, dense pleural adhesions on left apicoposterior segmental surface with multiple lymphnode enlargements were noted, and the soft encapsulated mass of $5{\times}5{\times}8cm$ was localized in the apicoposterior segment of the left upper lobe. Apicoposterior segment with anterior segment of the left upper lobe was resected. Cavity was opened to find a rusty grayish colored, fragile mass, which was confirmed as "fungus ball" of aspergillosis by histological section slide with Gomori staining. The authors report one case of pulmonary aspergilloma superinfected with previous long standing pulmonary tbc.

• 한국실내디자인학회논문집
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• 제15권5호
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• pp.265-272
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• 2006

Traditionally exhibition design as been restricted to architectural, interior, and lighting design, but recently it has begun to overlap into environmental, performance, and installation art. Exhibition design also increasingly involves the application of film, fashion, and the new media. In the past, exhibits were arranged and displayed for the visitor to view directly, but with the development of more effective exhibit media a connection has been created between the exhibit and the visitor. However exhibition design has reached the limits of continuous growth without background theory, when now it must take Into consideration the museum's activation and the importance of the exhibition's design. Exhibition design has developed and grown rapidly since the Taejeon Expo in 1993, but it is a difficult development without a theoretical structure. The flow of exhibition design must be systemized, as the systemization of the transition process of exhibition design has not yet been achieved. This study aims to present an arrangement of exhibition design flow, and to investigate the variation factors in the transition process of exhibition design and exhibit medium development, based on the 18 year history of the Independence Hall that introduced the first systematic planning of an exhibition in 1987.

• 한국콘크리트학회:학술대회논문집
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• 한국콘크리트학회 2008년도 추계 학술발표회 제20권2호
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• pp.781-784
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• 2008

본 연구에서는 저온 환경에서 단열양생시트 변화에 따른 콘크리트의 온도이력 및 강도특성을 검토하였다. 실험결과 -5$^{\circ}$C에서 노출과 air cap포장지의 경우 초기 24시간 이내로 콘크리트의 온도가 영하의 온도로 저하되어 초기동해가 발생되었다. 반면, 비닐+부직포의 경우 초기 24시간이내의 최저온도가 약 3$^{\circ}$C로 영상의 온도를 유지하였고 이중버블시트의 경우 약 7$^{\circ}$C로 나타나 양호한 단열 보온성능을 나타내었다. 코어압축강도를 측정한 결과 비닐+부직포와 이중버블시트로 양생한 시험체의 압축강도가 양생초기의 우수한 단열효과로 인해 다른 시험체의 압축강도보다 높게 나타났다.

• 한국건축시공학회지
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• 제13권6호
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• pp.513-521
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• 2013

This study aimed to examine whether heat curing methods of concrete subjected to $-10^{\circ}C$ could be effective by varying the combination of heating cable and surface heat insulations. Three different concrete specimens incorporating 30% fly ash with 50% W/B were fabricated to simulate wall, column and slab members with dimensions of $1600{\times}800{\times}200$ mm for slab, $800{\times}600{\times}200$ mm for wall and $800{\times}800{\times}800$ mm for column. For heat curing combinations, Type-1 specimens applied PE film for slab, plywood for wall and column curing. Type-2 specimens applied double layer bubble sheet (2LB) and heating coil for slab, and 50 mm styrofoam for wall and column curing. Type-3 specimen applied 2LB for slab, electrical heating mat for wall and column inside heating enclosure. The test results revealed that the temperature of Type 1 specimen dropped below $0^{\circ}C$ beginning at 48 hours after placement due to its poor heat insulating capability. Type 2 and 3 specimens maintained a temperature of around $5{\sim}10^{\circ}C$ after placement due to favorable heat insulating and thermal resistance.

• Journal of information and communication convergence engineering
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• 제8권5호
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• pp.595-601
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• 2010

The strategy through visual sense is one of the ways that subject builds the outside world and communicates. The visual sense seems higher level of dependence than the other senses and contributes to intercommunication. For this reason, the desire of image dates back to primitive art and visual image(visual media and visual culture) has dialectically developed in the history of mankind. Visual subject, based on perspective of Renaissance, was moved from God to human beings. Andre Bazin's 'la genese automatique' through technical art has epochally changed the paradigm of visual art and visual culture. From primitive art to photo and film, the image, based on visual sense, has reflected human wish, appealed visual desire and led to evolution of image. In the late 20 century, without dialectical evolution of technology and culture, rapidly progressive digital image has changed social and cultural implication over rational strategy of production and distribution and it strengthened authority of image through visual approach of endless desire. The goal of this study is to analyze the value change of digital image developing a new Renaissance through production, reading, communication, and implication of evolution due to digitalized image, which has evolved as object and tool of desire.

• Journal of Chest Surgery
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• 제7권1호
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• pp.85-92
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• 1974

During the years 1959 to 1974, 99 patients with patent ductus arteriosus were admitted to National University Hospital. These includes 5 patients with additional cardiovascular and 5 patients with severe pulmonary hypertension. All were operated upon except three refused operation. In all instances, the diagnosis was made by history and physical, roentgenological and electrographic examinations. In addition, in 53 patients, special diagnostic procedures were carried out either for diagnosis or for evaluation of pulmonary hypertension and associated cardiovascular anomalies. Right cardiac catheterization was resorted to in 51 patients. In one of these patients catheterization was incorrectly interpreted [ventricular septal defect]. Retrograde aortogram was performed in two patients. In both cases the ductus itself was visualized on the x-ray film. An additional vascular anomaly, namely the persistent left superior vena cava, was confirmed by retrograde angiogram in one of them. In 5 cases the pulmonary arterial pressure was elevated well over 80 mmHg. In these instances,the operative mortality was 80% [4 out of 5 patients]. The management of patent ductus arteriosus when associated with severe pulmonary hypertension. and/or other cardiac anomalies is controversial. Opinions differ as to how to close the ductus and to repair the cardiac anomalies as well as to whether a one-staged or two-staged procedure should be resorted to. The author is of the that each case must be evaluated individually before any specific surgical treatment is ou.tlined. The literature on the subject is reviewed in this paper.