• 대한건축학회논문집:계획계
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• 제35권11호
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• pp.109-116
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• 2019

Seongbuk Village and Ungcheon Village are Town Wall Villages that reflect social and historical backgrounds. villagers have formed villages based on community life. The streets and places of the villages are accumulated as images in the memory of the inhabitants. Based on their imagination-concept, 30 sketch maps, reflecting residents' cognitive perception were collected. Analysis of 30 sketch maps shows that other forming of Collective maps. In the past, Villages historical facilities had changed roles, but the relationship between the place and the place has been continuous, and according to the development process of the villages, the relationship between streets and places has been formed. Following this, the analysis methodology of social spaces and sketch will be examined in depth.

• 한국농촌건축학회논문집
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• 제24권4호
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• pp.97-106
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• 2022

During the Japanese colonial period, Japan exploited the entire Korean Peninsula and targeted not only cities but also rural areas. The exploitation of rural area was accelerated with the support of Oriental colonization Company and The countryside was a living scene of direct exploitation. However, most of the research was concentrated in representative port cities such as Kunsan, which transports logistics such as rice and grains. There was insufficient research on how Japanese entered the country, how Korean were plundered, and the rural villages that were the target of exploitation. The contents of hi-exploitation were also historical and historical humanities such as colonial land ownership and farm management, and the spatial structure of the existing traditional villages were insufficiently investigated. Hwaho-ri, Shin Taein-eup, Jeollabuk-do, centered on Yongseo Village, there are many traces of farm houses, hospitals, employee residences, schools, churches, and Oriental colonization Company This study aims to study what changes traditional rural villages have brought by the Japanese colonial rule, centering on Hwaho-ri Village.

• 디자인학연구
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• 제20권1호
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• pp.111-120
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• 2007

본 연구는 우리의 현대 건축이 극복해야할 과제인 지역적, 역사적 문제점의 해결방안으로써 맥락적 공간 표현을 하나의 가능성으로 제시하고 있다. 모더니즘 건축이 역사적, 장소적 맥락의 특수성을 거부하고 익명적인 공공성만을 지향하였다면, 이후의 포스트모던 건축, 지역주의건축 등은 다양한 역사적, 환경적 요소를 적극적으로 이용하여 단절되었던 맥락의 의미를 되살리고자 노력하였다. 그러나 이러한 시도들은 맥락을 피상적으로만 이해하여 건축의 소재로만 차용하였을 뿐, 끊임없이 변화하는 맥락을 수용해내지 못했다. 이러한 현대의 변화하는 맥락성에 대응 할 수 있는 공간 계획을 설명할 수 있는 건축가로 장 누벨을 선정하여 그의 건축공간에서 맥락적 표현 특성을 파악하고 작품을 사례로 분석하고자 하였다. 우선 맥락주의의 이론적 고찰을 바탕으로 건축적 맥락의 특징을 장 누벨의 맥락적 공간 표현과 비교하여 그 관계성을 찾았고, 위상기하학적 조작, 표피의 물질성, 투명성을 통하여 장 누벨이 단지 건축과 공간 내부에만 머물지 않고 자신을 둘러싼 세계를 이해하고 독창적인 해석과 표현방식을 통해 맥락성을 표현하고자 하였다. 그래서 본 연구를 통해 맥락성이란 임의적으로 추출되어 공간화 및 고정화된 것이 아니라, 과거에서부터 지금까지 그리고 앞으로도 지속적으로 흐르고 변화하는 유동적인 개념으로 받아들여야 할 것임을 시사해주고 있다.

• 한국조경학회지
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• 제26권4호
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• pp.25-35
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• 1999

This thesis is to newly understand the value and the meaning of Chonju Palkyong(全州八景) by the specific gravity in making a counter-proposal in other to improve the landscape identity of modern city and at the same time. I intended to group the grafting device for the preservation and regeneration of modern history cultural environment through the interpretation of landscape construction. The meaning system of Chonju Palkyong showed the symbolic system which a landscape construction, four directions and two places has and exhibited the landscape shape possessing a luxuriant local feature peculiar to Chonju, preserving visual bound language of a classical Palkyong. Especially, it implies the use of the substantial landscape experienced factor, the expressions about natural phenomena and the matter which has melted human living circumstances. The landscape construction and it's form show the system which forms the different time field, a far landscape and a mid distance landscape and a near landscape, etc., under the visual, psychological, scenic influenced area, preserving the feature of the similar and typical type of Sosang Palkyoung（瀟湘八景) which intended to seek the local reappearance of the famous site experienced type and natural matter which famous place and local conduct were combined. The object space of Chonju Palkyong area representing the nature of historical landscape cultural assets, pushed by the greater part of the development based theory, shows injured aspects, but needs to play a part to seek such a up-to-date successive plan as the reconstruction of the destroyed historical landscape area which motivated Palkyong, the establishment of useful area, the embodiment of the cultural identity of Palkyong area and the becoming of the educational cultural life space. The analysis of the landscape construction of Chonju Palkyong and the grouping of the modern successive plan which I considered in this thesis, will be able to become a fundamental data to carry out the preservation of historical landscape and the landscape plan in the city.

• 한국항해학회지
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• 제21권4호
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• pp.93-102
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• 1997

History will be defined as a science on human beings in both space and time(des hommes dans le temps et l'espace). Navigational History is a premise to compose Maritime History. Maritime History is a branch of General History which is classified on the basis of space and will be definded as a branch of history to examine 'inter-realtions between maritime affairs and inland affairs'. Then, what kind of 'go by sea'can be a subject of Navigational History ? A research-subject of Navigational History must be navigation rather than sail or voyage. Because while 'sail' means to 'passive and noncommercial sailing' and voyage means to journeyin a general sense that includes sail and navigation, navigation means to indicate ' to go from one place to another in a ship' adn 'to convoy goods by water'. Then, how can we define Navigation History? Navigational History in a narrow sense is to be a field of studying 'process of development of nautical science and seamanship on the side of History ofScience and Techique, whereas Navigational History in a broad sense is to be a field of analyzing 'effects of historical navigation upon history on the side of General History. On studying Navigational History in a narrow sense, there are signifiacances of disclosing what the development of nautical instruments and arts of navigation have played a role in history. Navigational History in a broad sense is a branch of General History to study effects of historical navigation upon history. In conclusion, the significance of studying Navigation History is to disclose process of developmentof arts of navigation, and on the basis of this study is to reveal how the human elements operate in historical navigation. In short, it should not cease to study Navigational History in a narrow sense, and should enlarge its perspective of research toward Navigational History in a broad sense.

• 한국농촌건축학회논문집
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• 제7권2호
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• pp.31-47
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• 2005

This study is to inspect and analyse the historical background, spacial organization and architectural features about the traditional government office building of Gangwon Gamyoung(the supreme local government office of Gangwondo in Chosun dynasty). The results are as follows. - Gangwon Gamyoung was located at the center of Gangwondo in consideration of distance to each small local office. And also it was located in consideration of geographical connection between Hanseong(today's Seoul). - The spatial organization of Gamyoung was divided into the three parts of entrance space, government office building space and backyard space. The entrance space was composed of three gates(Pojungru-Jungsammun-Naesammun). The government office building Space was consisted of business and living building as center of Sunhwadang(the main office building). And the backyard space was composed of Yonji(pond), Jungja(bower), and so on - The way to enter the space of Gamyoung follows the order from Pojungru(the first & outer main gate with a bower), Jungsammun(the second & intermediate gate), Naesammun(the third & inner gate) to Sunhwadang at last. - There were a beautiful Yonji(pond) which to be rectangular type and to have a round island with Bongraegak(bower) at Gamyoung backyard, the drain conduit and pedestrian road covered with pebble in the ground.

• 한국조경학회지
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• 제43권2호
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• pp.56-72
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• 2015

본 연구는 2009년 세계문화유산으로 등재된 조선왕릉 중 태릉을 대상으로 능침공간, 제향공간, 전이공간, 진입공간으로 공간을 구분하고, 과거 문헌고증을 통해 능 조영 당시 능의 좌우 및 후면에 식재된 원식생을 파악하였다. 태릉의 공간별 원식생 경관 중 능침공간의 능선 주변, 제향공간, 전이공간은 소나무로 추정하였고, 진입공간은 오리나무로 추정하였다. 태릉의 현존식생은 소나무림이 50.3%로 가장 넓게 분포하였고, 낙엽활엽수림은 33.7%로 갈참나무, 상수리나무, 신갈나무가 주요 출현종이었다. 식재지는 7.9%로 주요 수종은 소나무와 잔디 등이었다. 태릉 식물군집구조는 총 108개 조사구를 설정하여 총 4개의 공간으로 구분하였다. 공간별로 조사구의 상대우점치를 분석한 결과, 능침공간 현재 우점종은 소나무이었지만, 소나무는 도태되고, 상수리나무의 세력이 확대되고 있었으며, 소나무림이 갈참나무로 천이가 진행되고 있었다. 제향공간, 전이공간은 소나무가 도태되고 있었으며, 참나무류의 세력이 확대되고 있었다. 진입공간 우점종은 소나무, 갈참나무이었으며, 원식생인 오리나무가 사라지고, 소나무와 갈참나무로 변화되었는데, 이 지역은 점토질 토양으로 장기적으로 소나무는 도태될 것으로 판단되었다. 태릉의 과거식생(추론)과 현존식생을 비교 분석하여 식생경관관리 목표와 방안을 제시하였다. 식생경관관리 목표는 생태적 특성 및 식생변화를 분석하여 공간별 역사경관림에 부합하는 경관유지 및 복원을 목표로 하였다. 능침공간은 소나무림과 소나무식재지로 유지 관리하고, 기타 참나무류림을 소나무림으로 복원, 제향공간은소나무림과 소나무식재지로 유지관리하고, 참나무류림을 소나무림으로순차적 복원, 전이공간의 소나무림은 유지 관리하고, 참나무류림은 소나무림으로 복원, 진입공간은 순차적으로 오리나무림으로 복원하는 것으로 제시하였다.

• 한국실내디자인학회논문집
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• 제11호
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• pp.26-30
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• 1997

By personally visiting a location, we have a much more complete and accurate feel and understanding of the interior design, then we can receive from pictures or descriptions. Because of this, in researching the history of interior design, it is impossible to experience the space in the design by not viewing it in persov. Instead, we must experience it indrectly through the use of descriptive language. Therefore it is important to deliver our meaning of the space in the interior design through clear and specific modern language rather than using classic language, which could be more confusing. In this study, the 7 most basic items of invariability among Bruno Zevi's modern language has been applied to describe the space in Wright's historical Prairie House. Thereupon, Wright's interior design concept and essential point is grasped through the analyzing of his space with modern language. Bruno Zevi's 7 items of invariability are suggested as an alternative which can deliver a clear and scientific meaning of interior desigv.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2006년도 춘계학술발표대회 논문집
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• pp.145-149
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• 2006

China which has 960km of domain area is one of the biggest countries in the world. Also China has a large population of 1,300,000,000 which are 25% of total world population and consist of 56 ethnic groups. In addition, History of China is immemorial and Confucianism of feudalistic and Taoism idea have effect on Chinese for a long time and architecture is influenced by them. Thus a large degree of variety, abundance, and uniqueness can be found in Chinese traditional dwelling. This research will be focusing on Sanapwon, a traditional housing in Beijing, which represents China's original and distinctive dwelling features. By looking at Sanapwon, we can learn the distinguishable characteristics of Chinese residential area and understand the concept of space. By looking closely at the worldly outlook, historical view, originality, and the spatial notion centered around human beings, many types of Sanapwon and its formation process have been examined Likewise indoor plane construction, and basic element of composition of space will help to study the whole of residing space.

• 한국실내디자인학회논문집
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• 제16권2호
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• pp.331-338
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• 2007

In the aspects of the globalization and localization, it is crucial to determine 'Urban selling point', which explains how to make an image: in order to acquire city identity based on the cultural and historical understanding for the Positive city image. The Purpose of this study is to investigate the possible role of the public space as a tool of the city marketing strategy, as well as to realize the cultural city identity through the design of the public space by studying cases which promote the value of life for both of the city and the citizens. Two methodologies are utilized for this study; First, he value in realizing cultural identity is examined through the city identity related to the city marketing and theoretical review of city amenity; second, the several domestic and international cases of cultural planning in culture-accumulated public space are selected and analyzed to map out new strategies from the perspective of place strategy, cultural strategy, and marketing strategy. The results from this study are as follows; first, the culture-accumulated public space through the formation of culture has its own characterized meaning, which has the significant value for the city representative image; second, when planning the culture-accumulated public space, it is important to select not only the appropriate image strategy but the adequate type of the public space for the city planning.