• 제목/요약/키워드: HUMANE 프로그램

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융합기반의 대학원 기술창업 교육모델 개발에 대한 탐색적 연구 (The Exploratory Study on Development of Interdisciplinary Technology Entrepreneurship Education Model)

  • 최종인;변영조
    • 벤처창업연구
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    • 제8권2호
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    • pp.119-128
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    • 2013
  • 기존의 창업교육은 창업단계에 따라 창업을 위한 교과목 선정과 커리큘럼 중심의 연구를 수행하여 왔다. 하지만 창업교육을 시행함에 있어 국내 창업교육은 이론중심으로 진행되며, 현실기반의 내용이 부족하다. 기술, 경영, 법률 등은 창업에 필수적인 요소들로서 이들을 통합하여 교육할 수 있는 학제적 접근방법이 부족한 현실이다. 본 연구는 이러한 창업교육의 한계를 외국의 창업프로그램 사례(TI:GER)를 통하여 국내 환경에 적용하여 대학원 수준의 학제적 프로그램 설계를 제언하여 해결방안을 모색하는데 있다. 창업대학원, 법학전문대학원, 공대 및 자연대 대학원간 개별 대학원의 전공특성을 융합하여 HUMANE 이라는 하나의 프로그램으로 구성하여 운영, 이러한 학제적인 프로그램을 운영하여 새로운 방식의 창업교육 모델을 제시해보고자 한다.

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볼프스부르크 문화센터의 건축 특성과 의미에 관한 연구 (A Study on the Architectural Characteristics and Meaning of Wolfsburg Cultural Center)

  • 정태용
    • 한국실내디자인학회논문집
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    • 제20권2호
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    • pp.47-54
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    • 2011
  • In Alvar Aalto's designs, important factors of complex building designs including Wolfsburg cultural center are that they insinuate how to develop each architectural type and how to combine them in a building. The humane and physical background studies, and wholistic and systematic approaches are adopted to fulfill research purposes. Comparison with other buildings are necessary to reveal true meaning of this building. The result of analysis show characteristics of Wolfsburg cultural center as follows; hybrid composition of mass and elevation, spatial effect using level difference and light, massing variation of roof, and creating space for various activities. Wolfsburg cultural center designed in late 1950s has greatly affected Aalto's later works through various architectural experiments because it is the first cultural complex project that combined various architectural types. Especially library in the cultural center has shown transitional characteristics to famous fan-type libraries of 1960s while maintained features about Viipuri library. Wolfsburg cultural center act as an another type which present new principles of clustering, massing and exterior design. Its true meaning lies in forming a humanizing place beyond spatial configuration.

헤이그 시청사에 나타난 건축적 공공성에 관한 연구 (A Study on the Architectural Publicness in Hague City hall)

  • 정태용
    • 한국실내디자인학회논문집
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    • 제19권6호
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    • pp.30-37
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    • 2010
  • The purpose of this study is to analyze the architectural publicness of Hague city hall by Richard Meier. The Hague city hall shows the systematic and comprehensive configuration of architectural publicness. Meier applied publicness to the city hall from concept and the configuration of space to object design. Architectural publicness of Hague city hall can be realized by providing large public space including atrium, programs about public events, linear space for street activities and the lower location of public facilities in the city hall without the limitation of weather, lime and size of space. Architectural publicness can obtain its real meaning when physical conditions meet the standard of public activities. Besides this, the Hague city hall case shows the desirable role model of city administrator and NGOs in that public events are organized by the independent body. The publicness of architecture is influenced by various factors including physical and political systems. The case study of the architectural publicness is very important in that it is very hard to generalize. In these basis, the study for architectural publicness can be complemented by concrete and positive case studies as well as existing humane and general studies.

렘 콜하스 건축의 장소적 특성과 해석에 관한 연구 (A Study on features and Interpretation of Placeness of Rem Koolhaas' Architecture)

  • 박형진;김문덕
    • 한국실내디자인학회논문집
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    • 제16권2호
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    • pp.87-96
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    • 2007
  • This study analyzes the place of modem architecture based on the place theory of C. N, Schultz. For applying Schultz's theory to the modern architecture, It is required to examine the modern cityscape, features of inner space of architecture and features of program. By analyzing the avant-garde architecture of Rem Koolhaas on such basis, the potentiality of placeness of modern architecture could be verified and the alternatives would be searched. It is inferred that the placeness features of Rem Koolhaas' public architecture is under the influence of the interpretation of program based on the humane background rather than the physical aspects of surroundings. The inner space shows the non-linear features, the metaphor of city. The obscurity of physical boundary illustrates the flexible features with ambiguous boundary. Consequently, the inner space expresses the surreal atmosphere that doesn't match the purposes of usage of architecture, the traditional concept. The outer shape is recognized as the by-product from the interpretation of internal program rather than it considered the surrounding context. The outer shape has the relatively simple formative shape and contrasts against the complicated inner space by using the non-physical materials. It is found that Koolhaas' architecture doesn't pursue the features of placeness of traditional concept. However, It is inferred that his architecture has the possibility of placeness by attaching the meaning through the social roles of each architecture. It gives the substantial suggestion to the modern architecture that can't easily acquire the placeness of traditional concept due to the environment of modern city.