• Clean Technology
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• v.19 no.2
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• pp.90-94
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• 2013

We investigated one-dimensional thermal conduction for gypsum objects incorporating oyster shell powder. We presumed that according to the portion of oyster shell in the hybrid structure conductive characteristics of that would also change as some physicochemical properties such as volatile organic compound (VOC) adsorption were found to be changed considerably. Based on Fourier's 2nd law of heat conduction an analytical analysis in a flat slab (one axis perpendicular to an infinite plane) was performed. We found that composition of oyster shell and conduction-related coefficients and parameters could greatly influence on the thermal profile of that conduction, and some model experiments also served for it in the affirmative.

• Proceedings of the Korean Institute of Building Construction Conference
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• 2014.11a
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• pp.154-155
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• 2014

The object of this research is showing the effect of additional hydration of BS with OPC and less amount of gypsum in WA for the binder of BS with RFA mortar on strength development. The test performed was using factors of 0, 10, 30, and 50 % of OPC replacement for effect on strength development with additional stimulation.

• Journal of Korean Society of Steel Construction
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• v.17 no.1 s.74
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• pp.45-52
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• 2005

The object of this study was a cold-formed steel wall stud panel sheathed by gypsum boards. In the beam-analysis, the panel was treated as a simple beam with a uniform lateral loading. The deflections were calculated by considering the primary factors that reduced the stiffness of the panel. In the column-analysis, the panel was treated as a bearing wall with an axial load. By using an energy method, nominal axial strength could be evaluated by considering both flexural buckling and torsional-flexural buckling. All calculations were programmed and compared with the results of the experiment. In the beam-analysis, experimental deflections were close to theoretical deflections. In the column-analysis, the experimental values were also close to theoretical values in axial strength.

• Conservation Science in Museum
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• v.3
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• pp.43-50
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• 2001

This article is about a joint project carried out by the National Museum of Korea and the Tokyo Cultural Properties Research Institute for the conservation of central Asia Wall painting that has been selected for the exhibition at the new Seoul National Museum of Korea at Yongsan. The investigation of the wall painting revealed very useful information. This includes the condition of the object, and the identification of evident damage, such as cracks, loss of pigment, plus materials and methods employed during the object's creation, as well as previous conservation treatment. The object was mainly made by applying plaster to the body (wall) that consisted of a mixture of soils and rice straws. Then, on the surface of the wall-painting, pigments were used to draw and to colour it. As a part of the investigation, radiocarbon dating was conducted using straw samples taken from the object. The result indicates that the object is probably dated form between the end of the 10th Century and the beginning of the 13th Century. The result of X-ray diffraction also revealed the composition of the pigments used on the surface. These are 1. gypsom [Ca(SO₄)·2H₂O], CaSO₄ and Calcite (CaCO₃) and Calcite (CaCO₃) that were used for the white background. 2. Pb₃O₄ and led Arsenate [Pb(As₂O₆) that were used for the red colouring. 3. Cuprite (Cu₂O), Arsenolite (As₂O₃) and Arsenic Oxide (As₂O₄) that were used for the green colouring.

• Conservation Science in Museum
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• v.16
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• pp.138-153
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• 2015

Wooden standing Bodhisattva in the collection of the National Museum of Korea (Bon 8239) was purchased as part of the museum's Central Asian collection during the Museum of Japanese Goverment General of Korea. The wooden statue exhibiting classical characteristics of Song Dynasty Buddhist sculptures is colored on the whone. The result of condition check for exhibition in 2014, it has severely damaged, with discoloring and exfoliation in color pigment and crack of wood observed in various areas. The object was therefore treated for conservation. A series of analysis were performed also at this time to determine the production technique and the materials, including testing of the X-ray penetration depth, X-ray fluorescence analysis and wood species analysis. This revealed that the statue was made by joining several separate pieces of wood. As for color pigments, the white pigment was either chalk (CaCO₃) or gypsum(CaSO₄·2H₂O), and the green pigment was emerald green (Cu(C₂H₃O₂)₂·3Cu(AsO₂)₂). The red pigment appeared to be lead red(Pb₃O₄) and the blue pigment was ultramarine blue (3Na₂O·3Al₂O₃·6SiO₂·2Na₂S). All the pigments were repainted in later eras. The analysis, indicated that the wood was derived from a tree of the genus Populus, family Salicaceae. The wooden standing Bodhisattva was repaired and reinforced with natural materials and was brought to a stable condition necessary for display.