• 디지털융복합연구
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• 제20권4호
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• pp.491-498
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• 2022

본 연구는 괴테의 색채이론을 바탕으로 디지털 공간에서 감각적, 정서적, 경험적 색채를 공간색채로 정의하기 위한 목적으로 개념 및 분류 방법을 다음의 연구 방법을 통하여 제시하였다. 첫째, 이론적 고찰을 통해 공간색채 개념을 정의하고, 공간색채 분류로 표면색채, 테두리색채, 물리 색채 3가지로 유형화하였다. 둘째, 디지털 공간의 특성과 색채 시스템을 고찰하였다. 셋째, 앞선 이론적 고찰을 통해 유형화된 공간색채와 디지털 공간의 특성 및 색채 감각유형을 바탕으로 디지털 공간색채 4가지를 테크노 색채, 센스 색채, 픽셀 색채, 블러 색채로 도출하고 유형화하여 제시하였다. 이와 같은 연구 내용을 바탕으로 본 연구는 괴테의 색채론이 현시대에 갖는 의미를 디지털 공간색채를 통해 체계화하였다는 데 의의가 있다.

• 혜화의학회지
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• 제20권1호
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• pp.25-37
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• 2011

It fuses into culture of the East and the West in use of color ; colors of five direction, which had been from the Five Phase Theory in East Asia. Formative ability of color fields in a formative early Oriental Medicine history as well. Color is a very important factor and a necessary step of visible diagnosis. As a human's body is maintained and alive under the control of spirit and spirit is stored by five viscera, so spirit expresses the change of five viscera and is reflected by color. Visible diagnosis consists of spirit, appearance, Qi and color and movement. The purpose of each visible diagnosis is that we would know states of essence, Qi and spirit in patient's body. To ancient Asia people 'to see' was a kind of insight to the object as a whole. Similarily the activity of seeing the human body was the integral part of making diagnosis of a patient. This was the cause that there was suggested the discussion of the Five color theory in Oriental Medicine as a counterpart to that of the 'Goethe for Zur Farbenlehrer'. The inspection of Oriental Medicine was not a simple gazing of the eye as a sense organ, but the total insight to the internal state of the patient. For that reason, the eye－perception in early Chinese medicine was the reading the signs of the internal body which had have not the visual form but the flux of the internal life.