• Proceedings of the Korea Contents Association Conference
• /
• 2006.05a
• /
• pp.279-284
• /
• 2006

The field of film art to be wised expression as development of Media has grown. Recently, the concern and effort has built up in digital film by Computer Graphics(CG) one of SFX. In this paper, I certified the formative properties based on Gestalt theory and centering best show in 2005. As a result, I confirmed that to insert 3D animation in film can lead fantasy or virtual world unable to be felt in real world, with the intention of producer, and that it was applied to free space not to be restricted making a film of scenes. And I confirmed that the partial modeling animation as the Gestalt theory that gives totality to objects of perception and needs closure can play role of understanding the meaning of film.

• Journal of Korea Society of Industrial Information Systems
• /
• v.22 no.6
• /
• pp.71-84
• /
• 2017

Over the past decade, we have witnessed Serious Debates in MISQ and Other Journals Between Two Camps that have Differing Views on the use of Causal Indicators to Measure Constructs. There is the Camp that advocates Causal Indicators (ADVOCATE) and the Camp that opposes Their Usage (OPPONENT). The Debates have been primarily centered on the OPPONENT's Argument that the Meaning of a Latent Variable is determined by its Outcome Variables. However, Little Effort has been made to Validate the ADVOCATE's Dispute (Against the OPPONENT's Arguments) that the Meaning of a Latent Variable is decided by its Causal Indicators if there is no Misspecification. Our Study precisely examines the Integrity of the Argument. For this, we empirically examine how the two Primary Psychometric Properties-Comprehensiveness and Interrelationship-of Causal Indicators Influence Theory Testing between Latent Variables through Three Different Tests (i.e., Comprehensive Test, Interrelationship Test, and Mixed Test). Conducted on Two Different Datasets, Our Analysis Consistently Reveals that Structural Path Coefficients are Hardly Sensitive to the Changes (i.e., Misspecification) in the Properties of Causal Indicators. The Discovery offers Important Evidence that the Sound Theoretical Logic of a Causal Model is not in Sync with the Empirical Mechanism of Parameter Estimation. This Underscores that a Latent Variable Formed by Causal Indicators is empirically an elusive notion that is Difficult to Operationalize. As Our Results have Significant Implications on the Integrity of Numerous IS studies which have conducted Theory or Hypothesis Testing Using Causal Indicators, we strongly advocate Open Discussions among Methodologists regarding Our Findings and Their Implications for Both Published IS Research and Future Practices.

• Journal of the Korean Home Economics Association
• /
• v.33 no.4
• /
• pp.149-155
• /
• 1995

In this study, the formative property of flare skirts is carry out by the shape horizontal sections of hem line. Flare skirts was made by 10 kinds of fabrics with different physical properties. the length of flare skirts was 60cm. The main results obtained are as follows ; 1, The shape horizontal sections of hem line has differed with number of nodes and fabrics properties, in direction of texture. 2. According to the fabrics analysis of drapability decreased in order from Polyester/nylon(20/80)>Polyester(twill, thickness 0.2441)>Polyester(plain, thickness0.3760)>Polyester(plain, thickness 0.3687)>Polyester(plain, thickness 0.3101). 3. The correlation between the number of nodes and wave-height of modes and breadth showed a high negative correlation with the drapability of fabrics.

• Journal of the Korea Convergence Society
• /
• v.12 no.12
• /
• pp.169-176
• /
• 2021

This study aims to explore the formativeness of 3D printed parametric fashion products while parametric design-based 3D printed fashion products are increasing. As a research method, theoretical review was conducted and formative properties of 3D printing parametric fashion products were derived, and cases of 3D printing parametric fashion products were collected and examined into three types of clothing, shoes, and accessories. As a result of the study, it was possible to confirm the shape with the motif of a natural object, and structurally, the economical optimal structure, assembly structure, and natural structure were confirmed. was found to use natural and achromatic colors. Through the understanding of the formativeness of 3D printing parametric fashion products presented in this study, it is expected that it will be used as basic data to understand the spread and formative flow of parametric-based fashion products.

• Journal of the Korean Society of Costume
• /
• v.57 no.5 s.114
• /
• pp.45-57
• /
• 2007

This study is on the aesthetic characteristics of Balenciaga design succeeded to by Nicolas Ghesquiere, and tried to understand his pursuing brand's new design concept and aesthetics. The three key characteristics of Balenciaga designed by Nicolas Ghesquiere are Retrospecitvness, Eclecticism, Deconstruciton. First, Balenciaga looks retrospective sense through reinterpreting tradition. Nicolas created a new sense of expression by mixing his proper instinct with Balenciaga's original properties, historical components of the past western dress, and various design elements of assistants who used to work in Balenciaga. Second, Balenciaga expresses uncertain meaning by compromising between contrast and synthesis among the past and the future, the males and the females, simple and ornament, or different styles. Third, Nicolas's experimental and outsider-oriented view of Deconstruction through reorienting of thought is considered a try for a new formative concept as a designer who is not limited by general rules.

• Journal of the Korea Furniture Society
• /
• v.16 no.2 s.30
• /
• pp.85-93
• /
• 2005

There are several way to classify the furniture. The furniture can be classified into use, style, and function, but if the furniture is classified into the way of production, it can be the industrial furniture and the studio furniture. Especially, technology and function of the furniture are important elements in industrial furniture. However, it could be considered artists' character and concept as more important elements in the studio furniture. The studio furniture had come out one of the historical movement in American furniture field after the World War II. This case to apply found objects began to increase after the 1970s. Using objects In furniture design field had built up sprightly after end of 1950s. This expression could be the statement of new expression that essential properties of matter in objects is removed. I try to suggest original and interesting furniture design to apply found objects in this thesis. Especially, I use the Korean traditional objects for the furniture and try to make their essential function to be changed. Also, I focus on furniture design to have formative element in their shapes.

• The Research Journal of the Costume Culture
• /
• v.12 no.1
• /
• pp.12-27
• /
• 2004

The Tuck, an important component of modem clothing design, was analyzed through various sources of literature comprised chiefly of domestic and imported fashion magazines from 2000 to 2003. The results were as follows: 1) The Tuck was organized in horizontal, perpendicular, oblique and radial directions. Application methods included repetition, gradation, radial arrangement, sequence and alternation of individual lines. 2) The Tuck was found in a variety of forms and uses. But due to structural characteristics, its function is more psychological and aesthetic than functional. The aesthetic properties of the Tuck included rhythm, optical illusion, abstraction, and material. The structural property of the Tuck occasionally substituted bust or waist darts. 3) The individuality and originality of the Tuck was used in unpredictable ways to give spatial ornamentality and emphasis on material. This enabled aesthetically unique designs to arise. To summarize, the Tuck, a component of clothing design as a formative art, was used in a variety of methods towards developing creative clothing design.

• Journal of The Geomorphological Association of Korea
• /
• v.23 no.1
• /
• pp.1-16
• /
• 2016

This study estimates relationships between physical and chemical weathering indices of various rock types and topographical relief. Physical weathering properties such as rock strength and joint and chemical weathering indices such as the $SiO_2/Al2O_3$, CIA and WPI were analyzed from 18 rock outcrops in mountain and valley areas consisting of 9 rock types. The results indicate that the elevation and relief of topography increase physical strength of rock increases. It can be suggested that the total r(rock-mass strength rating) and R(rock rebound strength by Schmidt Hammer) are most useful indices as a quantitative weathering property factor to explain formative causes of topographical relief. The results also suggest that rock types such as sandstone, granite, gneiss and schist are most suitable to explain meaningful difference in topographical relief with the physical and chemical weathering indices.

• Journal of Information Technology Applications and Management
• /
• v.29 no.2
• /
• pp.1-15
• /
• 2022

Image has more power in the 21st century than ever before. With the advance in technology and media, image is either made or received more easily and promptly using digital technology. Because of that, it has been hard for digital images to gain value as a work of art. But after NFT technology was developed and then applied to digital images, we have come to distinguish the original from the copy of it. People are trying various ways to allow digital images to be acknowledged as art, and changing the nature of digital images that makes new paradigms in the history of art. Through NFT artworks rising as a new style, this paper analyzed and investigated the new properties and changing characteristics of digital images in order to anticipate the characteristics of artworks that the public produces, enjoys, and consumes. This study is grounded on experimental analysis methods, and this author expects that it can contribute to figuring out which kinds of visual culture and artworks digital image is influencing currently from various perspectives.

• Journal of Digital Convergence
• /
• v.12 no.7
• /
• pp.371-378
• /
• 2014

We understand the real form with light and it make us to visualize the world. Hence, light have got a great influence on formative arts in many ways from ancient time to now. Invisible and substantial light is described by many representational tools in various way and project the illusion. Projected illusion caused the change in human and general social culture. For such a reason, the representation of light is most important issue without distinction of age, space and genre. Now we are faced with CGI light just same as real light. So we need to study about properties of CGI light representation.