• 한국의상디자인학회지
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• 제4권1호
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• pp.173-183
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• 2002

The orchid has a very elegant color and various forms in the nature or the ground for human life and the mother of life, The purpose of this study is to express some creative formative art by using the orchid as motive, and thereby, suggest the possibility of an artistic modern costume design by reviewing the texture of the materials. The results of this study can be summarized as follows; First, it was confirmed through this study that the orchid with diverse forms and colors can be used as design motive in almost infinitely diverse ways, and that all the artificial forms or structures contain the elements of natural beauty. Second, the luxurious and rich sense of orchid‘s color can be maximized by using the complementary contrast effect of the dyeing technique and the color gradation effect through harmony among similar colors. Third, a high value-added costume can be created to meet modern men’s aesthetic desire by using such embroidery techniques as crochet, weaving, dyeing, beads embroidery and art flower. Fourth, different effects of texture can be rendered by using different materials of various textures and characteristics. In addition, the possibility of creative expression for costume as formative art can be enhanced by expanding the expressions of the materials.

• 지식경영연구
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• 제22권2호
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• pp.269-288
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• 2021

빠르게 변화하는 기업환경에서 조직구성원의 성과 향상을 도모할 수 있는 반응행동에 영향을 미치는 요인으로 조직공정성과 직무태도와 냉소주의로 연구모형을 구성하여서 각 변수들 사이의 관계를 2단계(Two stage) PLS(Partial Least Squares) 구조방정식으로 분석하였다. 조직공정성은 분배공정성, 절차공정성, 상호작용공정성의 1차 요인(First order)에 대한 형성적(Formative) 2차요인(Second order)을 구성하고, 직무태도는 직무만족과 조직몰입의 형성적 2차요인으로 구성하여서, 이탈, 발언, 충성, 태만이라는 반응행동에 미치는 영향관계를 파악하였다. 조직의 공정성에 대한 인식이 직무태도와 냉소주의를 매개하여서 반응행동에 간접적인 영향을 미치는 것을 확인하였다. 지식경영의 관점에서 기업 내부의 공정성에 대한 인식이 조직원들의 성과향상을 통하여서 기업 전체적인 성과향상에 어떻게 영향을 미치는지 분석하였다.

• 동아시아경상학회지
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• 제10권1호
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• pp.83-94
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• 2022

Purpose - Vietnam's education system has undergone numerous changes. One of the significant reforms is the college admissions process which all high school seniors are obliged to go through the High School Graduation Examination (HSGE). Despite its significance, there is lack of research to examine the effects of high-stakes and nationally standardized exams on students' learning experiences. By applying the concept of washback, the purpose of this study is to provide a comprehensive qualitative analysis of students' perceptions and learning experiences when preparing for and taking the HSGE. Research design, data, and methodology - 20 high school seniors were participated in this study. This study utilized a stratified sampling methods and randomly selected participants. Result - This study revealed that the washback effect of the HSGE strongly existed in students' learning experiences. This study also found that there is a negative washback effect of the HSGE on students' learning, particularly for those living in rural areas although Vietnamese schools and communities shared unequal educational and socioeconomic resources. Conclusion - The results of this study would be useful for policymakers to provide better assessment system to enhance students' ability and reduce exam pressure. This study also makes suggestions in regard to bringing more formative types of assessment into the high-stakes and nationally standardized exam.

• 한국철도학회:학술대회논문집
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• 한국철도학회 2004년도 추계학술대회 논문집
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• pp.1737-1744
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• 2004

Isotype should be carried out together with the function of explaining procedures, processes, usages, etc. accurately. Because it is a semitic semantic-information-intensive object as an representative example of non-verbal communication, it must meet formative conditions for conveying the various meanings of symbolic contents retained in it suggestively. In this way isotype is a common language with visuality, attention and universality, expressing definite contents in specific images. That is, it is necessary to establish a visual perceptive standard, design guidelines and required conditions and to implement systematically by stipulating rules for management. Thus isotype used in FRT, which is designed for easy perception of concepts, procedures, methods, structures, etc., can contain all factors used in the expression of information.

• 한국철도학회:학술대회논문집
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• 한국철도학회 2011년도 춘계학술대회 논문집
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• pp.1059-1068
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• 2011

본 논문은 TTX 차량 사인시스템의 시각적, 정보적 니즈를 체계화 시켜 표준화 모델을 위한 표본을 구축하는데 연구의 목적을 두고 있다. 이는 철도차량 디자인 가치 창출과 서비스 확보를 위한 필요충분조건을 구현하기 위함이며 실용화를 위한 이용자 중심의 모델로 전이 시키는 의미를 지닌다. 픽토리얼 사인의 정보전달은 시지각을 통해서 얻어지는 의사전달 과정이며 수단이므로 그 이미지에 함축되어 있는 조형성을 파악하는 것은 곧 그 메시지를 체득하는 것과 같으므로 TTX 사인시스템이 지닌 상징적 표현을 보편적인 기호와 구조로서의 인지작용과 가치 규범으로 진단하였다. 사인은 비구술적 의사소통의 대표적 사례로서 의미론적 정보의 집약적인 대상이 되므로 이것은 상징성과 표준성에 준거하고 함축적인 디자인으로 전달하기 위한 시지각적인 제 조건을 갖추어야 한다. 따라서 픽토그램과 ISOTYPE의 조형적 표상은 정보적 커뮤니케이션 효과를 지닌 개념요소와 상관요소가 지닌 특성들이 주제에 부합된 개념으로 구성되어야 한다. 픽토리얼 사인의 가독성 증대에 필요한 시지각적인 요구조건을 요약하면 다음과 같다. 사인의 주제, 내용, 표현요소, 사용 목적, 범위, 이용방법과 유의사항 등은 구체적인 규정을 두어 체계적으로 관리하여 기대 효과를 증대 시켜야한다. 기본적인 서체, 로고, 색채 관리 등의 디자인 구성요소, 레이아웃과 적용 모듈에 대한 기준과 조건이 합목적적으로 설정되어야 하며, 문자와 도형의 선택과 배열을 위한 정체성이 미학적 구성으로 구현되어야 한다.

• 한국콘텐츠학회:학술대회논문집
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• 한국콘텐츠학회 2006년도 춘계 종합학술대회 논문집
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• pp.279-284
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• 2006

미디어의 발달로 표현의 영역이 넓어진 영화 예술분야도 급속도로 성장해 왔다. 최근 한국 영화에서도 특수 효과(SFX)의 하나인 컴퓨터 그래픽스(CG)를 이용한 디지털 영화에 관심과 인력이 형성되고 있다. 본 논문에서는 형태가 갖는 게슈탈트 이론에 근거하여 한국 영화에서 3D 애니메이션이 삽입되어 2005년 최고의 흥행을 이루었던 <웰컴투 동막골>을 중심으로 그 조형성을 고찰하였다. 그 결과, 3D 애니메이션을 영화에 삽입함으로써 제작자의 의도에 따라 실사에서 느낄 수 없는 환영성이나 가상적인 세계를 이끌어 갈 수도 있으며 이는 촬영상의 공간의 제약을 받지 않는 자유로운 공간성이 적용되었음을 확인하였다. 또한, 지각의 대상에 전체성을 부여하며 완결을 필요로 하는 게슈탈트 이론에 의해 부분적인 애니메이션의 설정일지라도 영화의 의미를 파악하고 이해할 수 있는 역할을 할 수 있다는 것을 알 수 있었다.

• 한국조경학회지
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• 제33권5호통권112호
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• pp.1-14
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• 2005

This study describes the recognition and the application of materials corresponding to the formative language of landscape design as the formative process of creating connote forms and meanings in a space. The purpose of this study is to propose the significance of materiality not only for conveying the meaning of landscape but also for providing expanded experience through synesthetic perception. The study consists of two parts: (1) The concept of materiality in landscape architecture is studied in three categories, which are divided in chronological order when the recognition of materials was changed. (2) Based on this exploration of the concept of materiality and the ways of expressing it that have developed from landscape arts to landscape architecture, the significance of materiality as the medium of contemporary landscape design is proposed. Breaking from previous technical and engineering approaches to materials and from a vision-centered recognition of materials, this study focuses on aesthetic and semantic aspects of materiality and is based on multidimensional recognition though synesthesia. Materiality has significance not only as the dynamic medium that carries the meaning of landscape by providing connections with the surrounding environmental context, but also as the engagement medium that expands observers' experiences with the environment through synesthesia. The study of materiality as the medium of landscape design would contribute to expanding the scope of the language of landscape design and to expressing the meaning of landscape through materiality being revealed on the basis of converted recognition of materials.

• 혜화의학회지
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• 제20권1호
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• pp.25-37
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• 2011

It fuses into culture of the East and the West in use of color ; colors of five direction, which had been from the Five Phase Theory in East Asia. Formative ability of color fields in a formative early Oriental Medicine history as well. Color is a very important factor and a necessary step of visible diagnosis. As a human's body is maintained and alive under the control of spirit and spirit is stored by five viscera, so spirit expresses the change of five viscera and is reflected by color. Visible diagnosis consists of spirit, appearance, Qi and color and movement. The purpose of each visible diagnosis is that we would know states of essence, Qi and spirit in patient's body. To ancient Asia people 'to see' was a kind of insight to the object as a whole. Similarily the activity of seeing the human body was the integral part of making diagnosis of a patient. This was the cause that there was suggested the discussion of the Five color theory in Oriental Medicine as a counterpart to that of the 'Goethe for Zur Farbenlehrer'. The inspection of Oriental Medicine was not a simple gazing of the eye as a sense organ, but the total insight to the internal state of the patient. For that reason, the eye－perception in early Chinese medicine was the reading the signs of the internal body which had have not the visual form but the flux of the internal life.

• 복식
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• 제38권
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• pp.51-72
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• 1998

Futurists objected the existent style, that is the conventional fashion, and took part in these disciplines of fashion to make clothes the instruments being able to represent the individuality. Giacomo Balla and fortunato Depero, pain-ters who in 1915 were to work with Diaghilev's company, were the first to see clothing as a dynamic interfaced between th body and the atmosphere, between physical gestures and the urban context, which could be translated into encounters between forms and colours, volumes and architecture. For them, clothing began to exist as an object and an event, something to be removed from a mainly static conception and made mobile, active. The interaction between movement and clothing was based on the relativity of perception : the appearance and disappearance of the body produced points without dimension or duration which served, as Balla wrote in the Futurist Mnaifesto of Men's Clothing to“renew incessantly the enjoyment and impetuous movement of the body”. The historical achievement in the effort for the reformation of Futurist, Art to Wear. First, for Futurist, clothing is removed from a static conception and focused on dynamics. Second, Balla used asymmetry in men's clothing. Moreover he supposed dynamic men's clothes by using optical intersection. Third, the after image of Chronophotograph represented rapidity. This rhythmic expression is the fore-runner in Optical and Kinetic Art of Visual Art. Fourth, Futurist emphasized flexibility in fashion. They aimed to create‘Clothing Machines’whose parts would interact to aceelerate the real and virtual, inner and outer movement of the human being. Fifth, the variety and short life of cutting skills and colors are focused and‘Fast Substance’in fashion is admitted by Futurists. Futurist concern with clothing was not lim-ited its appearance in terms of cut and colour. What important was also the way it appeared and disappeared according to fashion. It was a“fast substance”, able to reflect rapid, sudden changes of social and aesthetic taste. To reach to the aim of internationalization, Gesamtkunstwerk in our Art to Wear, it is extremely meaningful to examine art fashion which is created under the conception of Gesamtkunstwerk production of avang garde artist in the early 20th century and look at formative conscious of truth, goodess and beauty synthetically which they faced on their works of art.

• 복식
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• 제66권7호
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• pp.69-88
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• 2016

The purpose of this study is to delve into the identity of the New-Hanbok style in modern fashion, and to survey its formative characteristics and internal values from the perspective of vernacular design. Arguments can be summed up as follows. The study historically examines the changes in Hanbok and concludes that the social and cultural backgrounds and factors that caused the advent of the New Hanbok are (1) the change and expansion of the basic social, cultural, and popular perception toward the Korean image, (2) the rapid spread of a subculture centering on the younger generation, and (3) the voluntary and systematic activities of nonprofit clubs, communities and private organizations. This is the cycle of the spread of Hanbok, which shows the subcultural selection and development process of upward propagation. Furthermore, the public, in addition to holding fast to an independent attitude regarding their choices, also show that they tolerate diversity. As a perspective of analyzing the New Hanbok style, the study suggests the characteristics of the vernacular design perspective as (1) a spontaneous indigenous nature (2) living everydayness (3) and the subcultural-ness of the era. From such a perspective, the study examines the formative characteristics of the basic costume configuration of the New Hanbok style including jeogori, traditional Korean skirts, Cheollik one-pieces, and Trompe l'oeil one-pieces, and draws out the meanings contained in the New Hanbok style, which are (1) spontaneous indigenous nature and directivity toward tradition, (2) living everydayness and modernity, and (3) open subcultural-ness.