• 한국멀티미디어학회논문지
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• 제20권4호
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• pp.704-712
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• 2017

Various researches on content sensibility with the development of digital contents are under way. Emotional research on fonts is also underway in various fields. There is a requirement to use the content expressions in the same way as the content, and to use the font emotion and the textual sensibility of the text in harmony. But it is impossible to select a proper font emotion in Korea because each of more than 6,000 fonts has a certain emotion. In this paper, we analysed emotional classification attributes and constructed the Hangul font recommendation system. Also we verified the credibility and validity of the attributes themselves in order to apply to Korea Hangul fonts. After then, we tested whether general users can find a proper font in a commercial font set through this emotional recommendation system. As a result, when users want to express their emotions in sentences more visually, they can get a recommendation of a Hangul font having a desired emotion by utilizing font-based emotion attribute values collected through the crowdsourced method.

• 한국멀티미디어학회논문지
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• 제25권8호
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• pp.999-1006
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• 2022

The use of appropriate fonts is not only an aesthetic point of view, but also a factor influencing the reinforcement of meaning. However, it is a difficult process and wastes a lot of time for general users to choose a font that suits their needs and emotions. Therefore, in this study, keywords and fonts to be used in the experiment were selected for emotion-based font recommendation, and keyword values for each font were calculated through an experiment to check the correlation between keywords and fonts. Using the experimental results, a prototype of a keyword-based font recommendation system was designed and the possibility of the system was tested. As a result of the usability evaluation of the font recommendation system prototype, it received a positive evaluation compared to the existing font search system, but the number of fonts was limited and users had difficulties in the process of associating keywords suitable for their desired situation. Therefore, we plan to expand the number of fonts and conduct follow-up research to automatically recommend fonts suitable for the user's situation without selecting keywords.

• 한국감성과학회:학술대회논문집
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• 한국감성과학회 2008년도 추계학술대회
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• pp.46-49
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• 2008

This study aims to suggest basic materials to develop an emotional font for future Hangeul font development plan by investigating emotional reaction displayed through the subjects and by quantifying its contribution of the stimulation elements causing such reaction. For this, a survey of 150 university students who are currently enrolled in the College of Design was conducted in order to analyze correlation between 30 emotional words extracted from the Hangeul font and the selected 36 sample fonts. The combined data was described with the two dimensional dispersion using the quantification theory type III. The analysis found out that the Hangeul font forms the x-axis showing "soft(dynamic).hard(static)" and the y-axis showing "modern(light).classic(heavy)”. Specifically, there exist emotional groups such as "archaic","masculine","feminine","negative", and "modern static"on each axis. In addition, to extract the casual relationship between the value of emotional reaction and its stimulation elements quantitatively, the author indicated the emotional words of each axis and the total value of equivalent five emotional word groups as the standard variance and the constituent of Hangeul font as the independent variable, and then the quantification theory type I was used to analyze the physical elements of the Hangeul font. As a result, "the centerline of gravity(base line)" and "thickness variance of a stroke" on the two axes, and "the centerline of gravity(base line)" and "decoration" among the five groups were identified as the most influential elements that affect the emotional reaction of the subjects.

• 한국감성과학회:학술대회논문집
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• 한국감성과학회 2000년도 춘계 학술대회 및 국제 감성공학 심포지움 논문집 Proceeding of the 2000 Spring Conference of KOSES and International Sensibility Ergonomics Symposium
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• pp.380-384
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• 2000

Effectiveness of information conveyance in reading is affected by several factors such as line length, letter size, line spacing arrangement as well as typeface itself. This study examined relative importance of these factors by asking people to read the texts that was constituted with non-square form letter and rank the preference of texts through conjoint analysis. In the case of reading time, justification was the most important factor, followed by leading, line spacing, letter width, line length, font size, font type in their order of importance. And in the case of preference decision, letter width was the most important factor, followed by font size, justification, line spacing, leading, line length, font type. The result will be useful in understanding how to consider human preference in the hangul typography.

• 감성과학
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• 제8권4호
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• pp.321-332
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• 2005

본 연구에서는 휴대용 정보 단말기(Personal Digital Assistant : PDA)의 정보 표시부에 표시되는 문자정보를 읽을 때, 문자의 크기가 사용자의 인지적 스트레스에 미치는 영향을 조사하였다. 평가는 주관적 평가법(주관평가)과 생리적 평가법(뇌파측정)을 행하여 결과를 도출하였으며, 분석 및 고찰은 문자정보를 읽을 때 나타나는 사용자의 인지적 스트레스와 문자크기와의 관계성에 주목하였다. 분석의 결과, 다음과 같은 2개의 결론이 얻어졌다. 1) 표시한 문자크기(8point, 10point, 12point, 14point, 16point) 중에서 상대적으로 읽기 쉽고, 인지적 스트레스가 적다고 생각되어지는 문자크기는 14point이며, 상대적으로 읽기 어렵고, 인지적 스트레스가 많다고 생각되어지는 문자크기는 7point로 나타났다 2) 문자정보의 인지에 대한 대뇌피질의 반응은, 뇌의 후두엽과 두정엽의 후두시각연합영역을 활성화시켰다. 또, 문자정보에 대한 시각성 인지는 문자크기가 14point보다 작은 경우에, 대뇌피질의 활성수준을 향상시키는 것으로 나타나, 휴대용 정보기기에 있어서 문자크기가 14point보다 작으면 작을수록 인지적 스트레스에 영향을 미치고 있는 것으로 생각되어진다.

• 감성과학
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• 제14권4호
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• pp.637-644
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• 2011

본 연구는 디자인 요소로 한글을 사용하려 할 때 다양한 한글글꼴에 대한 감성과 선호도에 대한 객관적 정보 제공하여 한글글꼴 사용에 있어서의 방향 제시를 돕고자 하는 목표를 가지고 있다. 연구의 세부 목표는 첫째, 한글글꼴의 조형 요소를 좀 더 객관적으로 분석하기 위해서 한글을 전혀 모르는 중국인을 대상으로 한글글꼴에 대한 감성 차이가 한국인하고 어느 정도 차이가 있는지 분석하였다. 둘째, 글꼴에 대하여 한국인과 중국인들의 선호 비선호를 비교 분석 하였다. 첫 번째 목표를 밝히기 위해 요인 분석을 실시한 결과, 한국인과 중국인이 모두 2가지 대표요인으로 [친숙성], [soft]가 추출되었으며 양국 모두 제 1요인과 제2요인의 소속요인 모두가 순위의 차이는 있었지만 대다수가 공통적으로 가지고 있어 한국인과 중국인들이 한글글꼴에 대하여 서로 비슷한 감성을 가지고 있음을 알 수 있다. 두 번째 한글글꼴 선호도 분석을 실시한 결과, 한국인 및 중국인의 선호도를 결정하는 가장 큰 요인은 친숙성이라고 볼 수 있고, 한글을 전혀 모르는 중국인들 또한 중국문화에 애용하여 왔던 붓글씨적인 서체를 선호하는 경향이 있었다.