• 디자인학연구
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• 제3권1호
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• pp.34-70
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• 1990

Recently the tourism industry has achieved rapid growth and thus stands out as a means for the improvement of international payments and the acquirement of foreign currency. In particular, the hotel and major tourist travel industries have been developed for the inducement of foreign tourists. However, the manu-facturing and sales indust\ulcornerries of tourism folklore haven't developed. The reason is that the endeavor to attract tourists has been more emphasized than the development of tourism folklore which includes chief shopping items and indust-rialization. Tourism folklore plays a great role not only as material evidence of a tourist's visit to a country or region but also as a gift and a souvenir. Also it represents the image and the degree of the industrial development of the nation, so it should be congruent with the nature and the images of the region. Nevertheless, our tourism folklore has been merely mass produced by specific companies that do not represent the region's image and nature in their products. Tourism folklore development can raise the image of Choongnam and serve as a catalyst to induce tourists. Also, it can be an avenue for com$$\mu$ity publicity and industrialization. Thus, this study has examined and analyzed original products made with textiles and metal materials whether can be developed into tourism folklore. Also this study presents the example of developed tourism folklore works in a foreign country. It tries to give the unique symbolic image of Choongnam by developing the original products with Choongnam' s own materials. However, this study has shown that the actual conditions of tourism folklore development in Choongnam are seriously inferior to other industries. The producers are limited. Moreover, the product items are coarse. Many problems are being brought up which should be improved. Hereafter, to develop Choongnam's own tourism folklore, it should be carried out with financial and political support from the government, design development by industrial circles, professional design training and marketing research by the sellers.

• 한국농촌건축학회논문집
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• 제16권1호
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• pp.9-16
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• 2014

It is very hard to find out water mill and water mill house installed nearby a streamlet to use water to polish cereals by pounding like a visage of its old days. It plays an important part in folkloric, hydrographical and architectural aspects as important folklore material in Korea. The purpose of this study is to analyse the folkloric, hydrographical and architectural features of water-mill and water-mill house itself so that to find the way how to build and fabricate the materials and frame members. Therefore this study has been focused on the composition principle and fabrication method of water mill and water millhouse on the side of architecture.

• 한국지형학회지
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• 제26권3호
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• pp.43-52
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• 2019

Place names or toponyms including Gosan, Busan and Buraesan can be very important and interesting storytelling subjects in terms of geomorphology and folklore studies also. Several studies done by folklorists, those sixty five mountain-moving stories with similar names can be grouped into several categories through formation processes and origin, transport media and imposition of tax. Geomorphological studies can focus on transport media. They can be classified into six different categories; 1) flood from upstream through river, 2) voluntary walk of mountains, 3) by wind, 4) upwelling from underground, 5) involvement of mythical beings such as Mago Granny or Dokkaebi (kind of goblin), or 6) migration by ocean current.

• 한국의류산업학회지
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• 제15권3호
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• pp.347-357
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• 2013

The nursery active-wear uniform designs of Internet shopping malls are simple and similar; however, the latest children's wear trends (mostly composed of training jumpers and pants) do not reflect these qualities. Children's folklore plays (widely used in child education) have an instructive value for the emotional and intellectual development of a child. Nursery active-wear uniform designs applied to children's folklore's plays could be positive for the emotional development and specialized cultural education of children. We designed three nursery active-wear uniforms with three different design concepts (casual, semi-formal and sporty) regardless of sex. The main color of the three nursery active-wear uniforms was yellow. We used three different chroma and values of yellow through three design concepts: Design I of a nursery active-wear uniform (a training suit style with a good activity), Design II of a nursery active-wear uniform (a semi suit style), and Design III of a nursery active-wear uniform (a sportswear style that reflected a sport wear trend). We expressed children's folklore plays in the pattern of a nursery active-wear uniform. The pattern was characterized as a pair of bears flying kites. This pattern was utilized in three nursery active-wear uniforms with the logo and name of the nursery. We modified the designs of active-wear nursery uniforms based on an evaluation of 33 special panels. We made three nursery active-wear uniforms for five-year olds.

• 고문화
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• 33호
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• pp.35-51
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• 1988

This ethnographic study is aimed at clarifying the religious aspects and socio-cultural meaning which appeared in the beliefs and symbols of the Dangsanje rites. Paekam village is located in Chilbomyon of Cheongeup county in North Cheolla province. Villag

• 복식
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• 제51권5호
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• pp.17-28
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• 2001

The purposes of this study were to arrange and analyze the Oriental Mode in 20th century fashion and to clarify that Oriental dress and its ornaments appearing as the main subject of Occident fashion gradually The results were as follows : First, Oriental Mode in 1900-1950s was prescribed as the 'Orientalism' to be expressed Occidental imperialistic viewpoint. Therefore, the Orient was used as the simple recording mark of the imperialism product or commercial motive and it was reflected in fashion. Second, it was explained in 1960-1970s as the 'Folklore Orientalism' that focus was moved into the folklore costume of Orient. Third, in 1980s, 'Ethnic' was conspicuous that reflected the traditional costume in the area of non-christianity. Especially, it was the decade that the Middle East attracted attention. Fourth, Oriental Mode in 1990s appeared as the 'Fusion' that Oriental and Occidental elements were mixed and compromised on equal terms. Fifth, it was expressed as a word 'Zen' that had natural fiber, moderate color and silhouette to be most basic and concise about human body at the end of 1990s. This study could confirm that the center of fashion was being converted into the Orient gradually. This may be understood as the pluralistic culture phenomenon. Namely, eclectic principle to recognize mutual style and individualistic nature and to utilize and mix was made, and this brought the conversion into Oriental sense of value.

• 복식문화학회:학술대회논문집
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• 복식문화학회 1996년도 한중 학술교류세미나
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• pp.1-3
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• 1996

• 한국콘텐츠학회논문지
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• 제10권9호
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• pp.220-231
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• 2010

이 연구는 '장자못 전설'의 활용 양상을 살펴보고 콘텐츠 개발을 시도해 봄으로써 민속의 현대적 계승에 대해 논의한 것이다. 오랜 세월 동안 민간에서 전승된 민속인 설화는 익명의 다중에 의해 향유된 이야기 콘텐츠이다. 특정 연못, 바위의 유래를 알려주는 '장자못 전설'의 원천서사와 문화요소들은 문화콘텐츠로 개발될 수 있다. '장자못 전설'은 영상콘텐츠로 개발되거나 지역에 따라 축제나 동제의 기원으로 활용되고 있다. 전설과 관련된 축제나 대회가 활성화되려면 민속 관광 분야에서 원천서사와 관련된 다양한 문화콘텐츠가 개발되어야 할 것이다. '장자못 전설' 원천서사 보존은 전설에 대한 대중들의 접근 가능성을 높일 수 있다. 전설에 내재한 각종 문화요소들은 일관되고 효과적인 콘텐츠로 개발되고 활용될 수 있다. 이와 같은 콘텐츠 개발을 통해 설화 등 민속은 현대에도 보편성을 획득하여 계승될 수 있다.

• 패션비즈니스
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• 제5권3호
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• pp.95-109
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• 2001

The purpose of this study was for analyzing the fashion design imaged by Kimono in the 1990s. Through the work, what is the way to create the non-western fashion design can be found. For this purpose, I took my design data from fashion magazines in the 1990s, and referred to the literal materials about history of western costume and Kimono. The result were as follows ; Kimono in Japanese denotes thing to wear. Ki is derived from the verb kiru, to wear, and mono, thing. However, in the western world the term came to mean the T-shaped outer garment formerly known in Japan as the kosode. It is consists of sleeve(sode), wide sash(obi), hemline(suso), collar(eri), and material. There were many complex reasons for its diversity in the west, and for its evolution during the past one hundred years from the peignoir including exoticism, eroticism, women's liberation to the high fashion imaged by folklore and avant-garde. Therefore the fashion design imaged by Kimono was divided into feminine style, natural & folklore style, modern & avant-garde style.

• 디지털융복합연구
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• 제17권9호
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• pp.343-347
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• 2019

본 연구는 민간에서 생산된 청화자기에 그려진 청화회화의 주제 및 기법 속에 민속성과 예술성이 어떻게 융합되었는가 하는 것을 다루고자 한다. 이에 경덕진을 중심으로 한 청화자기의 등장의 역사적 배경을 살펴보고 민간청화자기에서 드러나는 민속성과 예술성에 대해 살펴본다. 관요에서 시작한 청화자기는 명 청 시기를 거쳐 민간으로 확대된다. 민간청화회화는 그 소비자가 민중인 만큼 민속적인 소재들을 화제로 사용하였고, 개인의 감성을 투영한 자유분방한 선들이 도자기 위에 그려졌다. 그러므로 관요와는 다른 미감을 이루었다. 따라서 이와 같은 민간청화회화의 발전은 우리의 물질세계를 풍부하게 하였을 뿐 아니라, 중국 전통문화의 특수한 정신세계를 이루도록 하였다. 주제의 민속성과 예술성이 완미하게 결합함으로서 도자회화 발전과 민족문화 발전에 매우 중요한 작용을 하게 되었다.