• The Research Journal of the Costume Culture
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• v.30 no.5
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• pp.689-702
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• 2022

Global fashion houses have recently incorporated traditional Korean motifs within their inspiration. This trend is an opportunity to showcase the colors of traditional Korean culture by investing in the new design content. Products specifically based on traditional Korean culture are lacking in brand awareness despite the success of Korean content. Accordingly, this study designs cultural products based on Korean folk painting that captures Korean people's satirical sense of humor. Korean folk painting theories are analyzed, from which different types of folk paintings are classified based on research of bibliographies and online documents. Following classification, the results are dataized as different types of folk paintings and their meanings. Furthermore, images of folk paintings are categorized and scanned digitally. The digitized images of the folk paintings are processed through Adobe Photoshop CS for overall layout and Adobe Illustrator CS for detailed designs. Traditional categories of Korean folk paintings are used, including flowers and birds, letters, and study stationery. Using the main elements of the flower and birds category, designs with cultural products such as images of flowers, birds, animals, and fish are produced. The final designs are used to create fashion items that can easily be used for embellishment or self-presentation: a scarf and a necktie. The scarf and the necktie are not only merchandise; they also symbolize the story, humor, and hope that Korean folk paintings once symbolized.

• Journal of the Korean housing association
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• v.14 no.1
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• pp.67-76
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• 2003

This study is to analyze the system of the architectural order on Seomi 2-dong village in An-Dong. The scope of this study concentrated on the 12 traditional houses situated on this area. The focus of this study is mainly to investigate the transition of this village, the arragement of houses related in geographical features of it, and the characteristics of the site and ground plans on these houses. As results of it, there are mostly Yeo-Kan houses(six spans sized) on Seomi 2-dong village in An-Dong and every house on this domain is in harmony with the systematic order of it.

• Journal of the Korean Institute of Rural Architecture
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• v.14 no.1
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• pp.99-106
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• 2012

Transformation which is the major damage factor of living space in folk village is caused by improvement behaviors reflecting real requirements of residents who are the subjects of life. Such a process changes traditional space structure gradually and lowers preservative value of folk village. Therefore this study examines transformational conditions of living space centering around changes of spatial components and plane forms through literature and field research and analyzes characteristics of transformational phenomenon. This study examined changes of components and transformation of Seongeup folk village. While main room plane was diversified by residents' requirements, it was not harmonized with traditional image of Seongeup folk village. Transformation of living space at Seongeup Folk Village was positive from the side of residents' living requirements, but negative in that it damaged unique identity of folk village. Accordingly, it is thought that deliberation considering residents' living requirements as the field of their life with maintenance of original form for the purpose of preserving folk village and professionals' support and legal study for revision of approval system are continuously required.

• Proceedings of the Korea Contents Association Conference
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• 2016.05a
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• pp.259-260
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• 2016

Our research group, which was organized by the South Korean and Japanese researchers, have carried out research about natural disaster in our regional heritage villages derived from the concept of ICT(information communication technology)-based DPD(disaster prevention design). In this research, we performed simulation analysis on the fire safety diagnosis in Asan-Oeam folk and JeonjuHanok village for developing our research of ICT-based PBD. In order to do this, we used fire simulation program which was developed by BRI(Building Research Institute) of Japan. Based on the results of fire simulation of Asan-Oeam folk and JeonjuHanokvillage, we can demonstrated that the fire which broken out inregional heritage folk village will be easily expanded to adjacent houses, because the house which are built with wood structure.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.34 no.3
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• pp.18-27
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• 2016

A 'flowered-wall,' which are also called a 'flower plant patterned wall,' or a 'flower patterned wall,' is a wall of a building or a fence with various patterns on it. A flowered-wall can be an external mean to look into the owner's authority and values while internally it possesses the symbolic meaning of wishing the well-being and peace of the household. In the research area of the flowered-wall, the walls located in the palace were well researched in various studies across architecture, horticulture, and art design, however, the walls belonging to the local regional traditional folk houses and temples have been involved in little to no research in the landscape architectural area. Taking notice of this perspective this study researched and analyzed the cases of the flowered-walls of the traditional folk houses and the temples that belonged to the national and municipal cultural properties of Jeollabuk-do Province from the landscape architectural perspective. The whole samples were examined and it was shown that there were 9 traditional folk houses with flowered-walls. Among the temples there were 7 cases. Therefore the research focusing on tracing the shape and symbolic meaning of the flowered-walls in the 16 cultural properties located in the Jeollabuk-do Province which consisted of traditional folk houses and temples resulted in the following. Flowered-walls displayed hierarchical differentiation revolving around the main space and its spacial characteristic. This differentiation is variously displayed across the flowered-wall, gable, crack plastering, and chimney. In the case of the folk houses the symbols have the meaning of the prosperity of the household and progeny, exorcism, longevity, number of fortune, harmony, and peace etc that prays for practical wishes such as long life and good health with the prosperity of their descendants. Meanwhile in the temples, symbols indicating an easy passage into eternity, perpetuation of the Buddha-nature, and three marks of existence are applied, differentiating from the folk houses by the appliance of the religious values in the patterns. In conclusion this research resulted in the rightful illumination on the local landscape culture, the possibility of expressing the Korean sentiment through flowered-walls in the contemporary space, the reassessment of flowered-walls, and the provision of basic data for a plan to success the cultural heritage.

• Journal of the Korean Institute of Rural Architecture
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• v.24 no.1
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• pp.1-8
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• 2022

Among Korea's national folk cultural heritage, eight villages have been designated, and 37 years have passed since Hahoe Village was first designated in 1984. All eight villages have been constantly inhabited by residents from the past to the present, so the cultural value of inferring the lives of our ancestors in the past is very high. However, due to the inconvenience of the settlement environment in existing houses due to changes in the living environment, buildings such as various residential facilities and warehouses have been installed and expanded without permission, losing the original cultural property landscape and building. In addition, complaints and conflicts from residents are accumulating due to the poor living environment in the village. Therefore, this study intends to present guidelines for conservation and maintenance that can embrace changes in resident's housing and living environment, based on the 'maintenance of original form', the grand principle of the Cultural Properties Protection Law about the Jeju Seongeup Village. In particular, the maintenance plan is largely subdivided into legalization, demolition, expansion and reconstruction, and detailed standards for each item and examples applied are proposed. Through this, it aims to become basic data on the starting point of realistic improvement measures for cultural properties and residents to coexist.

• Journal of the Korean housing association
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• v.14 no.3
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• pp.19-27
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• 2003

This study is aimed to analyze the spatial characteristics of folk house in 360 years historical village “Kolli”, Tongyeong city, and to provide basic materials for the study on the history of house in Korea. The survey was enforced at the July 21-22, 1998 firstly, and was enforced at the August 18-20, 2002 secondly. The major result are as follows; The most folk houses faced of north according to the factors of configuration of the ground and climates. The arrangement of house were laid out freely without definite types. The house form is hipped roof of slate and most ‘一’ shape of 3 bay structure.

• Journal of the Korean Institute of Rural Architecture
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• v.12 no.2
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• pp.1-12
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• 2010

The results of Change of Space Organization of Nagan Eupsung are as follows. There was no castle when Nagan folk village was built and it was merely small village arranged centering around road, but as it was emphasized as a point of strategic importance, castle wall was built and the government office and military facilities were established. In the late period of the Joseon Dynasty, as central power was weakened and its importance as a strategic point was declined, private houses outside the folk village were extended to the inside of castle. The whole structure of the village was not greatly changed through the modern society, but disappearance of village components and change of its basic structure like destruction of the castle were continued not to be restored to the former condition spontaneously. It was considered that it was caused by social demographic characteristics of the folk village which was deteriorated and environmental factors that it was changed into sightseeing place.

• Journal of the Korean Institute of Rural Architecture
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• v.15 no.3
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• pp.33-40
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• 2013

The rural traditional houses in Taebaek mountainous regions play important roles in figuring out values and social aspects of past time including housing life. But due to the introduction of convenient facilities in the current housing life style after industrialized society, many transformations have been taken place even to exist rural traditional folk houses such as installation of new equipment and furniture, the arrangement and function change of rooms, expansion of residential area and etc. So this study aims to secure basic data to prepare installation standard of the convenient facilities as examining convenience facility installation status of the cultural asset designated as rural traditional house, and to identify the meaning and usage of major room of rural traditional houses in order to prepare the proper balances between its original form preservation and residents' convenience living.

• Journal of the Korean housing association
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• v.24 no.1
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• pp.21-31
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• 2013

This study focuses on the regional characteristics observed in the composition and floor plan of folk houses in the Young-cheon region situated in the Southern East inland of Gyungsangbukdo. According to the typical characteristics of the Korean folk house, Young-cheon region is supposed to be classified as the Young-Nam region. Our study shows that the open inverse 'ㄱ' type composition is the most common among others, which consists the living room, UtChae and one BoosokChae that serves as a living room and a farm shop. The typical floor plan is called 'Young Nam type' 'H$\hat{o}$tjib' composed of four rooms. Young Nam type of house has a wall in front of the room floor with a door to make the space with the room floor as the internal space. This can be explained by the climatic conditions in the Southern region of Gyungsangbukdo, which has a very cold winter and has a harsh spring wind in Young-cheon. The structural feature to which we should pay attention is the Young Nam type house has a gambrel roof. The evolutions of the house in the 70s are observed in the roof during the Saemaeul Movement from a hut to a modernized roof. In the 80s, the replacement of the heating system, expansion of rooms, modernization of kitchen, replacement of paper windows, modernization of roof, and construction of amenities had taken place to change the space, construction and structure following the modern house features.