• 정보관리학회지
• /
• 제37권2호
• /
• pp.225-249
• /
• 2020

본 연구는 소설 검색 환경을 개선하기 위해, 도서태그로부터 소설 이용자가 소설 탐색 상황에서 요구하는 다양한 패싯 요소를 식별하고 체계화하는 것을 목적으로 한다. 소설의 기본 패싯 체계를 랑가나단의 PMEST 기본 패싯에 기반하여, 1) 소설 자료를 형성하는 주체, 2) 소설을 구성하는 내용적, 외형적 성질, 3) 독자가 책과 상호작용하는 행위, 4) 소설 및 독서활동과 관련된 공간 정보, 5) 소설 및 독서활동과 관련된 시간 정보로 정의하고, 소설 7,174건에 부여된 약 31만 건의 태그 중 핵심 태그 3,730건을 선별하여 내용분석하였다. 그 결과, 소설 패싯의 상위범주 25개를 중심으로 다양한 속성을 체계화하였다. 본 연구의 결과는 향후 도서관 OPAC이나 소설 DB에 패싯 내비게이션 형태로 적용될 수 있을 것으로 기대된다.

• 정보관리학회지
• /
• 제35권1호
• /
• pp.61-82
• /
• 2018

소설은 학교도서관에서 학생들이 가장 많이 열람하고 대출하는 장서이다. KDC는 학생들이 원하는 다양한 소설을 찾는데 제한점을 가진다. 이에 본 연구는 도서관과 서점, 출판사 등에서 사용하고 있는 소설 분류의 다양한 사례와 중학생의 소설 이용 행태를 설문 조사하여 이용자 요구에 맞게 소설 분류 개선안을 제안하였다. KDC 기호에 더하여 소설의 장르별 색띠를 부착하여 이용자들이 손쉽게 원하는 소설을 찾을 수 있도록 하였으며 추가적인 사항은 중학생들의 소설 접근성과 발견성을 향상시키고 향후 도서관이나 서점, 출판사에서 사용하는 소설 분야 세분에 대한 참고자료로 활용될 수 있을 것이다.

• 영어영문학
• /
• 제58권1호
• /
• pp.3-19
• /
• 2012

This paper argues that the hard-boiled detective fiction is not a commercialized imitation of the classical detective novels but a revisionist detective fiction. Producing a radically different type of detectives from the traditional ones, the hard-boiled detective fiction provides a new, opposing paradigm of criminality, class, and masculinity to the classical detective fiction. Classical detective novels, through the heroic portrayal of high-class detectives capturing and punishing lower-class criminals, reassure class hierarchy. Hard-boiled detective novels, however, representing the ruling classes as the root of social oppression and political corruption, define the power elite as criminals. Whereas the classical detective fiction displays aristocratic masculinity, the hard-boiled detective fiction embodies working-class masculinity. The classical detective is generally represented as a genteel dilettante solving the mysteries of crimes, in his leisure time, through logical reasoning and scientific techniques. The hard-boiled detective, however, solves crimes by using violence and earns his living from catching criminals. The hard-boiled detective also maintains an absolute independence by keeping a distance from all forms of authority and connection. The representation of hard-boiled detective as a tough, rebellious, independent guy can be interpreted as a reaction to the advent of corporate capitalism and the rise of labor control in the 1920s.

• 영어영문학
• /
• 제59권4호
• /
• pp.511-526
• /
• 2013

Focusing on Anna Katharine Green's Amelia Butterworth series and Agatha Christie's Miss Marple mysteries, this paper aims to examine the contradictory representation of a detective in spinster detective fiction. The spinster detective fiction reveals distinct ways of representing a female detective from the earlier woman detective fiction. Unlike the earlier woman detective represented as submissive and desperate for survival, a spinster detective is a wealthy, intelligent, brave, and independent woman from an upper class family. Since a spinster detective's attributes honor such masculine qualities as independence, intelligence, courage, and capacity for leadership, the spinster detective fiction has a possibility to threaten the established patriarchal authority. The possibility of gender disruption in the spinster detective fiction is, however, contained by the spinster's marginal position in the patriarchal system. Since a spinster exists outside the normal expectation of a woman's life in patriarchal society, a spinster detective creates no conflict with the dominant gender ideology. Furthermore, a spinster detective is represented as a conservative elderly woman expressing reactionary views on social, political issues including women's problems. The spinster detective fiction reinforces the established gender norms rather than challenges and questions them.

• 정보관리연구
• /
• 제42권4호
• /
• pp.175-194
• /
• 2011

본 연구는 이용계수를 적용하여 국내 공공도서관의 소설장서를 평가하고 장서개발기능을 제고시키기 위한 다양한 방안을 제시하였다. 그 결과, 한국문학은 언어별 문학에서의 장서구성 및 이용대출 비중이 각각 62.6%와 54.3%로 가장 높았음에도 불구하고 이용계수(0.87)는 기준값(1.00)보다 낮았다. 또한 한국현대소설은 한국소설의 세목별 장서구성 및 이용대출에서의 비중이 각각 65.60%와 51.36%로 가장 높음에도 이용계수(0.78)는 기준값보다 낮았고 연도별 이용계수도 최근 연도에 근접할수록 감소하고 있다. 그 이유는 장서개발이 부실하기 때문이다. 그러므로 공공도서관은 장서개발정책 및 소설장서개발지침의 수립, 소설자료선정위원회의 구성, 소설자료개발 전담사서제 도입, 소설자료 선정도구의 개발과 활용, 소설장서의 주기적 평가와 같은 방안의 도입을 적극적으로 검토할 필요가 있다.

• 영어영문학
• /
• 제56권5호
• /
• pp.931-946
• /
• 2010

This paper examines the role of gender ideology in early British and American detective fiction focusing on the female detectives. Since a detective's attributes honor and idealize such traditionally masculine qualities as independence, intelligence, heroism, and bravery, the woman detective fiction has potentiality to operate against the established gender norms. The narratives about women in pursuit of justice and order through their criminal investigation can allow women to possess the masculine rationality and power. The subversive possibility inherent in the woman detective fiction is, however, contained by the representation of the female detectives and the negotiation through narratives. A female detective is represented either as unfeminine and thus unattractive and unlikeable or as desperate for survival. Her threatening potentiality is easily dismissed as that of an inadequate woman or a desperate one. The compromise in narratives is effected by the following three ways: first, a female detective is assigned to investigate crimes as an assistant to the male detectives; second, staying within the domestic sphere, she solves crimes by using her expert knowledge of the domestic service; and third, her detective narrative ends with the conventional marriage plot. Confining the female detectives within the conventional feminine roles and domains, the woman detective fiction supports and reestablishes the dominant gender ideology.

• 영어어문교육
• /
• 제12권2호
• /
• pp.41-59
• /
• 2006

As the late partner to science fiction, various experimental languages such as animal language, telepathic language, newly invented language, alien language often appear as "unexpected and frightened situations" in SF. Like generative semanticists, some SF writers daringly delve into the sacred mystery of semantics in language whereas others avoid the dream of a universal language by holding themselves to manageable data. Samuel Delany's description of the ideal telepathic universal language in Babel 17 shows us humans' dream to be like God by showing to us the new process of communication in the factual interplanetary environment. Similar to the mystery of alien language in SF, the baby's babbling reveals how language is both simple and complicated. Children's language shows us the changing process of a soul revealed by language use and it is no wonder that many languages of AIs in SF often borrow their source from children's language acquisition processes. In short, science fiction as the repository of tropes illuminates other literary language studies and other literary genres. Especially in terms of the futuristic study of linguistics, the relationship between science fiction and linguistics is much closer than we thought.

• International Journal of Knowledge Content Development & Technology
• /
• 제2권1호
• /
• pp.5-16
• /
• 2012

This study analyzes the availability of access features in children's non-fiction as compared to their prevalence in adult non-fiction because such features are an important part of the research process increasingly demanded of younger and younger students in schools. Access features studied include: table of contents, index, bibliography, endnotes/footnotes, glossary, and suggestions for further reading list. This study found that children's non-fiction books were less likely to include bibliographies or endnotes, but more likely to include glossaries or suggested reading lists. Tables of contents and indexes were the two most popular access features in each section. Results are divided by Dewey Decimal Classification classes.

• 한국콘텐츠학회논문지
• /
• 제21권1호
• /
• pp.129-138
• /
• 2021

본 연구는 사용자 중심 디자인 과정을 디자인 픽션 방법에 적용하여 사용자 친화적인 디자인픽션 방법론을 제안한 연구이다. 디자인 픽션은 미래에 대한 비평적 담론 위에 구상한 예측 시나리오를 디자인의 관점에서 물리적으로 구현하는 방법이다. 이러한 디자인 픽션은 HCI와 인터랙션 디자인 분야에서 미학적 혹은 실험적 접근으로써 많은 관심을 받고 있는 방법이지만 아직 학계에서 완전히 정립되지 않은 생소한 디자인 방법론이다. 특히, 사용자와의 접점을 모색하며 당면 문제를 해결하는 사용자 중심의 관점에서는 다루어지지 않고 있다. 현재의 문제를 기반으로 미래를 예측하며 디자인 관점에서 시나리오를 정립하는 선행디자인이 날로 중요해짐에 따라 본 연구는 그러한 선행디자인을 실험적으로 제시하는 디자인 픽션 방법이 사용자 중심의 관점에서 다루어지는 것이 필요하다고 보았다. 이에 따라, 본 연구에서는 사용자 중심 디자인 프로세스 중 사용자의 행동이나 인지에 직관적이고 직접적인 영향을 주고자 고안된 어포던스 개념을 기존 디자인 픽션의 과정에 접목하였다. 주제와 어포던스 개념을 구체적으로 디자인에 응용하고자 고안된 Design with Intent Toolkit을 시각디자인 전공 3학년 학생들에게 활용하였고, 이를 디자인 픽션의 과정으로 발전시켜 다양한 시각적 결과물을 완성하였다. 이러한 과정을 통해 본 연구는 기존의 비평적, 실험적 영역으로 국한되었던 디자인픽션 방법론외 대안으로 사용자 친화적인 디자인 픽션 방법론을 새롭게 제안하고자 한다.

• 인문언어
• /
• 제2권2호
• /
• pp.283-299
• /
• 2002

The Contemporary Korean fiction today to a certain context infringes on the outskirts of mainstream literary theories diversified to an extent that anything and everything that are printed are defined as literature. The two fictions that the study is based upon, probably, shows the effects of postmodernism in Korean fictional 'space' in that the representation of the said fictions veers clear from that with which one might associate in contemplating the traditional Korean fiction. The study, though it seems, based on a more of a societal perspective rather than traditional literary perspective is to be noted in reference with the postmodern theories that we identity with today. The paper takes look at the changes that can be noted in the fictions: Kyung ma jang ga nun gil by Ha Il-ji and Oak tap hang by Park Sang-woo. The main objective of the paper is that it tried to identify the cultural identity of Koreans through the descriptions found in the two works. While concluding as to why these two fictions can be categorized as belonging to the genre of postmodernism the research also tries to formulate what and how postrnodernism can be discerned in fictional genre and this especially in today's Contemporary Korean fiction.