• Physical Therapy Rehabilitation Science
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• 제11권2호
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• pp.172-180
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• 2022

Objective: The purpose of this study was to investigate the effects of squat exercises using elastic bands of ballet dancers on muscle activity, arabesque angle, and static balance of ballet dancers during arabesque posture. Design: A randomized controlled trial Methods: A total of 25young female ballet dancer svoluntarily participated in the study. The participants were randomized to the elastic resistance squat group(n₁=13) and body squat group(n₂=12). The squats exercise was applied to a total of 12 exercises per four weeks and consisted of 15 times per one set in one to two weeks, 4 sets in three to four weeks. All subjects were evaluated muscle activity, arabesque angle, and static balance during arabesque posture at before-after intervention. All participants were measured muscle activity, arabesque angle, and static balance during arabesque posture at before-after intervention. Results: Elastic resistance squat group and body groups showed a significant increase in the muscle activity, angle, and static balance ability during arabesque posture(p<0.05). In the comparison between the groups, the elastic resistance squat group showed a significant increase in muscle strength, angle, and static balance during arabesque posture (p<0.05). The results showed that the elastic resistance squat exercise was more increased than the body squat exercise in all variables (p<0.05). Conclusions: Therefore, when planning a training program for a ballet dancer, the elastic resistance squat movement can be applied as an exercise method to improve the muscular performance and balance ability of the ballet dancer.

• 한국콘텐츠학회논문지
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• 제21권5호
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• pp.855-867
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• 2021

본 연구는 무용학과에 재학 중인 여학생과 졸업한 여성무용수들을 연구대상으로 결혼과 출산의도 일과 가정갈등, 무용지속의도에서 그룹 간 차이와 상관관계를 파악하고자 하였다. 두 집단은 가지지향형 결혼관, 일과 가정 갈등, 출산의도에서 유의미한 차이를 보였고, 전체 집단에서는 여러 요인 간에 상관관계가 나타났으나 가족건강성만이 유일하게 무용지속의도에 영향을 끼쳤다. 이러한 연구결과에 근거하여 여성무용인들을 위한 육아지원 정책과 서비스 개발에 기초자료를 제공하였다.

• 대한안전경영과학회지
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• 제19권1호
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• pp.95-101
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• 2017

The purpose of this study was to investigate the biomechanical of K-Pop dance movement. The study was conducted on 15 male and 15 female subjects in 20-30 age groups. And they choose 150 K-Pop dance choreographies in the top 10 ranking of the main charts. We analyzed the RoM, joint moment and impulse force of the highlight movements. First, During the K-Pop dance motion, the usage of knee joints are more than the hip joints and the ankle joints, and female dancers has a larger range of motion than the male dancers. Second, male dancer uses more than female dancers when they compared the load of male dancers and female dancers. In particular, flexion and extension of the hip joints are mostly used in this study. Third, the impulse force of male dancers was greater than of female dancers, but it was statistically insignificant, this is equal to the impulse on walking. In conclusion, Female dancers use more range of motion than male dancers, but male dancer choreography requires greater torque, which can strain joints. Most choreographic exercises involve movements such as hip joint, knee joint, flexion of ankle joint, extension, rotation, and jumping.

• 트랜스-
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• 제5권
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• pp.83-111
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• 2018

본 연구는 유럽 현대무용의 여성 안무가인 안느 테레사 드 키어스매커(Anne Teresa De Keersmaeker)의 초창기 작품 <로사스 댄스 로사스 Rosas danst Rosas>, <에레나의 아리아 Elena's Aria>를 페미니즘 관점으로 분석하는 것을 목적으로 한다. 18세기부터 시작된 페미니즘(Feminism)운동은 여성에 대한 시각과 인식을 변화시켰고 이후 예술작품 속 여성은 나약한 이미지보단 강인하고 독립성을 띈 모습들이 많이 보였다. 이러한 시대적 흐름 속 페미니즘의 영향은 현재 여성예술가들의 활동이 두드러지게 변할 수 있는 의의를 제공하였다. 이에 사회 문화적 흐름에서의 페미니즘 시각으로 작품 속 여성 무용수의 이미지와 역할을 조명할 필요성을 느끼며 본 연구를 시작하였다. 안느 테레사 드 키어스매커의 작품에 나타나는 페미니즘을 분석한 결과는 다음과 같다. 두 작품에서 가장 두드러지게 나타나는 페미니즘은 급진주의 페미니즘, 포스트모던 페미니즘이었다. 이러한 결과는 <로사스 댄스 로사스>에서 여성무용수의 신체적 억압을 통해 자유의지의 해방적 요소로 급진주의 페미니즘으로 나타났으며 <에레나의 아리아>에서는 여성의 신체 억압이 자유의지의 해방으로 해석되어 급진주의 페미니즘으로 해석되었다. 이와 같이 안느 테레사의 작품을 페미니즘 관점으로 해석한 결과 1980년대 이후에 대두된 페미니즘 이론들과의 상관성 및 영향이 도출됨을 확인할 수 있었다. 이러한 결과를 통해 그녀의 안무철학과 방향성을 탐색 할 수 있는 또 다른 시각과 영역이 확장 될 수 있는 가능성을 제시하였으며, 국내에는 그녀를 다양한 시각으로 접근한 연구 및 분석 자료가 전무한 실정에서 새로운 관점 및 시각의 필요성을 재차 확인할 수 있었다. 본 연구자는 페미니즘의 시각으로 안느 테레사를 연구함으로서 현 시대 여성과 남성무용가들이 생산하는 다양한 이미지들이 바로 소멸하여 의미를 잃지 않고 상생하며 발전할 수 있는 계기가 되기를 바란다.

• 복식
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• 제53권6호
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• pp.1-10
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• 2003

The results from the consideration of this are as follows. A Study on the Dancer and Musician Costumes by the Murals in Tombs decorate with mural, which is of Liao Dynasty. The tombs belong to two families: eight of them located to the northeast of Xiabali Village belong to the Zhang Family. Another was located to the north of Xiabali Village belong to the Han Family. The bands of the "Sanyue" consist of five to twelve players wearing luxurious dresses(Jamhwasik hwagakBokdu, Danryung, Belt, Boots) and playing miscellaneous musical instruments: sometimes the female ones in the bands are disguised as male. Usually, each band is accompanied with one or a couple of dancers. which one wearing is luxurious dresses (Goge.1amhwasik. Yoo : Jaket : joegori, Sang: skirts: chima, and shoes).

• 한국운동역학회지
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• 제26권4호
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• pp.377-382
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• 2016

Objective: The purpose of this study was to provide data on gait characteristics of K-pop professional dancers. Method: Participants were divided into four groups: male dancers (n=10, age: $28.2{\pm}3.4years$, height: $175{\pm}6cm$, weight: $68.9{\pm}5.6kg$), female dancers (n=10, age: $26.7{\pm}3.1years$, height: $162{\pm}4cm$, weight: $52.1{\pm}3.7kg$), non-dancer males (n=10, age: $25.2{\pm}2.6years$, height: $171{\pm}6cm$, weight: $66.4{\pm}5.3kg$), or non-dancer females (n=10, age: $26.2{\pm}3.0years$, height: $161{\pm}5cm$, weight: $56.4{\pm}6.7kg$). Twelve infrared cameras (Qualisys, Oqus 500, Sweden, 150 Hz.) were used to capture three-dimensional motion data. Gait motion data of professional dancers and ordinary persons were obtained. Results: K-pop dancers' dynamic stability during the female toe off event and the male heel contact event was better compared with that of ordinary persons in the front-rear direction. In addition, the results showed a significant difference in the margin of stability (MoS). However, the medial-lateral direction of both female and male dancers during heel contact and the toe off event was more stable compared with ordinary person, who exhibited an increased MoS than did the dancers. Conclusion: This study aimed to investigate the gait characteristics of K-pop professional dancers in comparison with ordinary persons using gait parameters and MoS. The stability of K-pop professional dancers' dynamic gait in the front-rear direction was better than that in the medial-lateral direction. Therefore, further studies in which the dance movements of K-pop dancers are sub-divided and analyzed will be necessary to reduce related injury.

• 한국운동역학회지
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• 제26권4호
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• pp.427-432
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• 2016

Objective: The goal of this study was to systematically investigate the postural stability of dancers by providing unexpected perturbations. Method: Six female dancers and college students participated in this study. Unpredictable wait-pull balance perturbations in the anterior direction were provided to the participants during standing. Three different perturbation intensities (low, moderate, and high intensity) were used by increasing perturbation forces. Spatial and temporal stability of postural control were measured by using margin of stability (MoS) and time to contact (TtC), respectively. Results: Both MoS and TtC at moderate intensity were significantly greater in the dancer group than in the control group, but no significant differences were found at low and high intensities between the groups. Conclusion: The present study showed spatial and temporal stability of dynamic postural control in dancers. We found that the dancers were more spatially and temporally stable than the ordinary participants in response to unexpected external perturbation when the perturbation intensity was moderate at two extreme intensity levels (low and high).

• 복식
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• 제58권6호
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• pp.158-171
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• 2008

The purpose of the study was to examine how changes of women's sexual identity and gender role were expressed in designs of dance costumes by analyzing costumes used in creative dance works. Related articles, dance magazines, Internet information and dance costumes were used for the analysis of various performance cases to express persona and animus of a woman. The results of the study were as follows: 1. As a woman's role, persona, has recently changed into active propensity, dance directors have come to prefer bold and daring image of female dancer to strongly express animus, the masculine inclination of a woman. 2. Female dancers' costumes were frequently associated with daring body exposure such as body painting on half-naked body, to reflect the above and a number of female dancers dressed daringly in masculine style trom head to toe. Also, pants or hot pants instead of skirt were frequently used as dance costumes to symbolize animus. In addition, colors in dance costumes became vivid and bold in comparison to the simple and soft colors used in the past.

• 한국의류산업학회지
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• 제15권6호
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• pp.886-898
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• 2013

This study explores the types, shapes and changes of the court dance garments of mudong[child court dancer] and yeoryeong[female court dancer] for court dances such as Jangsaengboyeonjimu, Yeonbaekbokjimu, Jesuchang, and Choehwamu, and the arrangement of colors in their garments. The conclusion of the study is as follows: First, the type of garments of mudong varied according to the type of dance, role of mudong and passage of time. In all four jeongjae's, hongpo[red robe] and baekjilheukseonjungdaneui[white under garment trimmed in black] were commonly found. Second, the dress of yeoryeong in the Jangsaengboyeonjimu, Yeonbaekbokjimu, Jesuchang and Choehwamu was that of other yeoryeong, which was basically comprised of hwagwan[flower headdress], hwangchosam[yellow robe], hongchosang[red skirt] and sudae[embroidered belt]. Third, the color schemes of the court dance garments used in Jangsaengboyeonjimu, Yeonbaekbokjimu, Jesuchang and Choehwamu revealed that the color arrangement of sangsaeng [mutual generation] of the Ohaeng[Five Elements] scheme were favored in the garments of mudong and yeoryeong. The dress of mudong is characterized by sangsaeng between top and bottom, and between total and part, while the color scheme of the outer and inner was sanggeuk[mutual overcoming]. As for yeoryeong, the color arrangement was of sangsaeng in top and bottom, outer and inner, and total and part, but in the five-colored hansam[sleeve extension], both sangsaeng and sanggeuk were found.

• Journal of Nutrition and Health
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• 제31권4호
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• pp.767-776
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• 1998

The purpose of this study was to determine the percentage of body fat by three different methods and to investigate the relationship between food preference and intake and percentage of body fat in female high school dancers. Height, weight , girth circumference, and near infrared body fat(%) on were measured 112 subjects BMI body fat (%) , girth circumference body fat (%) , and anthropometric indices were also calculated . Dietary data was collected by questionnaire. All data was analyzed by frequency, percentage, mean and standard deviation, correlation, and crosstabulation; analysis, The results are summarized as follows ; 1) Average age of the subjects was 16.5 height was 161.0cm, weight was 50.7kg , near infra-red body fat was 27.0% BMI body fat was 21.9% , and girth circumference body fat 20.9%. 2) Near infra-red body fat (%), BMI body fat(%) , BMI , Rohrer index , and % ideal weight showed the most significant correlations with upper arm girth. The differences in the height among subject physiques classified by body fat(%) were non-significant, but the differences in height by BMI, Rohrer index, and % ideal weight were significant. 3) The preference values of fatty foods such as meat, milk, and fish were shown to increase with the percentage of body fat, The subjects who had higher percentage of body fat preferred foods cooked in oil. In contrast, the students with higher percentage of body fat were thought to have lower food intake and between meals frequencies. It was shown in this study that higher preference values for animal fatty foods and foods containing more cooking oil induced significant increases in body fat and weight.