• The Journal of the Acoustical Society of Korea
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• v.29 no.1E
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• pp.45-53
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• 2010

In this paper, we present the use of the Features Weighted Mahalanobis Distance (FWMD) in improving the performance of Likelihood Maximizing Beamforming (Limabeam) algorithm in speech recognition for microphone array. The proposed approach is based on the replacement of the traditional distance measure in a Gaussian classifier with adding weight for different features in the Mahalanobis distance according to their distances after the variance normalization. By using Features Weighted Mahalanobis Distance for Limabeam algorithm (FWMD-Limabeam), we obtained correct word recognition rate of 90.26% for calibrate Limabeam and 87.23% for unsupervised Limabeam, resulting in a higher rate of 3% and 6% respectively than those produced by the original Limabearn. By implementing a HM-Net speech recognition strategy alternatively, we could save memory and reduce computation complexity.

• The Journal of the Acoustical Society of Korea
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• v.26 no.2E
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• pp.39-43
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• 2007

Music summarization refers to a technique which automatically extracts the most important and representative segments in music content. In this paper, we propose and evaluate a technique which provides the repeated part in music content as music summary. For extracting a repeated segment in music content, the proposed algorithm uses the weighted sum of similarity measures based on multi-level vector quantization for fixed-length summary or optimal-length summary. For similarity measures, count-based similarity measure and distance-based similarity measure are proposed. The number of the same codeword and the Mahalanobis distance of features which have same codeword at the same position in segments are used for count-based and distance-based similarity measure, respectively. Fixed-length music summary is evaluated by measuring the overlapping ratio between hand-made repeated parts and automatically generated ones. Optimal-length music summary is evaluated by calculating how much automatically generated music summary includes repeated parts of the music content. From experiments we observed that optimal-length summary could capture the repeated parts in music content more effectively in terms of summary length than fixed-length summary.