• 제목/요약/키워드: Exhibition medium

검색결과 62건 처리시간 0.032초

제주국제컨벤션센터 컨퍼런스홀의 건축음향 설계 (Room Acoustic Design in International Convention Center Jeju)

  • 주현경;오양기;두세진;김하근
    • 한국소음진동공학회:학술대회논문집
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    • 한국소음진동공학회 2003년도 춘계학술대회논문집
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    • pp.802-807
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    • 2003
  • International Convention Center Jeju(ICCJ) was planed and built for accommodating a variety of conventional and exhibitional activities. For a better flexibility of operation, almost all rooms in ICCJ are designed to be subdivided Into a couple of small rooms with installation of movable partition walls. Architectural and acoustical design should be deliberatively and cooperatively undertaken to cope with such a complex condition. Conference hall, the largest room in ICCJ, has a capacity of 5000 seats who:1 used as a whole. It could be divided into 3 halls, one with 2000 pre-installed seats on slanted floor, up/down removable stage and its settings above, and the other 2 flat rooms with no seats installed. A devided hall with pre-installed seats and stage is designed for a multi-use auditorium. Almost all surfaces except ceilings adjacent to the stage are sound absorptively treated, in regard to extensive use of sound reinforcement systems. Its reverberation time 1.65 sec without audience, which is roughly correspond to 1.50 sec with fully occupied audience. When there is a need for a larger room, all the partition wail Is removed and the hall could be used as a whole. Exhibition hall is located in the first floor of ICCJ. Absorption and softness are needed for the hat 1 because exhibition behavior has something noisy features. Perforated MDF panels with porous materials and air space in the back groundare adopted for the walls. There are one large, two medium, and several small convention rooms in ICJJ. The room are also acoustically designed for maximum flexibility with no defects soundwisely.

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Synthesis of Galactooligosaccharides in the Cheese Whey-based Medium by a Lactase from Lactobacillus paracasei YSM0308

  • Song, Tae-Suk;Lee, Kyung-Sang;Kang, Seung-Bum;Yoo, Seong-Ho;Lee, Jong-Ik;Yoon, Sung-Sik
    • 한국축산식품학회지
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    • 제33권5호
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    • pp.565-571
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    • 2013
  • An enzyme ${\beta}$-galactosidase or ${\beta}$-galactohydrolase [EC3.2.1.23], commonly called lactase, mediates galacto-oligosaccharide (GOS) synthesis under conditions of high substrate concentrations. Also, lactase hydrolyzes ${\beta}$($1{\rightarrow}4$) lactose into glucose and galactose, the latter is successively transferred to free lactose to make various oligosaccharides via transgalactosylation. GOS is non-digestible to human digestive enzymes and has been used as a functional prebiotics. Among the 24 lactic acid bacteria (LAB) strains used, Lactobacillus paracasei YSM0308 was selected based on its exhibition of the highest ${\beta}$-galactoside hydrolysis activity, and the crude lactase was prepared for examination of reaction conditions to affect the GOS synthesis. Lactase activity was measured with a spectrophotometer using ONPG (o-nitropheyl ${\beta}$-D-galactopyranoside) method. Lactase activity was not detected in the culture supernatant and was mostly present in the cell pellet after centrifugation. Activity of the crude lactase preparation ranges from102 to 1,053 units/mL, with the highest activity determined for L. paracasei YSM0308. Optimal conditions for GOS synthesis are as follows: concentration of whey powder, pH, temperature, and time were 30%, pH 6.5-7.0, $30^{\circ}C$, and 4 h, respectively. The final GOS concentration was 19.41% (w/v) by the crude YSM0308 lactase, which was obtained from strain YSM0308 grown in the 10% (w/v) reconstituted whey-based medium.

PEP/IS 모델을 적용한 과학관의 적극적 활용에 관한 연구 : 국립중앙과학관 사례분석과 대안모색 (Effective Exhibition Communication of Science: An Analysis of the South Korea's National Science Museum)

  • 이은아;김학수
    • 기술혁신연구
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    • 제16권2호
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    • pp.95-123
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    • 2008
  • As a medium for communication on science and technology, science museum could be important to adults who finished formal school education. By analysing all the exhibits at the National Science Museum and conducting a face-to-face interview survey toward 100 adult visitors, based on the PEP / IS model's perspective(Kim, 2007), this study aimed to find a way to induce many adults to visit science museum from the information consumer's viewpoint, not the information provider's one. The result was that most of the exhibits were not related to problems which people focused attention on. About half of visitors, therefore, did not relate their problems with exhibits and responded that there was no relationship between exhibits and their everyday life. However, they had an idea that science and technology could contribute to solving their problems. These findings could suggest that first, science exhibits in relation to people's focused problems or issues are to be developed, second, programs for parents who are accompanied by their children are to be developed, and last, adults' engagement in planning the science museum exhibits is to be considered.

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광역시 도서관의 계획 방향에 관한 연구 - 울산광역시 도서관을 중심으로 - (A Study on the Plan of Library focused on Ulsan-shi)

  • 황태주;김다해;임호균
    • 한국실내디자인학회논문집
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    • 제21권3호
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    • pp.174-181
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    • 2012
  • In 2010 there are 759 public libraries in Korea, and they have been increased constantly for the recent four to five years. In order to make them as cultural spaces in local communities, Korean government is now planning to increase the number of public libraries up to 900 and to build small to medium-sized multiple purpose libraries rather than large and single purpose ones. Especially in the case of public libraries in metropolitan cities, which are main libraries in those areas, they should be designed to play major functions of cultural experience, exhibition, and life-long education as well as to meet the basic needs of providing books for public reading and of building and developing branch libraries based on local characteristics. Above all, in order to make a public library as a center of local culture, a space planning focused on increasing utilization and satisfaction of the residents is required. It is essential to conduct a survey to understand the needs of the residential users and reflect their opinions. In this regard, our research process was constructed as follows. First, precedent studies on a certain densely populated area were reviewed. Second, a survey was conducted in Ulsan city to figure out the needs and the satisfaction level of the actual users. The purpose of this study is to propose a better space planning approach for public libraries in metropolitan cities based on the analysis.

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The Effects of Market Sensing Capability and Information Technology Competency on Innovation and Competitive Advantage

  • KHRISTIANTO, Wheny;SUHARYONO, Suharyono;PANGESTUTI, Edriana;MAWARDI, Mukhammad Kholid
    • The Journal of Asian Finance, Economics and Business
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    • 제8권3호
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    • pp.1009-1019
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    • 2021
  • This study examined the effect of market sensing capability and information technology competency (IT competency) on innovation and competitive advantage in small and medium-sized tour operators (SMTOs). This research was conducted on the SMTOs located in three major cities for a tourism destination, meeting, and exhibition in East Java, Indonesia. 175 directors or managers of SMTOs were sampled using the purposive sampling technique. Data was obtained from directors or managers using a structured questionnaire. The empirical data was then analyzed by using Structural Equation Modeling (SEM). This study showed that market sensing capability positively and significantly affects innovation. Furthermore, competitive advantage was positively and significantly affected by market sensing capability. Although results showed that IT competence positively and significantly affects innovation, in contrast, it did not positively and significantly affect competitive advantage. These research findings suggest that market sensing capability and innovation have a substantial role in creating a competitive advantage for SMTOs facing the Revolution Industry 4.0 and a dynamic environment. Thus, innovation for SMTOs can be achieved by optimizing the role of market sensing capability and IT competency. However, this study also suggests that the capability or competence will not have any impact on competitive advantage if neither is optimized.

충주 정토사지 홍법국사탑비의 보존과학적 연구 (Study for the Conservation Treatment of the Stele for National Preceptor Hongbeop from the Jeongtosa Temple Site in Chungju)

  • 채우민;황현성
    • 박물관보존과학
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    • 제19권
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    • pp.1-18
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    • 2018
  • 충주 정토사지 홍법국사탑비(본관1960)는 고려시대의 양식적 특징을 보여주는 중요한 석조문화재이다. 홍법국사탑비는 일제강점기에 수차례 반복된 부재의 해체 및 이동과 동시에 장기간 야외에 노출되어 풍화가 진행된 상태였기 때문에 국립중앙박물관 수장고에 보관되어 왔다. 이 연구에서는 2015년 국립중앙박물관에서 주관하는 석조물복원사업의 일부 대상인 홍법국사탑비의 야외 전시를 위해 재질특성을 규명하고 풍화훼손지도 및 초음파 물성진단을 활용한 손상도 진단을 실시하였으며, 이를 바탕으로 보존처리를 진행하였다. 재질분석 결과, 탑비의 귀부는 중립질 입자크기를 가지는 석영, 사장석, 알칼리장석, 흑운모, 백운모를 구성광물로 가지는 복운모 화강암이다. 탑비의 비신은 담홍색을 띠며 암회색이 혼재되어 나타나고 중립질의 방해석을 조암광물로 가지는 결정질 대리암이다. 이수는 회백색으로 중립질의 방해석을 주요 구성광물로 가지는 결정질 대리암이다. 탑비에서 나타나는 각각의 훼손유형별 점유율 산출 결과 비신에서는 마모로 인한 훼손이 28.29%로 남측면이 가장 높으며, 이수에서는 입상분해로 인한 훼손이 11.08%로 북측면이 심한 것으로 나타났다. 초음파 물성진단을 통해 탑비의 전체적인 풍화도를 파악한 결과 귀부에서는 결구부를 중심으로, 비신에서는 상단부에서 낮은 값을 보였으며, 이는 표면 가공도의 차이와 부분적인 박리 및 균열로 인해 변위가 발생한 것으로 판단된다. 홍법국사탑비의 야외 전시에 앞서 과학적 조사를 바탕으로 외부환경에 의한 풍화를 억제하고자 표면 오염물제거와 표면 강화처리를 진행하였다.

충북지역 매장문화재 보존조치 유적의 현황 및 보존방안에 관한 연구 (A Study on the Present Condition of Conservation Measures for Buried Cultural Heritages in Chungbuk Area and Preservation Plan)

  • 위광철;오승준
    • 보존과학회지
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    • 제35권6호
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    • pp.588-599
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    • 2019
  • 발굴 조사 된 매장문화재는 학술적, 역사적 가치에 따라 문화재청장이 보존조치를 결정하지만, 이전·복원 후 관리, 보존, 활용은 체계적으로 이루어지고 있지 않고 있다. 또한 보존유적 및 보호시설의 손상으로 보존방안과 활용도에 대한 문제점이 발생되고 있다. 이에 충북 지역 보존유적에 대한 현황을 조사하여 보존방안 및 활용방안에 대하여 제시해 보고자 하였다. 충북에는 총 43개의 보존유적이 있었으며, 관리주체의 명확성 여부를 떠나 대부분 체계적인 관리는 이루어지고 있지 않았다. 잘못된 보존처리와 재료의 선정 등으로 인해 유구 및 보호시설이 훼손 되어지고 있는 상태로 확인되었으며, 보존유적의 훼손으로 전시, 교육, 체험 등 활용성에서도 문제점을 확인하였다. 이러한 문제점 해결에는 법적·제도적 장치의 개선, 예산·전문 인력 확보. 표준화 매뉴얼 개발 및 적용, 지속적 모니터링, 예방보존, 이전 지료 및 방법 연구, 목록화 작업, 전문 박물관 및 복합 테마 파크 조성 등 중·장기적인 계획이 세워져야 할 것이다. 또한 조사된 보존유적에 맞는 보존방안을 제시하고, 이를 기반으로 보존·관리가 이루어지면 보다 체계적·과학적으로 보존·관리되고 교육, 전시, 홍보 등 다양한 목적으로 활용될 수 있을 것으로 판단된다.

현대 미술에 표현된 예술의상의 상징성 연구 (Symbolism of Fashion Art in Contemporary Art)

  • 허정선;금기숙
    • 복식
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    • 제55권7호
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    • pp.156-170
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    • 2005
  • As contemporary art tends to diverge from its fixed genres and intends to appeal to the public, fashion comes to contribute to the contemporary art area, by playing an important part in the creation of artistic value of art work. Nowadays, it is not unusual to see fashion work shown in an art exhibition parallel with art work, since some artists adopt costumes as the medium of their work in order to explore various means of expression. The occurrence of philosophical, sociological theories concerning human body parallelled with the prevalence of the post-structuralist ideas and occurrence of various styles of artistic expressions of body encouraged active research and attracted social attention to body. With such background, fashion art was formed by a means of the integration of body and fashion in order to create extreme artistic expression. 1 intend to investigate a variety of trends in fashion art from the viewpoint of body space. This study developed criteria for fashion image in contemporary art. Those criteria are based on the dichotomy that divides body into inner aspects and outer aspects. According to the criteria, Firstly, the extension type of body shape includes enlargement and reduction as its sub-types. Secondly, the opening-closure type includes opening type and closure type as its sub-types. Thirdly, the intensity type categorizes clothes into uniqueness and hybridity. Dynamism type classifies fashion art into fixation and moving. The various expressions of clothes type are interpreted as a means by which we can criticize many phenomena of modern society, such as loss of humanity, isolation of individuals, loss of identity, commercialism, and materialism. In the latter period of modern society, the integration of the double-faced nature of body and spirit was attempted and popular fashion was introduced into art in order to express desire, death, gender, identity, and sexual pleasure.

쓰레기도 예술이 되나요?: 데이비드 해몬즈의 '홈리스' 아트 (Can Rubbish Become Art?: David Hammons's 'Homeless' Art)

  • 이지은
    • 미술이론과 현장
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    • 제15호
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    • pp.31-49
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    • 2013
  • This paper delves into the recent 'paintings' of African-American artist David Hammons, which combine rubbish-like plastic wraps with the abstract-expressionist style paintings. In straddling between rubbish and art object, his works tend to blur the boundary drawn between two opposite categories in value, art and garbage, provoking the sophisticated taste of Upper-East-side white community in Manhattan, New York. Choosing the venue of his exhibition at a commercial gallery, Hammons's creative efforts is also a critique of what can be seen as the dominance of abstract expressionism and white elitism in American art history. The artist is known for his use of unconventional materials in art making such as black hair, barbecue bones, and elephant droppings, ones that are often associated with African-American experiences in all different levels. Since his debut in the art scene in the 1970s, Hammons has pursued the view of art-making as a medium for provoking contentious issues of racial relations in the States. On the other hand, the reception of Hammons's work as African-American art can be potentially quite limiting, overlooking as it does multi-faceted meanings of his art practice. His unconventional approach to art often took him outside art galleries and museums, where he was seen using a variety of common materials for site-specific installations and performances. Staged in different parts of Manhattan, these acts of art making traverse seemingly opposite communities and cultures, often blurring their boundaries. Hammons's artistic practice can label him what Abdul Jan Mohamed calls "specular border intellectual", revealing as it does the symbiosis of binary oppositions that is basic to the experience of communnal living.

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미디어아트의 정량적 평가체계에 대한 연구 (Framework for the Quantitative Evaluation of Media Arts)

  • 정신영;윤주현
    • 디자인학연구
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    • 제19권2호
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    • pp.139-150
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    • 2006
  • 예술작품의 평가는 작품의 제작과 감상자체가 매우 정성적인 가치관을 기반으로 한다는 전제아래 객관적으로 수치화 하려는 노력을 찾아보기 어려웠다. 이에 1960년대 말 이후로 후기 모더니즘적 사조 내에서 급격히 증가하는 미디어아트를 중심으로 기존의 예술평가의 핵심이 되었던 감상자의 주관적 의견을 최대한 반영할 수 있으며 동시에 미디어아트에 포함되는 기계적, 제품적 측면도 동시에 검토할 수 있는 정량적 평가체계의 구축을 시도하였다. 이에 따라 제시되는 평가체계의 항목에는 매체평가, 작품평가, 감상평가, 상품평가, 전시평가를 포함하였으며 관람자의 미디어아트에 대한 경험수준에 따라 일반감상자, 미디어아트 전문가 그리고 전시관련 업종 종사자, 즉 전시기획자로 분류하여 평가를 실행하도록 하였다. FGD를 거쳐 평가자에 따라, 그리고 평가항목에 따라 가중치를 적용하여 작품에 대한 객관적인 비평과 주관적 선호도를 적절하게 적용하는 평가체계가 되도록 수정하였다.

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