• 한국실내디자인학회논문집
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• 제26호
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• pp.26-34
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• 2001

The problems with the small exhibition buildings such a small gallery and art center recently constructed did not make the characteristics of the place specifying and did not form a big flow in the line of urban connection. Also it was deficient in the image like a cultural space because of the commercial aspects of the individual buildings. According to this view, this study is to evaluate the exteriors of the small exhibition buildings that the public prefers on the psychological side as a design theory and then, it is to present the direction of desirable form constitution hereafter. In the design of the small exhibition buildings exterior that the public must prefers, the principles and techniques of constitution that operate are the most initiative as follows. As for the principles of unity in the constitution of the small exhibition buildings exterior that the public prefers, Eigen Value is 7.573 and the explanatory force takes 21.637% at the top and it plays a leading role. In the comparison of the appearance, it shows that it is a factor with the largest specific gravity. The next factors were grouped in good order: the balance, ornamental technique, change, shipping technique, rhythm, harmony, symbolic technique, area technique and adding technique. As a result, in the design of the small exhibition buildings exterior, the architects have to constitute the principles of balance, change, rhythm and harmony by most of the unity and the symbolic technique and form technique by most of the ornamental techniques harmoniously and have to give Identity like exhibition buildings.

• 한국실내디자인학회논문집
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• 제22권1호
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• pp.291-298
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• 2013

A science museum responds independently based on the exhibits and exhibition environments as the visitors are different in purposes, interests and demands. Therefore a science museum should be designed keeping it in mind that there are various ways for visitors to perceive and use the exhibition spaces and exhibits. The purpose of this study is to compare and analyze the characteristics of sensory receptors for the exhibits in National Museum of Nature and Science's Global Gallery, Tokyo, in terms of information transmission and to identify the nature of exhibit medium that can affect the perception and recognition of the exhibits by visitors. Through these 9 sensory receptors, human recognizes first with visual, auditory and olfactory senses and reacts using vestibular organ, proprioceptor (stretch), tangoreceptor, themoreceptor, taste and olfactory senses. Human uses these information processing to recolonize the external environment. This process is similar to the visitor's information transmission process for the exhibition medium. By dividing the analysis results per exhibition theme and developing the information transmission processing types per sensory receptor, we could understand that the distribution conditions are closely connected with the composition of the exhibition scenario in the exhibtion area. Especially, the understanding of how the information transmission is made through sensory receptors could can be the criteria that determines on the factors that can identify the exhibition purposes of a science museum which are eduction and understanding.

• 한국콘텐츠학회논문지
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• 제8권5호
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• pp.123-133
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• 2008

웹 전시, 온라인 전시, 가상 전시라고 명명된 많은 콘텐츠들을 살펴보면 일반적인 정보를 주는 웹사이트와 차별화되지 않는 것이 많다. 따라서 본 논문은 웹을 기반으로 한 가상 전시에 있어서 일반 웹사이트와 확연히 차이가 나고 가상 전시 개발의 프레임워크(framework)가 될 수 있는 모델을 제안하는 것이 목적이다. 모델은 전시를 구성하는 가장 기본 요소로서 전시물의 집합체인 아카이브 층, 스토리텔링을 적용한 전시 층, 그리고 수용자의 몰입을 극대화하기 위한 경험 층의 3개 층으로 설계해 보았다. 모델이 적용된 사례의 분석을 통하여 실제로 모델의 적용이 가능함을 제시함과 동시에 지향점이 다른 수용자를 고려한 가상 전시의 개발 방향도 제시하였다. 가상 전시의 개발 모델을 활용할 경우 현란한 기술 위주의 콘텐츠가 아닌 '소재와 가치+미디어와 CT'의 융합을 통하여 가상 전시가 독자적인 콘텐츠의 영역으로 인식될 수 있기를 기대한다.

• 한국산학기술학회논문지
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• 제13권10호
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• pp.4853-4862
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• 2012

현대도시에서 문화공간은 곧 도시생활의 중심역할을 하는 곳이라고 할 수 있다. 문화공간은 삶의 질을 높이고, 가치의 폭을 넓히는 거점인 것이다. 이러한 점에서 문화공간이 대도시 지역에 집중된 현실은 문화적 수혜의 불평등을 초래하고 있으므로, 각 지역의 기능적, 공간적인 중심인 중소도시에 문화공간과 시설을 확보해야 할것이다. 이러한 시대적 과제를 수행하기 위해 선결되어야 하는 것이 그 확보의 적정수준을 모색하는 것이며, 이릉 위해 본 논문에서는 국내의 현황을 분석하고 선진사례의 비교분석을 기반으로 확보의 필요성을 확인하고 적정한 확보의 수준을 모색해 보고자 하였다.

• 한국멀티미디어학회논문지
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• 제20권3호
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• pp.551-561
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• 2017

It is very important to educate students who can be working professionals in contents-related field. This paper discusses three types of contents academic-industrial cooperation projects which are contents technology, contents software and education, and contents-making projects. Regarding third type, this paper explains two examples of contents-making projects that Daejeon University's Animation Department did. First one is Miznco Co.'s in 2015 and second one is which exhibition is held in old provincial of Chung-nam and Skyroad[1] at Daejeon in 2016. This exhibition is held for reviving old town area of Daejeon which is called one-do-sim through great contents. This paper also proposes what contents-related department in each university has to do to survive in tough period.

• 한국실내디자인학회논문집
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• 제23권2호
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• pp.108-116
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• 2014

This study is based on the arguments of Sofia Sarah and concept of 'Sequence Narrative' of Nigel Coates, the founder of Nato. Specifically, this study was conducted under the premise that narrative exhibition space will affect the engagement of viewers. As a result of this study, a method of analyzing a science museum's exhibition space was presented using the narrative structure and the following attributes of visuals: sequence of viewing; spatial tension; spatial pace. The findings are as follows. In terms of 'spatial tension', the exhibiton space with the following progression was more likely to provide viewers with in-depth experience: 'raise of tension' - 'change of pace' - detente.' Although the limited sample doesn't lead to verification of the analysis method and conclusion of its significance, the following was clearly revealed: Exhibiton space that utilizes the structure and attributes of a narrative that provides progression and dramatic tension, as if the viewers were watching a film, is more likely to offer in-depth experience than other spaces. In terms of 'phase transition', the following was revealed: Pace variation around the space with the strongest spatial tension could affect the concentration and engagement of viewers. It suggests the following fact: Spatial rhythm and speed variation in the area with the strongest visual emphasis encourage viewers to feel the spatial changes, maintain their concentration, and continue their viewing.

• 한국융합학회논문지
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• 제10권8호
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• pp.265-276
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• 2019

본 연구는 시각장애인 당사자관점에 기초한 베리어프리 전시감상공간 조성을 위한 사례연구이다. 연구참여자는 유의표집으로 중증시각장애인 4사례를 선정하여 심층인터뷰한 후 Yin의 사례분석방법을 활용하여 분석을 실시하였다. 분석결과 전시실 내부 접근성(3개 주제)과 몰입 가능한 전시 요구(6개 주제)에서 총 9개의 주제가 도출되었다. 연구결과를 바탕으로 다음과 같은 실천적 정책적 학문적 제언을 한다. 첫째, 시각장애인이 감상에 몰입할 수 있는 작품에 대한 정보의 질을 확보하여 제공할 필요가 있다. 둘째, 시각장애인의 문화향유권 증진을 위해 베리어프리 생활인증제가 문화예술영역에 적용될 수 있도록 정책개편을 위한 노력이 필요하다. 실천적 정책적 과제를 실현하기 위해 과학기술 인문사회 문화예술 융합연구가 활성화 되어야 할 것이다.

• 한국지구과학회:학술대회논문집
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• 한국지구과학회 2005년도 추계학술발표회 논문집
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• pp.292-302
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• 2005

과학관은 학생들이 학교 과학 수업 이외에 과학을 경험할 수 있는 대표적인 학교밖 과학활동이다. 이에 본 연구에서는 제7차 교육과정에서 제시한 중학교 지구과학내용체계와 영역별 성취기준을 근거로 과학관 패널전시물을 분석하였다. 그 결과 교육과정에서 제시한 성취수준과 전시의 연계성이 미흡하였고, 지질영역 전시에 편중됨을 파악하였다. 따라서 교육과정을 고려한 전시물이 요구된다. 차후 이 연구의 결과는 과학관의 전시 및 교육의 방향과 개선 방안을 위한 기초 자료를 제공한다.

• 지식경영연구
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• 제16권2호
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• pp.47-66
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• 2015

Due to multiple information sources, external information search(EIS) is the key issue on smart tourism environments. EIS is more important on experiential goods such as exhibition and convention. Despite the increasing importance of EIS, very little is known about what is the more effective information source in this area. In this paper, we attempt to examine the relations of satisfaction and between both online and offline information. This research analyzes an empirical model including EIS, affective involvement, perceived usefulness, satisfaction to student visitors on exhibition experience. Hence, six hypotheses are developed to test the relations of EIS and satisfaction using the mediating effects of affective involvement. Specifically, we developed a research model by employing the Uses and Gratification(U&G) framework and tested it to understand how student visitors' involvement and satisfaction might be changed according to EIS. Survey data was collected from 203 student visitors on "2014 Expo KCCE" was used to test the model using structural equation modeling. The implications of our empirical findings for both research and practice are discussed.

• 한국농촌건축학회논문집
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• 제7권2호
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• pp.21-30
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• 2005

It is not entirely new tendency now that museum have to become 'participation and working activity style' in 21st century. A lot of museums are changed fast to that visitors participate and work actively in museum program recently in Korea. Cheongju city is building various museums which have interesting themes contributed precious inheritances and collections belong to citizens. And Cheongju city is pushing ahead long-term target which is Ecomuseum City Cheongju with citizen is progressing for cultural city continuously. Also to become public museums and facilities which visitors want to come again, Cheongju city is trying to secure various experience space and facilities to keep in step in trend that visitors take part in and work actively in museum program. In an area, there are various cultural, historical, natural and industrial heritages that express relation of human and environment. In meaning that do function of antenna of sending culture which understanding, studying, informing these regional inheritances and promoting activity, in Ecomuseum, those are called "satellite" included not only regional preserved inheritances but also various theme museums which have mutual cooperative function. Satellite(or antenna) is very important element composing Ecomuseum. So I want to provide that is "Exhibition Working-Activity Satellite" that are places having experience space or facilities which visitors can work actively there like that. Such study for Ecomuseum and Exhibition Working-Activity Satellite can be promoted Ecomuseum City which is city for learning lifetime with citizens.