• Russian Language and Literature
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• no.63
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• pp.317-343
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• 2018

Целью данной работы является рассматрение состояния и достижений оперного обмена между Республикой Кореей и Россией, продолжавшегося на протяжении прошедших 30 лет. В 1990 году "Московская декларация" оказала огромное влияние на вступление отношений между Республикой Кореей и СССР на нормальный курс, а также стала переломным моментом в укреплении культурного обмена между двумя странами. С тех пор Республика Корея и Россия на основе политического, экономического сотрудничества, неустанно развивали культурный обмен, а театральное искусство, ориентированное на оперу, было наиболее активно действующей областью. В результате наша опера продемонстрировала стремительное развитие. Ранее ограниченный оперный репертуар стал более разнообразным, произошло увеличение количества создаваемых опер и улучшение их качества. Судя по подобным результатам обмена, создание открытой системы сотрудничества между странами считается необходимым условием для нашей оперы, являющейся относительно позжней по сравнению с другими странами. Следовательно в данном исследовании в первую очередь будет рассматрен процесс проникновения в Корею российской оперы, стимулирующей постоянное развитие корейской оперы, а также в заключении на обуждение будут выненесы задачи, наобходимые для расширения и будущего развития оперного обмена между двумя странами.

• Journal of Public Diplomacy
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• v.2 no.2
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• pp.101-107
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• 2022

Cultural diplomacy has been a critical tool of U.S. foreign policy since America's emergence as a global power. This chapter explores the personal experiences of Carla Dirlikov Canales, an Arts Envoy for the United States State Department since 2005. Examples of missions to Mexico, Honduras and Indonesia are featured.

• (The) Research of the performance art and culture
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• no.37
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• pp.249-293
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• 2018

The Musical Theatre was a popular art genre that originated from the western musical tradition represented by the European opera. In the twentieth century, it bloomed around Broadway in the United States. It is also one of the commercial arts which is popularly loved by the public in the field of performing arts all over the world at present. Due to the nature of this genre, the development of dramas and the expression of characters use music, not words or gestures, as the main medium. And the style of music reacts sensitively to the taste of the public, not to a particular class. When Japan colonized Korea, the empire strongly believed modernization equaled westernization and Japan was the one who could awaken Korean. The Japanese colonial music education was intended to bring cooperation and obedience to Japan by forcibly injecting Japanese ideology and culture into Joseon people. The music education of colonialism with the textbook of the "Songs for public education(보통교육 창가집)" compiled by the Japanese government was a sparkstone for the conversion of the Korean musical identity to Japanese and Western music. In addition to the capitalistic economical mechanism for establishing a South Korean government friendly with the United States during the Cold War after liberation, and the rush of American Pop culture represented by 'the show stage in 8th US Arm' and 'movies' which are to be the influence of invisible 'new cultural imperialism', our traditional music was confined to the meaning of 'Korean music', meaning 'past music'. In Korea, after the liberation, the musical was introduced by the influx of American popular culture. In accordance with the cultural policy of Park Jeong-hee regime, which aimed to spread the 'healthy culture' through the modernization of traditional arts, 'The Yegreen(예그린악단)' was founded. However, the plan to create a contemporary performing art based on Korean national arts showed the possibility of success in 1966 with the success of , but soon after, they have been destined to fall into an institution that has lost their ability to operate on their own due to the suspension of the sponsorship of the regime. Due to the cultural imperialist strategy of the influence of Japanese imperialism's colonial music education and influx of American popular culture after liberation, in the early days of Korean musicals, our traditional aesthetic style brought about the situation of the 1960 's, which did not become an independent ethnic art through the exchange and expansion with Western music. This is the background of the western licensed musicals led by the Korean musical market in the 21st century as well as the main cause of musical creation based on western music.