• 디지털융복합연구
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• 제14권12호
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• pp.165-172
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• 2016

디지털 게임의 등장이후 하드웨어 발전과 더불어 게임의 핵심 요소인 캐릭터는 인체비례론을 바탕으로 유저들이 선호하는 등신비율의 유형으로 변화하고 있다. 등신비율의 변화에 따른 게임에서 캐릭터의 독특한 이미지로 게이머들에게 인기가 많다. 현재까지 등신비율에 대한 연구는 아직 미흡하다고 사료된다. 본 연구는 게임캐릭터 개발에 있어 조형요소로서 인체비례가 가지는 중요성을 근간으로, 게임캐릭터들의 특성을 고찰하고, 게임캐릭터의 등신비율을 분류, 그 결과를 분석하는 연구방법을 통하여, 등신비율의 현황을 살펴보고, 앞으로 게임이미지에 미치는 영향에 대해 연구해보고자 한다. 분석한 다섯 가지 유형의 게임캐릭터는 독특한 이미지와 함께, 특성화된 등신비율일수록 유저들이 선호하며, 조형적으로 실제 인체보다 과장된 등신비율이 주를 이루는 것으로 분석되었다. 그래픽 배경화면에서 캐릭터가 상대적으로 작아 보이는 비례의 어려움을 조금 과장된 캐릭터를 활용하여 가시성을 높였다. 이 연구를 통해 게임캐릭터의 등신비율은 게임개발에 있어 게임이미지로서 매우 중요한 요소로 사료된다.

• 한국지반신소재학회논문집
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• 제10권1호
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• pp.1-8
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• 2011

연약지반상에 구조물을 축조하게 되면 지반의 지지력 부족, 과대침하량 및 측방변형과 같은 문제점이 발생한다. 팽이말뚝기초공법은 지지력이 다소 부족한 지반에 팽이형 콘크리트 파일을 연약지반기초에 사용하여 지지력 증가와 침하억제, 부등침하방지 등의 효과를 도모하는 연약지반 표면 처리용 강성매트공법이며, 공사비 절감 등의 경제적인 효과와 공사기간 단축, 공사 중 소음 등으로 인한 민원 차단 등의 시공에 따른 편의성을 확보할 수 있다. 따라서 본 연구에서는 현장평판재하시험을 통하여 연약지반상의 현장타설형 팽이말뚝기초의 지지력을 산출하였다. 평판재하시험 분석결과를 통해 기존 연구 및 설계에서 적용하고 있는 제안식과 비교분석하여 현장타설형 팽이말뚝기초를 기초지반에 적용할 시 기초의 합리적인 범위를 산정하여 향후의 설계에 그 결과를 활용하고자 한다.

• 융합보안논문지
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• 제20권1호
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• pp.49-57
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• 2020

우리는 일상생활 가운데 사이버위협에 노출된 채 살아가고 있다. 그럼에도 불구하고 많은 사이버위협 및 공격은 공격자, 공격목적, 피해규모 등을 명확히 식별하기 어렵고, 단일출처의 정보에 의존하게 되어 객관성 있는 정보를 획득하는 것이 제한된다. 이에 본 연구의 선행연구에서는 공개출처정보(Open Source Intelligence, OSINT)를 활용한 사이버공격 데이터베이스(Database, DB)를 구축하기 위한 새로운 방법론을 제시하였다. 본 연구는 사이버 위협을 정량화할 수 있도록 사이버공격 DB 중 사이버 위협 평가요소를 선정하고 그 평가요소에 대한 중요도를 분석하고자 한다. 사이버공격 DB 중 사이버위협의 상대적 중요도에 영향을 미치는 평가요소로 공격목적, 공격범주, 공격대상, 공격 용이성, 공격 지속성, 공개출처정보의 빈도를 선별하고, 각 평가요소들에 대한 하위 계층의 요소들을 선정한 후 각 요소들의 중요도를 계층분석적 의사결정방법(Analytic Hierarchy Process, AHP)을 활용하여 분석하였다.

• 복식
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• 제65권5호
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• pp.1-13
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• 2015

The purpose of this study is to make a contribution to men's fashion by analyzing changes related to excessive and decorative expressions of latest men's wear design in the viewpoint of Maximalism, and using the results to develop a new fashion style. Results of the study are as follows: The characteristics of Maximalism in men's wear collection in the last 5 years can be classified as 'Fusion Maximalism, 'Decorative Maximalism', 'Exaggerative Maximalism', 'Humorous Maximalism', and 'Duplicative Maximalism'. The characteristics of each type of Maximalism can be summarized as follows: First, Fusion Maximalism creates new men's fashion style by fusing designs from different cultures in clothing items as well as dismantling gender boundaries in clothing design, and by having designs which transcends time and space. Second, Decorative Maximalism expresses ambiguous decadence by implementing feminine decoration that applies handicraft technique, as well as exaggeratedly using details and trimmings of contrasting images, and applying women's clothing items. Third, Exaggerative Maximalism represents extreme avant-garde that changes the idea of fashion design by changing the styling or the exaggerated silhouette. Fourth, Humorous Maximalism expresses not only the creation of new men's fashion look, but also expresses humanism with exaggerative enjoyment and pleasant ideas. Fifth, Duplicative Maximalism expresses creative design by implementing vivid images of different period and culture, and reproducing successful images of the past into modern fashion.

• 대한심미치과학회지
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• 제23권1호
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• pp.41-54
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• 2014

심미란 단어가 우리에게 친숙한지 20여년이 흐른 지금도 새로운 것에 도전하듯이 어려움을 가져다주는 것은 아마도 진화라기보다는 기본적인 로드맵이 안 되어 있어서 아직도 서툴고 회피하는 것은 아닌지 싶다. 보철마다 특성상 장점과 단점이 있는 것이기에 그 적응증을 숙지하고 그에 맞는 진단과 적절한 선처치가 될 때 기대할만한 결과를 얻을 것이다. 이 과정에 환자에 대한 정보공유와 치과의사와 치과기공사간의 소통과 전문화된 각자의 역할은 매우 중요한 치료과정이며 이 통로를 얼마큼 잘 제도화 시켰느냐가 심미기공물의 성패가 달려 있다고 보아도 과언 이 아닐 것이다. 위의 서술한 치료과정의 바탕으로 가장 장점이 많고 보존적의미가 있는 라미네이트 심미보철에 관해 살펴보고자 한다.

• 복식문화연구
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• 제4권2호
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• pp.219-245
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• 1996

Throughout her life time, Edith Head produced cinema costumes for over one thousand movies. She was the leading cinema costume designer in Hollywood. Since the Academy Awards added the area of costume design to be recognized [during 33 years of her work(1948∼1981)], she was nominated 35 times an awarded eight times. However, there were no significant studies done on her work or accomplishments although she was acknowledged as an ingenue and creative designer who elicited artistic effects by reflect character's images through their costumes. The purpose of the study was focused on revealing Edith Head's life and work as her creations had a great impact in he field of cinema costumes. It was also to emphasize the forceful affect of cinema costumes on fashion and to disclose the powerful influence of cinema costume designers. The method of the study includes reviews of literature, movies for which she created costumes, her own possessions, and fashion magazines as well as her works that were nominated and chosen for the Academy Awards. Edith head's emphasis in costume design was based on a blend of both simplicity and sophistication avoiding excessive exaggeration and transformation in her work. Her work was also realistic and contemporary. She developed a dramatic ambience through an innovative design while preserving the actor's individual character and uniqueness. Through this accept her her work was highly renowned as an art form as it was gaining popularity. She was also a dominant figure who influenced trends in the areas of fashion magazines, uniforms, and public clothing. In the review of her cinema costumes, it was revealed that the styles of cinema costumes can be as quickly adapted by the public as movies are viewed because the cinema costumes are highly projected through a visual channel. Subsequently, a follow up study on the affect of cinema costumes on fashion would be beneficial.

• 패션비즈니스
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• 제24권3호
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• pp.101-113
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• 2020

This study considers aesthetic characteristics by examining the fashion style of the silver fashion icon Iris Apfel. The research methods were a quantitative and qualitative analysis of Iris Apfel's images that were collected from 2015 to 2019 on various web-sites according to four criterions following advanced research analysis of fashion style. The results of the study are as follows. The analysis results on the fashion style of Iris Apfel, an icon of silver style, showed that cocoon, barrel and A-line silhouettes appeared most in terms of silhouettes. Second, in terms of colors, achromatic colors dominated among solid colors while one particular vivid color appeared most it came to mixed color. In terms of multi colors, these appeared according to the patterns applied to her clothing, in particular, colorful colors were used to emphasize splendor. Third, flower, bird and geometric patterns appeared most in terms of material patterns. Lastly, it was found that white short cut hair, large necklaces or bangle bracelets, over-sized black glasses and fur mufflers or canes were used in terms of hair and accessories. The features derived through analysis of the fashion style of Iris Apfel, an icon of silver style, are as follows. The first feature is exaggeration through splendid primary colors and over-sized silhouettes. The second feature is the hybrid of modern composition methods using natural images and exotic preferences. The third feature is her representation of identity using fixed items.

• 한국실내디자인학회논문집
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• 제24권5호
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• pp.21-30
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• 2015

The visual expression system of space realized in Baroque aesthetics is basically grounded on the philosophical view to the world of the time, that is to say the changes of the thinking system in the Renaissance and ontology based on it. Structural aesthetics in Baroque freed from Plato's system of harmony but grounded on Leibniz's process philosophy formed a crucial background to highlight the formal nature of the whole and build a structure based on the inclusive principle of formativity. Also, to solve problems to realize the order and consistency of forms from the whole, Baroque adopted the nonlinear and nonphysical formative system as the principle of building space in works of art. Combining the order system of nature in the Renaissance with manneristic dynamicity as well as formative principle taking shape geometrically, it did establish a variety of aesthetic concepts based on the results of infiniteness and exaggeration expressed from the two forces, the Renaissance and mannerism. This study has found that such Baroque aesthetics did overcome classical planeness and draw continuous mobility from the structures and forms based on that with the transborder concepts of structures, the components of space, as an ultimate system of formative expression. Moreover, this author has drawn and analyzed with the cases of the 17th-century art and architecture the transborder elements manifesting the nature of diverse formative visual elements produced in artistic expressions with that principle of aesthetics, that is the intangible concept of Baroque. Based on that, this researcher intends to come up with technical solutions to solve a lot of environmental and architectural problems we are severely facing nowadays in terms of environmental, physical, and emotional aspects with the theoretical clues and results acceptable to this contemporary era.

• 한국의류학회지
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• 제29권2호
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• pp.267-278
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• 2005

Fashion luxury products, which used to mean high-quality, handcrafted not-so-trendy items, are nowadays regarded as expensive fashion merchandise produced under the name of imported well-known brands. People cunsuming fashion luxury products distinguish themselves from other people according to the luxury fashion brands they are using, and as a result, advertisements of fashion luxury products are taken as a kind of international language. The purpose of this study is to point out the socio-cultural meanings of consuming fashion luxury products, by analyzing images shown in advertisements of fashion luxury products focusing on women's images. To do so, this study is based on general theoretical background on fashion, consumer culture advertising and analysis advertisements of fashion luxury products shown in fashion magazines in recent three years. The result of this study is as follows; The images of the advertisements of fashion luxury products could be categorized as (1) elegance, (2) kitsch and (3) fetish. Elegance is a taste of high society, aesthetically chic and feminine. Fashion luxury products, which are merchandise of extravagance, dignity, refinement, feminity and harmony, exhibit high-quality grace through their advertisements. Kitsch represents the vulgar and popular images of trivial commodities of industrial society. In the advertisement of fashion luxury product, it is shown as inappropriateness, excessiveness, stereotyped pleasantness, exaggeration an playful satisfaction. Finally, fetish images represent erotic or perverted sexuality, based on psychoanalytic fetishism which objects are regarded s substitute of sexual orgasm. The advertisements of fashion luxury product are characterized as (1) popularization of luxury, (2) objectification of sex and body, and (3) re-aestetification of anti-aesthetics. The asvertisements of fashion luxury products are actually targeted to the middle class with successful career women's images. They objectify female bodies through fetishistic images. Also, the deviant subcultural style, represented a new kind of cultural capital, is now reproduced as a new commodity aesthetics.

• 한국정보통신학회:학술대회논문집
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• 한국해양정보통신학회 2010년도 춘계학술대회
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• pp.347-350
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• 2010

뉴 미디어 시대의 도래로 우리는 움직이는 영상 이미지의 세계에 살고 있다고 해도 과언이 아니다. 매체의 발달과 함께 일상에서는 이미지와 함께 순간을 지나며 느끼며 그것을 일부처럼 공존하며 소통하고 있다. 이러한 시대에 논리적이고 현실적인 사고보다 감각적이고 형상적인 이미지가 더 많은 것을 전달하고 설명하기도 한다. 움직이는 이미지를 보는 행위는 언어적이고 개념적인 의미의 전달 이전에 색채와 화면을 구성하고 있는 조형적인 요소와 그것들이 만들어내는 변화가 먼저 인식된다. 특히 서사의 구조를 가지는 영화영상 애니메이션에서는 그 영역이 더욱 크게 작용하며 이러한 장면의 이미지를 연결시키는 트랜지션의 기법 역시 본연의 단순한 기능에서 의미소통의 기능으로 확대되고 있다. 이러한 트랜지션 효과는 단순한 장면전환의 전통적 기법에서 시각적 유희성을 제공하고 서사의 흐름에 도움을 주는 내러티브 기능으로 수행되는 관점에서 시각적 표현의 연구는 지속되어야 한다.