• 디자인학연구
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• 제18권2호
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• pp.315-324
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• 2005

본 연구는 정책적으로 법적 구속력이 있는 건축물의 환경조형물을 대상으로 도시환경의 질적 수준을 향상시킬 수 있는 평가 및 심의방법 개선방향을 고찰하고 제시하는데 그 목적이 있다. 이를 위해서 도시환경조형물의 개념을 정립하고 환경조형물의 인지과정 및 도시환경과 불특정다수의 관람자를 포함한 사회적인 상황과 요인을 분석하였다. 본 연구에서는 환경조형물의 미술장식제도에 관한 고찰과 현행제도의 문제점을 분석하고 이를 토대로 개선된 방안을 제시하고자 한다. 대상 주요도시는 서울시를 비롯한 중부권의 대전시, 영남권의 부산시, 호남권의 광주시의 주요 4대도시의 공공미술제도와 심의방식을 분석하였다. 환경조형물의 설치는 건축주와 작가만의 문제가 아닌 도시문화환경 창출이라는 인간 심성의 질적 가치를 제고하는 방안을 고찰하여 제안하는 것이 주요 목적이다. 미술장식제도가 갖는 사회문화적 가치를 재확인하고 도시문화환경개선의 관점에서 보다 효과적인 방향으로 운영상의 문제점과 원인을 개선하여 공공미술심의제도의 수준을 높이고 이를 토대로 인간과 환경을 위한 심의방식 및 평가방법의 개념의 틀을 추출하고자 한다.

• 한국환경교육학회지:환경교육
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• 제12권1호
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• pp.225-241
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• 1999

The art subject deals with aesthetic experience within natural environment around and artificial environment, and it represents the experience through formative arts. And it also extends the aesthetic experience by making students appreciation of the works of art. In the main text of this study was studied with the connection with environmental education on the basis of the characteristics of art subject. That is, in the art education there can be an understanding of the harmony between natural environment and artificial one and their relationship and, furthermore, more positive environmental education can be possible by environmental murals, environmental sculpture, environmental design, packing design, poster design, elf through systematic formative arts. In addition, the art education can make students keep sensitivity to the natural and artificial environment through the appreciation of a variety of art works made with a theme of environment or through the appreciation of the works in the environment around our lives. Also, it can lead to acquire the desirable values and attitudes toward the environment by discussing the harmony of environmental development and environmental preservation visually. In the second place, this relation described in detail by each grade according to the contents of the 7th curriculum for the art subject. In the third place, the following were suggested: the goals for the environmental education in the art subject, the direction of environmental education, the organization of contents related to environment and their emphases, and the main teaching and learning methods for environmental education.

• 한국의류학회지
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• 제31권5호
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• pp.777-787
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• 2007

The purpose of this study is to consider various characteristics in the graffiti-look in the modem fashion by interpreting meanings and properties of graffiti, transferred from street art to a new main stream in art. The scope of this study is limited to works from the 1990s to the present, and the materials for the literatures and exploratory study are fashion-related portfolios and the domestic and foreign fashion magazines. The first characteristic is satire. The graffiti-look conveys directly or indirectly with phrase or symbol various messages of politics, social ideology, wealth and poverty, environmental pollution, anti-war, etc. Body is even more used for graffitiand designers express freely their identity or ideology through the formative style of graffiti. The second characteristic is pleasure. Fantastic expressions from a fairy-tale or fable in the graffiti-look give humor meaning freedom and sense of liberation in a sense of catharsis to the modem people's emotion. The graffiti-look uses graffiti works to introduce its original message of humanism, happiness, humor, etc. to clothing; as a result, the graffiti-look features pleasure. The third characteristic iscommercial application. Brand logo designed by graffiti style is decorated with clothing, accessory, or ornament. This may not only emphasize brand name through lingual function of graffiti, but also be used for a distinctive marketing strategy against other brands. Logo which is regarded motive or pattern of design leaves a image instead of a meaning and performs a design function stressing formative sense.

• 한국실내디자인학회논문집
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• 제24권5호
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• pp.21-30
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• 2015

The visual expression system of space realized in Baroque aesthetics is basically grounded on the philosophical view to the world of the time, that is to say the changes of the thinking system in the Renaissance and ontology based on it. Structural aesthetics in Baroque freed from Plato's system of harmony but grounded on Leibniz's process philosophy formed a crucial background to highlight the formal nature of the whole and build a structure based on the inclusive principle of formativity. Also, to solve problems to realize the order and consistency of forms from the whole, Baroque adopted the nonlinear and nonphysical formative system as the principle of building space in works of art. Combining the order system of nature in the Renaissance with manneristic dynamicity as well as formative principle taking shape geometrically, it did establish a variety of aesthetic concepts based on the results of infiniteness and exaggeration expressed from the two forces, the Renaissance and mannerism. This study has found that such Baroque aesthetics did overcome classical planeness and draw continuous mobility from the structures and forms based on that with the transborder concepts of structures, the components of space, as an ultimate system of formative expression. Moreover, this author has drawn and analyzed with the cases of the 17th-century art and architecture the transborder elements manifesting the nature of diverse formative visual elements produced in artistic expressions with that principle of aesthetics, that is the intangible concept of Baroque. Based on that, this researcher intends to come up with technical solutions to solve a lot of environmental and architectural problems we are severely facing nowadays in terms of environmental, physical, and emotional aspects with the theoretical clues and results acceptable to this contemporary era.

• 한국지형학회지
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• 제26권3호
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• pp.19-30
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• 2019

This study summarizes domestic and foreign previous works on fluvial terrace with absolute ages to discuss formative process of climatic terrace in Korea. Different from traditional climatic terrace model, approximately three quarters from foreign works have argued that formation of climatic terrace can be attributed to medium- and short-term climatic change or other environmental factors, rather than long-term climatic change of glacial and interglacial cycles. Based on previous works on fluvial terrace in Korea, it can be suggested that fluvial terrace in Korea formed not due to long-term climatic change of 100,000-year cycles related to glacial and interglacial cycles, but due to medium- and short-term climatic change or climatic event of tens of thousands of years related to intensity change in summer monsoon, one of the important factors affecting precipitation in Korea.

• 대한건축학회논문집:계획계
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• 제35권12호
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• pp.93-104
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• 2019

This study set out to analyze the architectural trends in Bell's works and spaces by applying the Gaze theory of Jacques Lacan to his minimalism works, concept changes in their changing process, and the development of exhibition spaces related to him. The findings were as follows: first, his early glass cube works sought after the reproduction of the Real Order through the repeating eyes of viewers and objects by using exhibition lighting; second, his works in the Standing Wall category pursued the reproduction of the Real Order through the repeating eyes of many different viewers around objects; third, his Nesting Boxes tried to reproduce the Real Order of a higher competition level in the perception aspects, making the repetitive elements of Standing Walls converge and including even external environmental elements; fourth, there is no decisive gaze sought after by Judd or the Key Signifiant as the core of Lacan's philosophy in Bell's formative works; and finally, Bell's works pursue the completion of Simulacrum through the infinite repetition of Derrida's Deconstruction Philosophy through the infinite visual repetition sought after by Gehry and Moss in the LA School of Architects who shared the same area and period with him.

• 복식문화연구
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• 제31권6호
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• pp.720-737
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• 2023

This study aims to merge Picasso's expressive elements and deconstructive fashion's formative traits, proposing an upcycle fashion design that fuses artistic and philoso-phical aspects. The analysis of Picasso's Cubism identified qualities like liberating revolution, fluidity of vision, geometric reducibility, complex symbolism, and creative imitation. The analysis of Derrida's deconstructionism revealed expressive traits: uncertainty, intertextuality, différance, and dis-de phenomenon. An upscale fashion design was developed based on six Picasso works featuring women. The design was created using the fashion design software CLO 3D and integrated clothing waste and scrap fabrics as materials.The results are as follows. First, upcycle fashion was viewed from a new perspective based on Picasso and Derrida's values. This perspective suggested creating better ethical values by upholding environmental protection in novel ways that overcome limitations rather than destroy existing values indiscriminately. Second, upcycle fashion design methodologies were derived from various perspectives utilizing formative features of Picasso's works and specific expressive features of deconstructed fashion. Third, the direction of mitigating waste and pollution from clothing production and transportation was revealed by making clothes in a virtual space using the CLO 3D program. This study contributed to obtaining various methods for developing upcycle fashion designs using own methods of Picasso and Derrida to diversify the approaches of upcycling, which is relatively stagnant in disassembling.

• 디지털융복합연구
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• 제17권1호
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• pp.313-317
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• 2019

설치미술은 특정한 이념이나 형식을 고수하지 않으며 다양한 매체를 융 복합적으로 활용하여 설치(installation)하는 작품을 적극적으로 시도한다. 그럼으로써, 결과적으로 일상적인 장소에 대한 새로운 인지를 자극한다. 설치미술은 공간에 설치되는 것인 만큼 설치되는 장소에 따른 공공미술적인 성격도 갖게 된다. 따라서 설치미술은 그 시작부터 대중과의 소통, 사회적 이슈에 대한 행동을 잠재하고 있다. 이러한 설치미술은 가운데는 지속적으로 공간을 점유하지 않는 일시적인 설치미술도 존재한다. 일시적인 설치미술은 영구성에서 벗어남으로써 창작과 소통에 가벼움을 갖는다. 이는 곧 열린 공간에서의 인간과 세계의 소통을 위한 새로운 융 복합적 예술로서 시도할 수 있는 예술 양식으로 고려하고 제언할 수 있다.

• 한국의상디자인학회지
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• 제12권2호
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• pp.41-54
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• 2010

This paper aims at studying about spatial structures and formative characteristics of Lucy Orta's fashion design. Her works utilizes the thought related on the architectural space that has been revealed sharp change of the paradigm since the late of 20th century. Lucy Orta against individualism of the urban life, and manufactures portable and moving housing and multi-functional fashion that is paved with individual rest unit and give a sense of security through simple combination among the units. Besides, she has development multiple portable clothing and equipments for the rescuethrough exploiting pioneering high technology. The results of this study can be summarized as the following: 1) refuge habitant creates individual space for physical and mental protection from the urban surrounding, 2) nomadic dwelling shows multi-functional fashion space fit for digital nomads' life style aims at continuous movement, 3) connective nexus and urban life guard are comprise of detachable individual unit in public space for remaking of the bonds, affinity, and relationship, and the complex of rescue clothing and equipments for meeting a challenge of the threat about human existence from uncertain environmental change in the future.

• 복식
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• 제64권8호
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• pp.138-154
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• 2014

The purpose of this study was to propose up-cycling fashion designs, based on guidelines derived from up-cycling fashion brand products and their required elements of the design. The study thus categorized required elements into environment, significance, economy, function, design, and material, then extracted a set of design guidelines. The guidelines for waste resource-based up-cycling fashion design include the followings: First, authenticity, taking mutual environmental relations into account. Second, rarity of products beyond the domain of standardized ready-made goods thanks to manual operation. Third, storytelling, reflecting the consumer history. Fourth, sustainability to signify the circulation of matters. Fifth, experimental characteristic to fulfill creative innovation. Sixth, changeability through interactions with wearers. The investigator decided design concepts based on them and created up-cycling design works with waste plastic bags, shirts, stockings, neckties, outdoor mats, and backpacks in a variety of formative expressive techniques.