• Journal of the Korean Society of Clothing and Textiles
• /
• v.14 no.4 s.36
• /
• pp.274-280
• /
• 1990

This paper is intended to grasp the characteristics of many bodices patterns which have been shown so far. The way is by selecting four characteristic kinds of patterns, making blouses offer the patterns and measuring ease. In measuring the degree of ease, $Scheff\`{e}'s$ paired comparison is made use of. In analysis, variation ratio has come out of analysis of variance, and significance is tested by producing estimated values between patterns. The Result is summed up as follows. 1. After wearing blouses made ofter different basic patterns and measuring ease, the analysis of variance is made about the sensory value of ease. The result is as follows. 1) In the ease of different patterns, all the areas are significant at the level of $1\%$ , regard- less of movements. 2) Under the influence of movements, the back area of arm hole is significant at the level of $5\%$ in narrow movements, and the front and the back area of arm hole are each significant at the level of $1\%$ in wide movements. 3) In the interaction of patterns and movements, bust and the under area of arm hole are each significant at the level of $1\%$ in narrow movements, and bust is significant at the level of $1\%$ in wide movements. 2. When comparing estimated values between patterns, the value of c is the largest and in the order of b,4, a. And in the other movements, the order changes into c,d, b and a. Thus the ease of blouses is different according to patterns. The reason for this is that the amount of ease of bust, the amount and location of darts, and sleeve cap height have complicate influences on the ease of blouses. Both sleeve cap height and the depth of arm hole have influences on the ease of sleeve. Consequently, in making clothes, it would be better to select and use proper patterns which go with the purposes and desings of clothes rather than to apply one pattern to various clothes.

• Journal of the Korean Home Economics Association
• /
• v.24 no.2
• /
• pp.1-11
• /
• 1986

The subject, in the blouses that sleeve caps and sleeve lengthes are different from, did sensory test by right arm movement and both arms movement. This sensory test which is used in fabric good, is Shef's. RESULTS : 1) The ease of bust size is very significant by cap height, at 5%, 1% level by sleeve length. 2) The front area of arm hole is affected by cap height, sleeve length movements more than the back and the under area of arm hole are 3) Sleeve width is affected by cap height, sleeve length both arms movement. That is, they should be designed according to the use because they affect the ease of blouse very much. Especially bust size should be considered with sleeve pattern because the ease bust becomes different with sleeve pattern.

• Journal of the Korean Society of Clothing and Textiles
• /
• v.27 no.5
• /
• pp.485-495
• /
• 2003

This study was to compare and analyze the clothing pressure according to arms movements of 4 brands jacket for middle-aged women group by measuring clothing pressure of each brand. The results were as follows: 1. According to the analysis of jackets of 4 brands, in general, jacket C had the largest ease amount. while jacket A had a large ease amount in waist, hip areas compared with bust area. Also jacket B had a small ease amount in bust, waist areas and jacket D had a small ease amount in hip areas. Therefore the ease amount is different between each brand, each size even though jacket designs are similar. 2. It was found that clothing pressure was affected by arm movements than jackets. Since this study was limited to the arm movement for motion variation, it was recognized that a significant difference among each jacket and each movement at shoulder, waist parts existed with relation to this motion. 3. Parts showing a significant difference among each size were bust point, abdomen point, center back point of abdomen level, angulus superior scapulae point and center back point of waist level. Also clothing pressure of size B91 was bigger than size B88 except Center back point of waist level. 4. Clothing pressure in shoulder point, front armpit point, back armpit point, upper arm point areas increased as the angle of the arms movement increased. Also, individual variation of clothing pressure in front armpit point, back armpit point, armpit point and upper arm point was large, and clothing pressure in abdomen point was high in M5(sitting posture).

• Journal of Fashion Business
• /
• v.15 no.3
• /
• pp.22-31
• /
• 2011

In this study, to develop a bodice pattern for women aged 18~24 years, statistical analysis was conducted using the body measurements from 2004 Size Korea and wearing test was conducted. As a result, ease of the bust level to set a horizontal line was decided to be 4cm, that of front interscye line 0cm, and that of back interscye line 0.7~1cm. And the line which divides the horizontal baseline into halves set as the side line. The conversion formula for decision of the scye depth line in the pattern is B/6 + 3.3(cm) + ease (2.5cm), and if bust circumference is 91 or more, it should be 21cm, and if bust circumference is 76 or less, it should be 18.5cm. The back neck line width is 7cm, front neck line width 6.5cm(back neck line width -0.5cm), and front neck depth 8cm(back neck line width +1cm). The shoulder slope was set as a slope of the hypotenuse of a right-angled triangle, which went out 15cm out of the shoulder point and went down 6cm, with tan$21.7^{\circ}$. To develop a final research pattern, wearing test was performed on the primary research pattern for 21 women aged 18~24 years. As a result, the research pattern was evaluated to be significantly higher.

• Journal of the Korean Home Economics Association
• /
• v.32 no.2
• /
• pp.219-230
• /
• 1994

The purpose of this comparative research is to investigate the change of the drafting method of the basic patterns for women in Korea. Followings were the findings of this research: 1) The concept of the basic pattern could be found after the first of the 1950s and there was introduction of the many basic patterns. At first measurement couldn't be found. Gradually the personal body type could be expressed in the basic pattern through the practical measurements such as the width of highest bust level and the length of neck to bust. 2) Through the ages the changes of the basic patterns were between 1950,60s and 1980,90s distinctively at the back width back shoulder angle front and back shoulder height from biceps line back neck ratio(height/width) BP position at the biceps line the amounts of underarm dart underarm dart position from the biceps lines and front ease angle at BP line. 3) 4 Grouping the types of the basic pattern followings are their characters; 1st Munwha or Doreme style 2nd waist dart group 3rd underarm dart and rectangular front ease 4th the usage of many measurements like as front length upper bust girth etc.

• Journal of Fashion Business
• /
• v.19 no.2
• /
• pp.85-102
• /
• 2015

This study aimed to develop dress torso patterns with both aesthetic and functional qualities that fit for women in their 20s. In order to develop dress torso patterns, wearing tests were done. By collecting drafting methods of the patterns through literature study and the survey of wedding dress manufacturers, four kinds of dress torso patterns were selected. The existing dress torso patterns have no or very small ease in chest, waist, and hip circumferences. As a result of wearing tests of these four existing dress torso patterns, drafting methods of dress torso patterns that have the best satisfied values close to optimum zero were selected; the first and second research dress torso patterns were developed by modifying and supplementing items that had noticeable difference through the Wilcoxon rank sum test with a selected measured value and a best satisfied value of zero; and deduced a drafting method for the final developed dress torso patterns by a wearing test of the second developed dress torso patterns. Distinctive aspects of drafting methods of the final developed dress torso patterns were that ease for each area was given differently by considering a functional quality and a chest circumference instead of a bust circumference was applied to reduce influence by the size of breast in neck and armhole areas, and a back bust level. Back neck breadth was made wider and front neck breadth was made less narrow due to a recent change of age 20s female adults' shoulder and back shape.