• 수도
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• v.24 no.1 s.82
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• pp.12-17
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• 1997

• The Research Journal of the Costume Culture
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• v.2 no.2
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• pp.371-383
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• 1994

The purpose of this study was to investigate the relationship between the freedom in dress and the behavior on clothing selections for a group of female college students. Through this study, the following were found: 1. A significant relationship was found between the freedom in dress and the behavior on clothing selections. 2. There was a significant relationship between clothing selection abilities and clothing satisfaction determinants. 3. There was a significant relationship between practicality and freedom in dress. 4. The revel of the freedom in dress among the Free dresser groups turned out to have a profound relation with the fashion, while that among the Less free dresser groups had a correlation with the economic exhibitionism.

• Proceedings of the Korea Society of Design Studies Conference
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• 2002.05b
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• pp.232-233
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• 2002

• Journal of the Korean Society for Precision Engineering
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• v.20 no.6
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• pp.15-19
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• 2003

• Proceedings of the Korean Society of Machine Tool Engineers Conference
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• 1997.04a
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• pp.30-35
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• 1997

CNC Grinding Center is developed to improve the flexibility of grinding process and to obtain the high machine accuracy in grinding processes. It consists of a built-in type spindle with max. 25,000 rpm, ATC(automatic tool changer) for quick and reliable loading/unloading of tools, a rotary dresser for trueing, dressing, and personal computer based CNC controller, etc. This research concentrates on the machine structure, the evaluation of efficiency, and the machining technology of the developed prototype

• Proceedings of the Korean Society of Precision Engineering Conference
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• 2002.05a
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• pp.32-36
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• 2002

This paper presents the structural characteristic analysis of a centerless grinding machine with concrete bed. The centerless grinding machine is composed of grinding wheel head, regulating wheel head, concrete bed, wheel dresser and so on. Especially, the concrete bed is introduced to improve the static, dynamic and thermal characteristics of the centerless grinding machine. The structural analysis model of centerless grinding machine is constructed by the finite element method, and the structural characteristics in the design stage are estimated based on the structural deformation and harmonic response under the various testing conditions related to gravity force and directional farces

• Proceedings of the Korean Society of Precision Engineering Conference
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• 2005.06a
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• pp.6-9
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• 2005

In this study, the ultra precision centerless grinder for ferrule grinding was designed. As the good-qualified ferrule is required a precise and fine grinding, grinding machine for ferrule must have a high accuracy and a sufficient stiffness. The centerless grinder is composed of the high damping concrete bed, grinding wheel spindle unit, regulating wheel spindle unit, feeding table and dressing unit. For a newly developed centerless grinder, hydrostatic system with high precision feeding and high stiffness was proposed. The grinding and regulating wheel spindle units were composed of hydrostatic spindle and feeding table was hydrostatic table. The prototype of hydrostatic table was manufactured and tested.

• Journal of the Korea Furniture Society
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• v.24 no.4
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• pp.389-399
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• 2013

This study focuses a comparison of Korean and Western Furniture culture on traditional cupboard terms to make the people understand and distinguish the form of the various Korean and Western cupboard made by the craftsmanship before the industrial Revolution. As the result, the Korean cupboard shows Kangwon Chanjang/cupboard, Gyeonggi Chanjang/cupboard by the local name, dwiju Chanjang/cupboard, three-tiered Chanjang/cupboard, four-tired Chanjang/cupboard, two-tiered Chantak/cupboard, three-tiered Chantak/cupboard in the terms of the form. Korean cupboards are called Chanjang and Chantak. The Western cupboard shows cupboard, buffet, livery cupboard, cupboard-bed, corner cupboard, court cupboard, turkey-breast cupboard, pot cupboard, press, press cupboard, hall cupboard, sideboard, hunt sideboard, huntboard, cabinet, corner cabinet, writing cabinet, art cabinet, china cabinet, dresser, safe, meat safe, wall closet, wall cupboard, hanging corner cupboard, food cupboard in the terms of the various forms.

• Journal of the Korean Society of Costume
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• v.22
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• pp.243-262
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• 1994

L'niteret majeur de cette etude reside dans I'interpretation des images vestimentaired au Moyen-Age en France sur le plan esthetique et religieux. Comme d'interessantes hypotheses de tra-vail les images religieuses temoignent de la transformation de I'esprit religieux, artistique mais aussistyle de vie, de la mode et du gout a l'epoque segeuriale. D'apres les icons de la ste. Vierge, on peut y noter de multiples sources d'influence. le style autochtone fancais-I'art courtois le style gothique intenational les types de repre'sentation siennoise le Realisme neerlandais le Naturalisme italien Comme le role du vetement d'apres les icons de la ste. Marie le Moye n d'identification de la ste. Marie L'Objet de connexion entre les figures et I'architecture L'Element decoratif dans la peinture L'Intermediaire expressif et approfondi du theme On peut aussi dresser I'iconographie et le symbolisme vestimentairedans le monde chretien.

• Journal of the Korea Fashion and Costume Design Association
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• v.7 no.3
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• pp.1-6
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• 2005

'Interaction' here means an action that reciprocally affects each other. In this action each change and movement does not exist independently but acts upon each other. The interaction of fashion design has undergone a lot of changing experiences. Besides it assumes the role of an appreciator that participates in the formation of work. This interaction breaks down the distinction between the designer as the maker and presenter of dress and the passive dresser and appreciator as its passive receivers.. Finally, it integrates the creator, receiver and technology altogether. The interaction tendencies of fashion design treated in this study are classified into four types. First, the mechanism that is included as a part of work and the cognitive response that the observer experiences. Second, the response that fashion design displays towards the stimulus of circumstances. Third, the changeability of manipulation of fashion design. Fourth, the control that mechanism acts upon dynamic status by technology. As in may other fields of our life, interaction in fashion design reflects the change and interactivity of our thinking and ideas.