• Journal of architectural history
• /
• v.14 no.4 s.44
• /
• pp.41-58
• /
• 2005

This study was started under the judgement that reviewing $\ulcorner$A Survey Report of Korean Architecture$\lrcorner$, which contains photographs and drawings by Sekino Tadashi and which was also made under the order of the Japanese government(1902), would make it possible to consider in detail the status of Korean buildings in the period of the Korean Empire. The focus of the study. was put on three main parts of the temple, especially the central parts. The photographs and drawings as mentioned above showed that changes in the layout of buildings in the central part of the temple were made between the period of the Korean Empire and that of Japanese occupation. Thus the purpose of the study is to investigate when changes in building layout in the central part of the temple were made and what made such changes to be caused, obtaining information necessary for future changes in the precincts of the temple. Results of the study can be summarized as follows. First, 'Seonchal Daebonsan Beomeosa feonkeongdo' and 'Gyeongsangnamdo Dongraegun Beomeosa Geonmul Jeondo' were made in a same period. While, 'Chosun Gojeok Dobo', published by the government-general of Chosun, was a collection of photographs taken by Sekino Tadashi for about 30 years from 1902 to 1933 under the order of the Japanese government. But there were few changes in the building layout of the temple shown in the three materials. Second, one of the photographs and drawings made since 1933, not contained in 'Chosun Gojeok Dobo', and discovered by this researcher was 'Seonchal Daebonsan Beomeosa Annae' which was published by the temple itself after national independence from the period of Japanese occupation, indicating the main reason of changes in building layout as mentioned above. In conclusion, the layout of buildings of the temple began to be changed on a large scale, with so-called 'Cheyongseol' ignored, when Buddhist monk Cha Woon Ho established a 7-storied sarira tower to the left of the main building in the center of the upper part in 1936. In addition, the axis line connecting between Hwaeomjong and Seonjong was also changed at that time.

• Journal of the Korean Institute of Landscape Architecture
• /
• v.42 no.2
• /
• pp.86-90
• /
• 2014

This study was conducted to examine the state of confusion about those azalea cultivars(hereinafter, Azalea Cultivars) that are used among practicians in landscaping businesses(designers, constructors, and producers). Which Azalea Cultivars would be delivered when they were ordered to producers using the names of Azalea Cultivars notified by the Public Procurement Service. In addition, the situations of azalea cultivar planting designs in the planting design drawings of three apartments completed recently and whether the Azalea Cultivars on the design drawings were the same as those Azalea Cultivars that were actually planted were examined. When Azalea Cultivars were ordered using the notified names, three Azalea Cultivars; Beni, Three, and Daewang were delivered for the name Yeongsanhong and two Azalea Cultivars; Zasanhong and Hancheol were delivered for the name Zasanhong. Yeongsanhong was perceived as a common name of Beni, Three, and Daewang by producers. Therefore, this caused confusion between producers and purchasers. In the case of Zasanhong, as the traits of Zasanhong are similar to those of the cultivar Hancheol, the producers or purchasers might have been unable to clearly distinguish between the cultivars and thus two cultivars might have been delivered without being distinguished from each other. The names of Azalea Cultivars used in planting design drawings were the names notified by the notifying agencies or comprehensive and unclear names such as azalea and Yeongsanhong. Completely different Azalea Cultivars from those written in planting design drawings were planted in actual construction sites in many cases. These situations should have occurred because designers did not write accurate cultivar names in planting design drawings and constructors could not accurately perceive the classification characteristics of individual Azalea Cultivars but planted those Azalea Cultivars with similar flowers colors or those that could be easily bought to fit the conditions of construction sites.

• Journal of Broadcast Engineering
• /
• v.27 no.3
• /
• pp.391-401
• /
• 2022

As deep learning-based object detection and recognition research have been developed recently, the scope of application to industry and real life is expanding. But deep learning-based systems in the construction system are still much less studied. Calculating materials in the construction system is still manual, so it is a reality that transactions of wrong volumn calculation are generated due to a lot of time required and difficulty in accurate accumulation. A fast and accurate automatic drawing recognition system is required to solve this problem. Therefore, we propose an AI-based automatic drawing recognition accumulation system that detects and recognizes steel materials in construction drawings. To accurately detect steel materials in construction drawings, we propose data augmentation techniques and spatial attention modules for improving small object detection performance based on YOLOv4. The detected steel material area is recognized by text, and the number of steel materials is integrated based on the predicted characters. Experimental results show that the proposed method increases the accuracy and precision by 1.8% and 16%, respectively, compared with the conventional YOLOv4. As for the proposed method, Precision performance was 0.938. The recall was 1. Average Precision AP_0.5 was 99.4% and AP_0.5:0.95 was 67%. Accuracy for character recognition obtained 99.9.% by configuring and learning a suitable dataset that contains fonts used in construction drawings compared to the 75.6% using the existing dataset. The average time required per image was 0.013 seconds in the detection, 0.65 seconds in character recognition, and 0.16 seconds in the accumulation, resulting in 0.84 seconds.

• Korean Journal of Heritage: History & Science
• /
• v.55 no.3
• /
• pp.46-58
• /
• 2022

This study analyzed the documentation trend of garden components such as plants, infrastructure, unit facilities, and structures, based on 188 measurement drawings of 94 old houses in a report on the documentation of the national folklore cultural heritage. The findings are as follows. First, it was found that plants and structures continuously appeared as the subject of measurement drawings, while infrastructure was often omitted. It was confirmed that unit facilities, which are smaller than other components, were frequently excluded from the documentation subject as well due to frequent changes such as movement, loss, and expansion. Second, the level of expression in measurement drawings showed different aspects for each component. The unit facilities showed a large change over time with respect to the level of documentation, and the level of documentation was somewhat polarized, particularly toward the latter stage. This suggests that the level of documenting the drawings limited to specific facilities improved, but the overall level of drawings did not improve, such as a lack of diversification of expression techniques suitable for various unit facilities. On the other hand, it was confirmed that the level of documenting the drawings for plants, infrastructure and structures did not change to a significant degree, implying that no improvements were made to the expression of components. Third, as for the technique of detailed expression, in the case of plants, vegetation status was prepared without distinction of old or protected trees that have historical value. Above all, there was no record of the vegetation structure that could help grasp the vegetation landscape of the outer area. As for the infrastructure, there was no consistent expression technique to systematically convey topographic changes such as the height and slope of the land. In addition, since there was no subtype classification defined for unit facilities and structures, there was no subject or method of documentation. This study is meaningful in that it expanded the category of documentation, which has been concentrated on buildings in old houses, to gardens, and called attention to the need for documenting the gardens for the preservation and management of old houses as an integration of the building and outer area.

• Proceeding of Spring/Autumn Annual Conference of KHA
• /
• 1998.08a
• /
• pp.102-104
• /
• 1998

• 한국도로학회:학술대회논문집
• /
• 2004.10a
• /
• pp.327-330
• /
• 2004

• Korean Architects
• /
• s.507
• /
• pp.72-75
• /
• 2011

• International Journal of CAD/CAM
• /
• v.5 no.1
• /
• pp.51-58
• /
• 2005

Interpreting a natural line drawing as a solid object requires simplifying assumptions in order to make the problem more tractable. Unfortunately, some of the assumptions made in the past have overly simplified the problem. Restricting the valency of vertices, and in particular allowing only trihedral vertices, distorts the problem, since algorithms which are satisfactory for the simplified problem are not satisfactory in the general case. This paper presents a test set of drawings of objects with higher-valency vertices. The intention in creating this test set is that it may be used to determine how effective various algorithms are in dealing with general (i.e. unrestricted) valency vertices.

• The Transactions of the Korea Information Processing Society
• /
• v.4 no.1
• /
• pp.209-214
• /
• 1997

In this paper, we propose a new preorder tree method for binary images, named the Compact Complementary Quadtree (CCQ). In the proposed method we use type codes for representing nodes in the quadtree instead of using the symbols G, B, and W. From the experimental results, we have confirmed that the CCQ has a higher compression ratio than of the DF-expression. CCQ can be effectively applied to progressive transmission of binary images such as line drawings, geographical maps, and halftones.

• Journal of Korea Multimedia Society
• /
• v.10 no.12
• /
• pp.1601-1611
• /
• 2007

In this paper, we presented geometric CAD watermarking scheme for Architectural design drawings using line, arc, and circle components to prevent infringement of copyright from unlawfulness reproductions and distribution. The conventional CAD watermarking scheme can be applied to both line and arc components. But the proposed scheme consists of line, arc and circle watermarking schemes for three basic components of CAD design. After extracting line, arc and circle components from designed drawing, the watermark is embedded into the length of Line component, the angle of arc component, and the radius of circle component considering the robustness against various geometric transformations. The embedding strengths in each component are determined to be preserving the transparency of the watermark. By experimental result, we confirmed the robustness and the invisibility of embedded watermarks in several conversions of architectural design drawing.