• 한국소성가공학회:학술대회논문집
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• 한국소성가공학회 1995년도 추계학술대회논문집
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• pp.76-85
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• 1995

The general equation of homogeneous strin for tube drawing has been derived. This can be applied to the general tube drawing method for non-zero plug angle. Also, the derived equation can represent Blazynski's equations for the sinking and tube drawing with a constant plug diameter. The general tube drawing was divided into two steps, sinking and contact drawing zones. The derived equation can calculate the homogeneous strains of the two steps. The various tube drawing methods such as fixed tapered plug, fixed mandrel, fixed back tapered plug, and floating plug have been analysed by the equation and finite element analysis. From the FEM calculations, the total strains and drawing stresses are obtained and consequently the redundancy factor of various drawing methods was analysed. The fixed back tapered plug method showed the largest redundancy factor and the floating plug method had the largest drawing stress.

• 만화애니메이션 연구
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• 통권36호
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• pp.217-236
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• 2014

본 연구는 애니메이션의 전문적인 특성을 고려한 드로잉 교수법을 연구하기위한 문헌분석 과정으로 뇌의 기능과 학습, 창작 기제를 고려한 교수법을 적용하면 애니메이션 드로잉능력이 효율적으로 신장될 것이라는 관점의 연구를 위한 원리분석 과정이다. 최근 들어 각 분야의 교육방법에 대한 대안적인 논의로 뇌기반 학습원리가 적용된 연구결과들이 발표되고 있다. 이는 미술과 드로잉 교육 뿐만 아니라, 예술전반적인 교육적 대안으로 적용 실시되고 있다. 반면, 애니메이션 드로잉은 미술적 소양을 필요로 함과 동시에 움직임에 대한 구조적 지식과 인지적 감각, 소통방식을 숙련할 수 있는 종합적인 교수법을 요하는 것에 비해 전문적인 교수법 개발 연구는 미진하다. 이에 효과적인 교육의 원리를 뇌의 기제로 바라보고 뇌가 학습하고 창의성을 발휘하게 되는 원리를 분석하여 본다. 또한 그림그리기와 뇌의 기능에 대한 원리관계를 통해 드로잉과 뇌의 관계를 알아본다. 그 결과 구조와 형태를 그릴 수 있는 인지적 정보를 관할하는 좌뇌 뿐만 아니라, 그리기와 직접적 관련이 있는 우뇌를 통합 발달시켜야 하며, 창의성이 발현되기 위해서는 물리적, 심리적 요소가 발현되는 통합적 뇌의 기제를 이해한 교수법이 개발되어야함이 드러났다. 애니메이션드로잉교육은 드로잉 능력에 필요한 예술적 창의 속성을 발휘하는 방법을 교육하는 것이기 때문이다. 이 과정은 기존의 애니메이션드로잉 교수법과의 차별성을 찾아내는 토대가 될 뿐만 아니라, 뇌기반-원리는 이후 교육의 전략과 방법 모형을 설계하는데 핵심적인 전략적 정의로 선정될 것이다.

• Tribology and Lubricants
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• 제36권6호
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• pp.350-358
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• 2020

Hot stamping is an effective and suitable process widely used in automotive applications, though critical issues such as the transfer of the coating materials and build-up of these materials on tool surfaces have been encountered. Past researches figured out the resultant wear phenomenon using pin-on-disc and drawing (for example, strip drawing and deep drawing) methods to mimic the process and analyzed the wear behavior with respect to the influencing factors such as surface coating, load, and roughness. Although the pin-on-disc is a conventional and widely-used method, it presented a methodological limitation when simulating the hot stamping process by forming a new blank each time, and hence, a drawing-based friction method has been proposed and developed. Each drawing method applies loads in a different way, resulting in a different wear behavior. Notably, the deep drawing process is most similar to the hot stamping process compared to other drawing methods. In this paper we present a review of the friction testing methods mimicking the hot stamping process and the associated wear behavior. This can be helpful in presenting a step-by-step approach and different perspectives on the wear behavior in the hot stamping process.

• 한국조경학회지
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• 제27권1호
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• pp.54-63
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• 1999

The Landscape drawing is used as main media in landscape design process like the language in daily life for human. Designers input many intentions and meaningful words in design process through landscape drawing. The common purpose of landscape drawing is to represent reality effectively, even though it has variable visual forms and materiality. The representation in landscape drawing in metaphorical as well as visual and functional. But current tendency is inclined to use landscape drawing in a functional aspect for visual representation and the landscape drawing is utilized straight-forwardly rather than metaphorically for clear communication. Such recognition on landscape drawing results from the difficulty to accept the symbolic aspect of the drawing. The difficulty makes the utilization and the interpretation of landscape drawing stay at conventional level in following visible factors. For the sake of solving the difficulty this study considers landscape drawing as the text that contains readable objects and symbolic words. This study presents layer-methods for reading a landscape drawing as a text; situational and contextural reading, iconological reading and reading the subject of drawing.

• 대한물리의학회지
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• 제11권2호
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• pp.33-40
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• 2016

PURPOSE: The purpose of this study was to determine the impact of stable and unstable surfaces on abdominal muscle thickness and changes in trunk muscle thickness in accordance with breathing methods during bridging exercises. METHODS: Bridging exercise on a stable surface, bridging exercise on an unstable surface, bridging exercise using a drawing-in maneuver on a stable surface, bridging exercise using a drawing-in maneuver on an unstable surface, bridging exercise using bracing on a stable surface, bridging exercise using bracing on an unstable surface. In sequence, the muscles' thickness was measured three times before and after each exercise, and the measured value was averaged. RESULTS: There were significant differences in internal oblique and transversus abdominis muscles' thickness in the drawing-in maneuver in both stable and unstable surface (p<0.05). There were no significant differences in external oblique muscle's thickness in the bridging exercise in both stable and unstable surface. The type of surface did not have a significant influence on the abdominal muscles' thickness. CONCLUSION: As a result of the study, the drawing-in maneuver had a greater effect than bridging or bracing maneuver on muscle thickness. We suggest that drawing-in maneuver will be more effective in a person with a weak abdominal muscle.

• 품질경영학회지
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• 제48권3호
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• pp.381-393
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• 2020

Purpose: The purpose of this study was to find useful solutions by analyzing causes and results about defects on mechanical drawing notes and provide an automated tool with solutions to mechanical engineers. Methods: The collected data for defects on mechanical drawing notes were from ongoing development and mass production projects. Various measurement methods were used based on the Lean 6 Sigma analysis such as Process analysis, C&E diagram and some statistical analysis. Results: The results of this study are as follows; The results of the Lean 6 Sigma analysis, the validity of the selected indicators for improving drawing notes quality was verified through the verification of cause variables. The strategy established to improve the mechanical drawing notes was reflected as an automated program, and the defects were within a manageable range and achieved target Sigma level. Conclusion: Through the application of the "Mechanical drawing notes automation tool", it is expected to resolve the "Voice of Customer, VOC" and "Voice of Business, VOB".

• 한국초등과학교육학회지:초등과학교육
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• 제29권4호
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• pp.496-504
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• 2010

In this study, we analyzed request methods and demanding levels of drawing activities in teacher's guide and supplementary book (experimental observation). Student's drawing results were also compared to teacher's guide and supplementary books demanding. As a result, drawing activities of supplementary book were reached to 42.8% of all activities. Activity types were divided to writing, drawing, writing and drawing and writing or drawing activities. Writing and drawing activity type was 44.4%, and drawing activity was 37.8%. The level of teacher's guide were higher than normal needs. But answer examples and learning levels of teacher's guide were appropriate for curriculum levels. The students drawing activities were matched to requirements of the teacher's guide to 72.3% in grade 3 level and 64.5% in 4th grade level. In order to improve effectively learning, statement of supplementary book and teacher's guide should write more concrete words and creative sentences.

• 복식문화연구
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• 제12권1호
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• pp.28-40
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• 2004

The purpose of this study was (1) to identify the experimental bias which could appear person perception as results of development methods (2) to find out the most desirable method in developments of stimulus. The research was a quasi experiment and the subjects were 358 male and female undergraduate students by convenient sampling. The experimental instruments consisted of a set of stimulus and semantic differential scales of 7-point bi-polar adjectives. The collected data were analyzed by Principle Component Analysis, ANOVA(analysis of variance), Scheffe's multiple range test. The independent variables were developing methods of stimulus(live person, photography of real person, 2 kinds of black and white line drawing, 2 kinds of color drawing). The results were as follows. First, five factors which were potency, sociality, appearance, evaluation, activity impressional dimensions emerged to account for the methods of development of stimulus. Second, the methods of development of stimulus had significant effects on potency, sociality, appearance, activity factors. In sociality factors, the impression of photographic stimulus was the closest to the live person's impression. However in the appearance and activity impressions, significant difference existed between live person and other developing stimulus. In the potency impression, black and white line-drawing gave the highest impressional bias. In the sociability and appearance impressions, color-drawing stimulus gave the highest impressional bias. Result: On conclusion the developments of stimulus can effect on stimulus person's impressions and these effects can produce experimental biases, the photographic stimulus gave the least impressional bias. The study shows that photography of real person will produce minimize measurement error.

• 만화애니메이션 연구
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• 통권38호
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• pp.71-91
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• 2015

본 연구는 애니메이션의 전문적인 특성을 고려한 라이프 드로잉 교수법을 연구하는 과정으로 두뇌의 창작 기제를 고려한 전략을 적용한 모형과 교수방법 설계를 목적으로 한다. 최근 들어 창의성을 기반으로 하는 각 전문분야의 교육방법에 대한 대안적인 논의로 뇌 기반 학습원리를 적용한 융합적 교수법에 대한 연구결과들이 발표되고 있다. 즉, 뇌의 창의기제를 기반으로 한 융합적 교육은 미술과 드로잉 교육뿐만 아니라, 예술전반에서 적용되고 있는 것이다. 라이프 드로잉은 인체에 대한 구조적 지식을 넘어서 인지적 감각, 창의성, 그리고 동작을 통한 대상과의 소통방식을 이해한 생동감 표현법 등을 숙련할 수 있는 종합적인 교수법을 요하는 분야이다. 이에 본 연구에서는 연구의 앞선 단계에서 분석된 창의, 학습기제와 내용요소를 바탕으로 하여 라이프 드로잉 숙련을 위한 전략과 방법 그것을 정리한 교육모형 구조도를 설계하여 본다. 그 결과 이전 연구의 결과물인 뇌의 창의, 학습 기제를 기반으로 한 라이프드로잉의 능력요소와 두뇌기반 촉진요소가 유기적으로 결합되기 위해서는 5단계 인지전략단계인 뇌 활성화 준비단계, 대뇌피질 기능 활성화, 고등사고촉진단계, 고등사고단계, 통합단계를 거쳤을 때 가능하다는 결론에 도달하였다. 또한 이를 실행하기위한 전략적 방법으로는 브레인짐(brain gym), 우뇌활성화드로잉, HSP(고차인지)트레이닝으로 설계되었다. 이를 토대로 하여 설계된 교수학습모형 구조도는 이후의 연구에서 해당 회기 동안의 교수학습지도안 설계로 이어진다.

• 패션비즈니스
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• 제1권1호
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• pp.84-98
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• 1997

This study is to develop a fashion drawing education program which is based on the theory of 'Split-brain' by Roger W. Sperry and 'Drawing on the Right Side of the Brain' by Betty Edwards. Students in Fashion Design start their training by developing a foundation in drawing and studing the tools, materials and methods of the Industry. Ideas are then developed on paper, later translated into three-dimensional shapes and finally into finished garments. Fashion drawing and design techniques train the hand and eye to all the nuances of fashion design and illustration. Fashion drawing course deals with the sketching of fashion models for the purpose of understanding the model figure, basic anatomy, movement and figure attitudes. Having mastered the basic skills, students take advanced drawing course which is developing awareness of design, needs, of fashion market' using various media for the purpose of developing a designer's sketch, with emphasis on the drawing and designs. Featured aspects of this study include the following; 1. Drawing the negative space; basic visual concepts 2. Contour drawing; constructs, visual measurement, movement 3. Model drawing; the classical method, proportion, symmetry. The primary aim of this study is to develop a sensitive, animated line based on observed form. It is important to let the students Imagine that they are actually touching the model, for in this way they can benefit from simulating the child's learning process. Instead of actually touching the model they are using their eyes as an extension of their sense of touch.